Eight-day, tall case clock by John George Hoff, Sr., in a flat-top Chippendale walnut case.
Brass dial has pewter chapter ring with Roman numerals for the hour and Arabic numerals for the seconds. Separate seconds dial below XII. Pewter spandrels. "George Hoff" engraved at bottom of dial, above a calendar window. Painted moon wheel at top has moon on a field of stars.
Bonnet has molded cornice, arched door and arched side windows. Engaged columns at all four corners. Waist has wide chambered corners with lambequins at top and bottom. Door has arched top and molded edges; brass escutcheon (replaced?); door is hung by two brass steeple butt hinges. Base has plain sides and chamfered corners that match those at waist. Molding above four ogee bracket feet.
J.J. Snyder notes that this clock case with wide chamfers relates to other pieces with the same feature, e.g. G.03.1.1 (Jenkins family bookcase on desk) and P.78.76 (Old family bonnet top high chest). The Hoff clock chamfers, however, are not fluted like the large case pieces.
See photo of clock in Wood and Kramer's clock book, p. 37.
Provenance
Professor Kauffman said on 4-23-99 that he purchased this clock from a dealer after Joe Kindig refused it because it was a flat top. A receipt (now in file) was tacked to inside of clock case documenting the purchase from collector/dealer Melvin Hubley of Lancaster City in 1955 (cost $545).
Modest wear, right side light is cracked, molding missing at right side of waist at bottom. Base is scarred, some cracks, especially aroung feet and moldiing. Unfilled nail repair holes at base.
Finish has orange peel surface.
Object ID
G.96.37.1
Place of Origin
Lancaster
Credit
Gift of Henry J. Kauffman, Heritage Center Collection
Birth record in German for Barbara Eschlemann made on laid paper by Johannes Schopp/Schopf Artist. Paper has Ephrata watermark (CIB in tulip design). Framed in old frame of softwood with dark, crazed finish and applied blocks at corners.
Execution is typical of this artist's design with horizontal orientation, outer and inner double-line borders with central heart having an open ring at top from which emanate vining flowers. Space between inner and outer borders is especially full with typical flowers of muted colors as well as a crown at top and shells at top and a large one at bottom center.
(By Wendell Zercher)
Within the hearts is the text including Barbara Eschlemann's birthdate: 8 January 1777.
Provenance
Purchased by Irene Walsh from Russell D. Earnest Associates for $1,750.00. Received on 7 Dec. 2004.
Breaking at fold line; two corners missing and two corners with small holes. 3-inch tear extends from left bottom corner to right side. Tear at bottom, 2" from right corner, extends upward 1/2 inch. Additional tears with losses at bottom, esp. at center. Two extensive tape repairs made on reverse. Several moisture stains along bottom.
Fraktur presentation piece for Susanna Netzlin (Nissley?) Pressure-mounted on tan matboard and framed in small frame.
Watercolor and ink on rectangular, laid paper, done in dark brown red and yellow. Three bars of color at perimeter in red, yellow and dark green create outside border. Filling top half of inner space is the name of "Susanna Netzlin" written in large red letters, incorporating leafy vines with three different flowers.
Bottom half of page is filled with seven lines of German religious verse. Another leafy vine fills the bottom space adorned with four different flowers.
(Written by Wendell Zercher)
Provenance
Donor, Mr. Clarke E. Hess of Lititz, PA, describes this page as a presentation piece done for Susanna Nissley (?) probably in Warwick Twp. Hess cites another example of this unknown artist's work in the book Pennsylvania German Fraktur and Color Drawings by Landis Valley Associates, 1969, plate #48 (a vorschrift done in 1769).
The $975.00 cost was reimbursed by Irene. N. Walsh.
Paper embrittled and very weak. Multiple breaks, holes and tears. Large holes at center of dark brown border on right side and bottom. Multiple areas of paint loss. White fibers attached to red border at left side and bottom. Soiled and stained overall. Paper edges are uneven with minor losses, especially corners at top and bottom left. Horizontal fold across center.
Walnut single-drawer tavern table. Removable three-plank top. Dovetailed drawer. Mortise and tenoned joints throughout the rest of the table. Turned and planed square legs terminating in bun feet. Full stretcher base.
