size or length in a work of painting or literature has a subtle, but sure, effect. Notice sometime when passing through the galleries of the Metropolitan Museum of Art the crowd before "The Horse Fair" by Rosa Bon- heur, and tht in front of Monet's "Boy With the Sword." My aim is to please ! Eshleman's

of Philadelphia crosses the same," praying that a law, entitled "An Act establishing a ferry and building a bridge across Conestogoe Creek, in the county of Lancaster" might be passed. Abraham Witmer at that time must have resided on the east side of the Conestogoe. As shown by the records, he owned

of Mary- land, for divers good causes and con- siderations, me thereunto moving, have released from slavery, liberated, manumitted, and set free from and after the twelfth day of February in the year of our Lord one thousand eight hundred and fifty-five my male slave named Giles Wallis, aged four

third is that of Henry Robert Reed, his fath- er, dated 1816. Mr. Ford's portrait was painted in 1812, and is, therefore, one of the earliest of the artist's works. A very considerable cluster of Eich- holtz portraits and the relations of a notable Lancaster family have been traced to and through Mr

AN EARLY CANAL PROJECT The writer's interest in the early waterways and inland navigation of Lancaster county was somewhat quickened recently by reading an un- published letter, written at Harris- burg, August 12, 1824, to Richard B. McCabe, of Huntingdon, by Persifor Frazer, of the notable family

Lancaster county. It was cast at Elizabeth furnace in 1758. Mr. Sehner had occasion to repair the hearth in an old-fashioned fireplace in one of his houses, No. 106 North Prince, just above Orange (the house is still standing). He was having the hearth relaid with brick, but when the fire was built it was

Correspondence. Mr. Buchanan's mention, in the Congressional debate, of Persico's residence in Lancaster for some years, presumably about 1820, set me to searching for some trace of it. Although, as said before, I found nothing in the local prints, nor in the official records, nor trace of his work here or in

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