Part of a dresser set, a Copeland late Spode ceramic pitcher with red transfer pattern, "May." Same floral design in red on both sides of pitcher. Design around neck as well as a 1.5-inch band around top inside. Beaded edge is painted gold around top and edges of curved handle. Red honeycomb pattern on outside of handle. On bottom: "Rd No 180288 England MAY Rd No 204192."
Platter of ironstone transferware with clear glaze. Rectangular with clipped corners, recessed bottom and moderately wide sides that extend outward. White body is devoid of decoration except for black transfer scene of a long bridge spanning a river, 5 people in foreground, town at right end of bridge and another in the distance on right bank. Underside has apparent impressed mark and transfer maker's mark at center: under a spread eagle with shield is a "sign" reading "COLUMBIA BRIDGE ON THE SUSQUEHANNA". Below it is "W.R.", indicating maker William Ridgway & Co. Sticker on bottom is: "$390" and "CLP". This river scene is a variation of the print done by William Henry Bartlett (see G98.12.21).
Shelton or Hanley, England
Provenance
Purchased in Adamstown Antiques Gallery for Heritage Center collection. Transferred from Heritage Center, December 2012.
Pair of English Queen Anne brass candlesticks, marked 'A' and 'B'.
Baluster shaft mounted on wide, square base with stepped edging. Circular indentation in top of base. Very low feet at corners. Vertical seams on shaft indicate cast parts. A and B differ slightly in height.
Details very worn. Candlestick 'B' is split at seam on shoulder below cup and split at both sides of candle cup top edge at seams. "A" has small split at lip seam. Both sticks have distortions at various places, especially at base and lip.
Object ID
P.78.86.2a-b
Place of Origin
England
Credit
Heritage Center Collection. Purchased through the generosity of the James Hale Steinman Foundation
Pair of English Queen Anne brass candlesticks (A & B).
Baluster shaft mounted on wide, square base with gadrooning and stepped edging. Vertical seams on shaft indicate cast parts. Metal pin inside candle cup anchors candle. Metal pin protrudes on underside of 4.625 inch square base.
Flow blue, transfer print decorated pitcher. circular base, wide lip for pouring. Pastoral scenes around lower portion of pitcher, top covered with leaves and flowers. Small pattern along inside and outside edges of opening. Outside of handle decorated with blue stripes.
Coffepot (A) and lid (B) of blue transfer-printed pearlware. On a pedestal base is an octagonal pear-shaped body flaring back out at recessed rim. Gooseneck spout with cap at tip. High arching handle of C-scrolls. Domed octagonal lid has an octagonal knop/finial and tiny vent hole.
Transfer decoration is a Chinese scene with people, trees, water and pagoda with bridges. Additional decoration at top and base is a filigree-edged band dominated by 3-leafed vine.
Glazed soft paste porcelain teapot (A) with lid (B). Handpainted "Strawberry" pattern decoration on pale blue body - pearlware. Ovoid shape with neck leading to flared lip. Has molded gooseneck spout and applied handle. Slightly domed lip has flattened knob finial.
Provenance
Collected by Harpo and Susan Marx in Pennsylvania during visits back East from CA. Donated to Heritage Center.
Staffordshire transferware sugar bowl in tureen form. Octagonal rounded body (A) sits on a pedestal; two molded applied handles at sides. Conforming domed lid (B) has cutout at one side for spoon and a molded finial on top. Black transfer pattern is a landscape with palatial buildings, trees, vegetation and distant mountains. Border is scroll design with narrow band of quatrefoil flowers and edged with Gothic crockets. Underside marked with pattern name "Missouri" above "B & S." A prominent English registry mark indicates the manufacture date of June 5, 1850.
Small molded transferware plate, hand-painted. White-bodied plate has recessed bottom with light green transfer decoration of a woman spinning outdoors near a house, two gentlemen, two small sheep and cow. Surrounding scene is "Fly pleasure and it will follow you. The diligent spinner as a large shift./ Now I have a Sheep & Cow every body bids me good morrow." A flaring rim is slightly hexagonal with scalloped edge painted with red lustre. Raised leafage and swagged beading have underglaze bright paint colors with alternating red, yellow, blue and green.
Provenance
Descent to Sarah Muench from family (likely Aunt Alice Potter Fordney, an antiques dealer).
Glazed soft paste porcelain teapot (A) with lid (B). Handpainted "Adam's Rose" pattern decoration on pale blue body - pearlware. Ovoid body sits on oblong pedestal foot. At neck is an extended collar. Crowned with flaring extension around upper opening. Molded gooseneck spout and applied handle. Domed lid has oblong shape to fit the opening. Topped with knob finial.
Impressed with "GOOD" (?) on bottom and incised "6" or "9". Later inscribed with "C 106" over "17.50". There is a nearby X.
Provenance
Collected by Harpo and Susan Marx during visits back East from CA. Donated to Heritage Center.
Significant paint losses on some green leaves. Various hairline cracks aroung body, visible from interior as well. Bearing point of pedestal bottom is poorly glazed with some wear.
Object ID
G.98.51.30a-b
Place of Origin
England
Credit
Given in memory of Harpo by Susan Marx, Heritage Center Collection
