Agathon on divine worship; being a summary of the most essential doctrines of the new Christian church, viewed in the light of revelation by the eye of reason. A manual for reflecting philanthropic minds. Its substance extracted from the voluminous writings of an eminent and enlightened scribe of Lord, and orderly arranged
Communion altar from Brickerville United Lutheran Church (originally Emanuel Evangelical Lutheran Church). Rectangular altar of painted softwood, panelled construction all four sides with pegged mortise and tenon joints. Small panels over large. Door in the back with a recessed panel and knob handle. Molding around base, the edge of the top, and framing the recessed panels.
Modification to altar in 1947 by Bob Helman (signature underneath when removed 10-17-00) was a long platform shelf covering the back 2/5 of the top, with holes at the back, including an electrical outlet. Entire altar has been given a new coat of paint, a light chocolate brown on top and white on the sides. The unpainted interior has one shelf with a vertical divider.
Altar has been used since circa 1800 to serve communion, using the Brickerville United Lutheran Church's ten-piece pewter communion service which is also in collections (P97.08.01-10).
Perhaps made by Emanuel Dyer of Manheim or Mr. Zartman of Brickerville.
Large crack on top, approx. 4" from front, running halfway across top. Recently painted. Some separation at moldings. Large hole bored in altar top (for electric wire) underneath the added platform, now removed. The modern base molding also removed. Repainted top with brown and attached molding at ends of top to secure plexi top. Paint removed on door.
Object ID
P.00.34.1
Place of Origin
Lancaster County
Credit
Heritage Center Collection, acquired through generosity of James Hale Steinman Foundation and V. Ronald Smith
Encased ambrotype, circa 1865, of Rosine Etta (Hubley) Herr (1850-1889). Seated in plaid dress by a column, in a composition case with gold trim and lined with red velvet.
Portrait of young gentleman. Fairly faded out. Water marks/stains, one around right eye of man (viewer's left) in decorative bronze-colored frame with glass narrow gold-colored braid around edge. All with a red velvet rectangle. On the red velvet lining of the lid/cover: "Addis (?) s Lancaster Gallery/ NE Corner of Centre Square & N. Queen St." Black container has decorative motifs on front and back.
American convention for promoting the abolition of slavery and improving the condition of the African race at Philadelphia, in October, 1819, to the people of the United States
The American printer : a manual of typography, containing practical directions for managing all departments of a printing office, as well as complete instructions for apprentices ; with several useful tables, numerous schemes for imposing forms in every variety, hints to authors, etc
