Round bowl of glazed hand-painted chinese porcelain; one of a set of three. Thin walled sides curve up sharply to a molded edge with irregular scalloping. Foot ring on bottom with unusual recessed circle at center (1 3/8" dia.).
Inside bowl at center are circular geometric and floral/foliate designs of blue and overpainted red. Sides divided into 6 panels with 2 alternating designs - large winged insect, etc., with red predominating; and stylized floral and foliate designs with blue predominating. Exterior sides have 2 blue alternating motifs: a flower with leaves alternates with a design of two snake-like forms. Blue striped banding at foot ring as well as circumference of center recessed area.
Follows the style of 17th - 18th century Imari decoration, which orginiated in Japan and was copied in China for the European export market in the 18th century. The style was revived in the late 19th century.
China or Japan.
Provenance
Bowl owned by Harriet Lane Johnston, then descent within family to donor.
Minor scratches in bottom. Edge has one significant chip with 1"-long crack descending from it. Upper area of sides have some surface deposits of lime, etc., caused by standing water.
Round bowl of glazed hand-painted chinese porcelain, one of a set of three. Thin walled sides curve up sharply to a molded edge with irregular scalloping. Foot ring on bottom with unusual recessed circle at center (1 3/8" dia.).
Inside bowl at center are circular geometric and floral/foliate designs of blue and overpainted red. Sidesdivided into 6 panels with 2 alternating designs: large winged insect, etc., with red predominating; and stylized floral and foliate designs with blue predominating. Exterior sides have 2 blue alternating motifs: a flower with leaves alternates with a design of two snake-like forms. Blue striped banding at foot ring as well as circumference of center recessed area.
Provenance
Bowl owned by Harriet Lane Johnston, then descent within family to donor.
Round bowl of glazed hand-painted chinese porcelain, one of a set of three. Thin walled sides curve up sharply to a molded edge with irregular scalloping. Foot ring on bottom with unusual recessed circle at center (1 3/8" dia.).
Inside bowl at center are circular geometric and floral/foliate designs of blue and overpainted red. Sides divided into 6 panels with 2 alternating designs - large winged insect, etc., with red predominating; and stylized floral and foliate designs with blue predominating. Exterior sides have 2 blue alternating motifs: a flower with leaves alternates with a design of two snake-like forms. Blue striped banding at foot ring as well as circumference of center recessed area.
Provenance
Bowl owned by Harriet Lane Johnston, then descent within family to donor.
Minor scratches inside bottom. Sides have some surface deposits of lime, etc., caused by standing water. Most significant is a large break at one side with accompanying damage to edge of two large chips. Repaired with four staples affixed to outside of breakout.
Hand-painted porcelain bowl. Chinese export porcelain. Central medallion painted inside bottom. Decorative border around inner edge of boal. Entire exterior of bowl painted in multi-color designs, scenes containing figures, flowers, birds. Similar to 4 saucers.
Provenance
Bowl owned by Harriet Lane Johnston, then descent within family to donor.
Oval-shaped bowl with lid. On 1 inch base or foot with 2 gold-painted handles and indentation for spoon. Lid also has indentation for spoon. Large mushroom shaped gold painted finial. Detailed and multi-colored birds, flowers,a foliage on outer surfaces of bowl and lid. chinese export porcelain.
Provenance
Bowl owned by Harriet Lane Johnston, then descent within family to donor.
Chinese export bowl of high fired porcelain, polychrome decoration under glaze. Thin walled in nearly hemispherical form sitting on a 3/4" raised foot. Gold-painted rim with red edging. Two goldfish inside bottom. Continuous landscape on exterior is the same repeating Roman or Greek scene of a seated half-robed seated man with dog facing three nude women and seated baby. All set against distant mountains and one tree in foreground.
Glazed soft paste porcelain bowl, hand-painted "Kings Rose" pattern decoration. Sitting on a footring , the bowl has steeply curving high sides. Decorated on opposing sides with the same design of a large red flower surrounded by smaller yellow flowers with rust petals and leaves.Interior design along rim are four pink flowers spaced around rim and linked by thin line banding, S-curves, and various round shapes. Center of bottom has one red flower with leaves.
Papers stickers underneath are: "Gaudy Dutch/ Kings Rose," then "18B" and finally a loan number "6.23.82" referring to the 1982 loan to the Heritage Center.
Small scratches and areas of paint loss, particularly the round, green "fruits" on inner rim. Inside discoloration, stains, soil. Some wear to foot ring. Rim has multiple tiny chips, abrasions and wear.
Bowl (1992.11.7) shaped to crade lid (1992.11.7a). Top edge banded in gold, on both top and undersides. Wide gold band with narrow band beneath encircle the bowl. Narrow band around the base.
Lid decorated with gold grapes (as a grip) resting on painted-veined grape leaves. "Atlee" lettered in gold on opposite sides. Base of the lid encirocled by wide gold band with thin bands inside around extruded top.
Large, shallow redware bowl. Interior base is slip decorated using a stencil of a rooster. Chased into bottom is the name of the maker and date of construction, "Anne Stodder Adams (Umlauf)
