Assumed to be traveling dress from latter part of 19th century.
84.41.1 is long-sleeved contoured woman's top of durable ribbed fabric. 2 bust-darts on both sides with stays from the waist up in all 4 darts. Collar and buttonhole panel, center front, of dark brown fabric. 13 hand-finished 1-inch buttonholes on right front. 11 buttons on right front. Buttons are covered in dark brown with 4-pointed brown stars in center. Set-in sleeves with 2 seams and tiny gusset at armhole. Cuff of same fabric is attached and folded up. Edge trimmed in a dark brown ribbed tape and 3 matching buttons on upperside of wrist and cuff. Front opening at waist opens like an upside-down "V." Center back seam runs from neck to hem. 2 seams run shoulder to hem; 2 additional seams run from armholes to hem.
Inside: Double construction with light tan fabric. One stay (4.5 inches long) is stitched to the center back seam from waist up. 4-inch wide pieces with 4 eyes on left and 4 eyes on right front, both contain vertical stays. Seam edges are overcast. On lower right front below buttonholes is an additional button hole on the inside only.
84.41.2- Long skirt of brown durable ribbed fabric. 1 1/2-inch wide waistband of same brown polished cotton as lining. At center front a 3-inch length of brown tape is sewn on the inside of the waistband creating a loop. A 9.5-inch placket in back is closed with a single black metal button and buttonhole. Center front is flat with 2 pleats. Top skirt measures 29 inches long. In back, top skirt is full, gathered and hiked up and tacked in center area. Underskirt upper portion is lining fabric. In the back (16.5 inches above hem) a casing holds brown fabric tape that has been pulled to gather fabric. The lower edge has a plain flat inner hem trimmed in a light brown tape. The portion of the underskirt that shows is 12 inches long with a 3-inch flat upper section; a 2.5-inch wide gathered section. The lowest 6.5-inch section is edged in dark brown trim with 1-inch box pleats about every 2 inches around the bottom edge. A 1/2-inch wide dark brown tape is sewn 1-inch above the hem edge around the entire skirt.
Inside, about 12 inches below the waistband is back, a band of brown fabric, 17 inches long is tacked to the lining in 3 places. On the right seam of the lining is a 'pocket' (17 inches long and 6 inches wide). Opening is a narrow 3 inches.
Small, cotton, pink child's dress. Drop-waist. From approximately the turn of the century. Trimmed with machine made lace. Square neckline. Buttons down back made of mother of pearl. Button holes hand made. Large tuck from cap of shoulder down front.
9in set in sleeves with lace trim 2.25in from cuffs. Same lace trim sewn on waist seam, around neck opening and on pleated skirt 6 in above hem. Machine made but for white cotton tape had stitched insde at skirt hem, seam where bodice and waist are joined. Pink cotton fabric tape hand stitched inside neck edge,. 8 back closure button holes are hand sttitched, 8 2 holed .25in shell buttons sewn on back. Front hem tear repaired.
Blue infant's dress. Silk taffeta. Hem and bodice lined with polished cotton. Sleeves lined with white cotton. Square neckline bound with self-fabric with drawstring in binding. Thirteen sets of tucks on either side of bodice and pressed toward center. Wide square neckline. Ornate bodice and sleeves with pin tucks, smocking, fabric covered buttons (3 on each sleeve, 8 on bodice front) and lace decoration, including edges of short, 5in, sleeves 1in band between bodice and skirt. Front center 3in of skirt is flat. Pleats facing center on both sides, front and back. 4in center back is gathered. Closure is 2 hooks and eyes at waist band in back. Decorative work around skirt, front bodice and on sleeves. Bodice lining and 3.5in interior hem of blue polished cotton fabric. Sleeves work in 2 fabrics together. Seems hand sewn.
Part of a four-piece dress. Jacket: Short sleeves with cuffs. Dark blue velvet fully-lined in cream-colored silk with batting between two fabrics. 2 small leather-lined pockets on left inside. Hand-stiched strip on linging at lower edge right front. 3 hooks and thread-covered eyes at waist front. Parallel lines of sticthing on body at sleeve openings and at waist and on 3 bands around neck as well as front and silk at opening. Blue velvet strips have buttons in back and at tabbed ends on front. 4 tabbed front closure peices have buttons. Machine and hand-stitching.
Girl's Victorian Dress, Pink Dress with Velvet Trim, long sleeved with gathered skirt. Fabric is rose colored silk with alternating vertical stripes of plain satin & 4 narrow white stripes. Both hand and machine construction used to make this dress. Double construction- silk on outside tan cotton fabric on inside. On bodic: 2 wide rows of gathering at neck. 1.5-in high stand up collar attached to neck. Over shoulders and on front are flaps decorated with 2 bands of burgundy velvet. These velevet bands also on stand up collar and near bottom edges of both sleves. Bands of lace attached to both cuffs and collar. Additional stiffener sewn inside 5-in. hem. Back closure is 13 hooks and eyes.
Harriet Lane Johnston beaded jacket to match gown (W.40.17.1)
Description
Jacket Black crape silk, beaded in black glass beads, designed by Worth of Paris. Fully-lined in black silk taffeta and interlined with muslin. Has small turned down collar with full length set-in sleeves. Collar, cuffs, and hem trimmed with 3'' fringe and 3'' strand of black beads every inch. Varying size of black beads used to create a contoured design of flowers and swirls on front and sleeves.
Wedding dress, black silk, worn by Sue Elizabeth (Dague) Whitaker in 1887. Consisting of five parts: A= ? black lace shawl ;B= bodice; C= underskirt lined in stiffening fabric; D= overskirt
Stiffened band (16in x 1.5 in.) covered with black fabric.
2 bands of 5-inch wide crepe gathered along length in center.
Half inch wide gathered strip sewn along 4 edges to create frilly collar.
Two black ribbons, 14 inches long, sewn to inside edges to tie/secure the collar.
20+-inch wide pieces of fine crepe fabric with .25-inch pleats sewn to collar.
Ruffle sewn on edge all around this 29-inch long piece on both sides.
The bottom 6 inches is a separate flaring end, machine sewn in chain stitch.
Sheraton-inspired mahogany veneer night table with satinwood inlay accents that outline the apron, drawer and keyhole, as well as the legs. The table top has eight sides and surmounts four saber legs that also support a lower inward-curved shelf.
Named for its principle use, this mahogany table top, with its oblong top and bead molded edge, was typically found at the side of a bedstead. The table's skirt is three to four inches deep and contains a single drawer that is the full width of the skirt. The drawer has two original brass knob pulls and a top centered brass escutcheon keyhole. The table is supported by four round tapering legs with ring and ball turnings at the top and two sets of ring turnings approximately two inches above the tapered feet of the legs.
Provenance
Alexander Speer, maternal first cousin to James Buchanan
Rococo Revival writing desk. High relief carved arching crest with acanthus leaf motif flanked by matching finials. A cherub relief face with wings in a recessed arch is seen below the crest, surmounting a storage cabinet decorated with more highly carved foliate and scroll motifs along both rails. The cabinet door is decorated with inlaid woods that form a vase with flowers. The writing desk has a fold-down/pull-out writing surface and four drawers that surmount a central drawer and four highly carved foliate and scroll adorned cabriole legs that terminate on casters and are connected by supports to central finials.
Several broken finials and high relief carvings under central cabinet
Object ID
W.1936.008.001
Notes
From the account of Major Andre, who visited Wheatland in 1888, it can be surmised that the escritoire stood in the sitting room or study. This room was located to the left of the front door in the central section of the house.
Lignum vitas wood caster with round, bowl-like top, pierced for shaking out pounce. Base is ring-turned tapers smaller to broad top, flat bottom. Small, shallow dotted pattern in two bands near bottom. Lip at top has thin groove. Top screws onto base that would be filled with pounce, which is a fine powder made from powdered cuttlefish bone. Pounce was used both to dry ink and to sprinkle on a rough writing surface to make it smooth enough for writing.
Esther 'Hetty' Parker, James Buchanan's housekeeper, chose this among several other household items that Buchanan noted she was to be allowed to choose after his death. Miss Hetty gave this to the daughter of her neighbor. Miss Steckman donated this to the Wheatland collection in 1938.
Hepplewhite Pembrook Oval Table. Two drop leaves, when opened, are supported by pivoted shaped brackets. End skirts are straight with one containing a full-width drawer. The four slender tapering legs have satinwood inlay at the upper end.
School Masters Desk. Turned legs, slantied hinged desk top, panel in center of interior, three drawers, three open pigeon holes, pigeon holes are topped by two small drawers on either side.
James Buchanan was the second owner of this desk; he gifted the desk to a domestic servant (name unknown) who was the third of eight owners not counting the museum.
Remains of green silk at both ends over linen. Backing appears to be natural color linen with an open weave wool decorated with needlepoint floral-design repeated about ten times down length. Red rose/lavender rose/blue violets, with green leaves also shadings of brown.
Oval, cut photo glued on paper with two bands - concentric, one thicker than the other, around photo. Photo shows four children - three girls sitting in a row, one boy standing to their left, 3/4 front, facing girls. Each girl is holding a different doll.
Photo of Schlauch siblings taken by their father. Written on wood backing the photo: "Ed Schlauch (with drum)/ Alice O. Schlauch (Zell)/ "Lill" Schlauch (Hoover)/ Ida Schlauch (Haag-Steel)/ Taken by their father." Unknown in which direction the girls are named. One can assume the names in parentheses are later married names of the females.
White mat around photo is tan with age, lines of dust in corners and around edges of frame that is open in back. One piece of wood partially covers the back with exposed space on both lengthwise edges.
Wood frame with dark glossy finish and gold painted edge next to glass. Wood exposed on all corners, many scratches throughout.
Ivory-handled razor. Straight razor, yellowed handle, slightly curved. Two rivets at either end, handle is two pieces of flat ivory between which the razor rests when closed. Has maker's mark and inscription 'H.Boker and Co.', 'Germany,' and 'Red-Injun N
Cotton quilt. On white ground are 9 large blocks delineated by sashing, a yellow print with a vine of red berries. Within each block is a geometric design made of overlapping strips of a red check print arranged like an angular lovers knot.
Back is white cotton with three inked stencils / prints on cloth in blue. First print has flowers with a bird and '30/2' ; the second print has scrollwork around a shield with 'Superior Longcloth' ; the third print has an ormate design around "CLYDEWORKS. BLEACH & FINISH / S.H. GREENE / PROVIDENCE R.I."
Scale, balance, weights, and case. Item a: Box / case is rectangular, wooden with hinged lid, hook clasp. '$2' written on bottom in ink. Inside bottom has coarsely woven green burlap glued down. Label on inside lid. Label is yellow with black print and r
