This collection contains a sketchbook and copybook of Jacob Stauffer and his son, David McNeely Stauffer. The sketch of a log house and watercolor of the Mathiot House are both attributed to David McNeely Stauffer. Letters written to D. M. Stauffer refer to The Intelligencer, genealogy related to a portrait, and his collection of signatures.
Admin/Biographical History
David McNeely Stauffer (1845-1913)
Stauffer's extraordinary life began in 1845, in Mount Joy. His father was Jacob Stauffer and his mother was Mary Ann McNeely. He was raised by his stepmother since his mother passed when he was only a year old. His childhood home had somewhat of a local legend which claimed it was haunted by the unpleasant pirate who built it.
Around 1858, economic trouble forced the Stauffers to relocate to Lancaster City. His father took a job at the Lancaster Athenaeum library (on the 3rd floor of the old city hall) for small pay with the arrangement that he could establish his patent office there. David was inseparable from his father and spent more time at the library than he did at his home on North Duke Street.
From a young age David was enormously successful in school, no doubt due to his long hours at the library and absorbing the teachings of his father who was interested in natural sciences. He graduated from high school at an accelerated pace and earned his diploma at the age of 16. From there, he attended Franklin and Marshall college on a scholarship.
A crisis strikes Lancaster in 1862 with the invasion of the confederate army into Maryland. David, along with fellow classmates, were raised into a slapdash and disastrously ill prepared unit. They were eventually involved in the battle of Antietam if one uses the term "involved" loosely. Having virtually no experience or training they were kept out of the fight. After the short-lived adventure David returned to school for another year but, possibly hoping to see more action, he rejoined the service as an artillery man. Later, he accepted a job on the railways before he was offered an appointment as Master's Mate in the navy and he once again joined the military.
After his service, he returned to railroad work where he was determined to become an engineer. By 1870 he had achieved this goal, being appointed head engineer for construction of a Philadelphia street bridge. David was 25 years old. He worked diligently as an engineer for many years and finally opening his own business in New York as a consulting engineer in 1882. Stauffer was in high demand as he was considered an expert in his trade and was widely known. He was the second American to ever become a member of the Institute of Civil Engineers in London. He also became part-owner and chief editor for "Engineering News" for 23 years.
He was very active socially, largely invested in civic improvement, and belonged to numerous societies and clubs. He was also well-traveled. Appreciative of many arts, he took a particular interest in engravings which he collected. He even published a book which is critical to many collectors today: "American Engravers upon Copper and Steel".
Stauffer married rather late in life, at the age of 47, but his meeting with his wife is so extraordinary it sounds more like a sketch from a Melville novel. A shipwreck is the romantic occasion upon which these two lovers met, David and his future wife, Florence Scribner. David had been asked on an assignment for the Engineering News and Florence had been accompanying her father on a steamship when it wrecked in the Caribbean. They were married no more than a year later and set up residence in Yonkers, New York where he died in 1913.
Stauffer's passion for sketching was no doubt due to his father whose botanical sketches are still widely admired today. Of note is David's bookplate design used by Lancaster County Historical Society, which is one of many that he designed. He also left a legacy of no less than 70 drawings of early Lancaster City buildings, an unparalleled collection. Some buildings he documented still stand today; some weren't even standing when he drew them. He drew some earlier buildings that had been destroyed using only the descriptions from those who remembered them and historical documents.
Sources:
"David McNeely Stauffer". Elizabeth Clarke Kieffer. Papers of the Lancaster County Historical Society, vol. 56. 1952 no.7David McNeely Stauffer could be called many things: scholar, soldier, traveler, engineer, artist, collector, author. Clearly a man of many talents and many pursuits, in his life he seemed determined to collect a wide variety of experiences.
"Biographical Sketch of David McNeely Knox Stauffer". John W. Jordan. The Pennsylvania Magazine of History and Biography, vol. 37. (Philadelphia : PA).
"David McNeely Stauffer: The Little-Known Legacy He Left to Lancaster." A Talk to the Lancaster County Historical Society by C. Eugene Moore. May 7th, 1996.
"David McNeely Stauffer Aids Today's Scholars" in Artists' Album/Lancaster County. Gerald S. Lestz. Science Press, 1983.
See also: David McNeely Stauffer drawings in the Curatorial Collection
Access Conditions / Restrictions
Please use digital images and transcriptions when available. Original documents may be used by appointment. Patrons must make an appointment with the Director of Archival Services to view the sketchbook in Folder 1. Please contact research@lancasterhistory.org at least two weeks prior to visit.
Copyright
Collection may not be photocopied. Please direct questions to Research Center Staff at research@lancasterhistory.org.
Permission for reproduction and/or publication must be obtained in writing from LancasterHistory.
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
Other Numbers
MG-369
Other Number
MG-369
Classification
MG0369
Description Level
Fonds
Custodial History
Processed and finding aid prepared 2010; revised 2014, 2015.
Preferred citation: Title or description of item, date (day, month, year), Collection Title (MG#), LancasterHistory, Lancaster, Pennsylvania.
Access Conditions / Restrictions
This collection has not been cataloged. Original documents may be used by appointment--contact Research@LancasterHistory.org prior to visit. Please use digital images and transcriptions when available.
Copyright
Collection may not be photocopied. Please direct questions to Research Center Staff at Research@LancasterHistory.org.
Permission for reproduction and/or publication must be obtained in writing from LancasterHistory.
Grand Army of the Republic badge. "In Union There Is Strength" on top pin. "D. H. Nissley Post, No. 478 / G. A. R. / Mount Joy, PA." G.A.R. emblem in center of badge. Badge is black with gold letters and gold braided trim on bottom with metal fringes.
Civil War veteran delegate badge, Grand Army of the Republic. "Delegate / Dept. of Penna. / Semiannual / Encampment / G.A.R. / Philadelphia / 1876." Blue with gold letters.
Wood walking stick or cane with silver tip and cap. Four panels with text alternate with four panels decorated with ornate leaves. 1.5 in metal band nailed on at the botton. One nail missing.
cap is engraved: "By the Union Fire Co. / No. 1 Lancaster PA / Presented to Rev. A. H. Shertz / Feb. 25th, 1865 "
Black painted wood cane with cast metal handle and metal ferrule tip, handle marked, "Grand Army of the Republic, 1861 Veteran 1865" on both sides. Includes emblems of branches of service, eagle, and flag.
Cane or walking stick of hardwood with engraved gold handle. Shaft is round, tapered, ebonized wood. Handle is 3" long, tapered and 8-sided with a rounded crown. Metal fitted tip is missing.
Engraving on all sides of handle. Crown reads "Presented to Genl. Simon Cameron by the Employees of the LOCHIEL IRON WORKS as a mark of their high Appreciation of his Valuable Services in Favor of PROTECTION to American Industry." One facet of side depicts the U.S. Capitol with the slogan "LIBERTY AND PROTECTION." Opposite facet shows the Lochiel Iron Works building above the words "JUSTICE AND EQUALITY TO ALL MEN."
Lochiel Iron Works was organized in 1864. Cameron was one of the owners of the factory located along S. Cameron St. in Harrisburg. Cameron apparently championed some legislative protection for the iron industry, perhaps during his 2nd tenure as U.S. Senator, 1866-1877.
Provenance
Possession of the portrait by the Slaymaker family is probably due to the intermarriage of the Slaymaker and Cameron families. Cameron's niece (Jane Elizabeth Cameron Redsecker) married Colonel S.C. Slaymaker (1828-1894) on May 28, 1862. Then descent to widow of S.R. Slaymaker II.
Metal handle has multiple small dents, one split where the side meets the crown, and some light corrosion. Wood has moderate wear, esp. around tip. Wood has minor splitting near bottom. Tip is missing, adhesive residue remains.
Object ID
G.98.12.9
Notes
Simon Cameron became a strong advocate for the protection of the U.S. steel and iron industry against foreign imports. In appreciation, the workers at Lochiel Iron Works commissioned this cane as a gift for Cameron. The iron works was named Lochiel by Cameron to honor the Cameron family's ancestral Scottish home.
Credit
Gift of Mrs. S.R. Slaymaker II, Heritage Center Collection
Cane, black wood body with brass headcap. Engraved on end, "A Normal Tribute / D. M. Sensenig / Aug. 30, 1877" Wooden cane or walking stick with carving and metal adornment, smooth dark finish, tapers from .875 inches to .5 inches at bottom tip. Top 2 inches metal button top sloping in the encircle the .75 inch diameter cane. Intricate flourishes around base of button and between 4 petals pointing up from the base. 1.5 inch tip banded in white metal; .125 inches of metal tip shows.
Large rectangualr rosewood veneer box with hinged lid and pressed metal oval-shaped handle centered on lid. The underside of the lid has a mirror that is hinged with a top swinging catch that comes down to convert it to a writing surface. Several separate velvet-lined compartments of varying size comprise the inside of the box. There is cock-bead molding around lower edge of lid and the keyhole is centered just below the front lip of the lid; on the short end of the oblong chest is a 2 inch high wide drawer with a keyhole and lined with velvet.
