Painting on laid paper, watercolor and gouache. Native American/American Indian with mostly hairless head, wearing large plume headdress, feather neck and armbands, bare feet. Additional bands on forarms, thighs and calves. Standing in front of 3 large trees and tufts of grass in surroundigns. In Frame, paper backed with inscription, "Drawn by John Leman / My Great Great Uncle / Gertrude Frantz-Stauffer / 1926." Getrude Frantz-Stauffer was the mother of Sarah Ann Stauffer.
Painting on laid paper, watercolor and gouache. Large black and white bird with yellow crest. Standing in front of a stream and in front of palm trees. In frame, paper backed with inscription, "Drawn by Eliza Ann Leman / My Great Grandmother / Gertrude Frantz-Stauffer / 1926" Gertrude Frantz-Stauffer was Sarah Ann Stauffer's mother.
Three eighths inch wide frame includes a metal loop at top.
Landscape, The Barns at Norwood, by Lloyd Mifflin, circa 1900. Oil on board with gold-painted floral-and-wheat -decorated flat frame w/ corner blocks.
Reverse is covered with grey-painted linen and is protected by Plexiglas. Central paper sticker reads "RUSSELL'S / CANVAS BOARD / " and "PATENTED MARCH 18, 1879." The number "120" is handwritten in ink in corner of sticker. At upper right is taped a magazine clipping depicting outbuildings and fencing surrounded by grass and trees. Entitled "Farm Scene - Autumn." A few lines follow, noting his (Mifflin?) return from abroad" and the pleasure of enjoying the "sheltered pastoral environment of his choice." A poem follows. Finally, a small paper sticker near top reads "RICHMAN / Bainbridge / Pa. 17502 / (717) 426-1860 / Cat: / P86 / 054-32-1198 / 181-32-7788". Written in marker in large letters at bottom right is "Local Scene / Norwood, Pennsylvania / near / Columbia, Pa. - About 1900 / (1846-1921)." Below this, In pencil, is "Painted by / Lloyd Mifflin / artist. Houston Mifflin, M.D. / Brother."
Provenance
Apparently purchased by Richman from the Minich sisters estate sale.
Flat profile wooden frame with raised corner blocks having gold-painted wheat, daisies and carnations.
Image Size
16 x 22 inches
Object Name
Painting
Material
Paint, Canvas, Wood
Medium
Painting, Oil
Height (in)
21.5
Width (in)
27.5
Dimension Details
Frame dimension is H: 21.5 inches x W: 27.5 inches.
Condition
Good
Condition Date
2016-03-30
Condition Notes
Overall good condition, both painting and frame. On reverse of board are water stains. Glass covers board & secured with primitive wood strips.
Frame has multiple cracks, especially at miter joint at corner blocks.
Object ID
2015.017.1
Notes
The son of John Houston Mifflin, Lloyd followed in his father's footsteps. He also studied at the Pennsylvania Academy of Fine Art, studying under Thomas Moran, and would further his studies with a trip to Europe. He returned to settle in Columbia in 1873. Lloyd has gained greater recognition than his father, primarily due to his landscapes, particularly those of the areas surrounding his home in Columbia and scenes of the Susquhanna River. Lloyd Mifflin died in 1921.
Painting, St. Jerome, European. Oil on canvas on board. Portrait is of bearded, bald, older man with upturned head and rapturous expression, eyes turned heavenward.
Glossy varnish over oil; canvas adhered to oak panel. Mounted in gold-painted, early, molded pine frame, likely older than painting. Wood liner, painted copper, allows painting to fit frame.
Contrived arrangement of strips on reverse mounts and secures board. Split oak panel has two thin walnut strips epoxied across back for support.
Old paper sticker printed "11" pasted to upper left corner of back. Upper right corner has old newsclipping pasted and covered with plastic strip. Article titled "Mifflin Paintings Sold at Sale" notes estate sale of Grace Minich estate in Columbis. Handwritten at top is "8 JULY 1967."
Provenance
Owned by Mifflin and hung in his home. Brought back from Europe by J. H. Mifflin. Apparently inherited by Grace Minich and sold among approx. 35 turn-of-the-century paintings, July 8, 1967."
Gold painted molded pine frame with painted wood liner.
Object Name
Painting
Material
Canvas
Medium
Painting, Oil
Height (in)
14.75
Width (in)
12.5
Dimension Details
Frame size is H: 23 inches x W: 19 inches.
Condition
Good
Condition Date
2015-01-27
Condition Notes
Oil on cavas has bubbles and other raised points; some areas of abrasion. Panel split top to bottom with cupping. Wood strips epoxied to back for support. Board has white in pores. Recent wood strips contrived to hold board.
Gold paint on frame is flaking with multiple losses. Upper corners and lower rail all have gesso losses.
Object ID
2015.017.2
Notes
St. Jerome was one of the scholars of the early church. Born around 347, he later translated much of the Bible into Latin, called the Vulgate.
Oil painting of person walking on road toward river where 3 sailboats are visible. Red and yellow leafed trees with hill on opposite side of river visible in background. Painting on piece of highly acidic wood. On reverse "EICHOLT PAINTING FROM PONTZ ESTATE." Frame is three eighths inches with gilded top/front surface and one eighth inch curved bevel.
Oil painting of fall colored trees on land jutting our into river. Two small white sails on water. backed on a piece of highly acidic wood. Frame is three eighths inches, gilded top/front surface with one eighth in curved bevel.
Unframed painting of Buck Henry reportedly done by this third wife, Margaret Grote Elliman Henry. Appears to be acrylic paint w/ thin varnish coat. Subject is seated in a wicker chair, facing viewer's right. He is a white-haired gentleman with moustache, dressed in a black suit, smoking a thin cigar. Left leg crossed over right. His eyes are closed or nearly so. A dark background except for wall at right
Stylized monogram painted at lower left corner.
Provenance
Margaret Grote Elliman Henry (1880-circa 1964-65) to Pamela Henry to grand-niece Louisa Dent (donor).
Chipboard paper somewhat cupped laterally, esp. left side. Painted surface has thin semi-gloss coating of varnish. Remnants of raised narrow paper strips adhered to perimeter of ptg.; bottom strip missing. Reverse has scattered foxing.
Unframed watercolor portrait on paperboard of Louisa Anderson Henry (1848-1886), 2nd wife of Buck Henry. Within a shaded oval, subject is painted from waist up, facing a quarter turn to viewer's left. Long brown hair is contained within a large net tied at top with a bow. Hair net appears to be dark brown gouache. Checked dress has gauzy white collar pinned at front with a brooch.
Inscription: Signed in pencil at left edge near bottom corner with "Brady / N.Y."
Provenance
Passed to Pamela Henry (b. 1923) daughter of Buck's youngest son, Frank Anderson Henry; then to grand-niece Louisa Dent, donor.
Paperboard has age-darkened buff paper covering the front, now brittle and broken/cracked into multiple pieces. Appears to have been repaired with glue. Additional residue from adhesive at each corner, with traces of white paper attached (painting apparently had a cut-out overlay framing oval, since detached). Same adhesive residue w/ white paper at top of reverse.
Object ID
2015.028.2
Notes
Thought to have been painted by artist James Buchanan Henry who was her husband. (Patrick Clark)
Unframed watercolor portrait on paperboard of Louisa Anderson Henry (1848-1886), 2nd wife of Buck Henry. This is a copy of the original, 2015.028.2, by an unknown artist.
Subject is painted from waist up, facing a quarter turn to viewer's left. Long brown hair is contained within a large net tied at top with a bow. Checked dress has gauzy white collar pinned at front with a brooch. Blue-tinted background. Done apparently in watercolor and possibly colored pencil. Painting is rendered on an oval paper pasted onto a paper-covered paperboard. Oval painting is circumscribed by a penciled oval.
Inscription: In right bottom corner is written in pencil: "Copy by." over an illegible signature
Provenance
Descent within Henry family to home of Reginald Buchanan Henry (Buck's second to youngest son) to his grand daughter Louisa Dent (donor).
Watercolor portrait of James Buchanan in profile, facing left. He wears a black coat and waistcoat, pale tan shirt with high, very white collar, and soft tie or cravat. His white hair is styled high at the crown and combed back on the sides. Very pale blue eye. Delicate grey and tan washes over background. Portrait is an 8.75in x 6.75in oval created by reverse painted glass. The glass is painted black with gold semi ellipses and diamonds arranged to create a sunburst like effect. The glass is 10in x 8in.
The reverse is inscribed "James Buchanan drawn from life at Wheatland February 10th 1866." Inscription is under a 10.75in x 8.75in piece of glass that has been built into the back of the frame. Some damage has occured from nails scratching the back of the frame upon hanging.
The frame is 3in wide, painted gold in alternating bands of shiny cool toned gold and matte or brushed warm toned gold. Losses around the edges reveal plaster, ochre and black or dark grey paint under the gold. Top edge of the frame is black either from paint or dirt.
Provenance
Descended in an Eastern Shore, Maryland family, purchased in 1948.
overall dimensions provided. See description for component dimensions.
Condition
Good
Condition Date
2016-05-11
Condition Notes
loss of gold paint on outer edge of frame. Dents and chips on frame. Discoloration on gold frame, possibly from tape or stickers. Loss of paint on glass at left side and upper right corner.
