Sheet iron oil lamp with brass insert. Thick Glass globe surrounded by pulled wire protective cage, large flat band ring at top. Mark on bottom, "M L / 16"
Oil sketch of man's head, "Lord Byron" said to have hung in the studio of Jacob Eichholtz, is a copy of a Byron portrait painted by Sully This copy is reportedly an early example of Jacob Eichholtz.
"From Sully's Byron our Lancaster artist made several copies..." ( 'Jacob Eichholtz/ 1776-1848,' by Rebecca J. Beal:1969, p.30)
Portrait of three sons of Jacob Eichholtz, Henry Clay Eichholtz, Lavallyn Barry Eichholtz, and Robert Lindsay Eichholtz.
Jacob Eichholtz and his second wife, Catherine Trissler Eichholtz, named their three youngest children after prominent Kentucky senator and former secretary of state Henry Clay; Baltimore banker Lavallyn Barry; and beloved son-in-law and Philadelphia bookseller Robert Lindsay.
The father of 13 children, Eichholtz portrayed his three youngest with an immediacy and grace that rivals his finest work. Captured just four years prior to the artist's death, these angelic faces are rendered through the eyes of a father's's love and affection. - Thomas Ryan, President and CEO of LancasterHistory.org
Oil painting of person walking on road toward river where 3 sailboats are visible. Red and yellow leafed trees with hill on opposite side of river visible in background. Painting on piece of highly acidic wood. On reverse "EICHOLT PAINTING FROM PONTZ ESTATE." Frame is three eighths inches with gilded top/front surface and one eighth inch curved bevel.
Oil painting of fall colored trees on land jutting our into river. Two small white sails on water. backed on a piece of highly acidic wood. Frame is three eighths inches, gilded top/front surface with one eighth in curved bevel.
Eichholtz oil on canvas portrait of Catherine Trissler Eichholtz (Mrs. Jacob Eichholtz 1791-1867). Middle-aged woman faces left, wearing a dark brown dress with wide white "collar" draped over shoulders. Has a wide lace edging. Draped over right shoulder, coveriing entire dress sleeve, is a white scarf with ornately floral-embroidered edge. Wearing a large, fancy cap of gold ribbons and lace. Tie strings are ribbon. Right hand covers left hand. Dark background shows no details. Lighter 4-inch wide section runs vertically from mid-point to top of left side. Small parts of a chair peek out at left side.
Inscriptions: Various numbers on frame sides and top. Taped to lower back of foam board back cover is an encapsulated old, faded printed card with #36 followed by "MR. BLOCH(?) / MRS. CHAS. ----- / BRYN MAWR PA / MRS. JACOB (EICHHOLTZ) / CATHERINE T(RISSLER)." Stamped at top center of frame back & stretcher is "The Warwick Galleries / NW Corner 17tth & Locust Sts. / Philadelphia Pa". Handwritten in pencil along top left of stretcher is "Property of Mrs. Chas. Walker, Mermont Plaza, Bryn Mawr".
Early 20th c. frame, painted bronze. Has bold profile with wide cove and projecting bead at outside edges.
Object Name
Painting
Material
Paint, Canvas, Wood
Medium
Painting, Oil
Height (in)
30.25
Width (in)
25.125
Dimension Details
Canvas dimensions
Frame size: H: 35.5 inches x W: 30.5 inches
Condition
Good
Condition Date
2016-10-11
Condition Notes
Relined canvas has patched areas and many inpainted areas, including lips and both sides of hair. Large section along left side from center to top has been repainted.
Frame is good with several paint chips on bead section at both sides, right center and top left. Back of painting is covered with foam board.
Portrait of Lydia Steele Bailey, by Jacob Eichholtz.
Married to Robert Bailey.
Bailey, Lydia Steele (1779-1869) held the position of City Printer of Philadelphia from 1830-1850 and was the first and only womna to do so. She taught herself how to set type, created over 800 prints, supported four children as a widow, and at one point in her career had over twenty male employees and apprentices.