Base wood with torus molding edge. Flat top with deep circular groove in which rests the edges of a tall glass dome. Natural arrangement under dome rests on base. Dried flowers support central mud-daubed bird's nest with light blue, speckled eggs (6) two
Upholstered wingback commode chair has four turned Sheraton legs. Has replacement of original soiled handsewn homespun linen (remnants in this file), now an orange fabric with potted and vining flower design. Solid pinewood seat under cushion has center hole with fitted removable wooden disc.
This chair was from the Pownall home at Gap, where it was used by Dickinson Gorsuch, Maryland slaveholder, during his recovery from wounds sustained during the Christiana Riot of Sept. 11, 1851. His father and two others were killed during the skirmish at the home of freedman William Parker, and Dickinson was transported to the Pownall home for recovery. William Parker later published his story in the "Atlantic Monthly" in 1866, making it highly publicized.
This incident "is an important example of the struggle over the 1850 Fugitive Slave Act and the escalating tension between the North and the South. This act gave slave owners broad powers to recapture runaway slaves". (ExplorePAhistory.com)
Polaroid photos of chair before re-upholstery, in file.
Likely Lancaster or Chester Co.
Provenance
Provenance: Chair owned by the Pownall family & given in 1973 to the Lancaster County Historical Society by Mrs. Levi Pownall of Lancashire Hall (569-7279).
It was initially loaned to the Heritage Center (# L.77.9 and # 161.64.80) but soon donated to HCLC. Board minutes of Dec. 8, 1975 include Richard F. Smith's Museum Committee report noting a donation of a "Sheraton armed wing chair commode, used by the Pownall home in nursing Dickinson Gorsuch following Christiana Riot in 1851." Later unsigned note (Bruce Shoemaker?) states John Aungst of LCHS was consulted & chair was removed 11/9/84 from list on LCHS loan form, settling an apparent question of ownership.
Bowfront mahogany veneer chest of drawers in the Hepplewhite style. Four drawers have progressing depths from the top to the bottom, each with overpressed drawer pulls two per drawer. At the top center of each drawer is a brass escutcheon keyhole. The top of the chest and each drawer are decorated with satin wood inlay. Chest is supported at its base by four french feet which feature a slightly outswept bracket foot combined with a valence skirt.
Provenance
Dr. Alexander Speer (James Buchanan maternal cousin)
School Masters Desk. Turned legs, slantied hinged desk top, panel in center of interior, three drawers, three open pigeon holes, pigeon holes are topped by two small drawers on either side.
James Buchanan was the second owner of this desk; he gifted the desk to a domestic servant (name unknown) who was the third of eight owners not counting the museum.
Assumed to be traveling dress from latter part of 19th century.
84.41.1 is long-sleeved contoured woman's top of durable ribbed fabric. 2 bust-darts on both sides with stays from the waist up in all 4 darts. Collar and buttonhole panel, center front, of dark brown fabric. 13 hand-finished 1-inch buttonholes on right front. 11 buttons on right front. Buttons are covered in dark brown with 4-pointed brown stars in center. Set-in sleeves with 2 seams and tiny gusset at armhole. Cuff of same fabric is attached and folded up. Edge trimmed in a dark brown ribbed tape and 3 matching buttons on upperside of wrist and cuff. Front opening at waist opens like an upside-down "V." Center back seam runs from neck to hem. 2 seams run shoulder to hem; 2 additional seams run from armholes to hem.
Inside: Double construction with light tan fabric. One stay (4.5 inches long) is stitched to the center back seam from waist up. 4-inch wide pieces with 4 eyes on left and 4 eyes on right front, both contain vertical stays. Seam edges are overcast. On lower right front below buttonholes is an additional button hole on the inside only.
84.41.2- Long skirt of brown durable ribbed fabric. 1 1/2-inch wide waistband of same brown polished cotton as lining. At center front a 3-inch length of brown tape is sewn on the inside of the waistband creating a loop. A 9.5-inch placket in back is closed with a single black metal button and buttonhole. Center front is flat with 2 pleats. Top skirt measures 29 inches long. In back, top skirt is full, gathered and hiked up and tacked in center area. Underskirt upper portion is lining fabric. In the back (16.5 inches above hem) a casing holds brown fabric tape that has been pulled to gather fabric. The lower edge has a plain flat inner hem trimmed in a light brown tape. The portion of the underskirt that shows is 12 inches long with a 3-inch flat upper section; a 2.5-inch wide gathered section. The lowest 6.5-inch section is edged in dark brown trim with 1-inch box pleats about every 2 inches around the bottom edge. A 1/2-inch wide dark brown tape is sewn 1-inch above the hem edge around the entire skirt.
Inside, about 12 inches below the waistband is back, a band of brown fabric, 17 inches long is tacked to the lining in 3 places. On the right seam of the lining is a 'pocket' (17 inches long and 6 inches wide). Opening is a narrow 3 inches.
Small, cotton, pink child's dress. Drop-waist. From approximately the turn of the century. Trimmed with machine made lace. Square neckline. Buttons down back made of mother of pearl. Button holes hand made. Large tuck from cap of shoulder down front.
9in set in sleeves with lace trim 2.25in from cuffs. Same lace trim sewn on waist seam, around neck opening and on pleated skirt 6 in above hem. Machine made but for white cotton tape had stitched insde at skirt hem, seam where bodice and waist are joined. Pink cotton fabric tape hand stitched inside neck edge,. 8 back closure button holes are hand sttitched, 8 2 holed .25in shell buttons sewn on back. Front hem tear repaired.
Birth & baptismal certificate, with printed 3-heart form with text in all three hearts. Blank spaces infilled by hand in thin red ink by Speyer. Fraktur done for Peter Scholl, son of Peter Andreas and his wife Elizabeth Margretha, nee Illick. Son Peter was born September 7, 1772, in Heidelberg Township, Lancaster Co. (Now Berks Co., likely in Stouchsburg area of Marion Twp.)
Infill & decoration Berks Co. (formerly Lancaster Co.) by Georg Friederich Speyer (active c. 1774-1801) and printers Barton & Jungman, Reading.
Densely paint-decorated by Speyer with cross-legged angels in the top corners and bottom center, mermen and winged heads of angels in lower corners, parrots along the sides, a crown at top center, and birds holding flowers in their beaks at the top of the main text block. Dominant colors are red, green, yellow, and blue.
Certificate printed on laid paper with an "FS" watermark, indicating papermaker Frederick Schutz(Scheetz) of Lower Merion Twp. in Montgomery Co. (See American Watermarks). Mounted with window mat in a brown frame
Provenance
Fraktur was given to the Lancaster County Historical Society by donors with the understanding that it would become part of the Heritage Center collection when that institution was established.
Significant horizontal crease across the middle, and three vertical creases. Smaller creases and crinkles appear overall. The paper has browned, and there are stains in the lower half.
A treatment proposal was offered by the Conservation Center for Art and Historic Artifacts in 1986, followed by treatment in 1988-89 -- consolidated pigment, dry and wet cleaned, mended and reinforced, filled losses, flattened, and matted. More details available in the object file.
Object ID
G.77.50.12
Notes
Earnests note that "neatness was of little concern to Speyer, but he did seem concerned about filling white space." He normally infilled with words done in a thin red ink which does not stand up well over time. He worked mostly in northern Lancaster Co.and in southern Berks and Dauphin Counties. Speyer used the 3-heart print more frequently from about 1790 on.
On-line Nissen family genealogy (internet, 2010) states Peter Scholl married Eva Elizabeth Rieth on Apr. 28, 1800 in Reeds Church, Stouchsburg, Berks, Co. He died Feb. 25, 1839. His parents were also married in Stouchsburg.
References:
Klaus Stopp, Printed B&BC of the Pa Germans, Vol. IV, pp.. 81 & 89.
Earnests, "Papers for Birth Dayes", pp 722 ff.
Gravell, Miller & Walsh, American Watermarks, 1690-1835, 2002, pp. 79 & 305.
Slide # 27-1-4 in Archives West
Role
Artist
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Birth certificate done in German for "Anna Schenkin" (Schenk), born in "Connostoge Taunschip Langster County", November 20, 1783. Hand drawn, colored and lettered on laid paper with iron gall ink. No baptism indicates a Mennonite family.
The text is enclosed within a heart, surrounded by various vining flowers and four birds, two above and two below. The design conforms with artist's normal pattern of having the vines emanate from a hole at the top center of the heart. This artist made fraktur for mostly Lancaster County Mennonite families. He was almost certainly a schoolmaster. There are about 15 of his fraktur that are documented.
"Johannes Schopf/Schopp Artist" (active c. 1774-1800)
Note written on frame's dust cover by Smith states this fraktur was exhibited in two shows: Allentown Folk Art Show (Nov. 1974) and William Penn Memorial Museum, F/A Show (Jan. 1975).
Slide #27-2-4 in Archives West.
Provenance
Purchased by Richard Flanders Smith at a public sale along Route 222, north of Willow Street. Given to the Lancaster County Historical Society with the understanding that it would become part of the Heritage Center collection with the establishment of that institution.
Foxing or brown spotting over much of surface. Some tears along the edges. Moisture or adhesive stain at bottom center.
A condition report and treatment proposal was done by the Conservation Center for Art and Historic Artifacts in Philadelphia in 1986. Matted and framed by conservator Brian Howard of Carlisle in 1996.
Object ID
G.77.50.11
Place of Origin
Conestoga Twp.
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
