Insert 1 Land draft, for land sold by Jacob Eshleman to Levi Pownall. [Should include site of William Parker's house.] 23 March 1803.
Insert 2 Deed. Jacob Eshleman of Strasburg Township to Levi Pownall of Sadsbury Township. 204 acres and the allowance for roads. 2 April 1803. (Original housed in oversized box.)
Admin/Biographical History
The Christiana Resistance, commonly referred to as the "Christiana Riot" occurred in September of 1851 in Christiana, Pennsylvania, a borough in Lancaster County. The events known as the Christiana Resistance include an attack from slaveholders in Maryland on the inhabitants and home of William Parker a free black man living in Christiana, Pennsylvania. The slaveholders crossed the state border, and attempted claim and return the freedom seekers as their property, under the Fugitive Slave Act of 1850.
The violent confrontation resulted in the death of Edward Gorsuch, a slaveholder, and the escape of William Parker to freedom in Canada. Edward's son, Dickinson Gorsuch, was wounded and taken to the farm of Levi Pownall, where the Pownall family nursed him back to health. Historically, this event challenged the Fugitive Slave Act of 1850 and is considered a precursor to the Civil War.
System of Arrangement
Series 1 Manuscript and Printed Material, 1803-1955
The digital images of the manuscript and printed material are 300 dpi JPGs; the photographs are 600 dpi JPGs.
Object Name
Deed
Draft
Container
Moores Memorial Library Series 1 Folder 1, Insert 1 Land Draft Land draft, for land sold by Jacob Eshleman to Levi Pownall. [Should include site of William Parker's house.] 23 March 1803 Moores Memorial Library Series 1 Folder 1, Insert 2 Deed Deed. Jacob Eshleman of Strasburg Township to Levi Pownall of Sadsbury Township. 204 acres and the allowance for roads. (Original housed in oversized box.) 2 April 1803
Language
English
Object ID
Christiana S01 F01
Location of Originals
Moores Memorial Library
9 West Slokom Avenue
Christiana, PA 17509
chrlib@christianalibrary.org
610-593-6683 or 610-593-6687
Related Item Notes
Christiana Resistance Collection (CHRISTIANA RESISTANCE) https://collections.lancasterhistory.org/en/permalink/1287a022-e430-4f3f-bc97-330571018105
Access Conditions / Restrictions
The attached images have been provided for research. The original items are restricted for preservation purposes.
Copyright
The attached images may be used for research purposes only.
Please contact Moores Memorial Library for a high resolution image and permission to publish:
Moores Memorial Library
9 West Slokom Avenue
Christiana, PA 17509
chrlib@christianalibrary.org
610-593-6683 or 610-593-6687
Credit
Christiana Resistance Collection, Series 1, Folder 1, Moores Memorial Library
Classification
CHRISTIANA RESISTANCE
Christiana S01 F01
Description Level
Folder
Custodial History
Moores Memorial Library (Christiana, Pa.) owns some of the most significant manuscript material relating to the Christiana Resistance. The staff of Moores Memorial Library, part of the Library System of Lancaster County, and the Lancaster County Historical Society worked together to arrange and preserve the collection and create a finding aid to make the materials accessible to the public.
The collection contains correspondence to and from the Pownall family regarding the incident, notes regarding kidnappings in the area from 1850-1851, photocopied pages of Dickinson Gorsuch's diary, and published accounts. An 1896 photograph shows Peter Woods and Samuel Hopkins, survivors of the riot. There are also photographs of the Christiana Riot House, the Pownall farm, and key figures in the riot and at the Treason Trials of 1851.
The staff of Moores Memorial Library, part of the Library System of Lancaster County, and the Lancaster County Historical Society worked together to arrange and preserve the collection and create a finding aid to make the materials accessible to the public. Funds for this project were provided by the Library Services and Technology Act (LSTA) in 2001.
Multicolored Vorschrift done by schoolmaster/fraktur artist Christian Strenge on rectangular laid paper. Bordered in a yellow band with red corners. German script text has an elaborately embellished large upper case letter "K" at upper left and multicolored floral design filling entire right side, surmounted by a distinctive yellow crested bird. Colors are red, yellow, blue and green. Modern frame.
Hand-printed in black ink above the letter "K" is the name of recipient, David Neff. Signed at the bottom by Strenge in German script: "Written in Hempfield Township in the year 1801 by Christian Strenge." Inscribed on reverse in script is "David Neff" in black ink.
The text begins with Psalm 95:1-4, "Kommt lasset(?) uns dem...," followed by two alphabets, the first in upper case and the second in lower case, and finally the numerals 1 - 14. (See translation on copy of nearly identical fraktur in file).
Provenance
Provenance: This Vorschrift was recently found in a book in the library of Sarah Stauffer on Lime Spring farm along the Marietta Pike. Consigned to sale at Conestoga Auction Co. and purchased 29 June 1998 with funds from V. Ronald Smith ($9,725) and the Donegal Chapter of the D.A.R. ($125).
John J. Snyder, Jr. researched Stauffer genealogy to discover a relationship to David Neff. See letters & charts in this file which explain the likelihood that the fraktur may have passed from Neff (probably when he went to Ohio, perhaps unknowingly hidden in a book, even as it was found recently) to his cousins, such as Anna Bear Lehman who is in the direct line of Stauffer descent. David Neff (1791-1866) was the son of Henry & Anna Oberholzer Neff. He would have been about 10 yrs. old when fraktur was made.
Generally good condition, although two folds show some breaking with tangential tears. Other minor tears and one small hole at right center. Some soiling, foxing and minor stains overall. Edges lifting in frame.
Conserved 1998 by Marilyn Kemp Weidner of Phila. Surfaced cleaned and losses repaired. Hinge-mounted on acid free mat and sealed in a package for framing. Mounted in modern black frame by Lancaster Galleries circa 2004.
Object ID
P.98.25.1
Notes
Christian Strenge was a Hessian soldier turned school teacher.
Place of Origin
East Petersburg, East Hempfield Twp.
Role
Artist
Credit
Gift of V. Ronald Smith and the Donegal Chapter of the D.A.R., Heritage Center Collection
Fraktur, religious text in German by Adam Siegel (died 1809, active c. 1790-1804), done on wove paper in pen & ink for Martin Bar, framed in old dark brown varnished poplar frame (not original to fraktur).
The name "Martin Bar" fills the upper half in large fraktur-style lettering, illuminated with scrolling filigree. Included in the scrolling are two cartoonish heart-shaped faces with stubbled hair and shaded beards. Underneath name are six lines of religious text in German script, ending with the last line: "Geschrieben von mir ADS d(en) 28ten Mertz 1802."
Double-line border at top and left side only. Last word of fourth line of text appears to have been trimmed. Fraktur thus appears to have been trimmed at right and bottom. Reverse has pencil scribbles and one in ink.
Appears to have been trimmed at right side and bottom. Scattered dark stains, pinholes along fold lines, slightly larger holes at "i" in "Martin" and within the "B" of "Bar." Liquid stain of 1/2" size at center and one at right side at text. A tear 3/4"-long at right edge above center.
Replaced heavy paper backing used by vendors with acid-free matboard, 11/05.
Object ID
P.05.04.6
Notes
Papers for Birth Dayes notes that Siegel immigrated to America in 1774 and was a schoolmaster in Lancaster Co, perhaps in the Strasburg area. Although he made fraktur for Mennonites, he was not Mennonite. His work is usually not watercolored.
Paper included with purchase has the text rewritten in German script with an English translation below (see file). This person translates the recipient's name as Martin Biehr, although it is normally seen elsewhere as "Bare" or "Bear". Ellis & Evans gives numerous references to the name Martin Bare, usually found in the townships of Conestoga, East Lampeter and Upper Leacock.
Possible Bar/Bare family connections: See also a birth record for Andreas Bar (Andrew Bear) P.80.136 by an unknown scrivener. This Andreas/Andrew was the youngest son of Andrew Bear and wife Christina Heighley. A desk-and-bookcase P.77.34 has inscription of Adam Bare on its drawer. His father John Bear an older brother of Andreas. Relation of these Bears/Bares to Martin is unknown. Jane Evans Best (see her letter re: Bear family in file P80.136) would be a good source of help.
Place of Origin
Lancaster County
Credit
Gift of Irene N. Walsh, Heritage Center Collection
Mennonite apron of bleached, plain-weave cotton and black two-ply silk embroidery. Apron is gathered at the top and sewn onto a waist band with a commercial tape string at each end.
At top center is a dark brown cross-stitched design of a central star flower on triangle base, surrounded by seven stars or crosses. The separated initials "M S" flank this design and large crosses flank initials. Three different embroidered borders of black silk combine with drawnwork at bottom above a one-inch self-fringe secured with black stitches.
Provenance
Purchased by donor from the Rev. Fred Weiser in 1997. Weiser notes there are about 15 aprons known; see article in Der Regebogge written "some years ago."
Staining around embroidered design and initials from bleeding embroidery, near top. Age discoloration with small stains overall. Stains along sides. Several thread "pulls". Areas of missing embroidery on three crosses at bottom. Small hole at lower right of design.
Conserved Nov. 1997 by Dorothy McCoach of Bethlehem, PA
Object ID
G.97.39.9
Place of Origin
Lancaster County
Credit
Gift of Hampton Randolph, Sr., Heritage Center Collection
Pocket of bleached plain weave linen, embroidered with pink and blue cotton thread, brown two-ply silk thread and red, pink, yellow, white, and brown handspun wool.
Front is two panels joined across the midline with needlelace; the back is two panels seamed in the selvage (9" x 18" and 14.5" x 23.5"). The pocket is open at the left side to a depth of 11.5". The pocket, once bound with cream silk twill ribbon, has little ribbon remaining except at the right side of the waist; a tuft of silk ribbon stitched to the right side may be the remains of the tie.
The design centers larger motifs and uses others in a mirror image fashion. The upper portion is ornamented with a stylized heart containing initials flanked by pairs of flower blossoms, flowering plants in pots, and a filled diamond at the top center. The signature and date lie below the mid-line row of needlelace surmounting a very stylized flowering tree flanked by flower arrangements in baskets. The entire piece has a straight line border with inwardly turned sprigs.
Cross-stitched in upper section: "M P"; and in bottom half: "Maria Peterin, 1801."
Tandy & Charles Hersh note this is one of the largest pockets found.
Made by Maria Peter(s), Oley Valley, Berks County.
Provenance
Purchased by donor from Fred Weiser in 1997.
See "Samplers of the Pa Germans" by Tandy & Charles Hersh, p. 216.
Conserved Nov. 1997 by Dorothy McCoach of Bethlehem, PA.
Age discoloration overall. Pink and blue cotton embroidery appears to be intact, but the wool and silk threads are strongly deteriorated, with many losses. Cream colored silk twill ribbon is lost except for a small portion at the right side of the waist.
Blue thread border around entire piece has severe losses.
Hole at upper right corner.
Object ID
G.97.39.10
Place of Origin
Berks County, Pennsylvania
Credit
Gift of Hampton Randolph, Sr., Heritage Center Collection
Framed hand towel. One large embroidered panel with pelicans. Two-inch panel of loose weave linen added to bottom,decorated with wide band of red cotton with sawtooth edges . Main panel is bleached plain weave linen. Embroidered decoration is done in red cotton, now faded to dark pink.
Panel is 13" high x 16.5" wide, with a symmetrical design except for the initials and date. Embroidered stylized heart at top center with two interior stars and smaller interior heart. At upper corners of panel are large flowers above a decorated branch, under which are large, facing pelicans, each feeding 2 young birds with blood from their pierced breast. At bottom is a small heart motif flanked by facing birds. To the right of this motif is "1808" and to the left is "A C" and "W I".
Conserved Nov. 1997 by Dorothy McCoach of Bethlehem, PA.
Yellowish stains around edges. Discoloration above initials. Pencil marks in upper right corner. Darned diamond pattern in bottom panel has a few minor "pulls". Bottom extension detaching at two points.
Mounted in frame by Lancaster Galleries.
Object ID
G.97.39.2
Credit
Gift of Hampton Randolph, Sr., Heritage Center Collection
Serpentine-back, enclosed arm sofa, Louis XV (Rococo Revival), has yellow upholstery, finger-molded exposed frame of rosewood or mahogany and a rounded back crested with central cartouche of high relief carved fruit and leafage. Outline of rounded back slopes down to rounded shoulders that descend and curve back in to arms that enclose the sitter. Low arm rests have upholstered arm pads. Cyma-curved arm supports extend to short cabriole legs at front. Square, curving legs at back. Serpentine seat front and serpentine lower outline of seat frame.
One of a pair of Empire side chairs (with 2013.008.22) with yellow upholstered seat and cherry wood frame. Elements of entire frame are flat with rounded fronts. Back uprights have slight cyma curve, surmounted by a long, wide concave tablet. Tablet has low relief foliate carved ends while most of face is covered with a panel of mahogany veneer. Tablet extends beyond back uprights. Horizontal splat at center of back is pierced carved with a central rectangle flanked by half-moon carved shells, and is then supported by paired, loosely scrolled lyre-like "legs" that attach to chair posts. Trapezoid slip seat upholstered in an ivory cotton brocade. Front legs have a slight cyma curve.
One of a pair of Empire side chairs (with 2013.008.21) with yellow upholstered seat and cherry wood frame. Elements of entire frame are flat with rounded fronts. Back uprights have slight cyma curve, surmounted by a long, wide concave tablet. Tablet has low relief foliate carved ends while most of face is covered with a panel of mahogany veneer. Tablet extends beyond back uprights. Horizontal splat at center of back is pierced carved with a central rectangle flanked by half-moon carved shells, and is then supported by paired, loosely scrolled lyre-like "legs" that attach to chair posts. Trapezoid seat. Front legs have a slight cyma curve.
Empire side chair of walnut with yellow upholstered trapezoid seat. Elements of entire frame are flat with rounded fronts. Both front legs and back uprights have slight cyma curve. Scroll-cut and carved wide crest rail with concave shape. It is faced with bookmatched crotch veneer, with kidney-shaped handhold at top center. Outline of two C-scrolls flank hole along top. Paired cyma curves form outline of bottom edge. Rounded ends. Scroll-cut horizontal splat is pierced with low-relief carved confronting C-scrolls at center and scrolling "legs" extending to chair posts. Bowed front seat rail and flattened cabriole front legs.
Birth & baptismal certificate, with printed 3-heart form with text in all three hearts. Blank spaces infilled by hand in thin red ink by Speyer. Fraktur done for Peter Scholl, son of Peter Andreas and his wife Elizabeth Margretha, nee Illick. Son Peter was born September 7, 1772, in Heidelberg Township, Lancaster Co. (Now Berks Co., likely in Stouchsburg area of Marion Twp.)
Infill & decoration Berks Co. (formerly Lancaster Co.) by Georg Friederich Speyer (active c. 1774-1801) and printers Barton & Jungman, Reading.
Densely paint-decorated by Speyer with cross-legged angels in the top corners and bottom center, mermen and winged heads of angels in lower corners, parrots along the sides, a crown at top center, and birds holding flowers in their beaks at the top of the main text block. Dominant colors are red, green, yellow, and blue.
Certificate printed on laid paper with an "FS" watermark, indicating papermaker Frederick Schutz(Scheetz) of Lower Merion Twp. in Montgomery Co. (See American Watermarks). Mounted with window mat in a brown frame
Provenance
Fraktur was given to the Lancaster County Historical Society by donors with the understanding that it would become part of the Heritage Center collection when that institution was established.
Significant horizontal crease across the middle, and three vertical creases. Smaller creases and crinkles appear overall. The paper has browned, and there are stains in the lower half.
A treatment proposal was offered by the Conservation Center for Art and Historic Artifacts in 1986, followed by treatment in 1988-89 -- consolidated pigment, dry and wet cleaned, mended and reinforced, filled losses, flattened, and matted. More details available in the object file.
Object ID
G.77.50.12
Notes
Earnests note that "neatness was of little concern to Speyer, but he did seem concerned about filling white space." He normally infilled with words done in a thin red ink which does not stand up well over time. He worked mostly in northern Lancaster Co.and in southern Berks and Dauphin Counties. Speyer used the 3-heart print more frequently from about 1790 on.
On-line Nissen family genealogy (internet, 2010) states Peter Scholl married Eva Elizabeth Rieth on Apr. 28, 1800 in Reeds Church, Stouchsburg, Berks, Co. He died Feb. 25, 1839. His parents were also married in Stouchsburg.
References:
Klaus Stopp, Printed B&BC of the Pa Germans, Vol. IV, pp.. 81 & 89.
Earnests, "Papers for Birth Dayes", pp 722 ff.
Gravell, Miller & Walsh, American Watermarks, 1690-1835, 2002, pp. 79 & 305.
Slide # 27-1-4 in Archives West
Role
Artist
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Fraktur is a broadside of a spiritual labyrinth or maze, hand drawn and lettered on laid paper with brown ink, in German. Within a double-line border is a title at top, with a paragraph underneath. Entitled "Geistlicher Irrgarten, / mit vier kandenbrunen", translated Spiritual Labyrinth (or error garden) / with four wells of grace." The remaining 3/4 of the page is a maze with text within the pathway. At the center of each quadrant of the labyrinth is positioned a rectangle (or well) listing several Bible references. Framed in wood frame painted with diamonds.
Drawing is riddled with pin-prick holes. These are apparently a result of the maker's method of plotting out the labyrinth, using an instrument that left a hole at each right-angle turn.
A watermark is positioned sideways in the upper half of the paper. It is a circle surmounted by a crown, a bell below the circle and a rampant lion within the circle. No exact match with any watermark found in American Watermarks 1690-1835, though some are similar, e.g. # 887 & 889. Framed in
Place of origin is unknown.
Provenance
Note: Borneman states the spiritual labyrinth appears in German as early as 1630. In Pennsylvania, broadsides of this title were popular. The reader must keep turning the paper to follow the text, necessitating over 100 turnings. The text eventually leads the reader back to the beginning. Borneman explains the 4 wells of grace (p. 25, Pa. German Illustrated Manuscripts).
Damage at all fold lines; either broken completely or partially. Center fold line mended with tape on reverse. Moderate to heavy stains scattered over surface, especially at middle of right edge and along center horizontal line. Dark heavy stains/accretions (mold?) along horizontal center line. Corners dog-eared with minor losses. Pin-prick holes throughout. Conserved in 2003 by Maria Pukownik; see photos & documentation.
Object ID
G.02.35.1
Credit
Gift of Greg K. Kramer & Co., Heritage Center Collection
Birth and baptismal certificate in German, printed on laid paper by John Bauman of the Ephrata Press; no imprint (name of printer). Infilled w/ German script in red ink and decorated by unknown scrivener for Stephan Weibel, born in Adams County, November 14, 1798.
The text is enclosed in a large heart with a yellow, black and red border. Seven Christian crosses below text, within the heart. Two smaller hearts with text appear in the lower left and right corners. Each of these smaller hearts is flanked by two small birds. Two parrots appear in the upper corners and various flowers and vines fill the rest of the space. All decorated with red, yellow, and blue.
Stephan was the oldest of 6 children born to parents Stephan (1775-1815) and Anna Maria (Troxel) Weibel. He was baptized by Pastor Schroder; witnesses were Andereas Weibel (father's older brother) and his wife. Informant Joe Wible says parents were farmers in Straban Twp. as was son Stephen Wible in later life. Son Stephen married Julian Bender. They had no natural children but adopted a boy, Martin Shealer, whom they raised as a son. Most of the entire Weible clan relocated to western PA.
John Bauman printed from 1800-1809, the year of his death. He began only at age 35 after having worked with his father Christian Bauman in the Ephrata paper mill. Klaus Stopp notes this design with parrots & birds was used 1803-1807, but this imprint with 7 hearts, only c. 1807. (See NOTES)
Printer is John Bauman (1765-1809); Scrivener/decorator unknown. Printed in Ephrata; infilled and decorated possibly in Adams County.
Provenance
Provenance: This piece was given by donors to the Lancaster County Historical Society with the understanding that it would become part of the Heritage Center collection upon the establishment of that institution.
Paper is creased, wrinkled and puckered overall. Paint has flaked off in many places. Treatment proposal presented 1986 by the Conservation Center for Art and Historic Artifacts in Phila. Treatment done 1988-89: Areas of flaking paint were consolidated with adhesive; the support was surface cleaned; paper was washed; tears mended; humidified and flattened; matted and reframed. (See file.)
Object ID
G.77.50.10
Notes
See Klaus Stopp, The Printed B & B Certificates of the German Americans, Vol II, pp. 98, 189 and 202 for info on John Bauman.
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
