Hand-painted porcelain bowl. Chinese export porcelain. Central medallion painted inside bottom. Decorative border around inner edge of boal. Entire exterior of bowl painted in multi-color designs, scenes containing figures, flowers, birds. Similar to 4 saucers.
Provenance
Bowl owned by Harriet Lane Johnston, then descent within family to donor.
Oval-shaped bowl with lid. On 1 inch base or foot with 2 gold-painted handles and indentation for spoon. Lid also has indentation for spoon. Large mushroom shaped gold painted finial. Detailed and multi-colored birds, flowers,a foliage on outer surfaces of bowl and lid. chinese export porcelain.
Provenance
Bowl owned by Harriet Lane Johnston, then descent within family to donor.
Asian Design Sugar Bowl Owned by Harriet Lane Johnston
Description
Majolica tin glazed earthenware sugar bowl. Compressed-round bowl with very short neck and low foot ring. Domed fitted lid with finial of inverted acorn shape. Bowl and lid both hand-painted with decoration on pale greenish yellow color, with faint wispy vining branches done with delicate brush strokes and daubs of ochre for leaves. Additional decoration of larger scale flowers or flower clusters and a moth-like insect. Rim painted ochre as well as a band on pedestal with two stripes.
Underside of base has very stylized hand-painted cockerel mark. This bowl has same decoration as 2014.002.17&.18. Attributed to the Cantagalli family pottery factory in Florence, Italy - likely the period when Ulisse Cantagalli succeeded his father in 1878 and started to produce highly decorative Italian ceramics in the Renaissance style. This pottery style was hugely popular at this time in English-speaking countries. Ulisse died in 1901 but his family continued the business.
Provenance: Bowl owned by Harriet Lane, then descent within family to donor.
Provenance
Sugar bowl owned by Harriet Lane Johnston, then descent within family to donor.
Small molded sugar bowl (A) with fitted lid (B), of white-bodied china. Bulbous pear shaped body has leaf molded exterior and four sagging lobes that bulge at the base. Two applied rustic handles. Decorated with dark blue on upper 1/3 of bowl. Gold-painted highlights on one side only, on handles and embossed leaves at sides. On side of body in stamped, gold lettering is: "Souvenir/ of/ Lancaster/ Pa."
Fitted, domed lid (B) is molded with foliate inspiration with rustic handle/finail.
Stamped underneath in gold is a crown over shield witht the monogram of "TGC"(?) The number "12" also stamped in gold.
Provenance
Donor believes this set was purchased at Woolworth's store in Lancaster.
Sugar bowl with lid, hard-paste eathenware has white clay body hand-decorated with cobalt blue. Squat, bulbous body sits on foot ring; pot-belly sides have a large beaded shoulder leading to a narrowed neck and finishing with an outward flaring rim w/ coggled edge. Four or five blue bands painted while on the wheel and remainder painted freehand. Bulbous section alternates with two different leaf designs suspended from the blue-painted shoulder bead. Large round dots are spaced between each leaf. Coggled edge is blue and top of rim has a leaf form painted in two rows. The domed lid has a bee skep finial painted blue, a wide blue strip at botom edge of lid and four leaves in mid-section of same two designs as on bulbous body. Clear glaze over all.
Small "S" impressed underneath at side, perhaps signifying the potter.
Good 3/8" long chip at coggled rim edge showing a very white clay which suggest a later date. Wear and soil at bottom and soil scattered over entire piece. Overall crazing.
Object ID
G.81.7
Credit
Gift of Florence Starr Taylor in memory of Annie Mottern Taylor, Heritage Center Collection
Asian Design Compote Owned by Harriet Lane Johnston
Description
Majolica tin glazed earthenware compote. Round dish with serpentine rim mounted on a short pedestal base. Hand-painted decoration is pale greenish yellow color overall with delicate vining branches done with delicate brush strokes and daubs of ochre for leaves. Additional decoration of larger scale flowers or flower clusters and a moth-like insect; Three larger flowers at center. Rim painted ochre as well as bands of ochre on pedestal, along with striping,
Underside of pedestal base has abstract hand-painted mark quite different from the expected cockerel mark, although this dish otherwise matches 2014.002.18. Nevertheless attributed to the Cantagalli family pottery factory in Florence, Italy - likely the period when Ulisse Cantagalli succeeded his father in 1878 and started to produce highly decorative Italian ceramics in the Renaissance style. This pottery style was hugely popular at this time in English-speaking countries. Ulisse died in 1901 but his family continued the business.
Provenance: Dish owned by Harriet Lane Johnston, then descent within family to donor.
Provenance
Compote owned by Harriet Lane Johnston, then descent within family to donor.
Miniature cruet set of four bottles and caddy, clear glass and non-ferrous base metal.
Four tall vial-like, clear glass bottles, one with its metal cap. Bottles appear to be mold-blown, cylindrical and have a pronounced ring extending outward at mid point, a long narrowing neck and flared lip. Bottles fit into a rotating metal carrying ring at midpoint of caddy, suspended by their glass protruding ring. An oval ring handle on stem with threaded end fits into female-threaded pedestal base which flares out toward bottom.
A raised letter "W" appears twice underneath base.
Provenance
Descent to Sarah Muench from family, perhaps her Aunt Alice Potter Fordney, an antiques dealer.
