Assumed to be traveling dress from latter part of 19th century.
84.41.1 is long-sleeved contoured woman's top of durable ribbed fabric. 2 bust-darts on both sides with stays from the waist up in all 4 darts. Collar and buttonhole panel, center front, of dark brown fabric. 13 hand-finished 1-inch buttonholes on right front. 11 buttons on right front. Buttons are covered in dark brown with 4-pointed brown stars in center. Set-in sleeves with 2 seams and tiny gusset at armhole. Cuff of same fabric is attached and folded up. Edge trimmed in a dark brown ribbed tape and 3 matching buttons on upperside of wrist and cuff. Front opening at waist opens like an upside-down "V." Center back seam runs from neck to hem. 2 seams run shoulder to hem; 2 additional seams run from armholes to hem.
Inside: Double construction with light tan fabric. One stay (4.5 inches long) is stitched to the center back seam from waist up. 4-inch wide pieces with 4 eyes on left and 4 eyes on right front, both contain vertical stays. Seam edges are overcast. On lower right front below buttonholes is an additional button hole on the inside only.
84.41.2- Long skirt of brown durable ribbed fabric. 1 1/2-inch wide waistband of same brown polished cotton as lining. At center front a 3-inch length of brown tape is sewn on the inside of the waistband creating a loop. A 9.5-inch placket in back is closed with a single black metal button and buttonhole. Center front is flat with 2 pleats. Top skirt measures 29 inches long. In back, top skirt is full, gathered and hiked up and tacked in center area. Underskirt upper portion is lining fabric. In the back (16.5 inches above hem) a casing holds brown fabric tape that has been pulled to gather fabric. The lower edge has a plain flat inner hem trimmed in a light brown tape. The portion of the underskirt that shows is 12 inches long with a 3-inch flat upper section; a 2.5-inch wide gathered section. The lowest 6.5-inch section is edged in dark brown trim with 1-inch box pleats about every 2 inches around the bottom edge. A 1/2-inch wide dark brown tape is sewn 1-inch above the hem edge around the entire skirt.
Inside, about 12 inches below the waistband is back, a band of brown fabric, 17 inches long is tacked to the lining in 3 places. On the right seam of the lining is a 'pocket' (17 inches long and 6 inches wide). Opening is a narrow 3 inches.
Small, cotton, pink child's dress. Drop-waist. From approximately the turn of the century. Trimmed with machine made lace. Square neckline. Buttons down back made of mother of pearl. Button holes hand made. Large tuck from cap of shoulder down front.
9in set in sleeves with lace trim 2.25in from cuffs. Same lace trim sewn on waist seam, around neck opening and on pleated skirt 6 in above hem. Machine made but for white cotton tape had stitched insde at skirt hem, seam where bodice and waist are joined. Pink cotton fabric tape hand stitched inside neck edge,. 8 back closure button holes are hand sttitched, 8 2 holed .25in shell buttons sewn on back. Front hem tear repaired.
Oval, cut photo glued on paper with two bands - concentric, one thicker than the other, around photo. Photo shows four children - three girls sitting in a row, one boy standing to their left, 3/4 front, facing girls. Each girl is holding a different doll.
Photo of Schlauch siblings taken by their father. Written on wood backing the photo: "Ed Schlauch (with drum)/ Alice O. Schlauch (Zell)/ "Lill" Schlauch (Hoover)/ Ida Schlauch (Haag-Steel)/ Taken by their father." Unknown in which direction the girls are named. One can assume the names in parentheses are later married names of the females.
White mat around photo is tan with age, lines of dust in corners and around edges of frame that is open in back. One piece of wood partially covers the back with exposed space on both lengthwise edges.
Wood frame with dark glossy finish and gold painted edge next to glass. Wood exposed on all corners, many scratches throughout.
Arm chair with upholstered seat and seat back in yellow chintz with orange peony and tiger lily flowers. Wooden frame and arms. Seat back is squarish with craved top with symetrical scrolls and feather design. Arms scroll to front with a 4-petal flower
Arm chair with upholstered seat and seat back in yellow chintz with orange peoney and tiger lilly flowers. Wooden frame and arms. Seat back is squarish with craved top with symetrical scrolls and feather design. Arms scroll to front with a 4-petel flower
Scale, balance, weights, and case. Item a: Box / case is rectangular, wooden with hinged lid, hook clasp. '$2' written on bottom in ink. Inside bottom has coarsely woven green burlap glued down. Label on inside lid. Label is yellow with black print and r
Cut glass liquor decanter with spiral cut glass mushroom lid. Neck consists of 4 rings. The body of the decanter is a decagon shape (10 sides). 1.00" break/missing glass along the lip.
Year Range From
1714
Year Range To
1837
Storage Location
Wheatland, Lancaster, PA
Storage Room
Library
Storage Wall
Southwest Wall
Storage Cabinet
Table
Storage Shelf
Table Top
Object Name
Decanter
Material
Glass
Height (cm)
28.575
Height (ft)
0.9375
Height (in)
11.25
Depth (cm)
8.89
Depth (ft)
0.2916666667
Depth (in)
3.5
Circumference (ft)
37.465
Circumference (cm)
1.2291666667
Circumference (in)
14.75
Dimension Details
Measured height includes mushroom stopper. Height of body is 8.50". Measurements taken with tape measure.
Height: Measured bottom to top
Circumference: Measureed at widest point of the body
Named for its principle use, this mahogany table top, with its oblong top and bead molded edge, was typically found at the side of a bedstead. The table's skirt is three to four inches deep and contains a single drawer that is the full width of the skirt. The drawer has two original brass knob pulls and a top centered brass escutcheon keyhole. The table is supported by four round tapering legs with ring and ball turnings at the top and two sets of ring turnings approximately two inches above the tapered feet of the legs.
Provenance
Alexander Speer, maternal first cousin to James Buchanan
Blue cobalt toilet bottles. Opaque glass ball-topped stopper with gold dot on top. Flattish lip, long neck with foliate / berry painted design in white and orange. White wreath painted around shoulder with gold line band below.
Brass wick trimmer, traditionally known as a snuffer, looks like a pair of scissors. A raised rectangular box sits atop of the blades. The scissors sit horizontally supported on three brass legs.
Sheraton mirror, popularly called a tabernacle mirror because its mahogany frame with its pilastered sides and decorative frieze panel resemble the glazed door of a niche in a large display piece of furniture. The flat molded cornice has projecting breaks at the corners. There are single reeded pilasters with urn-shaped capitals. The base of the frame is molded to correspond to the cornice and its square corners form the plinths beneath the pilasters. The oblong frieze has a reverse painting on glass depicting a seated mother and child playing a harp on the grassy wooded shore of a river.
Blue cobalt toilet bottles. Opaque glass ball-topped stopper with gold dot on top. Flattish lip, long neck with foliate / berry painted design in white and orange. White wreath painted around shoulder with gold line band below.
A night commode chair that has a four-slat back crest with a Windsor arrow design at the lower back of the chair. The high back chair has turned legs, which are braced by ring-turned box stretchers. The seat has a hole cut out at its center with a separate wood lid with a wrought-iron handle fixed by two screws. The underside of the seat no longer has rabbets to support its zinc or lead chamberpot.
Windsor-back rocking chair. The comb-shaped crest has gold painted trim and hand-painted floral, fruit and nut designs. The slab seat also has a hand-painted gilt outline. The two front legs have gilded turnings along with the front stretcher. The two back legs are canted into the rockers and are plain and round with a thin round plain stretcher. Dark wood. Six thin back rails.
Shaving stand is comprised of a mahogany veneer; the mirror attached to the top has a veneered bull-nose frame supported by ring and vase-turned stiles set into the top with tenons at a backward cant. The skirt has two half-drawers; however, the brass knob drawer-pulls are missing. The stand is supported by four ring and ball turned feet
Sheraton-inspired mahogany veneer night table with satinwood inlay accents that outline the apron, drawer and keyhole, as well as the legs. The table top has eight sides and surmounts four saber legs that also support a lower inward-curved shelf.
Two tan / gray linen sheets with red cross-stitching at the top of each. .1 39 inch wide length of ecru linen fabric hand overcast on underside to form a sheet .78 inches wide. Lengthwise sides are selvedges. Handstitched .5 inch hems on crosswise ends. Red cross-stitch, 6.5 inches long, 6.75 inches from a selvedge stitched parallel to selvedge Cotton floss. In center, 2 birds facing a central tulip and perched on a heart; a "B" and "L" and "S"
Provenance
Donated by Ruth Usner; belonged to donor's grandfather.
Acidification lines along probable folds. One large rectangular area of acid burn; may have been stored on wood. Some fraying at corners on one hemmed edge.
A pewter water pitcher made in a form similar to the Boardmans pewtersmiths of Hartford, Connecticut. Boardmans' pewter shop was in business from 1804-1873.
