Connecting to collections, a call to action, the National Conservation Summit, June 27-28, 2007 video highlights and keynote addresses
Connecting to collections, a call to action, June 27-28, 2007, the National Conservation Summit, summit highlights
Connecting to collections, a call to action, the National Conservation Summit, Washington, DC, June 27-28, 2007, video highlights and keynote addresses
National Conservation Summit, video highlights and keynote addresses
National Conservation Summit, June 27-28, 2007
Responsibility
[video production, Icon Communications].
Meeting
National Conservation Summit (2007 : Washington, D.C.)
Place of Publication
Washington, D.C
Publisher
Institute of Museum and Library Services,
Date of Publication
2007.
Physical Description
2 videodiscs (ca. 2 hrs., 30 min.) : sd., col. ; 4 3/4 in. + 1 booklet (19 p. : ill. ; 19 cm.)
Notes
Title from root menu.
"Institute of Museum and Library Services; Heritage Preservation, the National Institute for Conservation; Smithsonian Donald W. Reynolds Center for American Art and Portraiture."
Contents
Disc 1: Opening remarks -- Connecting to expertise -- Connecting to technology -- Agency chairmen -- [Presentation by] Girl Scout Troop 4563. -- Disc 2: Connecting to funders -- Connecting to the public -- Keynote address, Allen Weinstein -- Keynote address, Francie Alexander.
Summary
Representatives of small and medium-sized museums and libraries from every state, including Washington, D.C. and Puerto Rico, met with national leaders in the nation's capitol on June 27-28, 2007. The summit explored strategies for preserving endangered collections, harnessing new technologies, engaging the public in conservation efforts, and identifying funding resources.
"With assessments of his work by his contemporaries: A.E. Gallatin, Angela E. Hagen, Marsden Hartley, Helen Henderson, Henry McBride, Carl Van Vechten, Rita Wells, Willard Huntington Wright."
Includes index.
Summary
Charles Demuth is widely recognized as one of the most significant American modernists. His precisionist cityscapes, exquisite flowers, and free-wheeling watercolors of vaudeville performers, homosexual bathhouses, and cabaret scenes hand in many of the country's most prestigious collections, including the Metropolitan Museum of Art, the Philadelphia Museum of Art, the Columbus Museum of Art, the Amon Carter Museum in Fort Worth, the Art Institute of Chicago, and in Demuth's Lancaster, Pennsylvania, family residence, now home of the Demuth Foundation. At a time when many American artists remained tied to Europe, Demuth "Americanized" European modernism.This collection of155 of his letters offers valuable views of the arts and letters colonies in Provincetown, New York, and Paris. Besides offering information on Demuth's own works, the letters also shed light on the output of his contemporaries, as well as references to their trips, liaisons, and idiosyncrasies. Demuth numbered among his correspondents some of the most famous artists and writers of his time, including Georgia O'Keeffe, Eugene O'Neill, John Reed, Gertrude Stein, Alfred Stieglitz, Carl Van Vechten, and William Carlos Willliams. In his travels in the United States and abroad, he encountered many other talented contemporaries: Peggy Bacon, Muriel Draper, Marcel Duchamp, the Stetthemer sisters, artists and writers, patrons, and gallery owners. Whether he is offering to pick up a copy of Joyce's Ulysses for Eugene O'Neill or trying to convince Georgia O'Keeffe to decorate his music room ("just allow that red and yellow 'canna' one to spread until it fills the room"), Demuth is always in the thick of art and literary life. Flamboyant in attire but discreet in his homosexuality, Demuth also reveals in his letters the life of a talented homosexual in the teens and twenties. With his best friends Robert Locher and Marsden Hartley, he circulated through the art colonies of Greenwich Village, Provincetown, and Paris, meeting everyone. The book also contains reprints of some short appraisals of Demuth and his work that were published during his lifetime, long out of print, including pieces by A. E. Gallatin, Angela E. Hagen, Marsden Hartley, Helen Henderson, Henry McBride, Carl Van Vechten, Rita Wells, and Willard Huntington Wright. [from the publisher]
