American Empire style stool has an upholstered adjustable seat finished with green silk velvet. The serpentine apron and urn shaped pedestal surmounts a plinth base with four square legs each terminating on casters. The primary wood, pine, is veneered in walnut.
Rococo Revival writing desk. High relief carved arching crest with acanthus leaf motif flanked by matching finials. A cherub relief face with wings in a recessed arch is seen below the crest, surmounting a storage cabinet decorated with more highly carved foliate and scroll motifs along both rails. The cabinet door is decorated with inlaid woods that form a vase with flowers. The writing desk has a fold-down/pull-out writing surface and four drawers that surmount a central drawer and four highly carved foliate and scroll adorned cabriole legs that terminate on casters and are connected by supports to central finials.
Several broken finials and high relief carvings under central cabinet
Object ID
W.1936.008.001
Notes
From the account of Major Andre, who visited Wheatland in 1888, it can be surmised that the escritoire stood in the sitting room or study. This room was located to the left of the front door in the central section of the house.
Balloon back walnut chairs with serpentine splat. Louis XV style back is rounded and finger molded with no additional carving. Flaring upholstered seat-black horsehair-with serpentine front with beaded molding at bottom of skirt. Cabriole front legs, rounded, with slightly curved square back legs terminating on flat feet.
Artifacts mentioned by Ara Hatch in New York Dalily Times 11/10/1856. Person had visited Wheatland.
Height (in)
34.312
Width (in)
18
Depth (in)
16.125
Condition
Excellent
Condition Date
2022-11-21
Condition Notes
Reupolstered; James Buchanan Foundation records indicate the seats were originally covered in green morrocan leather.
Object ID
W.1936.001.015.2
Notes
The chair was presumed to belong to James Buchanan by the James Buchanan Foundation representatives in 1936 when they bought certain furnishings that were still in the mansion during the Willson-Rettew Estate sale.
Mentioned by Ara Hatch in the N.Y. Daily Times (visited Wheatland 10 November 1856.)
oil painting on canvas is of Harriet Lane & Henry Elliot Johnston's two sons who they lost to rheumatic fever. The artist captured the boys' images at the age of their deaths based on family photographs. The imagery of the afterlife abounds in this painting including the boys seated on the edge of a cliff of rock, the clouds gathering in the skies and the bright light on the horizon above the water. The painting is mounted in a gilt cove and scoop picture frame. Both boys are holding their favorite items. These objects and the styles of their garments are meant to be reflective of their personalities. The oldest, James Buchanan Johnston was 14 years-old; he is seated on the left holding a book and is wearing a black velvet fauntleroy jacket, vest and shorts with a white collar and blue bowtie. Henry Elliot Johnston, Jr. was 12 years-old; he is seated on the right holding a toy pistol and is wearing the Johnston Scottish tartan kilt with his feathered Glengarry bonnet, his sporran and Ghillie brogues.
Harriet Lane Johnston beaded jacket to match gown (W.40.17.1)
Description
Jacket Black crape silk, beaded in black glass beads, designed by Worth of Paris. Fully-lined in black silk taffeta and interlined with muslin. Has small turned down collar with full length set-in sleeves. Collar, cuffs, and hem trimmed with 3'' fringe and 3'' strand of black beads every inch. Varying size of black beads used to create a contoured design of flowers and swirls on front and sleeves.
Hepplewhite Pembrook Oval Table. Two drop leaves, when opened, are supported by pivoted shaped brackets. End skirts are straight with one containing a full-width drawer. The four slender tapering legs have satinwood inlay at the upper end.
Fixed leaf top table with serpentine drop leaves at each sides. Beaded molding on both skirts with drawer on one side. Brass molded handle plate with dogwood blossom decoration, bail handle. Legs are reeded with bun foot.
Bookcase composed of two sections. Cabinet with glass doors at top and cabinet with wooden doors at bottom. Two glass doors have square mullions holding the panes. Doors give access to moveable shelves inside. Two doors at bottom of each have simple rectangular recessed panels.
Thomas Potter - 2nd owner of Wheatland
Sold to William Morris Meredith 3rd owner of Wheatland
Sold to James Buchanan 4th owner of Wheatland
Inherited by Harriet Lane Johnston 5th owner of Wheatland
Bequeathed to John Newton Lane, Harriet Lane Johnston's nephew
Bequeathed to Mrs. Patty Lane Fay daughter of John N. Lane
Bookcases sold to Meredith in 1845 by Potter then Meredith sold them to James Buchanan in 1848. Letter dated 9/27/1848 to Buchanan from Meredith: 'In addition to the $6750 which you mention, I paid Mr. Potter for the bookcases in the library, I think $75.00.'
Remains of green silk at both ends over linen. Backing appears to be natural color linen with an open weave wool decorated with needlepoint floral-design repeated about ten times down length. Red rose/lavender rose/blue violets, with green leaves also shadings of brown.
Three-mold colorless glass pint decanter etched on one side with initials 'JB' and the other with a sheaf of wheat above the word 'Wheatland'. Elongated chamfered neck with applied handle and bullseye stopper. Teardrop-shaped body with flat front and back.
White linen damask tablecloth. Lengthwise edges are selvedges; widths finished with a 1/8-inch handsitiched hem. Two large medallions with urns on top. Large oval angled on each corner with a flower-filled urn. Wide border of ovals with alternate unrs and flower displays. Embroidered on one corner of cloth is 'HLJ' monogram with Johnston crest of arm and fist with dagger.
Jacquard woven blanket formed by two layers of intersecting dyed and undyed fabric. It was manufactured, not hand woven, due to the size of the loom required and complexity of punching the cards to form the pattern. Blue base with undyed wool forming a floral design.with starburst and diamond alternating patterns in between. Green fabric tape found on edges. Design is reversed in color on opposite side. Center design is cluster of four rose plants. Border is a foliate vine with blossoms.
Supposedly owned by Harriet Lane when she attended Georgetown Visitation Convent. Unknown how it came to be in donor's possession. Donor's son and daughter-in-law posited that perhaps Charlotte A. Bauer (donor) received it from Mrs. Cynthia Westover Alden, who was a cousin by marriage to John Alden. Mrs. Cynthia W. Alden had many connections in the 1880s and may have received the blanket from Harriet Lane Johnston.
One of three linen handtowels. White damask with thinly hemmed edges (c. .125'). Meander border with foliate design and center panels of ivy leaf border, meander dividers, and strawberry vines. 'HLJ' at bottom center in white with pink circle accents.
One of three linen handtowels. White damask with thinly hemmed edges (c. .125'). Meander border with foliate design and center panels of ivy leaf border, meander dividers, and strawberry vines. 'HLJ' at bottom center in white with pink circle accents.
One of twelve linen napkins. White damask with hunting scenes on outside. Stag hunting with horses and dogs. Scene on inner side of napkin is duck hunting. At one corner, embroidered in white is 'HLJ' with the Johnston crest of an arm and dagger.
One of twelve linen napkins. White damask with hunting scenes on outside. Stag hunting with horses and dogs. Scene on inner side of napkin is duck hunting. At one corner, embroidered in white is 'HLJ' with the Johnston crest of an arm and dagger.
One of 16 glass finger bowls. Frosted glass except where clear shield near the upper rolled edge. Shallow bowl with slightly convex bottom on inside. Shield design is etched with an engraved old English letter 'I'. Eight-point star impressed into center of bowl's exterior base.
One of 16 glass finger bowls. Frosted glass except where clear shield near the upper rolled edge. Shallow bowl with slightly convex bottom on inside. Shield design is etched with an engraved old English letter 'I'. Eight-point star impressed into center of bowl's exterior base.
One of 16 glass finger bowls. Frosted glass except where clear shield near the upper rolled edge. Shallow bowl with slightly convex bottom on inside. Shield design is etched with an engraved old English letter 'I'. Eight-point star impressed into center of bowl's exterior base.
