Rectangular tray. White porcelain with gold trim, raised pink tray with support openings for a white ink well and a white pounce sander. Scalloped edges form handles on both ends of the raised tray and continues along the oblong tray that held pens. Scalloped edges feature gilded edges on white background bordered by a wide cobalt blue band gilt floral decor. The center of the pen tray is white with a pink, blue and white flower motif.
Provenance
James Buchanan
To Rev. Edward Y. Buchanan (brother)
To Lois Buchanan Cassatt (daughter/JB niece)
To Edward Buchanan Cassatt (son/JB great nephew)
To Lois Buchanan Cassatt Thayer (daughter/JB great, great niece)
White porcelain plate with 1" pink border and narrow gold outline at edge. A half-inch-wide band of gold encircles central painted landscape with a dismounted rider wearing top hat and riding gear standing with horse and nearby barking dog.
Bottom inscription is: "Feuillet rue de la paix no. 20."
Hairline crack across center of nearly entire plate. Overpainting on inner and outer bands of gold and probably the pink border at center left and right of scene. Pink paint is cracking and lifting at left. Chip at right side (3:00 o'clock) with lifting pink paint on underside of edge. Underside has dulled and darkened areas under both sides of rim where crack extends, indicating overpainting.
Object ID
2013.008.09
Place of Origin
Paris, France
Usage
Buchanan, James
Credit
Gift of the Family of Eleanor N. Henry (John D. McNeill Jr., Mary Catherine Henry West, James Buchanan Henry IV, and Elizabeth Henry Richardson)
White porcelain plates with 7/8" pink border and narrow gold outline. Wide gold inner outline of central area. Center image is two dogs in a landscape with tree.
Bottom inscription is: "Feuillet rue de la paix no. 20."
Some overpainting on inner outline of gold. Soil on underside of rim.
Object ID
2013.008.14
Notes
The Feuillet studio was at 18, Rue de la Paix, advantageously located for the wealthy denizens of the area to come visit and make purchases. The Prince of Conde gave Feuillet his protection, thus assuring a constant flow of high-end clients. Feuillet's design atelier reached its apex in the mid-1820s, lavishly decorating some of the most remarkable plates of the time. The combination of rich paste gilding, saturated border colors and meticulous fruit or floral still life paintings made the factory's output one of the favorite choices, other than Sevres, for purchase by the new French Regime. According to the book "Paris Porcelain" by Regine de Plinval de Guillebon, "Feuillet was one of the best decorators in the Restauration period," (Paris Porcelain, page 244).
Place of Origin
Paris, France
Usage
Buchanan, James
Credit
Gift of the Family of Eleanor N. Henry (John D. McNeill Jr., Mary Catherine Henry West, James Buchanan Henry IV, and Elizabeth Henry Richardson)
