Portrait of George Washington by Jacob Eichholtz. Likely copied frm Gilbert Stuart's Vaughn portrait of Washington. Eichholtz travelled to Boston during which time he met Stuart and saw his studio and many of his works.
Watercolor on paper of the Hardwicke mansion; beige coloring with gray/white roof and columns, green shutters on windows. The main section of the house has a grand elliptical facade with four monumental columns. The section adjacent to this has arched windows. The house continues in several smaller sections to the viewer's right; one of these sections is a greenhouse. The surrounding area is filled with grass and trees. NOT FOUND IN BOX 0066, July 2023
The painting has a caption at the bottom which reads '"HARDWICKE" NEAR LANCASTER PA'. The painting is dated "Nov. 1881" in the lower right corner.
Hardwicke was the country seat of the attorney and judge Charles Smith who married Jasper Yeates' daughter; it was built east of Lancaster, overlooking the Conestoga River, in about 1804. It may have been designed by Stephen Hills, who also designed the Old Capital Building in Harrisburg. John J. Snyder states the house was "the most sophisticated and most elegant Federal mansion in Lancaster County." He says the Smiths moved to Baltimore in the 1820s, after which a son of ironmaster Robert Coleman owned the building.
Hardwicke later became the summer home of the Cassatt family where artist Mary Cassatt was born (1844). Apparently a Colonel Wiley owned it when the railroad demolished it in Nov. 1881.
J.W.W. Loose, The Heritage of Lancaster, pp.74-75.
Height (cm)
10.16
Height (ft)
0.3333333333
Height (in)
4
Width (cm)
20.6375
Width (ft)
0.6770833333
Width (in)
8.125
Dimension Details
Hinged within a window mat..
Condition
Good
Condition Date
2017-06-28
Condition Notes
The front of the painting is in almost perfect condition, except for a few small brown dots; the reverse has several glue stains in the corners and along the sides where the paper was apparently attached to a previous backing.
Mounted in a hinged window mat.
Object ID
P.77.31.10
Place of Origin
Manheim Twp.
Role
Artist
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
Watercolor on paper, showing a building called the Telescope House or the Steamboat House. It has a two-story octagonal center section, and two one-story wings; the center section has a cupola (also octagonal). The building has a frame construction, and is colored brown with ivory-white trim. A high fence extends across the front of the building. Various trees are visible behind the building. NOT FOUND IN BOX 0066, July 2023
The caption at the bottom reads "THE TELESCOPE HOUSE,--BUILT BY JOHN F. REMLEY. 1841-8/COLUMBIA AVN. & MARIETTA PIKE." The lower right corner has the date of the painting, "1881"
The building stood approximately where W. King and W. Orange Streets meet. The name "Telescope House" comes from the fact that the house used to have an observatory until the late 1800s, when the building was renovated and additional floors were added (prior to this painting).
J.W.W. Loose, The Heritage of Lancaster, pp.74-75.
Height (cm)
15.24
Height (ft)
0.5
Height (in)
6
Width (cm)
17.78
Width (ft)
0.5833333333
Width (in)
7
Dimension Details
Hinged within a window mat..
Condition
Good
Condition Date
2017-06-28
Condition Notes
There are numerous gray marks over the surface of the painting, and some areas of paint are faded. The reverse has glue stains on the corners, where the painting was apparently attached to a previous backing.
The piece is currently float-mounted in hinged window matting.
Object ID
P.77.31.11
Place of Origin
Lancaster
Role
Artist
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
O/C self-portrait of artist. Facing right front head turned toward viewer. Half length sitter wearing black suit with white shirt, black tie and gold chain. Dark hair parted on sitter's right with long sideburns seated in reddish chair, elbow resting on arm. Craquelure near sitter's right hand. Loss and repairs.
"A. Armstrong/Artist/Lancaster, Pa." is stencilled on back of canvas.
Provenance
Ptgs. owned by Hovey Gleason as of 1975. Owned by Dr. Irwin Richman in 1980s at the time he wrote Armstrong article for Magazine Antiques. Ended up at Conestoga Auction of Hess Auction Group a year or two ago where they were purchased by P. Sullivan. Seller states he cannot find receipt & ptgs.; they were an anonymous consignment to auction.
Seller states pair of ptgs. were restored in April 2017 by Jeff Rouse of Pittsburgh.To receive a treatment report would have cost extra, so it was declined, hence we have no record. Rouse now has a significant illness and is has closed his business.
Overal good condition. Canvas over board. Damage to right of index finger. Residue over second joints of 3 fingers. Damage forward of sitter's right elbow. Poor inpainting and above forearm. Poor color match on rear armrest of chair. Repaired tear over right eye. Brown kraft paper on back. gold paint covers gilding. Top at left is scraped, large .25in loss on right side. Bottom right has gesso loss.
Object ID
2017.008.1
Related Item Notes
Half of a pair. 2017.008.2 is protrait of artist's wife.
O/C portrait of artist's wife, Harriet Wentz Armstrong. Sitter facing slight left, face forward, brown to black hair parted at middle. Brown eyes, long gold earrings, long gold lariat necklace with gold piece at neck, curls on lap. White sheer lace neckercheif. Pinned at neck with black and gold brooch. Black pleated long-sleeved dress with drop shoulders and heavily boned bodice. White, sheer handkercheif held at lap. Sitting on red upholstered armchair. Background has various browns.
"A. Armstrong/ Artist [?] Lancaster, Pa." is stencilled on middle of back of canvas.
Provenance
Ptgs. owned by Hovey Gleason as of 1975. Owned by Dr. Irwin Richman in 1980s at the time he wrote Armstrong article for Magazine Antiques. Purchased by P. Sullivan from Conestoga Auction of Hess Auction Group a year or two ago. Seller states he cannot find receipt & ptgs. were an anonymous consignment to auction.
Seller states pair of ptgs. were restored in April 2017 by Jeff Rouse of Pittsburgh. To receive a treatment report would have cost extra, so it was declined, hence we have no record. Rouse now has a significant illness and is has closed his business.
Canvas over board. Condition is very good. Left edge, shoulder height and below has 5 dark discolorations, upper left corner has 2.5in color stripe, upper right corner background has light paint loss on raised granulations. Slight paint loss across nose to left eye. Dark spot of infill at right, under ear, on neckerchief. Dark varnish drip on cheek to left of nose. Frame: gold paint over gilding.
Watercolor of flowers done on tiny rectangular piece of wove paper. Two large red blooms with large, hairy green leaves, two smaller detached leaves and two flower buds. Detailing lines of black ink on three largest leaves.
Signed on reverse in black ink is "E Haverstick" beside a large smudged area of ink. Piece was perhaps made for a student as a reward of merit or simply a remembrance. Haverstick is believed to be a schoolmaster and was active in the 1830s.
Fold lines across paper. Faded with minor soiling. One corner has been clipped.
Object ID
P.04.34.7
Notes
Other Haverstick pieces in collections are Birth Certificates for brothers John Bachman (G.96.09.1) and Christian Bachman (G.00.23.1). Substantial research was done over the years to find evidence of Eli Haverstick, to no avail. Research and images of related Haverstick work is in Heritage Center's vertical file.
Painted landscape on hardwood block appears to be a study for an etching Mifflin used in his 1872 book of poems "Aldonere: A Pennsylvanian Idyll." Donor has mounted the block with wire into a modern brown frame (H: 8 3/8 W: 6 1/2") w/ gold window mat.
Painted within an oval is a bucolic scene with cows standing in a large stream or pond bordered by trees and smaller vegetation in foreground. Painted mostly in muted greens and browns.
Sketched sideways at bottom left corner is an additional tiny scene of a hatted figure in the foreground with his back to the viewer. Amid the distant trees rises a tower with a steepled roof. Two very tall trees tower overhead.
Note: The main painted scene is called "The Bowery Elms." It was printed in Mifflin's 1872 book "Aldornere: A Pennsylvanian Idyll" (P.00.13.1). This book of poetry is "...Illustrated with nine original etchings, by Lloyd Mifflin, Jr." "The Bowery Elms" is pictured on page 16 1/2.
Paint is faded and/or worn; irregular corners at top left and bottom right reveal traces of bright white paint; tiny splatters of white and brown paint.
Small but wide and deep ogee molded gilt frame. (Shadow-box frame of gold leaf?) Picture quite small in comparison. Shows young man, blonde hair with blue eyes, wearing high collar, white tie, black suit. Blue background. A miniature of John L. Lane, unc
Framed watercolor painting. Frame: Plain wood, painted gold with wood squares at each corner featuring the Johnston family coat-of-arms (arm and dagger). Cream colored matting. Painting features a cloudy, hazy sky, rocky terrain with mountains at sides and in the background. Lowlands features trees.
Plain wood, painted gold with Johnston crest at four corners.
Object Name
Painting
Material
Paint, Canvas, Wood
Medium
Painting, Watercolor
Height (in)
30.25
Width (in)
40.5
Dimension Details
Dimensions include frame.
Condition
Good
Condition Date
2022-11-30
Object ID
W.1992.001.016
Notes
Cleaned and restored in 1992 and 2004. 2004 restoration focused on the bottom right corner of frame (restoring corner block with coat-of-arms). 2004 restoration completed by David A. Weaver, cabinetmaker, 100 Wesley Road, Quarryville, PA 17566.
