SA firefighter's belt marked Shiffler 7. A 2.325in wide black leather belther belt bound around edges in freen leather with a zig zag edge on the front center cut out portion revelas a red background with raised white letters "SH FFLER HOSE." There is a 2.75in wide moveable slide with edges bound in green and red cut out background with raised "7." A 9in leather strip attached to back holds slide. A 10in long x .75in wide belt with 10 holes is attached 14in from the rounded end witha small buckle at the opposite end. Taped to back, handwritten in ink "J./_ G. Goodman."
Firefighter's belt from the Shiffler Fire Company. 2.5in wide leather belt painted red, edges bound in blue painted leather iwth a scalloped edge on teh front. Center cut out portion reveals a blue background with raised metal letters "SHIFFLER." A silver colored metal buckle (3") displays in relief firefighting equipment. A shield in the center contains a #7. The bent edge attached to the back hooks over a link at the oppostie end of the belt. metal hooks at ends can be moved to various holes to adjust the size of the belt.
Firefighter's belt from the Shiffler Fire Company. 2.5in wide leather belt painted dark red, edges bound in green leather with a scalloped edge on the front. Center cut out portion reveals a green background with raised metal letters: "SHIFFLER." A silver colored metal buckle (3in) displays in relief fire fighting equipment. A sheild in the center contains a #7. The bent edge on the back of the shield hookos over a link at the pposite end of the belt. Belt size is adjusted by moving hooks (attached at both ends of belt) to various holes in the belt.
Note: A card, found loose in the box near this belt reads: "Shiffler Fire Co., No 7, Leather Belt. Presented by Mrs. Elizabeth Morrison, Bausman, PA."
A card, found loose in the box near this belt, reads: "Shiffler Fire Co., No 7, Leather Belt. Presented by Mrs. Elizabeth Morrison, Bausman, PA." No more information in known. 11/18/2015 VAP
Firefighter's belt from the Shiffler Fire Company. 2.5in wide leather belt painted dark red, edges bound in green leather with a scalloped edge on the front. Center cut out portion reveals a green background and raised metal letters: " SHIFFLER." A silver colored metal buckle (3") displays a #7. The bent edge attached to the back of the shield hooks over a link at the opposite end of the belt. Belt size is adjusted by moving hooks (attached to both ends) to various holes in the belt.
Covered originally in red velvet with woven gold thread tape at edges. Four plain bracket feet. Flared cushion at bottom. Top of cushion worked in needlepoint- red and white trumpet flowers, leaves forming wreath around white cloth draped cross. Possibly Italian.
Woven coverlet with central medallion circled by leaves, vines and grapes. Eagles on each of the four inner corners have wings spread, stars and stripes on their breasts. Eagles on the border have wings closed. Outer border of swags and tassels. Band at foot edge:, "Made by H. Stager - Mount Joy - Lancaster Co. PA - Fast Color - No 1 - Clara L. Whitlock"
One piece, no center seam. Cream-colored cotton warp; red, green and blue-green wool weft. Top edge rolled and stitches. 2-inch self-fringes on sides; tape with fringes sewn to foot edge.
This frog doorstop serves as an iconic symbol of James Buchanan's attachment to his favorite spring at his Wheatland farm, and was donated because it was an appropriate piece.
Spiral labyrinth, watercolor and ink on wove paper, signed by John A. Landis (15 Sep 1777 - 8 Mar 1862) of Lancaster City. Within a line border is a compass-drawn large circle filled with interwoven near-circles (paths of labyrinth) emanating from another center circle that is in turn filled with compass-drawn floral decoration. The near-circle pathways have text written within, beginning at the top with the words, "What is a gentleman?" Leafy vines with flowers fill the corners outside of the large circular labyrinth. Two distelfink-type birds are perched on lower vines. At bottom center is a heart in which vines are anchored. Within heart are 4 lines of neatly printed English: "Made By/ John A. Landis in the/ Year of our Lord 1852/ in the Seventy Fifth/ Year of his/ Age."
Reverse side of frame has two stickers; the top one reads: "MSC/ #135" and the lower one reads: "T76.10.37/ (MSC - 135)."
Unusual -- believed to be the only hand-done Lancaster City fraktur known. Samuel Baumann is the design source for Landis's birds, flowers and hearts. Baumann produced printed fraktur in Ephrata in the early 19th century. See NOTES
Provenance
Provenance: Dealer Hattie Brunner to Dr. & Mrs. Donald A. Shelley. Shelley collection sold at auction (Pook & Pook), Oct. 2004 to Heritage Center.
Paper is darkened overall; watercolored words of labyrinth are blurry and often illegible.
Object ID
P.04.45.1
Notes
According to Landis family genealogy & other sources, Landis operated a museum in Lancaster City at several successive locations. Article in Lancaster Gazette, 1825, lists detailed changes & additions Landis made to the museum.
Landis married twice, leaving no children and is buried in Shreiner's cemetery (tall monument along Mulberry St. side). The 1850 Census records him living, at age 72, with his wife Sarah in a hotel kept by Henry Nauman. He is also listed in the 1860 Census but of course gone by 1870.
Labyrinths have been made in various forms for centuries, traditionally of a spiritual nature. According to Michael Bird, "The labyrinth had pre-Christian roots in the worlds of Crete, Greece and Rome..." Landis's labyrinth is unusual in that it is not rooted in a spiritual or Biblical theme, but instead focuses on moral character. This compass-drawn design is not traditional Pa. German; it is likely Anglo-inspired.
This labyrinth was illustrated in Donald Shelley's "The Fraktur-Writings of Illuminated Manuscripts of the Pa. Germans", figure #223. See Klaus Stopp's The Printed B&BCs of the German Americans, Vol. II, pp. 208-217, for fraktur printed by the Baumanns of Ephrata. These show the source of motifs used in this labyrinth.
Birth & baptismal certificate, with printed 3-heart form with text in all three hearts. Blank spaces infilled by hand in thin red ink by Speyer. Fraktur done for Peter Scholl, son of Peter Andreas and his wife Elizabeth Margretha, nee Illick. Son Peter was born September 7, 1772, in Heidelberg Township, Lancaster Co. (Now Berks Co., likely in Stouchsburg area of Marion Twp.)
Infill & decoration Berks Co. (formerly Lancaster Co.) by Georg Friederich Speyer (active c. 1774-1801) and printers Barton & Jungman, Reading.
Densely paint-decorated by Speyer with cross-legged angels in the top corners and bottom center, mermen and winged heads of angels in lower corners, parrots along the sides, a crown at top center, and birds holding flowers in their beaks at the top of the main text block. Dominant colors are red, green, yellow, and blue.
Certificate printed on laid paper with an "FS" watermark, indicating papermaker Frederick Schutz(Scheetz) of Lower Merion Twp. in Montgomery Co. (See American Watermarks). Mounted with window mat in a brown frame
Provenance
Fraktur was given to the Lancaster County Historical Society by donors with the understanding that it would become part of the Heritage Center collection when that institution was established.
Significant horizontal crease across the middle, and three vertical creases. Smaller creases and crinkles appear overall. The paper has browned, and there are stains in the lower half.
A treatment proposal was offered by the Conservation Center for Art and Historic Artifacts in 1986, followed by treatment in 1988-89 -- consolidated pigment, dry and wet cleaned, mended and reinforced, filled losses, flattened, and matted. More details available in the object file.
Object ID
G.77.50.12
Notes
Earnests note that "neatness was of little concern to Speyer, but he did seem concerned about filling white space." He normally infilled with words done in a thin red ink which does not stand up well over time. He worked mostly in northern Lancaster Co.and in southern Berks and Dauphin Counties. Speyer used the 3-heart print more frequently from about 1790 on.
On-line Nissen family genealogy (internet, 2010) states Peter Scholl married Eva Elizabeth Rieth on Apr. 28, 1800 in Reeds Church, Stouchsburg, Berks, Co. He died Feb. 25, 1839. His parents were also married in Stouchsburg.
References:
Klaus Stopp, Printed B&BC of the Pa Germans, Vol. IV, pp.. 81 & 89.
Earnests, "Papers for Birth Dayes", pp 722 ff.
Gravell, Miller & Walsh, American Watermarks, 1690-1835, 2002, pp. 79 & 305.
Slide # 27-1-4 in Archives West
Role
Artist
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Fraktur is a broadside of a spiritual labyrinth or maze, hand drawn and lettered on laid paper with brown ink, in German. Within a double-line border is a title at top, with a paragraph underneath. Entitled "Geistlicher Irrgarten, / mit vier kandenbrunen", translated Spiritual Labyrinth (or error garden) / with four wells of grace." The remaining 3/4 of the page is a maze with text within the pathway. At the center of each quadrant of the labyrinth is positioned a rectangle (or well) listing several Bible references. Framed in wood frame painted with diamonds.
Drawing is riddled with pin-prick holes. These are apparently a result of the maker's method of plotting out the labyrinth, using an instrument that left a hole at each right-angle turn.
A watermark is positioned sideways in the upper half of the paper. It is a circle surmounted by a crown, a bell below the circle and a rampant lion within the circle. No exact match with any watermark found in American Watermarks 1690-1835, though some are similar, e.g. # 887 & 889. Framed in
Place of origin is unknown.
Provenance
Note: Borneman states the spiritual labyrinth appears in German as early as 1630. In Pennsylvania, broadsides of this title were popular. The reader must keep turning the paper to follow the text, necessitating over 100 turnings. The text eventually leads the reader back to the beginning. Borneman explains the 4 wells of grace (p. 25, Pa. German Illustrated Manuscripts).
Damage at all fold lines; either broken completely or partially. Center fold line mended with tape on reverse. Moderate to heavy stains scattered over surface, especially at middle of right edge and along center horizontal line. Dark heavy stains/accretions (mold?) along horizontal center line. Corners dog-eared with minor losses. Pin-prick holes throughout. Conserved in 2003 by Maria Pukownik; see photos & documentation.
Object ID
G.02.35.1
Credit
Gift of Greg K. Kramer & Co., Heritage Center Collection
