Mahogany chest of drawers. Three drawers which are width of chest and vary in depth. Two smaller drawers at top. Pillars on either side American
Provenance
James Buchanan- General & Mrs. Logan [friends of Buchanan and purchased chest at Buchanan estate sale]- Elizabeth Logan Payne [inherited chest from Logans]
Information found in 'Restoration Committee Report 5/1/1957- 'Possibly an acquisition from Elizabeth Logan Payne-had belonged to Buchanan-Payne inherited the dresser from Gen. & Mrs. Logan who were friends of Buchanan in Washington.
Foldable eyeglasses with D-shaped blue-tinted lenses and similar side panel lenses. Worn by Amos Ellmaker (1787-1851) and are seen in portrait.
Provenance
Amos Ellmaker (1787-1851) wore these glasses, including during his sitting for accomplished Lancaster portrait painter Jacob Eichholtz. Amso graduated from Princeton before embarking on a long and successful career as both an officer in the army and a lawyer; rising to positions such as State Representative and Attorney General of the Commonwealth. Amos almost became a state senator as well, but lost to the future president, James Buchanan.
Corn knife used by one of the Black resistors in the Christiana Riot on September 11, 1851. Wrought iron long curved blade of 19.5" is fitted into oak or ash turned handle rounded terminal end. Tang of blade extends through length of handle and protrudes at terminal where it is clinched.
The Christiana Resistance resulted from the efforts of a Maryland slave holder to claim fugitives hiding in the home of Willam Parker, a free black man living in Chritiana, PA. This corn knife was used by one of the black resistors during this confict. The bloody confrontation, occurring in September of 1851, resulted in the death of Edward Gorsuch, the slaveholder, and the escape of William Parker and the fugitive slaves to freedom in Canada.
Portrait of three sons of Jacob Eichholtz, Henry Clay Eichholtz, Lavallyn Barry Eichholtz, and Robert Lindsay Eichholtz.
Jacob Eichholtz and his second wife, Catherine Trissler Eichholtz, named their three youngest children after prominent Kentucky senator and former secretary of state Henry Clay; Baltimore banker Lavallyn Barry; and beloved son-in-law and Philadelphia bookseller Robert Lindsay.
The father of 13 children, Eichholtz portrayed his three youngest with an immediacy and grace that rivals his finest work. Captured just four years prior to the artist's death, these angelic faces are rendered through the eyes of a father's's love and affection. - Thomas Ryan, President and CEO of LancasterHistory.org
On reverse is attached note, "To make sure that the old portrait of Julie Shultz and her father, who has her by the hand shall go into permanent possession of Lancaster County Historical Society
Miss Ella B. Hart who lived with her niece Mary Agnes Schultz when she died at 9 or 11 Shippen Street in 1911 gave it to me with that understanding (gave in the fall of 1935)
Julie was sister of Alexander Shultz who was a tinsmith in Strasburg. He built the house now owned by Robert E. Groh on site of birthplace of Thomas Burroughs.
Pieced quilt of silks, cotton batting, glazed cotton back, cut in 2 halves, made by Quaker Deborah Simmons Coates, wife of Lindley Coates (1794-1856). Has 19 horizontal bands of dress silks (many produced by Harmonist Community) in alternating triangles arranged in Birds in the Air or Flying Geese pattern using the template method. Large triangles of varying patterns alternate with large triangles with 3 smaller appliqued triangles of contrasting patterns. Colors are browns, tans, beiges, electric and royal blue, peach and green. Each quilt half has a green silk binding on the three outside edges, and tan silk on the inner vertical cut edge. Quilting patterns are clamshell, diamond, cross in a square and diagonals.
At quilt center is a cream-colored triangle with an abolitionist stamp depicting a kneeling enslaved Black male in chains over the words: "Deliver me from the oppression/ of man." This stamped triangle was cut in two when quilt was divided; image now hidden by modern binding. According to Cuesta Benberry research, this image of a kneeling enslaved person originated with the English ceramic firm of Wedgwood in the late 1700s. See items 08.242 and 42.76.11 in the collectiosn of Metropolitan Museum of Art for seals with a similar motif. The Wedgwood family were ardent abolitionists, decorating various ceramics with this image, resulting in its rapid adoption by American anti-slavery groups. Used in many forms and media over the years, it remains the logo of the still-existing Pennsylvania Abolition Society and appears on organization's official publications.
Lindley and Deborah Coates, of West Grove, Chester Co., married there on 12/16/1819 but lived near Christiana in Sadsbury Twp., Lancaster Co. They attended Sadsbury Friends Meeting House near Christiana. Ardent abolitionists, their home was what is now designated station #5 on the Underground Railway. Lindley became President of the American Anti-Slavery Society in 1840, before William Lloyd Garrison. Deborah Coates became a Hicksite Quaker minister according to historian Beverly Wilson Palmer. Hicksites were the more radical Quakers, named after leader Elias Hicks.
Provenance
Quilt passed to son Simmons (1821-1862) & wife Emeline Jackson. (Deborah Coates lived w/ widow Emeline on her Chester Co. farm (Evergreen Hall in West Grove) for many years following Simmon's 1862 death. See census records). Descent to their daughter Elizabeth Jackson Coates who married Marriott Brosius, U.S. congressman from Lancaster. The quilt was then divided between their two daughters, donor's maternal grandmother Graceanna Brosius Biddle and her sister Gertrude Coho Reinhartson. The two halves were then reunited when given to donor, Marjorie Ayars Laidman. Deborah S. Coates was donor's great great great grandmother.
Overall good condition. Two halves of quilt (with recent inside binding on cut edges) are "mounted" on cotton muslin, side-by-side. Silks show significant deterioration -- cracking, splitting and abrasion -- with some losses. Binding also has deterioration with some losses. (See 1985-86 condition report by conservator Linnea Davis.)
Documented in Quilt Harvest #448-B (records in Archives).
Object ID
G.86.05
Place of Origin
Sadsbury Twp.
Credit
Gift of Marjorie A. Laidman, Heritage Center Collection
White silk political campaign ribbon, "Henry Clay / The people's choice" at top and bottom of oval black and white portrait of Henry Clay. Oval is wreathed with corn stalks on left and spray of oak leaves and acorns on the right.
Underneath a mounted horseman on a country road : "The Pride of America."
Pennsylvania Long Rifle; percussion cap; curly maple stock; iron barrel stamped "H. GIBBS" on top of barrel. Brass fittings and patch box. Some rust on iron and brass parts. Approximately .40 caliber muzzle. 44" barrel with an overall length of 61 inches.
See notes for information on Gibbs.
Provenance
Purchased by donor (Walt Dunlap) at auction in Lancaster County in 1956.
Henry Gibb Sr. and his son Henry Gibb were Lancaster City gunsmiths active for most of the nineteenth century. The father from 1812 until 1843 and the son from 1843 until 1880.
Place of Origin
Lancaster
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
Reproduced copies of seals of citizens of Lancaster County, Casts were taken from documents of the Lancaster County Courthouse - deeds, justice of the peace, notary public, personal. Includes Penn's Grant seal.
