White porcelain plate decorated with a 1" pink border and gold edging. The center of bowl has hand-painted landscape next to a body of water. Far bank has a promontory surmounted with a high square tower and an attached arched viaduct. Waterfall courses through arches of viaduct to waterway beneath. A small sailing ship is anchored at left. Three boys with wide-brim hats, breeches and stockings along water on near bank. High rocks and twisting tree frame the scene at left.
Painted cursive inscription on bottom: "Feuillet rue de la / paix no. 20." Jean-Pierre Feuillet, Decorator (French, 1777-1840). See Notes
Matching bowl with differing center scene is 2015.029.11. Additional pieces of Feuillet-decorated dishes in collection are 2013.008.
Rue de la Paix decorating studio, Paris
Provenance
Descent within Buchanan and Henry family to Pamela Henry (daughter of Frank Anderson Henry, Buck's youngest son) to Louisa Dent (donor).
Very good condition except for one 1/4" chip at top of rim edge.
Object ID
2015.029.10
Notes
Research on E-bay has dealer's statement:
"Feuillet introduced a porcelain decorating studio at the Rue de la Paix, Paris in 1820. The products came chiefly from the Royal Factory Sèvres. His successor was Boyer (1845)."
Another seller writes:
"The Feuillet studio was at 18, Rue de la Paix, advantageously located for the wealthy denizens of the area to come visit and make purchases. The Prince of Conde gave Feuillet his protection, thus assuring a constant flow of high-end clients. Feuillet's design atelier reached its apex in the mid-1820s, lavishly decorating some of the most remarkable plates of the time. The combination of rich paste gilding, saturated border colors and meticulous fruit or floral still life paintings made the factory's output one of the favorite choices, other than Sevres, for purchase by the new French Regime. According to the book "Paris Porcelain" by Regine de Plinval de Guillebon, "Feuillet was one of the best decorators in the Restauration period," (Paris Porcelain, page 244)."
White porcelain soup(?) bowl is decorated with a 1" pink border and gold edging. The center of bowl has hand-painted landscape with galloping horse and horseman at center with top hat and raised crop. Accompanying hound at left foreground. Tall heavy signpost at right.
Painted cursive inscription on bottom: "Feuillet rue de la / paix no. 20." Jean-Pierre Feuillet, Decorator (French, 1777-1840). See Notes
Matching bowl except for different center scene is 2015.029.10. Additional pieces of Feuillet dishes in collection are 2013.008.
Rue de la Paix decorating studio, Paris
Provenance
Descent within Buchanan and Henry family to Pamela Henry (daughter of Frank Anderson Henry, Buck's youngest son) to Louisa Dent (donor).
Very good condition except for two small areas of paint loss at bottom center of painted scene.
Object ID
2015.029.11
Notes
Research on E-bay has dealer's statement:
"Feuillet introduced a porcelain decorating studio at the Rue de la Paix, Paris in 1820. The products came chiefly from the Royal Factory Sèvres. His successor was Boyer (1845)."
Another seller writes:
"The Feuillet studio was at 18, Rue de la Paix, advantageously located for the wealthy denizens of the area to come visit and make purchases. The Prince of Conde gave Feuillet his protection, thus assuring a constant flow of high-end clients. Feuillet's design atelier reached its apex in the mid-1820s, lavishly decorating some of the most remarkable plates of the time. The combination of rich paste gilding, saturated border colors and meticulous fruit or floral still life paintings made the factory's output one of the favorite choices, other than Sevres, for purchase by the new French Regime. According to the book "Paris Porcelain" by Regine de Plinval de Guillebon, "Feuillet was one of the best decorators in the Restauration period," (Paris Porcelain, page 244)."
Round bowl of glazed hand-painted chinese porcelain; one of a set of three. Thin walled sides curve up sharply to a molded edge with irregular scalloping. Foot ring on bottom with unusual recessed circle at center (1 3/8" dia.).
Inside bowl at center are circular geometric and floral/foliate designs of blue and overpainted red. Sides divided into 6 panels with 2 alternating designs - large winged insect, etc., with red predominating; and stylized floral and foliate designs with blue predominating. Exterior sides have 2 blue alternating motifs: a flower with leaves alternates with a design of two snake-like forms. Blue striped banding at foot ring as well as circumference of center recessed area.
Follows the style of 17th - 18th century Imari decoration, which orginiated in Japan and was copied in China for the European export market in the 18th century. The style was revived in the late 19th century.
China or Japan.
Provenance
Bowl owned by Harriet Lane Johnston, then descent within family to donor.
Minor scratches in bottom. Edge has one significant chip with 1"-long crack descending from it. Upper area of sides have some surface deposits of lime, etc., caused by standing water.
Round bowl of glazed hand-painted chinese porcelain, one of a set of three. Thin walled sides curve up sharply to a molded edge with irregular scalloping. Foot ring on bottom with unusual recessed circle at center (1 3/8" dia.).
Inside bowl at center are circular geometric and floral/foliate designs of blue and overpainted red. Sidesdivided into 6 panels with 2 alternating designs: large winged insect, etc., with red predominating; and stylized floral and foliate designs with blue predominating. Exterior sides have 2 blue alternating motifs: a flower with leaves alternates with a design of two snake-like forms. Blue striped banding at foot ring as well as circumference of center recessed area.
Provenance
Bowl owned by Harriet Lane Johnston, then descent within family to donor.
Round bowl of glazed hand-painted chinese porcelain, one of a set of three. Thin walled sides curve up sharply to a molded edge with irregular scalloping. Foot ring on bottom with unusual recessed circle at center (1 3/8" dia.).
Inside bowl at center are circular geometric and floral/foliate designs of blue and overpainted red. Sides divided into 6 panels with 2 alternating designs - large winged insect, etc., with red predominating; and stylized floral and foliate designs with blue predominating. Exterior sides have 2 blue alternating motifs: a flower with leaves alternates with a design of two snake-like forms. Blue striped banding at foot ring as well as circumference of center recessed area.
Provenance
Bowl owned by Harriet Lane Johnston, then descent within family to donor.
Minor scratches inside bottom. Sides have some surface deposits of lime, etc., caused by standing water. Most significant is a large break at one side with accompanying damage to edge of two large chips. Repaired with four staples affixed to outside of breakout.
Hand-painted porcelain bowl. Chinese export porcelain. Central medallion painted inside bottom. Decorative border around inner edge of boal. Entire exterior of bowl painted in multi-color designs, scenes containing figures, flowers, birds. Similar to 4 saucers.
Provenance
Bowl owned by Harriet Lane Johnston, then descent within family to donor.
Oval-shaped bowl with lid. On 1 inch base or foot with 2 gold-painted handles and indentation for spoon. Lid also has indentation for spoon. Large mushroom shaped gold painted finial. Detailed and multi-colored birds, flowers,a foliage on outer surfaces of bowl and lid. chinese export porcelain.
Provenance
Bowl owned by Harriet Lane Johnston, then descent within family to donor.
Chinese export bowl of high fired porcelain, polychrome decoration under glaze. Thin walled in nearly hemispherical form sitting on a 3/4" raised foot. Gold-painted rim with red edging. Two goldfish inside bottom. Continuous landscape on exterior is the same repeating Roman or Greek scene of a seated half-robed seated man with dog facing three nude women and seated baby. All set against distant mountains and one tree in foreground.
Glazed soft paste porcelain bowl, hand-painted "Kings Rose" pattern decoration. Sitting on a footring , the bowl has steeply curving high sides. Decorated on opposing sides with the same design of a large red flower surrounded by smaller yellow flowers with rust petals and leaves.Interior design along rim are four pink flowers spaced around rim and linked by thin line banding, S-curves, and various round shapes. Center of bottom has one red flower with leaves.
Papers stickers underneath are: "Gaudy Dutch/ Kings Rose," then "18B" and finally a loan number "6.23.82" referring to the 1982 loan to the Heritage Center.
Small scratches and areas of paint loss, particularly the round, green "fruits" on inner rim. Inside discoloration, stains, soil. Some wear to foot ring. Rim has multiple tiny chips, abrasions and wear.
