Portrait of George Washington by Jacob Eichholtz. Likely copied frm Gilbert Stuart's Vaughn portrait of Washington. Eichholtz travelled to Boston during which time he met Stuart and saw his studio and many of his works.
Water color portrait of a young man on wove paper. The subject depicted in full-length profile, facing to the viewer's left, with right foot in front of left. He has short black hair and is wearing a dark blue coat, white shirt with high collar, blue and white checked vest, dark gray pants and black boots. He is holding a top hat upside-down in his right hand.
The background is dominated by a blue sky with a few clouds, an orange or light brown horizon, blue-green hills and bushes (probably faded green) and brown ground.
According to the sellers, the subject is one of the Reitz (or Ritz) brothers. Catherine Reitz was the great-great grandmother of the seller, Guiles Erisman Costolo. For more info on the provenance see the file.
Artist Jacob Maentel (1763-1863) was an important itinerant portrait painter in watercolor who worked extensively in northwest Lancaster County during the first quarter of the 19th century.
Some horizontal buckling on left side, vertical buckling along top edge, but otherwise in good condition.
Conservation treatment and matting done in Feb. 1989 by CCAHA in Phila. Mat must have later been removed, so this piece was matted and framed by conservator Brian Howard in 1996.
Water color portrait of a young man on wove paper. The subject depicted in full-length profile, facing to the viewer's right, with the left foot in front of the right. He has brown hair that curls up at the neck and is wearing a dark blue coat, white shirt with high collar, blue and white checked vest, dark gray pants and black boots. He is holding a top hat upside-down in his right hand.
The background is dominated by a blue sky with four white clouds, an orange or light brown horizon, blue-green hills and bushes (probably faded green) and brown ground.
According to the sellers, the subject is one of the Reitz (or Ritz) brothers. Catherine Reitz was the great-great grandmother of the seller, Guiles Erisman Costolo. For more info on the provenance see the file.
Artist Jacob Maentel (1763-1863) was an important itinerant portrait painter in watercolor who worked extensively in northwest Lancaster County during the first quarter of the 19th century.
Some slight buckling down left side. Some small brown spots in upper left corner, below the cloud; also spotted across the non-blue portion of the sky. There is a crease running from the extreme right edge (at approximately the height of the subject's hand) to the bottom, ending slightly less than an inch from the lower right corner.
Conservation treatment and matting done in Feb. 1989 by CCAHA in Phila. Mat must have later been removed, so this piece was matted and framed by conservator Brian Howard in 1996.
Framed theorem of stencil-painted fruit on light brown cotton velvet. Painting is a still life of variously colored fruits: melons, peaches, apricots, a half-eaten pear, grapes with leaves, plums and a pomegranate. Composed on a blue-colored base or table. An insect is depicted near bottom center below grapes.
There is no border signature or date. Frame is a flat-profiles with walnut veneer facing.
Provenance
Found in the Slaymaker attic among other framed objects, in very dirty conditions. Unknown maker, but possibly done at a Moravian school such as the one at Lititz. See Slaymakers at Linden Hall on page 147 of Slaymaker history.
Taken to Dottie McCoach for conservation June 1, 1998. Returned Sept. 17, 1998. See report in this file. After treatment the piece is still dark, stained and moisture damaged along the bottom.
Oil on wood panel of woman in profile seated on red chair facing left. She wears a white head covering tied under her chin. A white triangular kerchief over her shoulders comes to a point at her waist. Her dress is black.
On back: Sally Franciscus 1/18/60
"The small family portrait that you own, painted on a poplar panel by Jacob Eichholtz, was painted approximately in 1811 as the few dated examples of this type are all of about that period." Sall Francis-cus
Joe K. Kendig III, Antiques, 325 W. Market St., York, Pennsylvania
The frame is one and five eighths inches, beveled toward portrait. it is painted gold with bumpers on lower corners. Present -day clamps (2) hold painted panel in frame.