Sheraton-inspired mahogany veneer night table with satinwood inlay accents that outline the apron, drawer and keyhole, as well as the legs. The table top has eight sides and surmounts four saber legs that also support a lower inward-curved shelf.
One of eleven pieces from James Buchanan's French Parisian Pink dinner service. Designed and decorated by Jean-Pierre Feuillet in Paris at his studio on rue de la Paix no. 20.
The cup has a painted winter scene of a man and dog with a bridge and house in background. The sides and back are pink with a gilt rim, cup interior, handle and foot trim. Bottom has designer's signature.
Made by the Nast or Darte Freres factory. Jean-Pierre Feuillet, designer.
Provenance
French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt
One of eleven pieces from James Buchanan's French Parisian Pink dinner service. Designed and decorated by Jean-Pierre Feuillet in Paris at his studio on rue de la Paix no. 20. Demitasse saucer has central gold medallion and gilt cavetto below a wide pink band within a gilt edge. On bottom is the decorator's signature.
Made by Nast or Darte Freres factory. Jean-Pierre Feuillet, designer.
Provenance
French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt
One of eleven pieces from James Buchanan's French Parisian Pink dinner service. Designed and decorated by Jean-Pierre Feuillet in Paris at his studio on rue de la Paix no. 20. This service bowl has a floral center painted in a naturalistic palette in shades of yellow, green, blue and tan within a gilt cavetto below a wide pink band within a gilt edge.
Nast or Darte Freres factory. Jean-Pierre Feuillet, designer.
Provenance
French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt
One of eleven pieces from James Buchanan's French Parisian Pink dinner service. Designed and decorated by Jean-Pierre Feuillet in Paris at his studio on rue de la Paix no. 20. This service bowl has a landscape scene with a castle, a waterfall and two people fishing in shades of green, blue and tan within a gilt cavetto below a wide pink band within a gilt edge.
Made by Nast or Darte Freres factory. Jean-Pierre Feuillet, designer.
Provenance
French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt
One of eleven pieces from James Buchanan's French Parisian Pink dinner service. Designed and decorated by Jean-Pierre Feuillet in Paris at his studio on rue de la Paix no. 20. This dessert dish has a floral hand-painted scene in a natural palette in shades of red, orange, yellow, blue and green within a gilt cavetto below a wide pink band within a gilt edge.
Made by Nast or Darte Freres factory. Jean-Pierre Feuillet, designer.
Provenance
French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt
One of eleven pieces from James Buchanan's French Parisian Pink dinner service. Designed and decorated by Jean-Pierre Feuillet in Paris at his studio on rue de la Paix no. 20. A small oval-shaped platter with a central gold medallion and gilt cavetto below a wide pink band within a gilt edge.
Made by Nast or Darte Freres factory. Jean-Pierre Feuillet, designer.
Provenance
French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt
One of eleven pieces from James Buchanan's French Parisian Pink dinner service. Designed and decorated by Jean-Pierre Feuillet in Paris at his studio on rue de la Paix no. 20. This soup bowl has a central gold medallion and gilt cavetto below a wide pink band with a gilt edge.
Made by Nast or Darte Freres factory. Jean-Pierre Feuillet, designer.
Provenance
French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt
One of eleven pieces from James Buchanan's French Parisian Pink dinner service. Designed and decorated by Jean-Pierre Feuillet in Paris at his studio on rue de la Paix no. 20. This soup bowl has a central gold medallion and gilt cavetto below a wide pink band with a gilt edge.
Made by Nast or Darte Freres factory. Jean-Pierre Feuillet, designer.
Provenance
French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt
One of eleven pieces from James Buchanan's French Parisian Pink dinner service. Designed and decorated by Jean-Pierre Feuillet in Paris at his studio on rue de la Paix no. 20. This soup bowl has a central gold medallion and gilt cavetto below a wide pink band with a gilt edge.
Made by Nast or Darte Freres factory. Jean-Pierre Feuillet, designer.
Provenance
French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt
One of eleven pieces from James Buchanan's French Parisian Pink dinner service. Designed and decorated by Jean-Pierre Feuillet in Paris at his studio on rue de la Paix no. 20. Hand-painted scenes on both sides of this lozenge-shaped tureen and across the cover having a pinnacle gilt knob, in pink and gilt over a white background, the handles on he tureen are shaped as Egyptian cats in gilt terminating in gilt palmetto leaves. The rim is in gilt with a wide pink band following a narrow band of gilt and white background above a gilt foot.
Made by Nast or Darte Freres factory. Jean-Pierre Feuillet, designer.
Provenance
French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt
One of eleven pieces from James Buchanan's French Parisian Pink dinner service. Designed and decorated by Jean-Pierre Feuillet in Paris at his studio on rue de la Paix no. 20. Large oval-shaped platter with a central gold medallion and gilt cavetto below a wide pink band within a gilt edge.
Made by Nast or Darte Freres factory. Jean-Pierre Feuillet, designer.
Provenance
French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt
Named for its principle use, this mahogany table top, with its oblong top and bead molded edge, was typically found at the side of a bedstead. The table's skirt is three to four inches deep and contains a single drawer that is the full width of the skirt. The drawer has two original brass knob pulls and a top centered brass escutcheon keyhole. The table is supported by four round tapering legs with ring and ball turnings at the top and two sets of ring turnings approximately two inches above the tapered feet of the legs.
Provenance
Alexander Speer, maternal first cousin to James Buchanan
Oval top empire-style table with side skirt. Skirt has beaded top and bottom. Table divides to accomodate four leaves. Four-sided reeded central pillar with two turned feet underneath and four c-scrolled supports. Solid base with four radial, long legs w
Undocumented stories claim that this table was ordered by William Jenkins in 1828, the year he had the Wheatland mansion built, and that it has conveyed to each subsequent owner with the deed. The table dates from the first quarter of the nineteenth century and might attributed to the Bachman cabinetmakers.
Lignum vitas wood caster with round, bowl-like top, pierced for shaking out pounce. Base is ring-turned tapers smaller to broad top, flat bottom. Small, shallow dotted pattern in two bands near bottom. Lip at top has thin groove. Top screws onto base that would be filled with pounce, which is a fine powder made from powdered cuttlefish bone. Pounce was used both to dry ink and to sprinkle on a rough writing surface to make it smooth enough for writing.
Esther 'Hetty' Parker, James Buchanan's housekeeper, chose this among several other household items that Buchanan noted she was to be allowed to choose after his death. Miss Hetty gave this to the daughter of her neighbor. Miss Steckman donated this to the Wheatland collection in 1938.
Hepplewhite Pembrook Oval Table. Two drop leaves, when opened, are supported by pivoted shaped brackets. End skirts are straight with one containing a full-width drawer. The four slender tapering legs have satinwood inlay at the upper end.
School Masters Desk. Turned legs, slantied hinged desk top, panel in center of interior, three drawers, three open pigeon holes, pigeon holes are topped by two small drawers on either side.
James Buchanan was the second owner of this desk; he gifted the desk to a domestic servant (name unknown) who was the third of eight owners not counting the museum.
Assumed to be traveling dress from latter part of 19th century.
84.41.1 is long-sleeved contoured woman's top of durable ribbed fabric. 2 bust-darts on both sides with stays from the waist up in all 4 darts. Collar and buttonhole panel, center front, of dark brown fabric. 13 hand-finished 1-inch buttonholes on right front. 11 buttons on right front. Buttons are covered in dark brown with 4-pointed brown stars in center. Set-in sleeves with 2 seams and tiny gusset at armhole. Cuff of same fabric is attached and folded up. Edge trimmed in a dark brown ribbed tape and 3 matching buttons on upperside of wrist and cuff. Front opening at waist opens like an upside-down "V." Center back seam runs from neck to hem. 2 seams run shoulder to hem; 2 additional seams run from armholes to hem.
Inside: Double construction with light tan fabric. One stay (4.5 inches long) is stitched to the center back seam from waist up. 4-inch wide pieces with 4 eyes on left and 4 eyes on right front, both contain vertical stays. Seam edges are overcast. On lower right front below buttonholes is an additional button hole on the inside only.
84.41.2- Long skirt of brown durable ribbed fabric. 1 1/2-inch wide waistband of same brown polished cotton as lining. At center front a 3-inch length of brown tape is sewn on the inside of the waistband creating a loop. A 9.5-inch placket in back is closed with a single black metal button and buttonhole. Center front is flat with 2 pleats. Top skirt measures 29 inches long. In back, top skirt is full, gathered and hiked up and tacked in center area. Underskirt upper portion is lining fabric. In the back (16.5 inches above hem) a casing holds brown fabric tape that has been pulled to gather fabric. The lower edge has a plain flat inner hem trimmed in a light brown tape. The portion of the underskirt that shows is 12 inches long with a 3-inch flat upper section; a 2.5-inch wide gathered section. The lowest 6.5-inch section is edged in dark brown trim with 1-inch box pleats about every 2 inches around the bottom edge. A 1/2-inch wide dark brown tape is sewn 1-inch above the hem edge around the entire skirt.
Inside, about 12 inches below the waistband is back, a band of brown fabric, 17 inches long is tacked to the lining in 3 places. On the right seam of the lining is a 'pocket' (17 inches long and 6 inches wide). Opening is a narrow 3 inches.
Small, cotton, pink child's dress. Drop-waist. From approximately the turn of the century. Trimmed with machine made lace. Square neckline. Buttons down back made of mother of pearl. Button holes hand made. Large tuck from cap of shoulder down front.
9in set in sleeves with lace trim 2.25in from cuffs. Same lace trim sewn on waist seam, around neck opening and on pleated skirt 6 in above hem. Machine made but for white cotton tape had stitched insde at skirt hem, seam where bodice and waist are joined. Pink cotton fabric tape hand stitched inside neck edge,. 8 back closure button holes are hand sttitched, 8 2 holed .25in shell buttons sewn on back. Front hem tear repaired.
