away with the real per- sonality of the imitator, and the los- ing of personality, whatever that per- sonality may be—spiritual, material, morbid, sensual, aesthetic, means the end of personal creation, the only thing which, after all, counts in music, literature, sculpture, or painting. Stuart was one

the sum or sums that the said Abraham Witmer, his heirs and assigns, were entitled to receive, ac- cording to the true intent and mean- �ing of the Act of September 22, 1787, and its supplement of April 4, 1798, for the stone bridge across the Con- estogoe River, built and owned by the said Witmer