P95.02.01A: Crystal ball is a sphere of clear glass containing tiny interior bubbles and barely perceptible striations on the surface corresponding to lines of latitude.
P95.02.01B: Base for ball is a turned disk of pine with recessed top in which to
Place of origin is unknown.
Provenance
9/07/2012 - Transferred from HC Collections; 12/29/94 - Purchase from Book Haven 146 N. Prince Street, Lancaster, PA 17603
Glass ball has minor surface abrasions or imperfections; some small nicks and scratches in the base, and a 1/2" area of finish loss on the center of the bottom.
Pewter basin, part of the Warwick Congregation's (now known as the Brickerville United Lutheran Church) communion service.
High, rounded sides flare out to a flattened rim with rolled edge. Booge appears to be unhammered. Barns struck his large circular mark with an eagle on the inside of bottom. The left portion of the eagle as well as the letters "BAR" on the bottom are discernible, as well as the "HE" above the eagle.
Probably made in Middletown or Wallingford, Connecticut.
Provenance
The entire communion service remained in use over the years until the congregation decided in 1997 to find a safe place for this valuable communion set. Purchased by the Heritage Center of Lancaster County.
four strands of wicket at one narrow end of the basket is broken off.
Object ID
W.1940.006.001
Notes
In her letter that accompanied the donation, Mrs. Myers informed the museum that "Mrs. Sherry said the basket was used for pretzels.
Mrs. Myers added that "Mrs. Sherry lived on the Old Factory Road near the Old Factory Bridge until about 15 years ago (1925) gave this pretzel basket and bread knife to me. They were given to her by Hetty Parker for whom Mrs. Sherry worked in the Buchanan home for 19 years.
Pewter beaker or handleless cup. Part of the Warwick Congregation's (now known as the Brickerville United Lutheran Church) communion service.
Cylinder form flares out slightly at bottom as well as top. Banded at base.
Engraved on the exterior, near top, are the small initials "M.W."
Provenance
The entire communion service remained in use over the years until the congregation decided in 1997 to find a safe place for this valuable communion set. Purchased by the Heritage Center of Lancaster County.
Diameter of bottom is listed. Diameter of top is 2.5".
Condition
Good
Condition Date
2014-08-28
Condition Notes
Overall abrasions, pitting, small dents and staining. Rim has multiple small dents and abrasions. Bottom interior is pitted. Wear underneath with some areas slightly cracked. Dent at base.
Object ID
P.97.08.5
Place of Origin
Hartford, Connecticut
Credit
Acquired through the generosity of the James Hale Steinman Foundation and Friends of the Heritage Center Museum, Heritage Center Collection
Whiskey bottle. Clear glass, very shallow kick, thick glass at mouth. Seams around shoulder and two sides, lip to shoulder. Made for cork closing. Two labels: On neck: Sickle-shaped, black border, red printing, 'The Whiskey That Goes Home' On body: Recta
Wicker-encased vacuum bottom. Oval-shaped bottle with wicker sleeve. Wicker sleeve has two bands of 'figure 8' designs. Mouth has a metal band. Cap has a metal-encased cork with an oval-shaped shot glass on top.
Provenance
Ownership unknown. Found in Wheatland mansion c. 1935-1936.
Accession sheet contains the following note: 'Renumbered because it shared an accession number with another object. Formerly M36.17 (a-c), now 96.2 (a-c). C. Sturm, 8-5-96.'
Greenish-brown glass with kick in bottom. Cork sealed in mouth of bottle with pinkish wax ('Red Seal') and copper wire. Old torn tag around neck 'Dennison Mfg. Co. Tag Mfrs. 25 & 28 Franklin St. Boston'. Label on bottle printed with '1827 Red Seal Madeira'
White porcelain plate decorated with a 1" pink border and gold edging. The center of bowl has hand-painted landscape next to a body of water. Far bank has a promontory surmounted with a high square tower and an attached arched viaduct. Waterfall courses through arches of viaduct to waterway beneath. A small sailing ship is anchored at left. Three boys with wide-brim hats, breeches and stockings along water on near bank. High rocks and twisting tree frame the scene at left.
Painted cursive inscription on bottom: "Feuillet rue de la / paix no. 20." Jean-Pierre Feuillet, Decorator (French, 1777-1840). See Notes
Matching bowl with differing center scene is 2015.029.11. Additional pieces of Feuillet-decorated dishes in collection are 2013.008.
Rue de la Paix decorating studio, Paris
Provenance
Descent within Buchanan and Henry family to Pamela Henry (daughter of Frank Anderson Henry, Buck's youngest son) to Louisa Dent (donor).
Very good condition except for one 1/4" chip at top of rim edge.
Object ID
2015.029.10
Notes
Research on E-bay has dealer's statement:
"Feuillet introduced a porcelain decorating studio at the Rue de la Paix, Paris in 1820. The products came chiefly from the Royal Factory Sèvres. His successor was Boyer (1845)."
Another seller writes:
"The Feuillet studio was at 18, Rue de la Paix, advantageously located for the wealthy denizens of the area to come visit and make purchases. The Prince of Conde gave Feuillet his protection, thus assuring a constant flow of high-end clients. Feuillet's design atelier reached its apex in the mid-1820s, lavishly decorating some of the most remarkable plates of the time. The combination of rich paste gilding, saturated border colors and meticulous fruit or floral still life paintings made the factory's output one of the favorite choices, other than Sevres, for purchase by the new French Regime. According to the book "Paris Porcelain" by Regine de Plinval de Guillebon, "Feuillet was one of the best decorators in the Restauration period," (Paris Porcelain, page 244)."
White porcelain soup(?) bowl is decorated with a 1" pink border and gold edging. The center of bowl has hand-painted landscape with galloping horse and horseman at center with top hat and raised crop. Accompanying hound at left foreground. Tall heavy signpost at right.
Painted cursive inscription on bottom: "Feuillet rue de la / paix no. 20." Jean-Pierre Feuillet, Decorator (French, 1777-1840). See Notes
Matching bowl except for different center scene is 2015.029.10. Additional pieces of Feuillet dishes in collection are 2013.008.
Rue de la Paix decorating studio, Paris
Provenance
Descent within Buchanan and Henry family to Pamela Henry (daughter of Frank Anderson Henry, Buck's youngest son) to Louisa Dent (donor).
Very good condition except for two small areas of paint loss at bottom center of painted scene.
Object ID
2015.029.11
Notes
Research on E-bay has dealer's statement:
"Feuillet introduced a porcelain decorating studio at the Rue de la Paix, Paris in 1820. The products came chiefly from the Royal Factory Sèvres. His successor was Boyer (1845)."
Another seller writes:
"The Feuillet studio was at 18, Rue de la Paix, advantageously located for the wealthy denizens of the area to come visit and make purchases. The Prince of Conde gave Feuillet his protection, thus assuring a constant flow of high-end clients. Feuillet's design atelier reached its apex in the mid-1820s, lavishly decorating some of the most remarkable plates of the time. The combination of rich paste gilding, saturated border colors and meticulous fruit or floral still life paintings made the factory's output one of the favorite choices, other than Sevres, for purchase by the new French Regime. According to the book "Paris Porcelain" by Regine de Plinval de Guillebon, "Feuillet was one of the best decorators in the Restauration period," (Paris Porcelain, page 244)."