Prepared by Wm. W. Britton, begun 1734, completed May 30, 1935 ;
Date of Publication
1734 - 1935.
Physical Description
4 reels ; 35 mm.
Notes
Microfilmed in 1957. Contains 20 volumes. Lancaster County warrants are on V. 16.
Labeled on box # 257 - # 261.
Material arranged by county and includes names of warrantee, date, acreage, location, date of return, name of patentee, where patent recorded, and where survey is copied.
Organized 1732 by the Synod [of Philadelphia]; divided and dissolved 1765; continued in part by Presbytery of Carlisle. Reconstituted as Donegal in 1766 by the Synod of New York and Philadelphia; dissolved 1786.
Affiliation: 1732-1745, the Synod; 1745-1758, Synod of Philadelphia; 1758-1786, Synod of New York and Philadelphia.
Vol. 3 includes minutes of Carlisle Presbytery, May 23, 1765-Apr. 25, 1766.
Labeled as #837.
Microfilm. Philadelphia : Presbyterian Historical Society, 1966. 1 microfilm reel ; 35 mm.
Includes early minutes under the Synods of Philadelphia, and New York and Philadelphia.
Affiliation: 1716-1745, The Synod; 1745-1758, "Old Side," Synod of Philadelphia; "New Side," Synod of New York; 1758-1789, Synod of New York & Philadelphia; 1789-1814, Presbyterian Church in the U.S.A.
Microfilm. Philadelphia : Presbyterian Historical Society, 1966. 1 microfilm reel ; 35 mm.
Biblia, das ist: Die ganze göttliche Heilige Schrifft Alten und Neuen Testaments : nach der deutschen Uebersetzung D. Martin Luthers ; mit jedes Capitels kurzen Summarien, auch beygefügten vielen und richtigen Parallelen : nebst einem Anhang des dritten und vierten Buchs Esrä, und des dritten Buchs der Maccabäer
"Das Neue Testament unsers Herrn und Heylandes Jesu Christi, nach der deutschen Uebersetzung Dr. Martin Luthers, mit kurzem Inhalt eines jeden Capitels, und vollständiger Anweisung gleicher Schrift-Stellen. Wie auch aller Sonn- und Fest-tägigen Evangelien und Episteln. Dritte Auflage" has special title page.
This edition was published by the son of the publisher of the 1st edition, and consisted of 3000 copies. This is substantially the same as the 2d ed., 1763, and resembles the 1st ed., but with some slight changes and a new preface. Cf. J. Wright. Early Bibles of America, p. 46-47.
Head- and tail-pieces; initials.
"In 1776 he [i.e. Christoph Saur, the printer] had just completed a third edition (3000 copies) when the outbreak of the American War of Independence interupted the work, and nearly the whole of the unbound sheets were used to make cartridges"; cf. Darlow & Moule.
A catechism and confession of faith, which containeth a true and faithful account of the principles and doctrines of the people called Quakers. To which is added, The ancient testimony of the said people reviv'd, with some of the rules of the discipline established among them. Extracted from the minutes of their yearly meetings
"A catechism and confession of faith" (4 p. ø., 147 [3] p., ) and "The ancient testimony of the people called Quakers" (64 p.at end) have special title-pages.
Light orange-brown brick with one dark face and consistent quality clay. Dark face shows much scratching, including very promnent I A one right side (or J A for John Andre, British officer). From fireplace of Caleb Cope house, 27 N Lime Street, Lancaster, where John Andre was a prisoner of war. Initials include those of of John Andre, Thomas Cope, and others.
Chippendale high chest, mahogany, ornately carved, Phila-inspired Rococo style. Top section has scrolled broken arch pediment with central cartouche (attrib. to Phila carver, Martin Jugiez) and fully relief-carved vine tympanum, leading down to large central drawer w/ large carved shell & surrounding vines. Two small drawers flank center drawer, under which are 4 full-length, graduated drawers with original Chinoiserie brasses. Fluted corner columns on upper case; vine & leaf-carved corner columns on lower case.
Lower chest has top full-length drawer over 3 small drawers that mirror the 3 drawers at top. Again, the center drawer is fully carved. Below drawers is a fully vine-carved skirt w/ shaped bottom. Has 4 carved fully articulated cabriole legs w/ acanthus knees and ball and claw feet and original brass casters.
Original owner Matthias Slough was a colonel in the Rev. War, a superintendent of the Philadelphia to Lancaster Turnpike, a county coroner and treasurer, and tavernkeeper of the White Swan. Buried in St. James Episcopal Cemetery.
Made by unknown Lancaster Borough workshop.
Provenance
Original owner believed to be Mathias Slough, based on a 1934 letter from Ethel Torrington Davis to Mr.(James?) McCormick. Ms. Davis states her mother received story from her mother Mrs. Beatty. Mathias Slough married Mary Gibson and had three daughters. The oral tradition is that each daughter was given a high chest. These chests then descended in the family, one of which descended through the mother of Ethel T. Davis to James McCormick (in payment of an outstanding debt). This info researched by John J. Snyder.
From a July 1975 letter, donor George J. Finney recalls the highboy in the home of James McCormick of Hbg, his grandfather. After his death in 1917, it stayed with the house & his son Donald McCormick until his death in 1945. It was then put up for sale at auction of household good but failed to sell due to price not meeting expectations of executors. Donor learned of this, and in 1946 he offered to buy it for $2,500 and the estate accepted. Donor has owned highboy since 1946. Upon the death of the donor, it was bequeathed from his estate.
Multiple repairs (e.g. pieced out around drawers); refinished; some losses, most noticeable in some cartouche elements and leaves of rosettes. Finials missing the ball at mid section. Cosmetic conservation done by Cory Berrett April 1992.
Repairs made 12-2-09 by Winterthur conservator in consultation with curator Wendy Cooper (see conservation report in file). Major changes: broken off rosette leaf tips replaced; missing finial balls and top plates of plinths replaced.
Object ID
G.92.06
Notes
John Snyder states that mahogany is unusual for Lancaster Co. high-style pieces. Secondary woods are poplar and pine.
He notes six or fewer high chests of this Lancaster County Chippendale design are known to exist, and that of these six, "this piece is unquestionably the finest example." (Based on artistic evaluation, condition and provenance. Of these other chests, 2 are in private collections, one is in the State Department collection at Yale University, and the others' whereabouts are currently unknown.
Snyder says this high chest is closely related structurally to the famous Chippendale desk and bookcase acquired by the Winterthur Museum from the Withers family, living near Strasburg, Lancaster Co.
OBITUARY
May 14, 2009 FRANCES DAVIS HASSINGER EVERHART, of Lower Allen Township, Mechanicsburg, PA, passed away Thursday, May 14, 2009, in Bethany Village, Mechanicsburg. Frances was born March 1, 1916, in Harrisburg, PA, the daughter of CARL W. AND ETHEL TORRINGTON DAVIS. She was a 1938 graduate of Vassar Co...
Matthias Slough (1733-1812) was the tavernkeeper of the White Swan. The high chest was made at an unknown Lancaster Boro workshop, except for the carved cartouche of Philadelphia.
Place of Origin
Lancaster
Credit
Heritage Center Collection, bequest of George J. Finney Estate
Dial scribe used originally for engraving circular lines (chapter rings) in brass dials. Converted for use with later white-painted dials (probably held a pen, according to clock expert Ed LaFond). Used by Jacob Gorgas (1728-1798). Maker unknown; most likely Lancaster Borough.
The tool arm is created from a foot-long bar of iron, rectangular in section. One end is enlarged and fitted with a vertical attachment made of cone-shaped iron surmounted by a turned wooden (walnut?) handle. This vertical attachment comes to a blunt point at the bottom. A shaped sleeve fits onto the horizontal iron bar and is fitted with a vertical hexagonal hole at one side. Two iron thumb screws are positioned at each side of sleeve.
Provenance
Owned by two brothers, Samuel K. and William L. Fraser, clockmakers who lived in Lincoln (just west of Ephrata) and grandsons of clockmaker William Fraser (1801-1877), then to early collector Earl T. Strickler (FNAWCC) who had it on display at the Columbia Clock and Watch Museum. Upon Strickler's sudden death circa 1974, it was sold by his widow, Mary Jane Strickler, to Edward F., Jr. and Virginia A. LaFond who owned it for "20 some" years. They then traded it to dealer Jamie Price for some clocks. Price had it on sale at the 2004 Philadelphia Antiques Show in mid-April where, as representative for the von Hess Foundation, Tom Cook, purchased it for this museum's collections.
Ed LaFond believes the Fraser family was related to the Gorgas family, thus they were in a position to inherit tools. Due to this, it was believed at first that both the machine and the scribe were from the Gorgas family. However, LaFond believes the Frasers were also related to the Shreiners.
Iron surface is pitted from corrosion, now stable. Turned wood handle is moderately worn and scarred with a broken off piece creating one flattened side. Wood is also checked (cracked) throughout neck.
Object ID
G.04.19.2
Notes
Stacy Wood researched origins and provenance of these tools and wrote an article in Vol. 96 #4 of LCHS Journal. Conversations with Virginia LaFond ( 5/19/04) and Ed LaFond (7/6/04).
Place of Origin
Lancaster
Usage
Gorgas, Jacob, 1728-1798
Credit
Gift of the Richard C. von Hess Foundation, Heritage Center Collection
Tall case clock w/ 8-day movement housed in a cherry Chippendale style case with scroll pediment, carved floral rosettes and three flame finials. Arched glass door and side lights. Partially engaged, smooth columns at front corners, forming part of the hinged door.
Brass dial has Roman numeral chapter ring, C-scroll and vining foliate engraving at spandrels as well as above and below moon wheel which is painted with a star-spangled sky and moon with face. Engraved "Wilton Atkinson" on lower dial.
Waist has broken arch door and recessed, plain quarter columns. Base has raised, scalloped panel at front with quarter columns that match those in the waist section. Feet are bold ogee bracket style.
Atkinson is believed to have been the son of Matthew Atkinson of Lampeter Twp. Wilton was in the Borough as early as 1763 as a cutler. In tax records, he was listed in 1770 as a watchmaker and in 1772 and 1773 as a clockmaker. He married Anna Maria, daughter of the early Borough clockmaker Abram Laroy. Legend states that Anna Maria also made clocks in Lancaster that were sold bearing her husband's name. The Atkinsons eventually moved to Baltimore where, following his death, Anna Maria conducted business until 1819. (Clockmakers of Lanc. Co.)
Snyder notes on p. 40 of Clockmakers of Lanc. Co, that this case is considered one of the earliest examples of the Chippendale style in Lancaster Co., based on the brief working career of Atkinson (1770-1773).
Provenance
Owned by Dr. George Rohrer, then to son Henry A. Rohrer, then to daughter Mary Louise Webster. Tape adhered to reverse side of dial has the name of the donor's father, "Henry Rohrer/ 9-22-87."
Case has been overcleaned, finished with a glossy varnish then handrubbed with steel wool to remove gloss. Vertical scratch on right side of base; feet marred. Crack at lower right corner of base, below raised panel. There are about nine nail holes over the expanse of the tympanum suggesting missing carving. Heavy dent on dial at left edge, center, and hammer marks at this point on reverse side. Lower left corner distorted.
Object ID
G.01.49.1
Notes
Entry for Wilton Atkinson in "Clockmakers of Lancaster Co. and Their Clocks 1750-1850" notes that: "Atkinson married Anna Maria, a daughter of the early Borough clockmaker Abrum Laroy and legend states that she also made clocks in Lancaster that were sold bearing her husband's name. "
Brochure of the First Reformed Church (UCC) notes that in the 1760s, "the French Laroys" belonged to this church. "One chronicler called the LeRoy sisters (four daughters of a local clockmaker) the 'Belles of the congregation.'... Anna Maria, the youngest of the sisters, learned her father's trade and was said to be 'as good a clockmaker' as he was. She and her husband, Wilton Atkinson, took over the family business." (Note: Abrum Laroy died in 1763).
Above brochure is http://visithistoricalancaster.com/pdf/02LP109 HOW-FR-UCC
Call to church office & conversation with paster Dana Schlegel offered no clues to source of above information (Jan. 2017).
Place of Origin
Lancaster
Credit
In memory of Dr. George Rohrer and Mrs. & Mrs. Henry A. Rohrer by Mary Louise Webster, Heritage Center Collection
Eight-day, tall case clock by John George Hoff, Sr., in a flat-top Chippendale walnut case.
Brass dial has pewter chapter ring with Roman numerals for the hour and Arabic numerals for the seconds. Separate seconds dial below XII. Pewter spandrels. "George Hoff" engraved at bottom of dial, above a calendar window. Painted moon wheel at top has moon on a field of stars.
Bonnet has molded cornice, arched door and arched side windows. Engaged columns at all four corners. Waist has wide chambered corners with lambequins at top and bottom. Door has arched top and molded edges; brass escutcheon (replaced?); door is hung by two brass steeple butt hinges. Base has plain sides and chamfered corners that match those at waist. Molding above four ogee bracket feet.
J.J. Snyder notes that this clock case with wide chamfers relates to other pieces with the same feature, e.g. G.03.1.1 (Jenkins family bookcase on desk) and P.78.76 (Old family bonnet top high chest). The Hoff clock chamfers, however, are not fluted like the large case pieces.
See photo of clock in Wood and Kramer's clock book, p. 37.
Provenance
Professor Kauffman said on 4-23-99 that he purchased this clock from a dealer after Joe Kindig refused it because it was a flat top. A receipt (now in file) was tacked to inside of clock case documenting the purchase from collector/dealer Melvin Hubley of Lancaster City in 1955 (cost $545).
Modest wear, right side light is cracked, molding missing at right side of waist at bottom. Base is scarred, some cracks, especially aroung feet and moldiing. Unfilled nail repair holes at base.
Finish has orange peel surface.
Object ID
G.96.37.1
Place of Origin
Lancaster
Credit
Gift of Henry J. Kauffman, Heritage Center Collection
8-day musical clockworks by Mennonite Christian Eby (c.1768-1803) of Manheim. Housed in a large, inlaid cherry case attributed to Emanuel Dyer. Case is transitional from Chippendale to Federal, although strongly Federal due to inlay of eagle and floral motifs on tympanum, quarter fan inlays and another floral inlay on waist section, and a patera centered on the base within a cartouche of line inlay.
Notes: Weight, key, and various parts located in box on Unit 52, Bottom Shelf.
Hood has side lights, fluted colonettes at sides, swan's neck scrolls terminating in inlaid paterae, three ball and spire finials (spire missing on center finial). Waist and base have fluted quarter columns. French bracket feet.
White-painted iron dial w/ Roman numerals on chapter ring. Seconds use Arabic numerals. Floral spandrels, lunar dial and inscription "C EBY Manheim under XII. Above lunar dial are ten names of tunes played by the musical works. Dial attributed to Reading area due to a dark moon wheel and the 2 hemispheres for the moon phase are identical (per Gary Sullivan). He also notes that brass-clad weights are very unusual, and usually an English practice.
Provenance
Ex Renner (per Gary Sullivan, clock dealer). Later from estate sale of Pauline Heilman of York, PA by Sotheby's July 17, 1982. The buyer, a private client of Citibank, put clock in storage in Florida, then consigned it Christie's where HCLC purchased Jan. 1992.
John and Carol Pyfer paid $800 for Quentin Johnson to repair the clockworks and get it running in 2004. Clock hands have losses (pieces in a box stored in clock bottom), repaired by Johnson. Case refinished (see early photos in file). Scratch on side to left of pendulum door; nicks & scratches at left side vertical member of opening to pendulum. Marred overall. Split at left side of front section of molding under hood. Pieces of string inlay replaced. Proper left back foot loose; proper left front column loose. See Gary Sullivan condition report (loan to Willard House)
Object ID
P.92.02
Notes
Made by Christian Eby (c.1768-1803), working 1792-1803. Case attributed to Emanuel Deyer.
J.J. Snyder notes, "The clock is significant because it is the only known Lancaster Co. eagle-inlaid clock with a musical movement. Musical movements predating 1840 are quite rare, and fewer than eight Lancaster Co. musical clocks prior to 1840 are known to survive. The inlay is unique in the placement of the eagle in the center of the pediment rather than in an oval medallion above the pendulum door and in the use of floral inlay in addition to the eagle. In summary, the Christian Eby clock is a masterpiece of not only regional but also national importance."
Snyder also states "Unquestionably, this is one of the most elegant and sophisticated pieces of Lancaster County Federal furniture now known." He adds "Of all the known Lancaster County eagle-inlaid clock cases, this one alone has floral inlays. In view of the fact that this case must predate Christian Eby's death in 1803, it stands as the earliest known use of the eagle as a patriotic device in Lancaster County furniture."
Snyder also suggests Manheim cabinetmaker Emanuel Dyer (1760-1836) as the probable casemaker. Working for about a half century starting in the early 1780s, Dyer was the leading Manheim cabinetmaker.
Place of Origin
Manheim
Credit
Gift of members and friends of the Heritage Center, Heritage Center Collection
Lathe-turned wooden tar bucket with fitted lid and remnants of leather straps. Cylindrical vessel has slight taper inward toward middle. Decorated with two double score marks below center. Above center are shoulders jutting outward with vertical holes through which straps of leather handle pass. Handle also passes through lid of conforming shape, although one strap broken off at shoulder while the other is broken off 3 inches above shoulder.Center hole in lid apparently accepted a now-missing stick used to apply tar to wheels. Broken-off 5-inch length of leather strap rests inside. Tar residue in bucket.
Lancaster County or region.
Provenance
Donor believes bucket descended from family members to his parents who displayed it on their mantle. Donor inherited it from parents.
Bookcase on desk, Queen Anne, walnut, owned by the Jenkins family of Churchtown area in Caernarvon Twp. Upper section has a scroll pediment with shallow-carved round rosettes with button centers above a plain tympanum. The three turnip finials are replacements. Distinctive chamfered, fluted front corners terminate in lamb's tongues. Two doors have two raised panels and stationary shelves within. Maker is unknown.
Restored straight bracket feet, four lipped graduated drawers with two candle drawers flanking the top drawer. Interior has a central prospect door with tombstone shape and applied outer moldings creating the impression of frame-and-panel construction; center panel has highly figured wood. Flanking manuscript drawers faced with wide fluted columns on plinths with capitals. Each side of central section has four pigeon holes above two tiers of drawers, four each side.
Snyder states most of the brass hardware has been "correctly restored." Inscription on the side of one drawer reads: "David and Martha Jenkins" in script. David Jenkins (1731-1797) was the ironmaster at Windsor Forge near Churchtown.
Snyder notes the distinctive chamfered, fluted corners of this secretary relate to the Old family highboy (P78.76) as well as to a highboy in Winterthur collections originally owned by Christopher Marshall who moved to Lancaster on the eve of the Revolutionary War. In addition, there are similar corners on a George Hoff clock w/ brass face as well as some Reading clocks, and some furniture made by Phila. and Maryland cabinetmakers.
Provenance
History of ownership is soundly documented, according to Snyder. (See his appraisal in file, pp. 5-6). It passed down within the Jenkins family until sold at public auction in Churchtown from the estate of Miss Mary Irwin, a direct Jenkins descendant. Purchased by Elaine Holden.
Robert E. Jenkins, Jenkins Family Book, Chicago, 1904.
At LHO are:
- Jenkins family file
- 1797 David Jenkins estate inventory
- 1815 Direct Tax for Caernarvon Twp.
David Jenkins' 1797 Will, # G-1-98, is in the Archives, Lancaster Co. Courthouse.
Height (cm)
264.16
Height (ft)
8.6666666667
Height (in)
104
Width (cm)
96.52
Width (ft)
3.1666666667
Width (in)
38
Depth (cm)
57.15
Depth (ft)
1.875
Depth (in)
22.5
Condition
Good
Condition Date
2017-03-08
Condition Notes
Finish has been stripped; metal polish residue clogs pores of wood around hardware. Restoration and replacement of various parts, including feet, finials, patch on upper lip of upper drawer, and all large drawer bottoms. Breakout at points above bottom drawers where lock strikes.
Object ID
G.03.01.01
Notes
Furniture Exhibit in Gerhart Gallery
Related Item Notes
John J. Snyder notes the distinctive chamfered, fluted corners of this secretary relate to those of the Old family highboy (P.78.76) and a Q.A. Phila. highboy in Winterthur collections originally owned by Christopher Marshall who moved to Lancaster on the eve of the Revolutionary War. In addition, there are similar chamfered corners on a George Hoff clock w/ brass face, some Reading clock cases and some case furniture made in Maryland and Philadelphia (Joseph Armitt and Jonathan Gostelowe).
Credit
Gift of Elaine Ewing Holden, Heritage Center Collection
Hand-drawn, lettered and colored fraktur is a Birth and Baptismal Certificate made for Johannes Muller b. 13 Apr 1771 in what was then Lebanon Twp. Lancaster Co. (Lebanon created 1813). Center text block has biographical information and 3 lines of scripture below mentioning the cedars of Lebanon (final 3 words). Double-line blue border surrounds top and sides of text. Along top of border are 28 green trees (likely cedars of Lebanon) and a winged cherub's head over all. A pair of identical redcoat soldiers are at each side of text block, one above the other. Each has a tall black hat with "tail", a long cane, a sword, moustaches and a long pigtail tied with a bow. Top two soldiers have a leafy twig extending from mouths, and all four stand on small green trees, similar to the above. At bottom is an arched branch of stylized leaves, a center 8-point flower and two downturned tulip-like flowers at sides. Colors used are green, yellow and red with blue line border.
Parents were Johannes(?) Muller and wife Susanna, born an Alomer(?). REb. Buchry(?) baptised him at unknown date. Witnesses were Johanes Schweigert and wife Lehnore.
Pencil calculation done under first text block is "Died Sept. 13, 1860. Aged Eighty nine years & five months."
Lebanon Twp., Lancaster Co. (now Lebanon Co., formed in 1813)
Perhaps made by Christian Mertel or similar artist (per F. Weiser).
Structurally intact but color still good. Some breaking at fold lines and some raised and folded fold lines. Brown moisture stains over most of surface with dark, heavy tide lines. Two pieces of cellophane tape along left side where soldiers' hat "tails" have iron gall ink losses. Paper edges worn, torn, with losses, creases and folds. Various losses (holes), mostly where iron gall ink was used. Frame not likely original to fraktur. High profile beaded moldings on a walnut frame; finish aged with craquelure.
Object ID
2017.999.2
Notes
Appraisal conducted by Pastor Fred Weiser, Sept. 2, 1988. He says it was reproduced in Landis Valley catalog.
The Fraktur was included in a Landis Valley publication called "Pennsylvania German Fraktur and Color Drawings, Exhibited at Pennsylvania Farm Museum of Landis Valley, Lancaster, Pennsylvania," 1969. Plate #71. In LancasterHistory library (740 P415)
Fragment of very significant colored drawing by Sussel-Washington artist of colonial lady on horseback, titled "Laydy Washingdon" at bottom. Muted colors of red and brown. Only the center portion with right and bottom sides remain.
Sussel Washington Artist, active 1760-1785. Lancaster or Berks County
Remnant of original is pasted onto highly acidic brown Kraft paper. About half remains, with strong damage with loss of top and left sections. Extensive silverfish damage with holes and very ragged edges along left side. Additional surface/paint loss on horse's neck and chest. Darkened from acid and age. Blotchy stains overall. Taped at top to matboard with hinged window mat.
Object ID
2017.999.14
Notes
Appraisal done by Pastor Fred Weiser on 2 Sept 1988. He states value of whole would be at least $35,000. Marked fraktur #17 during this event.
Birth record on small piece of laid paper. Mounted in off-white window mat with 2 paper hinges at top. Outside border is 0.375" wide with dotted line zig-zags and small comma like motifs decorating remaining space. Some of lower border was cut off. Appears to be a partial page, cut from the same source as the pair of full-page Tschantz family record (2017.999.29) recording 4 births. It is certainly the same handwork & almost certainly pages removed from a Bible.
This entry for Abraham Tschantz consists of 7 lines of German text, fraktur style lettering, randomly alternating from red to black ink. Reads: "Anno 1750 auf Faustinus Tag, / d 15ten Febr. ist Abraham Tschantz, / gebohren im Zeichen des Schorpian. / Gedenck im allen, was du thust, dass / du nur Gott gefallen must, dies sey dein / gantzes Werck auf Erden, wen du wilst / Gottes Burger werden." (In the year 1750 on Faustinus Day, 15, Feb., Abraham Tschantz was born in the sign of Scorpio. Ponder in everything you do that you must only please God. Let this be your whole work on earth if you wish to be God's citizen.)
10th "Series" of Penna. Archives, Vol. 156, p. 423.
See related pages (2017.999.29) executed by same scrivener/artist who recorded Tschantz births.
Height (cm)
13.0175
Height (ft)
0.4270833333
Height (in)
5.125
Width (cm)
18.415
Width (ft)
0.6041666667
Width (in)
7.25
Dimension Details
Matboard is H: 7" W: 9"
Condition
Good
Condition Date
0017-08-24
Condition Notes
Light darkened and embrittled/fragile. Edges are very ragged with losses and folded back paper. A 3 1/2 " long curved tear/break from bottom left to the word "Febr.". Bottom of page with border has been cut off.
Object ID
2017.999.20
Notes
Appraisal done by Pastor Fred Weiser on 2 Sept 1988. Marked fraktur #24 during this event.
See pair of related pages for birth entries of (2017.999.29) executed by same scrivener/artist who recorded birth of Abraham.
Tschantz Family Bible in LHO collections records Abraham Johns, born 15 Feb 1750 on fustinus day, sign of Scorpion. He married Maria, born 1 June 1757, died 6 Aug 1822. Abraham died 26 May 1838.
Mounted Family Record on 2 pages of laid paper, almost certainly from a Bible, with entries for children of Abraham Tschantz (See his record by the same artist/scrivener as 2017.999.20). Page edges have a border decorated with dotted line zig zag motif with squiggles. In fraktur hand in German, the birth entries are listed under a heading "Verzeichnis" (record/list) on first page that translates "Register of my children when they were born." Lettering is done in either black or red ink.
Two births listed on first page are Jacob born 31 Dec 174(?) on St. Silvester's Day in the Sign of Aquarius. Next is Johannes born 29 Feb 1748 on St. Nestor's Day in the Sign of the Lion. Horizontal border under heading and also between birth entries. Each has a few religious lines exhorting them to follow Jesus.
Second page lists Barbara born 28 Jan 1754 on St. Charles Day in the Sign of the Ram, immediately followed by "In the year 1767 on Sept 4th the Lord took her from this world into eternity. Next entry is David born 17 Sept 1759 on St. Lambert's Day in the Sign of the Lion, but in the year 1767 on Aug 25 the Lord took him into eternity. Both children died within about 10 days of each other.
See related half page birth entry for father Abraham Tschantz (2017.999.20) executed by same scrivener/artist who recorded births of Tschantz children.
Tschantz Family Bible in LHO collections records Abraham Johns, born 15 Feb 1750 on fustinus day, sign of Scorpion. He married Maria, born 1 June 1757, died 6 Aug 1822. Abraham died 26 May 1838.
Height (cm)
30.48
Height (ft)
1
Height (in)
12
Width (cm)
17.78
Width (ft)
0.5833333333
Width (in)
7
Dimension Details
Mount is 16" x 20"
Condition
Fair
Condition Date
2017-10-02
Condition Notes
Mounted together in double window. Pages are brown with age and have some small stains. All edges are battered with small tears, small-to-medium losses, and folds. Significant number of red letters have bled. Most edges of each page have cellophane type tape on back to stabilize.
Conservation needed.
Object ID
2017.999.29
Notes
Appraised by Rev. Fred Weiser 2 Sept 1988 as # 25. Valued at $800.
Abraham "Shannts", born 1750, is listed in Ten "Series" of "Pennsylvania Archives", Vol. 156, p. 423.
A Lancaster Menno. Hist. Society record states he is listed in the Hannes Eby Burial Record: death ca.26 May 1838 in Leacock, PA.
In 1810 Census, an Abraham Tschantz is listed with 9 household members in Warwick Twp.
LHO library's Family File for JOHNS family notes Abraham is buried near Mechanicsburg, Upper Leacock Twp., apparently along with his brothers Jacob (b. 1746) and Johannes (b. 1748). Reference is made to the Tschantz Family Bible in LHO collections which records Abraham Johns, born 15 Feb 1750 on fustinus day, sign of Scorpion. He married Maria, born 1 June 1757, died 6 Aug 1822.
Transcription & translation Oct 2017 by Elsbeth Steffensen.
Walnut side chair, wainscoat type, frame construction with pinned mortise and tenon joints. Shaped crest rail secured with one pin. Baluster-shaped center splat secured with a double pinned mortise and tenon joint and rests on rail above seat level; rail has molded lower edge. Rail at seat back is raisedabove seat level & has same molding as above rail. Plank seat (replaced) of two boards is pinned to chair rails. Bottom edges of all 4 chair rails have molded lower edge. Front legs are baluster-shaped; back legs are square, although they taper in thickness from seat level to top. Back legs also have a backcut front face from stretcher to floor, and curve back. Box stretchers have the same molding as rails above, but are molded on both upper and lower edges.
Probably Lancaster Boro
Provenance
Probably owned by Anthony Schneider (1725-1774) due to the belief that this chair was in his inventory after death. His 1774 Inventory lists a set of 4 walnut chairs. At his death he was living on the site of the Kirk Johnson Building on W. King Street. Anthony Schneider was the father of Gov. Simon Snyder(1759-1819) who was born in Lancaster Borough.
Chair descended through the Fisher and Mertz families. Chair believed to have been purchased by antiques dealer Dick Jones of Muncy, PA, at the "Fisher family sale" at the Isle of Que (section of Selinsgrove), circa mid-1960s. Purchased by restorer Peter Deen, who replaced the seat. Deen sold to Vonnie Haynes, a "minor dealer & major character in Adamstown" who sold it to Neil Kamil, then to museum. (See letter of 18 Apr 1991 from N. Kamil in file.)
Moderate wear overall. Front stretcher very worn. Previous chair owner and furniture conservator, Peter Deen, of Nottingham, PA, replaced seat. Metal corner braces & screws removed. Scratches on left chair rail.
Object ID
P.92.01
Notes
Patricia J. Keller states "a similar side chair is in a private collection outside Pittsburgh, PA, and another is in the collections of the Philadelphia Museum of Art (#'28-10-99, see photo in file).
Peter Seibert notes this chair relates closely to the furniture made in rural northern England during the 1600s and 1700s. It combines elements of different styles, William & Mary and Queen Anne.
Gov. Simon Snyder (1759-1819) served three terms from Dec. 20, 1808 - Dec. 16, 1817 as the first of many Penna. German governors of Pennsylvania. After his election of 1808, he was reelected a few years later by a landslide.
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
NOTE: Gift of Irene N. Walsh (reimbursed purchase price).
Birth record in German for Barbara Eschlemann made on laid paper by the Johannes Schopp/Schopf Artist. Paper has Ephrata watermark (CIB with tulip design). Framed in old frame of softwood with dark, crazed finish and applied blocks at corners.
Execution is typical of this artist's design. Horizontal orientation has outer and inner double-line borders with central heart having an open ring at top from which emanate vining flowers. Space between inner and outer borders is especially full with typical flowers of muted colors as well as a crown at top and shells both at top and a large one at bottom center.
Within heart is the text: "Barbara Eschlemann/ Ist gebohren im Jahr unsers Herrn und Heilandes Jesu/ Christi Anno 1777 den 8 Januarius. Morgens um/ 4 uhr, im Zeichendes. Steinbock." Additional text is added in muted ink within the space between heart and inner border. At left is: "Gott allein/ Hilf dahichseyvonher(?)/ heu from(?) ohn alle heucheley(?)." At right is: "die Ehre/ damit mein gankes(?)/ Christenthum, dir Wohlgefalligley(?)."
Breaking at fold lines; two corners missing and two corners with small holes. Three-inch tear extends from left bottom corner to right side. Tear at bottom, 2" from right corner, extends upward 1/2-inch. Additional tears with losses at bottom, esp. at center. Reverse has paper tape repairs: vertical strip entire length of center fold line and shorter strip along bottom from center to torn corner. Several moisture stains along bottom.
Frames\'s wood backing removed and replaced with acid free backing, Dec. 2004.
Object ID
P.05.51.1
Notes
Gift of Irene N. Walsh (reimbursed purchase price).
See G77.50.11 for another Birth Record by Schoff Artist (done for Anna Schenck). Additional Schoff pieces are photocopied in this file.
Earnest, Papers for Birth Dayes, pp. 675-676.
Earnest, Fraktur: Folk Art & Family, pp. 99, 109.
Weiser & Heaney, Pa Germ. Fraktur in the Free Library of Phila. #870-872.
A night commode chair that has a four-slat back crest with a Windsor arrow design at the lower back of the chair. The high back chair has turned legs, which are braced by ring-turned box stretchers. The seat has a hole cut out at its center with a separate wood lid with a wrought-iron handle fixed by two screws. The underside of the seat no longer has rabbets to support its zinc or lead chamberpot.
