Daguerreotype of James Buchanan. Gold frame with blue velvet. Note in typescript on back: Daguerreotype presented by President Buchanan to J. Henry Brown - 1851.
Provenance
Photographs from the James Buchanan Foundation institutional archives.
Framed print made from daguerreotype of James Buchanan. Gold frame with blue velvet. Note in script on front: Daguerreotype presented by President Buchanan to J. Henry Brown - 1851.
Provenance
Photographs from the James Buchanan Foundation institutional archives.
Uncased daguerreotype of two undientified men. One is standing, one is seated. Metal around glass is rusted. Decorative goldleaf and blue floral patterned frame around image.
Provenance
Photographs from the James Buchanan Foundation institutional archives.
Carved teak(?) 2-pedestal desk of three parts. The two pedestal bases have 3 drawers on one side only & false drawers on the other. Desk section rests on top of bases. Extensive carving over most surfaces: variations of grapes, vines & leaves. Desk section has long center drawer w/ 2 short side drawers; opposing side has matching "dummy" drawers. All functioning drawers are one side only. All drawers have wood pulls. Flanking drawers in bases are tapering pilasters (split columns) with vine and grape leaf carving. Bottom of bases has gadrooned edge with egg-and-dart carving. Both bases sit on 4 bun feet w/ some carving.
Worn finish, with some areas very "weathered/sunbleached", especially lower sections of bases below dummy drawers. Some areas of liquid staining. Desk top also has wear and marring with one chipped corner and a long crack extending in from right end. One drawer pull missing. Drawer slides resurfaced
Object ID
2013.008.017
Notes
A private gift from an acquaintance in India to President-elect James Buchanan. Buchanan used it in the White House.
Place of Origin
India
Credit
Gift of the Family of Eleanor N. Henry (John D. McNeill Jr., Mary Catherine Henry West, James Buchanan Henry IV, and Elizabeth Henry Richardson)
Serpentine-back, enclosed arm sofa, Louis XV (Rococo Revival), has yellow upholstery, finger-molded exposed frame of rosewood or mahogany and a rounded back crested with central cartouche of high relief carved fruit and leafage. Outline of rounded back slopes down to rounded shoulders that descend and curve back in to arms that enclose the sitter. Low arm rests have upholstered arm pads. Cyma-curved arm supports extend to short cabriole legs at front. Square, curving legs at back. Serpentine seat front and serpentine lower outline of seat frame.
One of a pair of Empire side chairs (with 2013.008.22) with yellow upholstered seat and cherry wood frame. Elements of entire frame are flat with rounded fronts. Back uprights have slight cyma curve, surmounted by a long, wide concave tablet. Tablet has low relief foliate carved ends while most of face is covered with a panel of mahogany veneer. Tablet extends beyond back uprights. Horizontal splat at center of back is pierced carved with a central rectangle flanked by half-moon carved shells, and is then supported by paired, loosely scrolled lyre-like "legs" that attach to chair posts. Trapezoid slip seat upholstered in an ivory cotton brocade. Front legs have a slight cyma curve.
One of a pair of Empire side chairs (with 2013.008.21) with yellow upholstered seat and cherry wood frame. Elements of entire frame are flat with rounded fronts. Back uprights have slight cyma curve, surmounted by a long, wide concave tablet. Tablet has low relief foliate carved ends while most of face is covered with a panel of mahogany veneer. Tablet extends beyond back uprights. Horizontal splat at center of back is pierced carved with a central rectangle flanked by half-moon carved shells, and is then supported by paired, loosely scrolled lyre-like "legs" that attach to chair posts. Trapezoid seat. Front legs have a slight cyma curve.
Empire side chair of walnut with yellow upholstered trapezoid seat. Elements of entire frame are flat with rounded fronts. Both front legs and back uprights have slight cyma curve. Scroll-cut and carved wide crest rail with concave shape. It is faced with bookmatched crotch veneer, with kidney-shaped handhold at top center. Outline of two C-scrolls flank hole along top. Paired cyma curves form outline of bottom edge. Rounded ends. Scroll-cut horizontal splat is pierced with low-relief carved confronting C-scrolls at center and scrolling "legs" extending to chair posts. Bowed front seat rail and flattened cabriole front legs.
Walnut rocking chair has caned back and seat. Frame of oval back is finger-molded and is connected to seat frame by two curving legs. Cyma-curve short, low arms connect oval back to seat, with foliate carving at top end. Seat frame is a rounded "D" shape with round outside edge. Ring-turned legs are all connected by a baluster-turned stretcher and sit on rockers with front ends barely extending beyond the front legs.
Portrait of James Buchanan, painted by William McMaster. The artist painted this as a copy of his July 1856 Buchanan portrait after the General Election in November 1856. This portrait was commissioned by the Empire Club, which was a powerful political organization in New York during the mid-19th century. Captain Isaiah Rynders was the founder of the Club; his "sluggers" committed voter intimidation and election fraud on behalf of Tammany Hall throughout the 1840s and 1850s. The Empire Club purportedly paid McMaster $1,000 (equal to $28,571 today) to paint a copy of McMaster's July 1856 Buchanan portrait. This copy was hung in the Capitol Rotunda when Buchanan took office; however, at some point during his term, as his popularity began to sink, it was removed. Mounted in a Rococo Revival gilt wood and gesso frame with ornamental projecting corners featuring ornate scrolling foliage patterns with centre repose engraved with sculptural shells & acanthus leaves and fleur-de-lis patterns.
Wheatland the Country Residence of Hon. James Buchanan
Description
Color lithographic print of "Wheatland the country residence of Hon. James Buchanan Published by Edwin Clark Lancaster Drawn by J.F. Reigart." The lithographic print is framed in a 19th century gilded art frame.
All cotton quilt, on point blocks have pieced 8-point star blocks that alternate with blocks of a woven pattern blue with a grid of white lines. Stars are small scale floral print of pink with tiny white flowers. White ground is a very loose weave composed of multiple pieced panels. White outside border is 11" wide on one end and 7.5" wide on the other three.
Hand-quilted with white thread in a small scale grid aligned with blocks.
Back is a loose weave arranged with wide strips of white alternating with strips of a large, bold red print of branches and large flowers. Six white strips are 8.5 - 9" wide; 5 printed strips and 7.5" wide. Back is brought forward to front to created binding. Thin battiing.
Inscription: On front quilt corner is "HM6? handwritten in ink.
Overall fading and deterioration, especially in pink floral print which is consistently riddled with small holes where white flowers have deteriorated. Some small holes in blue fabric, 1/8"-1/4" big with fraying. General soil, scattered stains and acid burn, especially at fold lines and borders, as well as sections of back..
Quadruple looped chain with ring on end; sliding metal bead, turned and molded; chain looped through ornate, thick ring around larger, thinner double ring connected to handle of signet. Ornate piece with scroll, acorn, foliate, and cabbage rose motifs. B
Provenance
said to have been worn by Buchanan during his Presidency. Given by Miss Mary Kittera Snyder to the donors. Mary was thought to be Buchanan's intended for marriage in the 1840s. She or her sister became postmistress of Selin's Grove PA. where the donors l
Engraving of James Buchanan. Simple rounded front rectangular frame. Print is on paper showing bust of James Buchanan in white tie, high collar, dark suit, lighter vest. James Buchanan's signature at bottom with 'President of the United States' below.
Lithograph signed Print of Queen Victoria from painting by F. Winterhalter. Black ink, oval background. Victoria-body is 1/4 to her left, head front. Wearing crown, drop jewel earring, large stone necklace. Shoulder gown in trimmed with fur. Mounted in a The frame is a gilt decorated wood frame. Signed "Victoria R."
F. Winterhalter painted the original. J. A. Vinter, engraver. Day & Son, lithographer.
