An enquiry into the use and practice of juries among the Greeks and Romans : from whence the origin of the English jury may probably be deduced : in three parts
Anno Regni Georgii III. Regis, Magnae Britaniae, Franciae & Hiberniae, quinto : at a General Assembly of the province of Pennsylvania, begun and holden at Philadelphia, the fourteenth day of October, anno Domini 1764, in the fourth year of the reign of our Sovereign Lord George III. by the grace of God, of Great-Britain, France and Ireland, King, defender of the faith, &c. : and from thence continued by adjournments to the eighteenth day of May, 1765
Printed and sold by B. Franklin, at the New-Printing-Office, near the market,
Date of Publication
MDCCLXV [1765]
Physical Description
[2], 413-428 p. ; 30 cm (fol.)
Notes
Jasper Yeates's Colonial Law Library.
Book numbr 463 as assigned by Yeates.
Pagination continues session laws published from Feb. 1760 (Evans 8705).
Evans,
ESTC,
Contents
An act for opening and better amending, and keeping in repair, the public roads and highways within this province -- A supplement to the act intituled, "An act for the prohibiting the importation of Germans, or other passengers, in too great numbers, in any one vessel."
Anno regni Georgii III. Regis, Magnae Britanniae, Franciae & Hiberniae, nono : At a General Assembly of the Province of Pennsylvania, begun and holden at Philadelphia, the fourteenth day of October, anno Domini 1768 ... And from thence continued by adjournments to the eighteenth day of February, 1769
Printed & sold by D. Hall, and W. Sellers, at the new printing-office, near the Market,
Date of Publication
1769.
Physical Description
1 preliminary leaf, 639-737, [1] pages ; 33 cm
Notes
Paged continuously with the Acts of an earlier session.
Printed and hand-written marginalia.
Jasper Yeates's Colonial Law Library.
Yeates's signature at top of title page.
Book number 583 as assigned by Yeates.
Contents
Bound with Anno Regni Georgii III Regis...And from thence continued by Adjournments to the Twentieth Day of February 1768, Philadelphia, D. Hall and W. Sellers,1768; - Anno Regni Georgii III Regis...And from thence continued by Adjourments to the Twenty-fourth Day of February 1770, Philadelphia: D. Hall, and W. Sellers, 1770 - Anno Regni Georgii II Regis...And from thence continued by Adjournments to the Twenty-first Day of March, 1772, Philadelphhia, D. Hall and W Sellers, 1772 - Anno Regni Gerogii III Regis...And from thence continured by Adjournments to the Twenty-sixth Day of February 1773, Philadelphia, Hall and Sellers, 1773.
The Conestoga Church of the Brethren Records contain photocopies of the baptism records of the Conestoga Church of the Brethren from 1734 to 1849. The Conestoga Church of Brethren was founded in 1724.
The William Wright Collection contains the papers of William Wright and his descendants. The papers include wills, land drafts, inventories, releases, receipts, correspondence, genealogical information, photographs, and copies of obituaries.
(It appears there is a correlation between this Wright family and the John Wright who petitioned the Philadelphia courts for the formation of Lancaster County in 1729. Further research must be done on this link. There were several interesting envelopes containing documents in bad repair. These envelopes all had the return address of C. J. Rainear & Co., Inc, 210 N. 21st Street, Philadelphia 3, PA. One envelope has been retained with the collection. Further investigation is necessary to determine the relationship between this company, the donor and the Wright family.)
Access Conditions / Restrictions
No restrictions. Original documents may be used by appointment--contact Research@LancasterHistory.org prior to visit.
Copyright
Collection may not be photocopied. Please direct questions to Research Center Staff at Research@LancasterHistory.org.
Permission for reproduction and/or publication must be obtained in writing from LancasterHistory.
Credit
William Wright Collection (MG-56), Box #, Folder #, LancasterHistory.org
Muddy Creek Lutheran and Reformed Church Collection
Description
The Muddy Creek Lutheran and Reformed Church Collection contains church records, property records, legal documents, a songbook, and a liturgy book.
Admin/Biographical History
Peace United Church of Christ was formed in the late 1960s by the joining of St. Paul's United Church of Christ in Adamstown and Muddy Creek United Church of Christ. Muddy Creek UCC is one of the earliest German Reformed churches in the area, its founding marked with the first recorded baptisms in January of 1731.
The Hubley Collection contains legal documents, case papers, family and military papers, wills, deeds, bills and receipts, indentures for servants and enslaved persons, correspondence, petitions, and church-related information.
Admin/Biographical History
John Hubley and Joseph Hubley were Lancaster attorneys.
System of Arrangement
The legal papers are arranged chronologically. Case papers are arranged
alphabetically by surname of the plaintiff or defendant. Family papers are grouped by the family member's name and chronologically within that name. Box 6 is arranged chronologically.
Collection contains the research materials of R. Harold Barton on the mills and bridges of Lancaster County. Included are field notes, working papers, photographer's negatives, and postcards. Indexes are available listing mills by name and location, and bridges by name.
Four notebooks are the finished product of the mills and bridges research of R. Harold Barton. These notebooks are in the library under Barton, R. Harold on the online catalog (LC621.85, B283, v.1-v.4). The notebooks constitute 1 cubic ft. of the collection.
The remaining six boxes are located within the manuscript collection. These boxes house working papers, field notes, worksheets, notebooks, photographs, negatives, additional albums of photographs and other miscellaneous material relating to Lancaster County bridges and mills.
Mr. Barton uses a numerical system to locate bridges and mills by township or by the names of the streams, rivers, runs and creeks. Three indexes have been prepared: one lists the bridges by name, one the location by town or townships, and one the names of the mills.
There are a few notes related to Lancaster County gunsmiths, missionaries, and Indian traders.
System of Arrangement
Collection is arranged by township, number, and index.
This collection contains the papers of Lloyd Mifflin, including diaries, his poetry, typescripts, galleys with marginal notes, Mifflin family material, and a scrapbook of newspaper clippings. Lloyd Mifflin was a poet and painter from Columbia, Pa. He is best known as a writer of sonnets, publishing over 500.
Admin/Biographical History
Lloyd Mifflin (1846-1921), artist of landscape and portraiture, was also "America's greatest sonneteer." He was born and lived much of his life in Columbia, Lancaster County, Pennsylvania where he was free to wander the banks of the Susquehanna River and its tributaries.
His father, J. Houston Mifflin, of English Quaker descent, was Lloyd's first teacher in drawing and sketching. His mother, Elizabeth A. Heise, came from German heritage. She was born in Columbia and died when Lloyd was very young. His father, a kind and patient man, noted that Lloyd was a rather weak child and provided equestrian and water sports to improve his health.
Lloyd was taught in the public schools in Columbia, including the Washington Classical Institute. The Mifflin family supported local education by bequeathing two houses from their estate, the cottage known as "Norwood" and the grand house, "Cloverton," as well as the estate itself. The school district annually planted a flower on his birthday, September 15, and read one of his sonnets, "A Picture of My Mother."
At the age of 14, Lloyd undertook drawing and sketching with his father. He also had Thomas Moran as an instructor in painting and worked with Isaac Williams of Philadelphia for a short time. In 1869, he traveled to Europe where he studied with Henry Herzog at Dusseldorf, Germany. His adventures also took him to Italy, France, England, and Scotland. He returned to Columbia from Europe and continued painting scenes from along the Susquehanna-from Cooperstown, NY to the Chesapeake Bay. As did most other painters of the time, he earned money from portraiture.
In his paintings, he captured the natural with refined color and light, which yielded firm and balanced forms. He preferred to capture the peacefulness of a woodland path or other quiet spots, rather than the noise of an industrial area. Later in his life he liked seasonal paintings, since they gave him a chance to probe deeper into a philosophical spirit.
Mifflin turned to poetry at the age of 51. According to what he wrote in The Hills, his first volume of poetry (1896), he claimed that the fumes of the paint made him sick. In his lifetime he filled twelve books of verse with two hundred poems and more than six hundred sonnets. He wrote more sonnets than William Shakespeare, John Milton, and William Wordworth. John Keats, however, was his favorite. He preferred Keats for his expression regarding the love of beauty, both real and ideal; his forms were always poised and dignified. During this time he also taught himself the art of etching, using this technique to illustrate The Hills.
Mifflin stressed a strong love of beauty in his poetry as he did in his painting. His imagination and beautiful sense of harmony characterize his verse. The main source of his ambition, inspiration and consolation are clearly seen in The Invocation.
He devoted his greatest efforts to the category of the sonnet, considering it the most distinguished and exalted of all forms of English poetry. He enjoyed the structure, the metrical and rhythmic beauty, the plan of metrical rhyme and diction. Mifflin found it much like a musical composition.
Sonnets bipartite in structure usually have a combination of eight lines followed by six. The rhyme schemes and diction include many metaphors and an extensive vocabulary. His one hundred and fifty nature sonnets emphasize the descriptive, not the intuitional. To sample his poetic styles, one should turn to his three hundred and fifty collected sonnets, published in 1905 with a second edition in 1907. A large number came from earlier books.
As a poet, Mifflin was an idealist and respected the ideal of Greek mythological beauty. In the Echoes of the Greek Idylls and Slopes of Helicon, we find no roughness of spirit. There was a conscience of a spiritual presence. His religious sonnets were grounded in the faith of a personal God which related more to his aesthetic feelings than to traditional Christianity. Themes of life and death occur in many sonnets. His poetry inspired faith, hope and deep emotion. These sonnets were more descriptive than philosophical.
Mifflin's personal ambition was to excel; he wanted to write the perfect sonnet. Like the classical Greeks, he hoped his poetry would obtain an immortality. Mifflin thought the world had largely ignored him, even though his poetry received high praise. At his life's end he changed his opinion and credited his readers with more accolades than he had earlier thought. Perhaps he was too hard on himself. Lloyd Mifflin carried the name "Hermit of the hills" who walked the 'world as one entranced' and 'in life's turbid wave', dropped ' the crown-jewel of his melody.'"
E. Hershey Sneath. America's Greatest Sonneteer. The Clover Press (Geo. D. Hall): Columbia, PA.,1928.
