Leather fire bucket . Painted black banner with yellow letters: "Farmer's Bank." has foliate designs on both ends of banner. "No. 9" is painted below banner in black. Stitched leather construction. Metal D rings and leather loops attach 1in wide leather handle and bucket. Tag found inside bucket: "Water Bucket of C W Richenbach Property of Union No 1". Tag is for 1931 Union Fire Company annual dinner. Tag is now in object file.
8-day musical clockworks by Mennonite Christian Eby (c.1768-1803) of Manheim. Housed in a large, inlaid cherry case attributed to Emanuel Dyer. Case is transitional from Chippendale to Federal, although strongly Federal due to inlay of eagle and floral motifs on tympanum, quarter fan inlays and another floral inlay on waist section, and a patera centered on the base within a cartouche of line inlay.
Notes: Weight, key, and various parts located in box on Unit 52, Bottom Shelf.
Hood has side lights, fluted colonettes at sides, swan's neck scrolls terminating in inlaid paterae, three ball and spire finials (spire missing on center finial). Waist and base have fluted quarter columns. French bracket feet.
White-painted iron dial w/ Roman numerals on chapter ring. Seconds use Arabic numerals. Floral spandrels, lunar dial and inscription "C EBY Manheim under XII. Above lunar dial are ten names of tunes played by the musical works. Dial attributed to Reading area due to a dark moon wheel and the 2 hemispheres for the moon phase are identical (per Gary Sullivan). He also notes that brass-clad weights are very unusual, and usually an English practice.
Provenance
Ex Renner (per Gary Sullivan, clock dealer). Later from estate sale of Pauline Heilman of York, PA by Sotheby's July 17, 1982. The buyer, a private client of Citibank, put clock in storage in Florida, then consigned it Christie's where HCLC purchased Jan. 1992.
John and Carol Pyfer paid $800 for Quentin Johnson to repair the clockworks and get it running in 2004. Clock hands have losses (pieces in a box stored in clock bottom), repaired by Johnson. Case refinished (see early photos in file). Scratch on side to left of pendulum door; nicks & scratches at left side vertical member of opening to pendulum. Marred overall. Split at left side of front section of molding under hood. Pieces of string inlay replaced. Proper left back foot loose; proper left front column loose. See Gary Sullivan condition report (loan to Willard House)
Object ID
P.92.02
Notes
Made by Christian Eby (c.1768-1803), working 1792-1803. Case attributed to Emanuel Deyer.
J.J. Snyder notes, "The clock is significant because it is the only known Lancaster Co. eagle-inlaid clock with a musical movement. Musical movements predating 1840 are quite rare, and fewer than eight Lancaster Co. musical clocks prior to 1840 are known to survive. The inlay is unique in the placement of the eagle in the center of the pediment rather than in an oval medallion above the pendulum door and in the use of floral inlay in addition to the eagle. In summary, the Christian Eby clock is a masterpiece of not only regional but also national importance."
Snyder also states "Unquestionably, this is one of the most elegant and sophisticated pieces of Lancaster County Federal furniture now known." He adds "Of all the known Lancaster County eagle-inlaid clock cases, this one alone has floral inlays. In view of the fact that this case must predate Christian Eby's death in 1803, it stands as the earliest known use of the eagle as a patriotic device in Lancaster County furniture."
Snyder also suggests Manheim cabinetmaker Emanuel Dyer (1760-1836) as the probable casemaker. Working for about a half century starting in the early 1780s, Dyer was the leading Manheim cabinetmaker.
Place of Origin
Manheim
Credit
Gift of members and friends of the Heritage Center, Heritage Center Collection
Corn knife used by one of the Black resistors in the Christiana Riot on September 11, 1851. Wrought iron long curved blade of 19.5" is fitted into oak or ash turned handle rounded terminal end. Tang of blade extends through length of handle and protrudes at terminal where it is clinched.
The Christiana Resistance resulted from the efforts of a Maryland slave holder to claim fugitives hiding in the home of Willam Parker, a free black man living in Chritiana, PA. This corn knife was used by one of the black resistors during this confict. The bloody confrontation, occurring in September of 1851, resulted in the death of Edward Gorsuch, the slaveholder, and the escape of William Parker and the fugitive slaves to freedom in Canada.
Linen edging around pale red frame. Adhered to a cream colored fabric within frame are eight (4 inch x 3 inch) watercolor paintings. 5 sets of Asian men (1 enthroned in middle) and 3 sets of women in Asian dress, mostly upper class.
One of three framed by The James Buchanan Society in 1938.
Date Range
1840s
Storage Location
LancasterHistory, Lancaster, PA
Storage Room
DAC
Storage Wall
Island 5
Storage Cabinet
Unit 46
Storage Shelf
Shelf 4
Object Name
Picture
Object Names
Paintings of Asian Men and Women
Material
Fabric, Wood
Height (cm)
46.6725
Height (ft)
1.53125
Height (in)
18.375
Width (cm)
50.8
Width (ft)
1.6666666667
Width (in)
20
Condition
Fair
Condition Date
2000-08-10
Object ID
W.1938.004.003
Notes
Painted Asian people on small oblongs of bamboo pith. They are painted with heated paint with a small brush (perhaps only two or three hairs). The heated paint on the bamboo gives the raised effect that looks like embroidery.
Pieced quilt of silks, cotton batting, glazed cotton back, cut in 2 halves, made by Quaker Deborah Simmons Coates, wife of Lindley Coates (1794-1856). Has 19 horizontal bands of dress silks (many produced by Harmonist Community) in alternating triangles arranged in Birds in the Air or Flying Geese pattern using the template method. Large triangles of varying patterns alternate with large triangles with 3 smaller appliqued triangles of contrasting patterns. Colors are browns, tans, beiges, electric and royal blue, peach and green. Each quilt half has a green silk binding on the three outside edges, and tan silk on the inner vertical cut edge. Quilting patterns are clamshell, diamond, cross in a square and diagonals.
At quilt center is a cream-colored triangle with an abolitionist stamp depicting a kneeling enslaved Black male in chains over the words: "Deliver me from the oppression/ of man." This stamped triangle was cut in two when quilt was divided; image now hidden by modern binding. According to Cuesta Benberry research, this image of a kneeling enslaved person originated with the English ceramic firm of Wedgwood in the late 1700s. See items 08.242 and 42.76.11 in the collectiosn of Metropolitan Museum of Art for seals with a similar motif. The Wedgwood family were ardent abolitionists, decorating various ceramics with this image, resulting in its rapid adoption by American anti-slavery groups. Used in many forms and media over the years, it remains the logo of the still-existing Pennsylvania Abolition Society and appears on organization's official publications.
Lindley and Deborah Coates, of West Grove, Chester Co., married there on 12/16/1819 but lived near Christiana in Sadsbury Twp., Lancaster Co. They attended Sadsbury Friends Meeting House near Christiana. Ardent abolitionists, their home was what is now designated station #5 on the Underground Railway. Lindley became President of the American Anti-Slavery Society in 1840, before William Lloyd Garrison. Deborah Coates became a Hicksite Quaker minister according to historian Beverly Wilson Palmer. Hicksites were the more radical Quakers, named after leader Elias Hicks.
Provenance
Quilt passed to son Simmons (1821-1862) & wife Emeline Jackson. (Deborah Coates lived w/ widow Emeline on her Chester Co. farm (Evergreen Hall in West Grove) for many years following Simmon's 1862 death. See census records). Descent to their daughter Elizabeth Jackson Coates who married Marriott Brosius, U.S. congressman from Lancaster. The quilt was then divided between their two daughters, donor's maternal grandmother Graceanna Brosius Biddle and her sister Gertrude Coho Reinhartson. The two halves were then reunited when given to donor, Marjorie Ayars Laidman. Deborah S. Coates was donor's great great great grandmother.
Overall good condition. Two halves of quilt (with recent inside binding on cut edges) are "mounted" on cotton muslin, side-by-side. Silks show significant deterioration -- cracking, splitting and abrasion -- with some losses. Binding also has deterioration with some losses. (See 1985-86 condition report by conservator Linnea Davis.)
Documented in Quilt Harvest #448-B (records in Archives).
Object ID
G.86.05
Place of Origin
Sadsbury Twp.
Credit
Gift of Marjorie A. Laidman, Heritage Center Collection
Pennsylvania Long Rifle; percussion cap; curly maple stock; iron barrel stamped "H. GIBBS" on top of barrel. Brass fittings and patch box. Some rust on iron and brass parts. Approximately .40 caliber muzzle. 44" barrel with an overall length of 61 inches.
See notes for information on Gibbs.
Provenance
Purchased by donor (Walt Dunlap) at auction in Lancaster County in 1956.
Henry Gibb Sr. and his son Henry Gibb were Lancaster City gunsmiths active for most of the nineteenth century. The father from 1812 until 1843 and the son from 1843 until 1880.
Place of Origin
Lancaster
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
Cup (A) and saucer (B), glazed soft-paste porcelain, Strawberry pattern. Handleless cup has straight flaring sides & rests on a small foot Paint decoration on white ground has 2 strawberries & a large green leaf on each side with smaller leaves, purple roses and brown squiggles. Interior has double stripe with berries and flowers. Rim painted rust.
Saucer (B)
Provenance
Collected by Harpo and Susan Marx during visits back East from CA. Donated to Heritage Center.
