Earthenware bowl, thrown on wheel. Transfer printed with red seasons patterns on interior, exterior has two red transfer printed panels with a man, dog and "winter" scene.
Thrown earthenware bowl. Purple transfer printed pattern with leaf-like designs and four house scenes, bottom of interior has similar house scene and three furniture marks. Exterior has farmland pattern.
Bottom marked: "Peter Wright & Sons Importers Philadelphia"
Lusterware plate with enameled pink floral and green leaf design. Purple luster leaf-like design, purple luster rim and striping in center of plate. Three visible funituremarks on upper center.
Bottom is marked "22x9"
Hand-painted earthenware plate. 3 pink lustre paint circles- center, mid- and outer edge. 3 large multi-petaled pink flowers dominate. Mid-way between them are branches with green leaves. Pink lustre brush strokes complete the design.
White porcelain plate with 1.25" pink border and narrow gold outline. Central motif is a floral and foliate design of concentric rings. Outer ring radiates 12 elongated flowers. One of five plates.
Underglaze cursive inscription on bottom: "Feuillet rue de la paix no. 20." Jean-Pierre Feuillet, Decorator (French, 1777-1840). See Notes
Rue de la Paix (decorating studio), Paris
Additional pieces of this set of dishes in collection are 2013.008.
Provenance
Descent within Buchanan and Henry family to Pamela Henry (daughter of Frank Anderson Henry, Buck's youngest son) to Louisa Dent (donor).
Dark firing imperfection, outside edge of rim. Small underglaze abrasion/repair(?) and very tiny area of abrasion on white, near inner bold band. Gold shows light abrasions. Minor soil on footring.
Object ID
2015.029.3
Notes
Research on E-bay has dealer's statement:
"Feuillet introduced a porcelain decorating studio at the Rue de la Paix, Paris in 1820. The products came chiefly from the Royal Factory Sèvres. His successor was Boyer (1845)."
Another seller writes:
"The Feuillet studio was at 18, Rue de la Paix, advantageously located for the wealthy denizens of the area to come visit and make purchases. The Prince of Conde gave Feuillet his protection, thus assuring a constant flow of high-end clients. Feuillet's design atelier reached its apex in the mid-1820s, lavishly decorating some of the most remarkable plates of the time. The combination of rich paste gilding, saturated border colors and meticulous fruit or floral still life paintings made the factory's output one of the favorite choices, other than Sevres, for purchase by the new French Regime. According to the book "Paris Porcelain" by Regine de Plinval de Guillebon, "Feuillet was one of the best decorators in the Restauration period," (Paris Porcelain, page 244)."
White porcelain plate with 1.25" pink border and narrow gold outline. Central motif is a floral and foliate design of concentric rings. Outer ring radiates 12 elongated flowers. One of five plates.
Underglaze cursive inscription on bottom: "Feuillet rue de la paix no. 20." Jean-Pierre Feuillet, Decorator (French, 1777-1840). See Notes
Rue de la Paix decorating studio, Paris
Additional pieces of this set of dishes in collection are 2013.008.
Provenance
Descent within Buchanan and Henry family to Pamela Henry (daughter of Frank Anderson Henry, Buck's youngest son) to Louisa Dent (donor).
Small areas of abrasion with paint touch-up under glaze. Two tiny areas of overglaze abrasion, as well as light abrasion on inner gold band. Tiny drops of gold and dark substance under glaze. Minor soil on footring.
Object ID
2015.029.4
Notes
Research on E-bay has dealer's statement:
"Feuillet introduced a porcelain decorating studio at the Rue de la Paix, Paris in 1820. The products came chiefly from the Royal Factory Sèvres. His successor was Boyer (1845)."
Another seller writes:
"The Feuillet studio was at 18, Rue de la Paix, advantageously located for the wealthy denizens of the area to come visit and make purchases. The Prince of Conde gave Feuillet his protection, thus assuring a constant flow of high-end clients. Feuillet's design atelier reached its apex in the mid-1820s, lavishly decorating some of the most remarkable plates of the time. The combination of rich paste gilding, saturated border colors and meticulous fruit or floral still life paintings made the factory's output one of the favorite choices, other than Sevres, for purchase by the new French Regime. According to the book "Paris Porcelain" by Regine de Plinval de Guillebon, "Feuillet was one of the best decorators in the Restauration period," (Paris Porcelain, page 244)."
White porcelain plate with 1.25" pink border and narrow gold outline. Central motif is a floral and foliate design of concentric rings. Outer ring radiates 12 elongated flowers. One of five plates.
Underglaze cursive inscription on bottom: "Feuillet rue de la paix no. 20." Jean-Pierre Feuillet, Decorator (French, 1777-1840). See Notes. Additional pieces of this set of dishes are 2013.008.
Rue de la Paix decorating studio, Paris
Provenance
Descent within Buchanan and Henry family to Pamela Henry (daughter of Frank Anderson Henry, Buck's youngest son) to Louisa Dent (donor).
Three large pieces broken and repaired with adhesive and staples underneath. Paint touch-up at repairs. Gold decoration shows signs of wear and slight abrasion. Small underglaze abrasion with white touch-up paint (before firing).
Object ID
2015.029.5
Notes
Research on E-bay has dealer's statement:
"Feuillet introduced a porcelain decorating studio at the Rue de la Paix, Paris in 1820. The products came chiefly from the Royal Factory Sèvres. His successor was Boyer (1845)."
Another seller writes:
"The Feuillet studio was at 18, Rue de la Paix, advantageously located for the wealthy denizens of the area to come visit and make purchases. The Prince of Conde gave Feuillet his protection, thus assuring a constant flow of high-end clients. Feuillet's design atelier reached its apex in the mid-1820s, lavishly decorating some of the most remarkable plates of the time. The combination of rich paste gilding, saturated border colors and meticulous fruit or floral still life paintings made the factory's output one of the favorite choices, other than Sevres, for purchase by the new French Regime. According to the book "Paris Porcelain" by Regine de Plinval de Guillebon, "Feuillet was one of the best decorators in the Restauration period," (Paris Porcelain, page 244)."
