Baskets pattern quilt made by Amish woman Sarah Stoltzfus (b. 6/17/1923), circa 1939 when she would have been about 16 years old. This pattern is very unusual among the Lancaster Amish.
Pieced wool top blocks on point. Pink baskets of crepe rayon(?) on a field of green alternate with turquoise-blue blocks. Wide border of green and a binding of turquoise blue, turned front to back. Back is a blue cotton print with white dots. Cotton batting.
Hand quilted in black running stitch. Border has vining flowers, tied with a bow in corners. Turquoise blocks have an unusual circle fringed with triangle points and a triple-line cross within dividing it into quadrants. Basket blocks have cable, shell and parallel lines as well as a basket "handle."
Made by Sarah Stoltzfus for herself to go to housekeeping. Her mother chose the pattern from her sister and neighbor Katie Smoker Glick (wife of "Red John" Glick) and also purchased the fabric in stores in Intercourse and New Holland. Sarah's parents were John P. Stoltzfus and Amanda L. Smoker Stoltzfus. Sarah did all the piecing and most of the quilting w/ perhaps some help from her sister.
Note: This quilt is very similar to two other quilts (owned by Trish Herr and Jay & Susan Leary).
RD#1 Millwood Rd., Gap, PA 17527, Salisbury Twp.
Provenance
Sold by maker in 1988 to Tom Wentzel of Lititz, a dealer, who sold to M. Finkel & Daughter, dealers on Pine St. in Phila. (all transactions occurred in the same year). See 2004 fieldwork notes of Rachel Pellman.
Floral applique block quilt of cotton. Sixteen 15" floral applique blocks of flowers on white ground. Flowers have blooms of various greens & browns appliqued together to create two different designs that alternate block by block. Flowers branch out in curves with leaves of black & green print and intricate flower buds.
Sashing, 2.5" wide, separates blocks with white strips edged with thin green strips. Inner border of 1-inch wide brown strip encloses blocks. In large outer border of white with mitered corners are graceful grapevines of grape clusters, leaves of the same green & black print as leaves in centerfield,and tendrils of chain stitch embroidery. Wide red binding w/ mitered corners wraps to back and is hand stitched. White cotton back of four panels. Thin cotton batting.
Hand-quilted with a grid in centerfield except for bold cable that is superimposed on sashing and brown inner border. Outer border has slanting parallel lines. One distinctive round flower 2.5" in diameter with 10 petals is found in outer border near one corner, near edge.
Card originally sewn on quilt (handwritten in ink): "Quilt made by Rebecca Rynard of Line Lexington Penna. 90 yrs ago - it has taken many 1st prizes at the State Fairs in both Montgomery Co & Bucks Co - Penna." Below is "Property of M.D.S. Elwell 524 Cedar Lane Swarthmore(?)"
Provenance
Wheatland record states history of ownership is unknown between maker and donor. Research shows most Rynards lived in Cumberland Co.
Soil and multiple scattered stains overall, esp. on back. Significant holes on front. Wide binding is worn at edge and fraying. Many seams deteriorating and separated.
All cotton quilt, Lone Star pattern composed of pieced diamond prints on a white ground, itself pieced with many sections. Appliqued swags and beefy 8-point stars in outer border. White binding applied and hand-stitched back and front.
REFURBISHED: Lone Star, swags and small stars were later covered with appliqued solid pink cotton, apparently meant to salvage a quilt suffering from deteriorated original prints. Original printed fabrics underneath still visible along many edges of pink overlay. No quilting done on pink overlay.
Provenance
Found in Wheatland's collection with no identification.
Pink applique is a later "repair" covering all areas of original printed fabric used in lone star, swags and small stars. Original pieced prints visible through the pink overlay and are in unknown condition; presumed to be worn. Overall soil and browning from sun and acid burn. One-inch hole near swag; other scattered holes as well.
Object ID
2016.999.1
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
Quilt made to commemorate the United States Bicentennial by students of Frances Sears' 5th grade class at Wickersham Elementary. Students selected topics for their quilt squares. THey then researched designed, and created their squares. Ms. Sears created a scrapbook to document the project (part of Archives colelction).
All cotton block quilt has a Bear-claw pattern using a small-scale print of green and black flowers with yellow centers. These 16 large blocks are arranged on point alternating with 1/4-size smaller 9-patch blocks using the same print, also on point. Both pieced blocks worked on a white ground. Wide strips of white pieced rectangles form a sash-like pattern, separating the Bear-claw blocks. At each intersection of the "sashing" is the smaller 9-patch block. Thin batting is clumped.
The 1/4" binding uses the green print wrapped from front to back. Back is a white cotton muslin pieced in 3 panels.
Hand-stitched quilting done with white cotton thread, with some tan. Quilted with grid and straight, parallel lines.
Color and construction all in very good condition. Some soil with scattered light brown stains as well as staining or acid burns along some fold lines. Batting is clumped.
Object ID
1974.008.1
Notes
This same green print is found in "Dating Fabrics: A Color Guide" by Eileen Jahnke Trestain on page 89. The print is described as an "overdyed green".
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
Pieced silk quilt. Block design. (15" x 16") 4 triangles (1 black triangle in each block). All blocks set straight; variety of colors. Quilting in gold thread; 2-inch-wide outer border of black quilted with interlocking circles. Binding front to back, hand-stitched. Back is aqua polished cotton.
Fabric for pieces: moire, satins, silks, prints, stripes, plaids, checks.
9 blocks of crazy quilt patches (silks, satins, velvet, some small-scale prints). Many flowers, cat, bird, butterfly, toad. Embroidery with ribbon, chenille, perl cotton and metallic thread. Feather stitch variations and wide variety of unusual stitches. Polished cotton back is solid piece of red-blue floral-geometric on green. 1 1/2-inch wide dark green binding, machine stitched. Mitered corners (2 closed; 2 unstitched).
Provenance
Quilt was donated by Mrs. F. Jean Aspril & Joan E. Hendrickson from the estate of Elsie K. Hill Graybill, April 25, 1976.
All cotton quilt, on point blocks have pieced 8-point star blocks that alternate with blocks of a woven pattern blue with a grid of white lines. Stars are small scale floral print of pink with tiny white flowers. White ground is a very loose weave composed of multiple pieced panels. White outside border is 11" wide on one end and 7.5" wide on the other three.
Hand-quilted with white thread in a small scale grid aligned with blocks.
Back is a loose weave arranged with wide strips of white alternating with strips of a large, bold red print of branches and large flowers. Six white strips are 8.5 - 9" wide; 5 printed strips and 7.5" wide. Back is brought forward to front to created binding. Thin battiing.
Inscription: On front quilt corner is "HM6? handwritten in ink.
Overall fading and deterioration, especially in pink floral print which is consistently riddled with small holes where white flowers have deteriorated. Some small holes in blue fabric, 1/8"-1/4" big with fraying. General soil, scattered stains and acid burn, especially at fold lines and borders, as well as sections of back..
Quilt of cotton has 9-Patch pattern blocks on point. Sashing separates the 9-patch blocks. All white except the 5 patches of printed cottons in each 9-patch block. Print colors include red, brown, tan, pink, white, yellow and blue. Narrow outer border is 3.5" wide. Cotton batting. Very narrow binding is the white back rolled around to front and hand stitched.
Hand quilted in white thread. Undulating feather throughout border, cable in all sashing and unusual, large, 4-leaf motif in 9-patch block has oval leaves extending from center print into the 4 corner prints.
Side-by-side Inscriptions in one corner are "JO4" (?) handwritten in ink and "K214" stamped. Likely owners' marks.
Overall wear and fading. Deterioration to many of the cotton prints, with small holes, large holes and strong losses. Blood stain with hole is 3/4" in size. Scattered dark stains on top and especially on back that have appearance of foxing. Several sections along quilt edge - front and back - have dye transfer from a printed fabric caused by moisture.
Framed Center white cotton quilt has pieced work as well as appliqued cut-out images from an English block-printed cotton chintz that dates from the 1780s. This applique technique (here using colorful birds and branches) is known as "broderie perse" or Persian embroidery.
Center medallion has two birds of prey and flowering branches. Inner border is defined by sawtooth applique of chintz. Outer border continues with broderie perse applique of flowering branches and smaller exotic birds resembling peacocks with long trailing tails.
Quilting patterns: undulating feather in outside border with filled-in areas of waffle and vine-and-berry. Center has vine-and-berry with waffle. Inner border has a rope pattern.
Quilt has white cotton back and cotton batting.
Possibly Northeastern Lancaster County.
Provenance
Quilt was purchased by the Dykes in East or West Cocalico Twp.
Very good overall. Light brown liquid stains, especially in right center area. sprinking of small light brown stains overall.
Object ID
P.77.35.1
Notes
See "Quilts in America" by P. & B. Orlofsky (cover and p.225) for a c. 1803 quilt with this appliqued print. Label states this chintz print was "cut out of a 1780s English block-printed chintz of the type favored in England and France at that time and very popular in American quilts in the late 18th and early 19th centuries."
See also Weissman and Lavitt, "Labors of Love", p. 42.
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
