Wood sewing notion with Federal era ball feet supporting a three-tiered spool holder. Each tier is flat on the bottom with rounded top edges, round shape, descend in size. Metal rods on each tier to hold spools. Tiers graduate from large to small and are supported by a ball and ring-turned pedestal; the top tier is the smallest and capped with a pin cushion.
Provenance
Possibly Willson family. Obtained from the Willson-Rettew estate sale.
Spool holder/dispenser, turned wooden round box with fitted, slightly domed lid. Container is pill-box shape with thin walls. Three holes of graduated size marked "40" "50" and "60" under each. Hole insets of white glass or bakelite. Vertical spindles/dowels meant to hold spools on bottom of inside are missing. Bottom covered with a dark brown, pebbled finish paper.
Fitted lid has painted and/or woodburned design (shells and sea flora?). Box has lacquered natural finish.
Large round paper label pasted to underside depicts three circular medals at center. Above the center one is "NEW YORK 1853."
At top of label is "JOHN CLARK JUNR. & CO./ MILE-END/ GLASGOW." At bottom of label is "BEST SIX CORD SPOOL COTTON/ ON BLACK SPOOLS/ THOMAS RUSSELL/ SOLE AGENT/ FOR THE UNITED STATES."
Provenance
Collected by Lillian Hollings Kiker, born to Scottish Americans who lived in New Jersey. Born (1912) and lived in New Jersey, last of Egg Harbor, she was active with quilting, sewing, knitting & crocheting. Collection inherited by donor when her mother passed away.
Heavy crazing onlid. Small abrasions overall. Hole inset missing for #40 size hole. Three spindles on interior are broken and missing. Interior dark with oxidation. Paper on bottom has old losses from peeling.
Object ID
G.05.15.5
Place of Origin
Glasgow, Scotland, UK
Credit
Gift of Susan Garofola in memory of Lillian Kiker (mother), Heritage Center Collection
Pair of knitting needles (A & B) made of hand-carved hardwood, perhaps hickory. Both are gently curved throughout length, with B having a stronger curve. Pointed at one end and a crudely and abruptly carved enlargement at other end. No apparent finish, although slight polish from use.
Rectangular pincushion or needle cleaner constructed of block-printed green and tan velvet fabric with foliate design over a pyramidal base covered with a teal-colored glossy paper stock. Filled with heavy, dense, abrasive called emery.
Spherical pincushion of small pieced woolen patches of solid brown, blue, red and black. Large black triangles alternate with blocks of a 4-patch diamond on a red square. Four-patch is blue and light brown. Decorated with off-white silk ribbon 1/4' wide, encircling the ball several times. A tassel of 0.5" wide ribbon at one side. Soft cotton stuffing.
Old paper note written in small script is stitched to pincushion. It reads: "Presented to / Mary N Hostetter / by her / Grandmother / Nissley in 1872".
Attributed to Elizabeth Kraybill Nissley (1812-1894).
Provenance
Research: Mary N. Hostetter (6 Oct 1864 - 20 Mar 1932) married Joseph H. Habecker and lived in Mount Joy area. Parents were Jonas E. Hostetter and Barbara Nissley of Mt. Joy area. Nissley grandparents were Elizabeth Kraybill Nissley (1812-1894) and Jacob Kraybill Nissley.
Grandmother Elizabeth Kraybill Nissley gave the pincushion to Mary in 1872 when she was 8 yrs. old and grandmother was 60.
Round, flat pincushion with beadwork top and bottom, done on a black felt ground. One side has a 6-petal green flower centered within 2 concentric bands, 1 red and 1 blue, with white edging. Opposite side has a centered 4-petal pink & green flower with repeating conforming lines within two bands, 1 red and 1 blue, with white edging. Pink silk, 0.5" wide, encircles outer sides of pincushion. Stuffed with white wool.
Large pincushion, top fabric is a light brown velvet; bottom fabric is a stiff, glazed red fabric. The outline of the cushion is a scalloped edge to which has been added a protruding, stiff rust-colored fabric. Beaded fringes further adorn this edging.
The greatest effort is spent on decorating the top with a garish assortment of various types of clear bead roping and massed up "flowers" with added colored beads of green, red, amber, and blue. Snaking beadwork running across the center is a stem or vine terminating with beaded leaves. Additional beaded leaves are clustered around the scalloped perimeter of top. Various pins inserted into top, including one with a clear spiraling glass head and two with berry shaped heads of twisted red yarns and gold threads. Stuffing is quite heavy and dense.
Provenance
The pincushion was owned by the donor's grandmother.
Pin card is a rectangle of paper-covered rigid material holding 48 colored glass-head pins arranged in clusters ofthree along its edges. On both sides of packet are printed papers: one side is a scene of two young children in 19th c. clothing, the girl looking out the window and a boy in background working with a bird and birdcage. Second side has dark blue paper with gold printing stating "Pin Card" at center. At bottom is "48 Pins Germany."
Provenance
Collected by Lillian Hollings Kiker, born to Scottish Americans who lived in New Jersey. Born (1912) and lived in New Jersey, last of Egg Harbor, she was active with quilting, sewing, knitting & crocheting. Collection inherited by donor when her mother passed away.