This fascinating book is the first volume in a projected cultural history of the United States, from the earliest English settlements to our own time. It is a history of American folkways as they have changed through time, and it argues a thesis about the importance for the United States of having been British in its cultural origins.While most people in the United States today have no British ancestors, they have assimilated regional cultures which were created by British colonists, even while preserving ethnic identities at the same time. In this sense, nearly all Americans are "Albion's Seed," no matter what their ethnicity may be. The concluding section of this remarkable book explores the ways that regional cultures have continued to dominate national politics from 1789 to 1988, and still help to shape attitudes toward education, government, gender, and violence, on which differences between American regions are greater than between European nations. [from the publisher]
"More a reference book than a book you read straight through, this book advances the fascinating thesis that four groups of immigrants from England ( Albion ) essentially set much of what we now regard as American culture. The links between these four waves of immigrants from particular parts of England, and the Yankee, patrician Virginia, Quaker/Philadelphia, and Appalachian hill cultures, are documented.Its fascinating to see traits that seem inexplicable and odd traced back to obscure corners of 17th and 18th century England. We're talking about the way houses look, the way people get married, their attitude toward government, you name it." [from GoodReads]
Includes a 6-county area (Dauphin, Lebanon, Berks,York, Lancaster & Chester) with small black squares marking locations of banks. Around periphery are 6 drawings, one from each county: State capitol bldg., Cornwall Furnace, Boone Homestead, Valley Forge Arch, Rock Ford Plantation and Gold Plough Tavern & General Gates House.
Photocopy. Ann Arbor, Mi. : University Microfilms, 1984. 21 cm.
Contents
1. Beginnings of Community development -- 2. Problems and prospects of family reconstitution and cohort analysis -- 3. Marital patterns and family structure in Lancaster County, Pennsylvania before 1741 -- 4. Duration of marriages, fertility , and family sizes: Couples married before 1741 -- 5. Mortality in early eighteenth century Lancaster County, Pennsylvania -- 6. Marriage and family in Lancaster County, Pennsylvania, 1741-1770 -- 7. Marital relations, fertility, and family sizes: Couples married, 1741-1770 -- 8. Mortality in the middle decades of the eighteenth century: Lancaster County, 1741-1770 -- 9. Nuptiality in the social context of Lancaster County, Pennsylvania, 1771-1880 -- 10. Marriage, remarriage, and marital fertility in Lancaster County, 1771-1800 -- 1. Mortality in the Revolutionary era, Lancaster County, Pennsylvania, 1771-1800 -- 12. Revolutionary transition in eighteenth century Lancaster County, Pennsylvania -- Appendix A: Aggregative analysis of Lancaster Pennsylvania Church records.
The colonies and their churches -- The libertarians: Jefferson and Madison -- The icons: Franklin and Washington -- The philosophies: Adams and Jefferson -- The churches and the people.
Modern "revivalist" fraktur created by Professor H. J. Kauffman's caretaker/nurse, Arlene Harnish. Mounted in handmade wood frame with corner blocks.
Marriage and birth certificate done on tinted laid paper with various colors. Within a border are three panels, the larger central panel has the text: "Henry Ka/uffman/Son of David and Anna/Kauffman was born on/November 14, 1908 in Yo/ork County, Pa. Married/ Elizabeth Zoe Tomer/July 20, 1938." Signed at the bottom "A Harnish" The two side panels are nearly symmetrical, featuring flowering plants growing out of a colorful pitcher resting on a stepped pedestal. A large colorful bird is perched in each of the plants.
Frame was made by HJK in earlier years.
1704 Millersville Pike, Lancaster
Provenance
Made by Arlene Harnish (b. 13 March 1946), caretaker of Henry J. Kauffman. She stated on 30 May 2000, that she learned to make fraktur by taking a class at Landis Valley Museum taught by Jere Kickerman. This piece was only the second fraktur she made, the first being the project for the class, done for her granddaughter.
Harnish made this fraktur for HJK during working hours at his residence when another was pressing. She copied motifs from a book. When completed, HJK told her to look for a frame in the basement. The one she found turned out to be one made by Kauffman himself. Harnish expressed shock and embarrassment upon learning that Kauffman had donated her fraktur to a museum. Arlene is Mrs. R. Edwin Harnish, 1586 Georgetown Rd. Christiana, PA phone: 5292712.
Modern fraktur and frame in excellent condition. The handmade from has small crack in top left corner block where nailed. Wood stain shows brush marks. Brown paper backing.
Object ID
G.96.37.9
Notes
This fraktur is featured in Irwin Richman's book "Pa. German Arts," 2001, page 14.
Place of Origin
Lancaster
Usage
Kauffman's home
Credit
Gift of Henry J. Kauffman, Heritage Center Collection
