White porcelain plate with 1.25" pink border and narrow gold outline. Central motif is a floral and foliate design of concentric rings. Outer ring radiates 12 elongated flowers or tassels. One of five plates.
Underglaze cursive inscription on bottom: "Feuillet rue de la paix no. 20." Jean-Pierre Feuillet, Decorator (French, 1777-1840). See Notes
Additional pieces of this set of dishes in collection are 2013.008.
Rue de la Paix (decorating studio), Paris
Provenance
Descent within Buchanan and Henry family to Pamela Henry (daughter of Frank Anderson Henry, Buck's youngest son) to Louisa Dent (donor).
"Feuillet introduced a porcelain decorating studio at the Rue de la Paix, Paris in 1820. The products came chiefly from the Royal Factory Sèvres. His successor was Boyer (1845)."
Another seller writes:
"The Feuillet studio was at 18, Rue de la Paix, advantageously located for the wealthy denizens of the area to come visit and make purchases. The Prince of Conde gave Feuillet his protection, thus assuring a constant flow of high-end clients. Feuillet's design atelier reached its apex in the mid-1820s, lavishly decorating some of the most remarkable plates of the time. The combination of rich paste gilding, saturated border colors and meticulous fruit or floral still life paintings made the factory's output one of the favorite choices, other than Sevres, for purchase by the new French Regime. According to the book "Paris Porcelain" by Regine de Plinval de Guillebon, "Feuillet was one of the best decorators in the Restauration period," (Paris Porcelain, page 244)."
White porcelain plate with 1.25" pink border and narrow gold outline. Central motif is a floral and foliate design of concentric rings. Outer ring radiates 12 elongated flowers. One of five plates.
Underglaze cursive inscription on bottom: "Feuillet rue de la paix no. 20." Jean-Pierre Feuillet, Decorator (French, 1777-1840). See Notes
Additional pieces of this set of dishes in collection are 2013.008.
Rue de la Paix (decorating studio), Paris
Provenance
Descent within Buchanan and Henry family to Pamela Henry (daughter of Frank Anderson Henry, Buck's youngest son) to Louisa Dent (donor).
Very small (1/2" long) area of abrasion on white, near inner gold band. Some soil on footring.
Object ID
2015.029.2
Notes
Research on E-bay has dealer's statement:
"Feuillet introduced a porcelain decorating studio at the Rue de la Paix, Paris in 1820. The products came chiefly from the Royal Factory Sèvres. His successor was Boyer (1845)."
Another seller writes:
"The Feuillet studio was at 18, Rue de la Paix, advantageously located for the wealthy denizens of the area to come visit and make purchases. The Prince of Conde gave Feuillet his protection, thus assuring a constant flow of high-end clients. Feuillet's design atelier reached its apex in the mid-1820s, lavishly decorating some of the most remarkable plates of the time. The combination of rich paste gilding, saturated border colors and meticulous fruit or floral still life paintings made the factory's output one of the favorite choices, other than Sevres, for purchase by the new French Regime. According to the book "Paris Porcelain" by Regine de Plinval de Guillebon, "Feuillet was one of the best decorators in the Restauration period," (Paris Porcelain, page 244)."
White porcelain plate with 1.25" pink border and narrow gold outline. Central motif is a floral and foliate design of concentric rings. Outer ring radiates 12 elongated flowers. One of five plates.
Underglaze cursive inscription on bottom: "Feuillet rue de la paix no. 20." Jean-Pierre Feuillet, Decorator (French, 1777-1840). See Notes
Rue de la Paix (decorating studio), Paris
Additional pieces of this set of dishes in collection are 2013.008.
Provenance
Descent within Buchanan and Henry family to Pamela Henry (daughter of Frank Anderson Henry, Buck's youngest son) to Louisa Dent (donor).
Dark firing imperfection, outside edge of rim. Small underglaze abrasion/repair(?) and very tiny area of abrasion on white, near inner bold band. Gold shows light abrasions. Minor soil on footring.
Object ID
2015.029.3
Notes
Research on E-bay has dealer's statement:
"Feuillet introduced a porcelain decorating studio at the Rue de la Paix, Paris in 1820. The products came chiefly from the Royal Factory Sèvres. His successor was Boyer (1845)."
Another seller writes:
"The Feuillet studio was at 18, Rue de la Paix, advantageously located for the wealthy denizens of the area to come visit and make purchases. The Prince of Conde gave Feuillet his protection, thus assuring a constant flow of high-end clients. Feuillet's design atelier reached its apex in the mid-1820s, lavishly decorating some of the most remarkable plates of the time. The combination of rich paste gilding, saturated border colors and meticulous fruit or floral still life paintings made the factory's output one of the favorite choices, other than Sevres, for purchase by the new French Regime. According to the book "Paris Porcelain" by Regine de Plinval de Guillebon, "Feuillet was one of the best decorators in the Restauration period," (Paris Porcelain, page 244)."
White porcelain plate with 1.25" pink border and narrow gold outline. Central motif is a floral and foliate design of concentric rings. Outer ring radiates 12 elongated flowers. One of five plates.
Underglaze cursive inscription on bottom: "Feuillet rue de la paix no. 20." Jean-Pierre Feuillet, Decorator (French, 1777-1840). See Notes
Rue de la Paix decorating studio, Paris
Additional pieces of this set of dishes in collection are 2013.008.
Provenance
Descent within Buchanan and Henry family to Pamela Henry (daughter of Frank Anderson Henry, Buck's youngest son) to Louisa Dent (donor).
Small areas of abrasion with paint touch-up under glaze. Two tiny areas of overglaze abrasion, as well as light abrasion on inner gold band. Tiny drops of gold and dark substance under glaze. Minor soil on footring.
Object ID
2015.029.4
Notes
Research on E-bay has dealer's statement:
"Feuillet introduced a porcelain decorating studio at the Rue de la Paix, Paris in 1820. The products came chiefly from the Royal Factory Sèvres. His successor was Boyer (1845)."
Another seller writes:
"The Feuillet studio was at 18, Rue de la Paix, advantageously located for the wealthy denizens of the area to come visit and make purchases. The Prince of Conde gave Feuillet his protection, thus assuring a constant flow of high-end clients. Feuillet's design atelier reached its apex in the mid-1820s, lavishly decorating some of the most remarkable plates of the time. The combination of rich paste gilding, saturated border colors and meticulous fruit or floral still life paintings made the factory's output one of the favorite choices, other than Sevres, for purchase by the new French Regime. According to the book "Paris Porcelain" by Regine de Plinval de Guillebon, "Feuillet was one of the best decorators in the Restauration period," (Paris Porcelain, page 244)."
White porcelain plate with 1.25" pink border and narrow gold outline. Central motif is a floral and foliate design of concentric rings. Outer ring radiates 12 elongated flowers. One of five plates.
Underglaze cursive inscription on bottom: "Feuillet rue de la paix no. 20." Jean-Pierre Feuillet, Decorator (French, 1777-1840). See Notes. Additional pieces of this set of dishes are 2013.008.
Rue de la Paix decorating studio, Paris
Provenance
Descent within Buchanan and Henry family to Pamela Henry (daughter of Frank Anderson Henry, Buck's youngest son) to Louisa Dent (donor).
Three large pieces broken and repaired with adhesive and staples underneath. Paint touch-up at repairs. Gold decoration shows signs of wear and slight abrasion. Small underglaze abrasion with white touch-up paint (before firing).
Object ID
2015.029.5
Notes
Research on E-bay has dealer's statement:
"Feuillet introduced a porcelain decorating studio at the Rue de la Paix, Paris in 1820. The products came chiefly from the Royal Factory Sèvres. His successor was Boyer (1845)."
Another seller writes:
"The Feuillet studio was at 18, Rue de la Paix, advantageously located for the wealthy denizens of the area to come visit and make purchases. The Prince of Conde gave Feuillet his protection, thus assuring a constant flow of high-end clients. Feuillet's design atelier reached its apex in the mid-1820s, lavishly decorating some of the most remarkable plates of the time. The combination of rich paste gilding, saturated border colors and meticulous fruit or floral still life paintings made the factory's output one of the favorite choices, other than Sevres, for purchase by the new French Regime. According to the book "Paris Porcelain" by Regine de Plinval de Guillebon, "Feuillet was one of the best decorators in the Restauration period," (Paris Porcelain, page 244)."
White porcelain platter, long oval shape with rim flaring up at 45 degree angle. Pink painted rim with narrow gold outline. Gold motif at center is concentric ovals of floral and foliate design; outer oval has 12 elongated flowers radiating outward.
No inscription on bottom, but attributed to Feuillet's rue de la paix workshop, Paris. Jean-Pierre Feuillet, Decorator (French, 1777-1840). See Notes
Additional pieces of this set of dishes in collection are 2013.008.
Rue de la Paix decorating studio, Paris
Provenance
Descent within Buchanan and Henry family to Pamela Henry (daughter of Frank Anderson Henry, Buck's youngest son) to Louisa Dent (donor).
Gold decoration worn with areas of loss. Streak of light abrasion on white, near gold band at one end of platter. Abrasions underneath at each end are darkened. Two footrings have some soil and wear.
Object ID
2015.029.6
Notes
Research on E-bay has dealer's statement:
"Feuillet introduced a porcelain decorating studio at the Rue de la Paix, Paris in 1820. The products came chiefly from the Royal Factory Sèvres. His successor was Boyer (1845)."
Another seller writes:
"The Feuillet studio was at 18, Rue de la Paix, advantageously located for the wealthy denizens of the area to come visit and make purchases. The Prince of Conde gave Feuillet his protection, thus assuring a constant flow of high-end clients. Feuillet's design atelier reached its apex in the mid-1820s, lavishly decorating some of the most remarkable plates of the time. The combination of rich paste gilding, saturated border colors and meticulous fruit or floral still life paintings made the factory's output one of the favorite choices, other than Sevres, for purchase by the new French Regime. According to the book "Paris Porcelain" by Regine de Plinval de Guillebon, "Feuillet was one of the best decorators in the Restauration period," (Paris Porcelain, page 244)."
White porcelain bowl set on pedestal base. Gold motif at center is concentric circles of floral and foliate design; outer ring has 12 elongated flowers radiating outward. Edge has 1/2" wide band of gold that extends to underside. Entire pedestal is gold. Bowl exterior painted pink with two landscape-painted panels outlined with gold. One scene is a river with large tree in foreground and far bank having a stone building and wall with raised tower. Second scene is a river with trees on both sides, and an unusual raised stone building with three different roofed sections at top.
Painted inscription on bottom, is "Feuillet / rue de la paix / No. 20." Jean-Pierre Feuillet, Decorator (French, 1777-1840). See Notes
Additional pieces of this set of dishes in collection are 2013.008.
Rue de la Paix decorating studio, Paris
Provenance
Descent within Buchanan and Henry family to Pamela Henry (daughter of Frank Anderson Henry, Buck's youngest son) to Louisa Dent (donor).
A 3.75" long crack from a blow at rim edge extends into bowl towards center. Outer side has large chip at crack with smaller chip nearby.Gold decoration worn at rim edges and salient parts of pedestal. Two raised "footrings" have some soil and wear.
Object ID
2015.029.7
Notes
Research on E-bay has dealer's statement:
"Feuillet introduced a porcelain decorating studio at the Rue de la Paix, Paris in 1820. The products came chiefly from the Royal Factory Sèvres. His successor was Boyer (1845)."
Another seller writes:
"The Feuillet studio was at 18, Rue de la Paix, advantageously located for the wealthy denizens of the area to come visit and make purchases. The Prince of Conde gave Feuillet his protection, thus assuring a constant flow of high-end clients. Feuillet's design atelier reached its apex in the mid-1820s, lavishly decorating some of the most remarkable plates of the time. The combination of rich paste gilding, saturated border colors and meticulous fruit or floral still life paintings made the factory's output one of the favorite choices, other than Sevres, for purchase by the new French Regime. According to the book "Paris Porcelain" by Regine de Plinval de Guillebon, "Feuillet was one of the best decorators in the Restauration period," (Paris Porcelain, page 244)."
White porcelain bowl set on a raised foot. Gold motif at center is concentric circles of floral and foliate design; outer ring has 12 elongated flowers radiating outward. Edge has 1/2" wide band of gold that extends to outside. The raised foot is gold. Upper half of outside of bowl painted pink and banded at lower edge with gold.
Although attributed to Feuillet, there is no inscription on bottom. Additional pieces of this set of dishes in collection are 2013.008. Jean-Pierre Feuillet, Decorator (French, 1777-1840). See Notes
Rue de la Paix decorating studio, Paris
Provenance
Descent within Buchanan and Henry family to Pamela Henry (daughter of Frank Anderson Henry, Buck's youngest son) to Louisa Dent (donor).
About one quarter of bowl's side has been broken out in pieces and repaired with 10 staples at outside cracks. Large edge losses have been filled and painted. Additional hairline cracks on inside, opposite large repair.
All gold decoration is worn, esp. at rim.
Object ID
2015.029.8
Notes
Research on E-bay has dealer's statement:
"Feuillet introduced a porcelain decorating studio at the Rue de la Paix, Paris in 1820. The products came chiefly from the Royal Factory Sèvres. His successor was Boyer (1845)."
Another seller writes:
"The Feuillet studio was at 18, Rue de la Paix, advantageously located for the wealthy denizens of the area to come visit and make purchases. The Prince of Conde gave Feuillet his protection, thus assuring a constant flow of high-end clients. Feuillet's design atelier reached its apex in the mid-1820s, lavishly decorating some of the most remarkable plates of the time. The combination of rich paste gilding, saturated border colors and meticulous fruit or floral still life paintings made the factory's output one of the favorite choices, other than Sevres, for purchase by the new French Regime. According to the book "Paris Porcelain" by Regine de Plinval de Guillebon, "Feuillet was one of the best decorators in the Restauration period," (Paris Porcelain, page 244)."
White porcelain plate decorated with a 1" pink border and gold edging. The center of bowl has hand-painted landscape next to a body of water. Far bank has a promontory surmounted with a high square tower and an attached arched viaduct. Waterfall courses through arches of viaduct to waterway beneath. A small sailing ship is anchored at left. Three boys with wide-brim hats, breeches and stockings along water on near bank. High rocks and twisting tree frame the scene at left.
Painted cursive inscription on bottom: "Feuillet rue de la / paix no. 20." Jean-Pierre Feuillet, Decorator (French, 1777-1840). See Notes
Matching bowl with differing center scene is 2015.029.11. Additional pieces of Feuillet-decorated dishes in collection are 2013.008.
Rue de la Paix decorating studio, Paris
Provenance
Descent within Buchanan and Henry family to Pamela Henry (daughter of Frank Anderson Henry, Buck's youngest son) to Louisa Dent (donor).
Very good condition except for one 1/4" chip at top of rim edge.
Object ID
2015.029.10
Notes
Research on E-bay has dealer's statement:
"Feuillet introduced a porcelain decorating studio at the Rue de la Paix, Paris in 1820. The products came chiefly from the Royal Factory Sèvres. His successor was Boyer (1845)."
Another seller writes:
"The Feuillet studio was at 18, Rue de la Paix, advantageously located for the wealthy denizens of the area to come visit and make purchases. The Prince of Conde gave Feuillet his protection, thus assuring a constant flow of high-end clients. Feuillet's design atelier reached its apex in the mid-1820s, lavishly decorating some of the most remarkable plates of the time. The combination of rich paste gilding, saturated border colors and meticulous fruit or floral still life paintings made the factory's output one of the favorite choices, other than Sevres, for purchase by the new French Regime. According to the book "Paris Porcelain" by Regine de Plinval de Guillebon, "Feuillet was one of the best decorators in the Restauration period," (Paris Porcelain, page 244)."
White porcelain soup(?) bowl is decorated with a 1" pink border and gold edging. The center of bowl has hand-painted landscape with galloping horse and horseman at center with top hat and raised crop. Accompanying hound at left foreground. Tall heavy signpost at right.
Painted cursive inscription on bottom: "Feuillet rue de la / paix no. 20." Jean-Pierre Feuillet, Decorator (French, 1777-1840). See Notes
Matching bowl except for different center scene is 2015.029.10. Additional pieces of Feuillet dishes in collection are 2013.008.
Rue de la Paix decorating studio, Paris
Provenance
Descent within Buchanan and Henry family to Pamela Henry (daughter of Frank Anderson Henry, Buck's youngest son) to Louisa Dent (donor).
Very good condition except for two small areas of paint loss at bottom center of painted scene.
Object ID
2015.029.11
Notes
Research on E-bay has dealer's statement:
"Feuillet introduced a porcelain decorating studio at the Rue de la Paix, Paris in 1820. The products came chiefly from the Royal Factory Sèvres. His successor was Boyer (1845)."
Another seller writes:
"The Feuillet studio was at 18, Rue de la Paix, advantageously located for the wealthy denizens of the area to come visit and make purchases. The Prince of Conde gave Feuillet his protection, thus assuring a constant flow of high-end clients. Feuillet's design atelier reached its apex in the mid-1820s, lavishly decorating some of the most remarkable plates of the time. The combination of rich paste gilding, saturated border colors and meticulous fruit or floral still life paintings made the factory's output one of the favorite choices, other than Sevres, for purchase by the new French Regime. According to the book "Paris Porcelain" by Regine de Plinval de Guillebon, "Feuillet was one of the best decorators in the Restauration period," (Paris Porcelain, page 244)."
This sterling silver coffeepot has a hinged angular and oblong shaped lid with a finial top surmounting a flaired angular neck adorned with a Greek key above a bulging torso. The spout is square with a goose neck shape and flat opening. The pot handle is angular and square with ribbed band decor. The pedstal style base is supported by four ball feet.
See B.R. Howard Treatment Report for additional information.
Provenance
James Buchanan
To - Edward Y. Buchanan
To - One of Edward's children
To - One of Edward's Grandchildren
To - Mrs. Robert Maguire (Pauline) great, great granddaughter of Edward Y. Buchanan
Also engraved with 'This Belonged to James Buchanan Fifteenth President of United States' on bottom. (done by donors just before donation to Wheatland.)
Height (in)
10.75
Width (in)
13
Depth (in)
5.75
Object ID
W.1992.037.001
Notes
Donated by Mr. and Mrs. Robert Maguire of Shoreham, Vermont, delivered by Mrs. John Thayer of West Chester, PA. The Maguires also donated a pair of silver sugar tongs with acorn-shaped ends. (Accession #92.38)
Pearlware Staffordshire china plate has purple transfer-printed decoration on white ground. Scallop-edged rim has flowers and C-scrolls while sunken bottom has bucolic scene of 2-story house, outbuildings, trees, wooden fence and recumbent cow. A man in late 18th - early 19th c. garb and Quaker broad-rimmed hat walks with a cane in foreground. Underside has printed pattern name and maker under an umbrella canopy: "The Residence/ of the late/ RICHARD JORDAN/ NEW JERSEY/ J H & Co" Impressed at center of underside is mark of maker resembling an airplane propeller within a circle.
One of a set of 6, all have removed paper labels with "SD #48" on back; one has label "Staffordshire" and three have "H220", "H221", and "H222" indicating a Heritage Center loan. See file for info on abolitionist Quaker preacher Richard Jordan (1756-1826).
This set of plates was found in collection and believed to be part of the Sauder estate.
Although produced in England, the Staffordshired china shown depicts the New Jersey residence of the late Richard Jordan, a Quaker preacher in Newton, Burlington Country (near Camden).
Born in 1756, Jordan was one of the first Quakers to publicly campaign against the holding of slaves. After traveling extensively on the east coast and in Europe, he published a travel journal that gave him a degree of fame in the eastern United States.
In 1809 Jordan joined the Newton, New Jersey Quaker Meeting and settled on a small farm in what is now Camden, where he died in 1826. During the last year of his life, Jordan was sketched standing in front of his farm by this friend, William Mason, a Philadelphia drawing teacher. The china service was ordered by friends of the preacher after his death.
Pearlware Staffordshire china plate has purple transfer-printed decoration on white ground. Scallop-edged rim has flowers and C-scrolls while sunken bottom has bucolic scene of 2-story house, outbuildings, trees, wooden fence and recumbent cow. A man in late 18th - early 19th c. garb and Quaker broad-rimmed hat walks with a cane in foreground. Underside has printed pattern name and maker under an umbrella canopy: "The Residence/ of the late/ RICHARD JORDAN/ NEW JERSEY/ J H & Co" Impressed at center of underside is mark of maker resembling an airplane propeller within a circle.
One of a set of 6, all have removed paper labels with "SD #48" on back; one has label "Staffordshire" and three have "H220", "H221", and "H222" indicating a Heritage Center loan. See file for info on abolitionist Quaker preacher Richard Jordan (1756-1826).
This set of plates was found in collection and believed to be part of the Sauder estate.
Pearlware Staffordshire china plate has purple transfer-printed decoration on white ground. Scallop-edged rim has flowers and C-scrolls while sunken bottom has bucolic scene of 2-story house, outbuildings, trees, wooden fence and recumbent cow. A man in late 18th - early 19th c. garb and Quaker broad-rimmed hat walks with a cane in foreground. Underside has printed pattern name and maker under an umbrella canopy: "The Residence/ of the late/ RICHARD JORDAN/ NEW JERSEY/ J H & Co" Impressed at center of underside is mark of maker resembling an airplane propeller within a circle.
One of a set of 6, all have removed paper labels with "SD #48" on back; one has label "Staffordshire" and three have "H220", "H221", and "H222" indicating a Heritage Center loan. See file for info on abolitionist Quaker preacher Richard Jordan (1756-1826).
This set of plates was found in collection and believed to be part of the Sauder estate.
Pearlware Staffordshire china plate has purple transfer-printed decoration on white ground. Scallop-edged rim has flowers and C-scrolls while sunken bottom has bucolic scene of 2-story house, outbuildings, trees, wooden fence and recumbent cow. A man in late 18th - early 19th c. garb and Quaker broad-rimmed hat walks with a cane in foreground. Underside has printed pattern name and maker under an umbrella canopy: "The Residence/ of the late/ RICHARD JORDAN/ NEW JERSEY/ J H & Co" Impressed at center of underside is mark of maker resembling an airplane propeller within a circle.
One of a set of 6, all have now-removed paper labels with "SD #48" on back; one has label "Staffordshire" and three have "H220", "H221", and "H222" indicating a Heritage Center loan. See file for info on abolitionist Quaker preacher Richard Jordan (1756-1826).
This set of 6 plates was found in collection and believed to be part of the Sauder estate.
Pearlware Staffordshire china plate has purple transfer-printed decoration on white ground. Scallop-edged rim has flowers and C-scrolls while sunken bottom has bucolic scene of 2-story house, outbuildings, trees, wooden fence and recumbent cow. A man in late 18th - early 19th c. garb and Quaker broad-rimmed hat walks with a cane in foreground. Underside has printed pattern name and maker under an umbrella canopy: "The Residence/ of the late/ RICHARD JORDAN/ NEW JERSEY/ J H & Co" Impressed at center of underside is mark of maker resembling an airplane propeller within a circle.
One of a set of 6, all have removed paper labels with "SD #48" on back; one has label "Staffordshire" and three have "H220", "H221", and "H222" indicating a Heritage Center loan. See file for info on abolitionist Quaker preacher Richard Jordan (1756-1826).
This set of plates was found in collection and believed to be part of the Sauder estate.
Pearlware Staffordshire china plate has purple transfer-printed decoration on white ground. Scallop-edged rim has flowers and C-scrolls while sunken bottom has bucolic scene of 2-story house, outbuildings, trees, wooden fence and recumbent cow. A man in late 18th - early 19th c. garb and Quaker broad-rimmed hat walks with a cane in foreground. Underside has printed pattern name and maker under an umbrella canopy: "The Residence/ of the late/ RICHARD JORDAN/ NEW JERSEY/ J H & Co" Impressed at center of underside is mark of maker resembling an airplane propeller within a circle.
One of a set of 6, all have removed paper labels with "SD #48" on back; one has label "Staffordshire" and three have "H220", "H221", and "H222" indicating a Heritage Center loan. See file for info on abolitionist Quaker preacher Richard Jordan (1756-1826).
This set of plates was found in collection and believed to be part of the Sauder estate.
Mochaware pitcher, white potbelly body on footring, pulled spout and applied handle with foliate-molded terminals. Hand-painted slip decoration has broad orange center band with dendritic forms. Two bands of ligt blue are flanked by pairs of thin brown bands
Two attached stickers read "Mocha 1 P" and "2352 J.B. Morris Jr.".
Large chips at spout, on rim near handle. Small chips on footring and crack. Soil overall. Occasional marring and abrasions. Slip decoration on sides in remarkably good shape.
Glazed soft paste porcelain Gaudy Dutch teapot (A) with lid (B). Handpainted "Butterfly" pattern decoration on pale blue body of pearlware. Squat ovoid body sits on a low footring; body swells most in lower half. Collar extends outward below an oblong mouth fitted with conforming domed lid with oblong knob finial . Spout has minimal molding as does arching applied handle.
Provenance
Collected by Harpo and Susan Marx during visits back East from CA. Donated to Heritage Center.
Overall strong staining, especially at lower spout and base section and interior. Strong hairline cracks throughout base and bottom, with resulting staining. Scratchon butterfly wing. Chip on underside of spout tip. Long split/crack on handle back, perhaps from firing. Coloring is very uneven at multiple places, sometimes creating a mottled effect. Wear and soil under foot ring.
Object ID
G.98.51.03a-b
Place of Origin
England
Credit
Given in memory of Harpo by Susan Marx, Heritage Center Collection
Glazed soft paste porcelain Gaudy Welsh sugar bowl (A) with lid (B). Handpainted inverted tulips of red and yellow are interspersed with 3 large, dominating deep blue scalloped motifs decorated with copper lustre painted floral decoration. Squat pot-bellied body sits on a low squarish pedestal with scalloped edging. Two molded angular applied handles. Top has round mouth with flared collar extends outward. Domed lid has squarish molded knob finial. Darkened remnant of paper sticker with blurred writing, perhaps "-caster/ --ea set/ --1825."
Provenance
Collected by Harpo and Susan Marx during visits back East from CA. Donated to Heritage Center.
