White porcelain plate decorated with a 1" pink border and gold edging. The center of bowl has hand-painted landscape next to a body of water. Far bank has a promontory surmounted with a high square tower and an attached arched viaduct. Waterfall courses through arches of viaduct to waterway beneath. A small sailing ship is anchored at left. Three boys with wide-brim hats, breeches and stockings along water on near bank. High rocks and twisting tree frame the scene at left.
Painted cursive inscription on bottom: "Feuillet rue de la / paix no. 20." Jean-Pierre Feuillet, Decorator (French, 1777-1840). See Notes
Matching bowl with differing center scene is 2015.029.11. Additional pieces of Feuillet-decorated dishes in collection are 2013.008.
Rue de la Paix decorating studio, Paris
Provenance
Descent within Buchanan and Henry family to Pamela Henry (daughter of Frank Anderson Henry, Buck's youngest son) to Louisa Dent (donor).
Very good condition except for one 1/4" chip at top of rim edge.
Object ID
2015.029.10
Notes
Research on E-bay has dealer's statement:
"Feuillet introduced a porcelain decorating studio at the Rue de la Paix, Paris in 1820. The products came chiefly from the Royal Factory Sèvres. His successor was Boyer (1845)."
Another seller writes:
"The Feuillet studio was at 18, Rue de la Paix, advantageously located for the wealthy denizens of the area to come visit and make purchases. The Prince of Conde gave Feuillet his protection, thus assuring a constant flow of high-end clients. Feuillet's design atelier reached its apex in the mid-1820s, lavishly decorating some of the most remarkable plates of the time. The combination of rich paste gilding, saturated border colors and meticulous fruit or floral still life paintings made the factory's output one of the favorite choices, other than Sevres, for purchase by the new French Regime. According to the book "Paris Porcelain" by Regine de Plinval de Guillebon, "Feuillet was one of the best decorators in the Restauration period," (Paris Porcelain, page 244)."
White porcelain soup(?) bowl is decorated with a 1" pink border and gold edging. The center of bowl has hand-painted landscape with galloping horse and horseman at center with top hat and raised crop. Accompanying hound at left foreground. Tall heavy signpost at right.
Painted cursive inscription on bottom: "Feuillet rue de la / paix no. 20." Jean-Pierre Feuillet, Decorator (French, 1777-1840). See Notes
Matching bowl except for different center scene is 2015.029.10. Additional pieces of Feuillet dishes in collection are 2013.008.
Rue de la Paix decorating studio, Paris
Provenance
Descent within Buchanan and Henry family to Pamela Henry (daughter of Frank Anderson Henry, Buck's youngest son) to Louisa Dent (donor).
Very good condition except for two small areas of paint loss at bottom center of painted scene.
Object ID
2015.029.11
Notes
Research on E-bay has dealer's statement:
"Feuillet introduced a porcelain decorating studio at the Rue de la Paix, Paris in 1820. The products came chiefly from the Royal Factory Sèvres. His successor was Boyer (1845)."
Another seller writes:
"The Feuillet studio was at 18, Rue de la Paix, advantageously located for the wealthy denizens of the area to come visit and make purchases. The Prince of Conde gave Feuillet his protection, thus assuring a constant flow of high-end clients. Feuillet's design atelier reached its apex in the mid-1820s, lavishly decorating some of the most remarkable plates of the time. The combination of rich paste gilding, saturated border colors and meticulous fruit or floral still life paintings made the factory's output one of the favorite choices, other than Sevres, for purchase by the new French Regime. According to the book "Paris Porcelain" by Regine de Plinval de Guillebon, "Feuillet was one of the best decorators in the Restauration period," (Paris Porcelain, page 244)."
All marble pedestal bowl with intricately carved band of grape vine with six 3-leaf clusters and two with bunches of grapes. Three twisted dolphins around pedestal stem with heads toward base and tails toward bottom of bowl. Cracked down center of bowl and in three spots on base. Part of vine around lip of bowl is missing.
Hand-painted pearlware bowls. Vibrant red and blue dominate with large red flower off-center on bottom of bowl. Off to sides are 4 small flowers on 1 side and 2 flowers and large bi-color (green & yellow) leaf. Blue stems and leaves are painted in the bowl and the upper edge is banded in blue. The top edge is painted a burgundy/brown.
Porcelain Chinese bowl. Blue on white design. Picture of a house with tree and clouds on the inside of the bowl. Blue border around top of inside. Outside of bowl has scenery, including houses, people, and water.
Round bowl of glazed hand-painted chinese porcelain; one of a set of three. Thin walled sides curve up sharply to a molded edge with irregular scalloping. Foot ring on bottom with unusual recessed circle at center (1 3/8" dia.).
Inside bowl at center are circular geometric and floral/foliate designs of blue and overpainted red. Sides divided into 6 panels with 2 alternating designs - large winged insect, etc., with red predominating; and stylized floral and foliate designs with blue predominating. Exterior sides have 2 blue alternating motifs: a flower with leaves alternates with a design of two snake-like forms. Blue striped banding at foot ring as well as circumference of center recessed area.
Follows the style of 17th - 18th century Imari decoration, which orginiated in Japan and was copied in China for the European export market in the 18th century. The style was revived in the late 19th century.
China or Japan.
Provenance
Bowl owned by Harriet Lane Johnston, then descent within family to donor.
Minor scratches in bottom. Edge has one significant chip with 1"-long crack descending from it. Upper area of sides have some surface deposits of lime, etc., caused by standing water.
Round bowl of glazed hand-painted chinese porcelain, one of a set of three. Thin walled sides curve up sharply to a molded edge with irregular scalloping. Foot ring on bottom with unusual recessed circle at center (1 3/8" dia.).
Inside bowl at center are circular geometric and floral/foliate designs of blue and overpainted red. Sidesdivided into 6 panels with 2 alternating designs: large winged insect, etc., with red predominating; and stylized floral and foliate designs with blue predominating. Exterior sides have 2 blue alternating motifs: a flower with leaves alternates with a design of two snake-like forms. Blue striped banding at foot ring as well as circumference of center recessed area.
Provenance
Bowl owned by Harriet Lane Johnston, then descent within family to donor.
Round bowl of glazed hand-painted chinese porcelain, one of a set of three. Thin walled sides curve up sharply to a molded edge with irregular scalloping. Foot ring on bottom with unusual recessed circle at center (1 3/8" dia.).
Inside bowl at center are circular geometric and floral/foliate designs of blue and overpainted red. Sides divided into 6 panels with 2 alternating designs - large winged insect, etc., with red predominating; and stylized floral and foliate designs with blue predominating. Exterior sides have 2 blue alternating motifs: a flower with leaves alternates with a design of two snake-like forms. Blue striped banding at foot ring as well as circumference of center recessed area.
Provenance
Bowl owned by Harriet Lane Johnston, then descent within family to donor.
Minor scratches inside bottom. Sides have some surface deposits of lime, etc., caused by standing water. Most significant is a large break at one side with accompanying damage to edge of two large chips. Repaired with four staples affixed to outside of breakout.
Hand-painted porcelain bowl. Chinese export porcelain. Central medallion painted inside bottom. Decorative border around inner edge of boal. Entire exterior of bowl painted in multi-color designs, scenes containing figures, flowers, birds. Similar to 4 saucers.
Provenance
Bowl owned by Harriet Lane Johnston, then descent within family to donor.
