Landscape, The Barns at Norwood, by Lloyd Mifflin, circa 1900. Oil on board with gold-painted floral-and-wheat -decorated flat frame w/ corner blocks.
Reverse is covered with grey-painted linen and is protected by Plexiglas. Central paper sticker reads "RUSSELL'S / CANVAS BOARD / " and "PATENTED MARCH 18, 1879." The number "120" is handwritten in ink in corner of sticker. At upper right is taped a magazine clipping depicting outbuildings and fencing surrounded by grass and trees. Entitled "Farm Scene - Autumn." A few lines follow, noting his (Mifflin?) return from abroad" and the pleasure of enjoying the "sheltered pastoral environment of his choice." A poem follows. Finally, a small paper sticker near top reads "RICHMAN / Bainbridge / Pa. 17502 / (717) 426-1860 / Cat: / P86 / 054-32-1198 / 181-32-7788". Written in marker in large letters at bottom right is "Local Scene / Norwood, Pennsylvania / near / Columbia, Pa. - About 1900 / (1846-1921)." Below this, In pencil, is "Painted by / Lloyd Mifflin / artist. Houston Mifflin, M.D. / Brother."
Provenance
Apparently purchased by Richman from the Minich sisters estate sale.
Flat profile wooden frame with raised corner blocks having gold-painted wheat, daisies and carnations.
Image Size
16 x 22 inches
Object Name
Painting
Material
Paint, Canvas, Wood
Medium
Painting, Oil
Height (in)
21.5
Width (in)
27.5
Dimension Details
Frame dimension is H: 21.5 inches x W: 27.5 inches.
Condition
Good
Condition Date
2016-03-30
Condition Notes
Overall good condition, both painting and frame. On reverse of board are water stains. Glass covers board & secured with primitive wood strips.
Frame has multiple cracks, especially at miter joint at corner blocks.
Object ID
2015.017.1
Notes
The son of John Houston Mifflin, Lloyd followed in his father's footsteps. He also studied at the Pennsylvania Academy of Fine Art, studying under Thomas Moran, and would further his studies with a trip to Europe. He returned to settle in Columbia in 1873. Lloyd has gained greater recognition than his father, primarily due to his landscapes, particularly those of the areas surrounding his home in Columbia and scenes of the Susquhanna River. Lloyd Mifflin died in 1921.
Unframed painting of Buck Henry reportedly done by this third wife, Margaret Grote Elliman Henry. Appears to be acrylic paint w/ thin varnish coat. Subject is seated in a wicker chair, facing viewer's right. He is a white-haired gentleman with moustache, dressed in a black suit, smoking a thin cigar. Left leg crossed over right. His eyes are closed or nearly so. A dark background except for wall at right
Stylized monogram painted at lower left corner.
Provenance
Margaret Grote Elliman Henry (1880-circa 1964-65) to Pamela Henry to grand-niece Louisa Dent (donor).
Chipboard paper somewhat cupped laterally, esp. left side. Painted surface has thin semi-gloss coating of varnish. Remnants of raised narrow paper strips adhered to perimeter of ptg.; bottom strip missing. Reverse has scattered foxing.
Reverse painting on glass mounted in an American Reverse Cove Gold Leaf Picture Frame, is a scene of Fort Washington from the Maryland side of the Potomac River. The moon is shaped from a piece of Mother of Pearl. The Fort served as one of the points of defense for Washington D.C. during the Civil War.
Reverse painting on glass mounted in an American 1850 Sully Gambose Picture Frame, is a scene of two houses in a rural setting near a meandering river with two people in a small boat and a sail boat down stream. The white facades of the houses are Mother of Pearl.
Watercolor of Eli K. Mylin farm, mounted in large gilt frame.
Painting is done on a rectangular, heavy sheet of sepia-brown paper with textured surface. Executed in greens, brown, red and white. Immediate foreground shows a railroad stretching from left to right, bordered by wooden fencing. Fields in near foreground lead up to a farmstead in midrange consisting of a stone house at far right encircled by a white picket fence, a large white barn at far left, and various outbuildings located between them. Distant fields rise slightly to form rolling hills with trees and fencing at horizon. Sketchy white clouds are arranged across the sky.
The farm is located directly south of Willow Street, Pequea Twp., Lancaster County and belonged to donor's great-grandfather. Her grandmother, Lillie V. Stehman, grew up there before marrying Isaiah D. Stehman and moving to Mount Joy.
The 1864 Atlas shows E.K. Mylin residing in the extreme southeast corner of Pequea Twp. The 1899 Atlas shows two farms in close proximity, both owned by E. K. Mylin.
Painted in 1913, probably from a photo post card (with a May 1906 postmark) that shows this exact scene.
(Written by Wendell Zercher.)
Provenance
Given in memory of Isaiah D. Stehman and Lillie V. Stehman, grandparents of the donor, Mrs. M. Patricia Bowman of Harrisburg, Pa. Donated on July 11, 2001.
Overall good condition. Minor buckling across surface with vertical streaks of dark soil across both painting and backing paper. Bother papers have suffered some fading. Frame has much of gliding intact on interior surfaces although worn and soiled but exterior surfaces of frame have been painted over to hid chips and losses. Reverse side of frame has torn and soiled brown paper backing covering two large wood back boards.
A: Watercolor on wove paper of J. Crump Tannery, Marietta, Pa, depicting a panoramic view of the Klumpp Tannery and residence, viewed from Front St. The white 2-story frame house with one-story addition is in the foreground on the left with a man and woman by the front door. The tannery complex with smokestack is on the right, set further back from the street with the tanning operation underway. A man in a small horse-drawn carriage is in the street in the front and a boy chasing 2 chickens is in the yard between the house and tannery. A brick church is in the background center.
John C. Klumpp's Tannery was built by P. Moyer on Locust Street between 2nd St. (now E. Market) and Prospect Alley in 1815. Klumpp acquired the tannery in 1874 and operated it until his death in 1901. The tannery occupied lots 69-70-71-72, Strawberry Alley ran beside the Klumpp residence on the left. To the rear of the dwelling, behind the fence can be the kitchen garden and outhouse.
Signed bottom left, in ink, "P. Meissner./18/1/76."
2 photographs of tannery:
B: Black and white photo showing roughly the same view as A, although closer to ground level. The house is on the left and the tannery on the right. At least five people are sitting/standing on the porch of the house facing the yard. The buildings appear mostly unchanged from the watercolor. The date "1908" is written in the lower left corner in ink.
C: Black and whit photo of the tannery from the back. Four separate buildings of varying design can be seen in a row, with the smokestack extending up out of frame slightly right of center. A stone bridge over a creek is at extreme right, with creek running around the buildings to the left. The date "1929" is written in the lower left corner in blue ink.
The photographs appear to be photographic copies of the originals. They were attached to the paper backing covering the frame of the watercolor.
A: watercolor has brown staining all over, especially apparent in the sky. Further discoloration along the top edge. The pieces was cleaned (dry and wet), mended, and flattened by the Conservation Center for Art and Historic Artifacts in Philadelphia in 1991.
B,C: Photos. B is browned and faded at the edges and curves inward. Both B and C have tape and backing residue on the reverse. They were dry cleaned, mended and flattened by the CCAJA in 1991. Further details available in file.
Oil on wood panel. Profile painting, half length, of a man facing left (photo backwards) wearing black coat and white collar. Clean-shaven with sandy red hair. Brownish grey background.
Inscriptions: Handwritten in pencil on back of panel is "Jacob Leman / 1756-1836 / Artist Jacob Eich(h)oltz". Old paper sticker at top of frame is handwritten in ink: "Jacob Leman. / Painted by - Born 1756 died 1836 / Artist Jacob Eich(h)oltz. Remainder at bottom is missing. Newer paper label at frame bottom is: "Jacob Leman (1756-1835) by Jacob Eichholtz / #449 in 'Jacob Eichholtz' by / Rebecca J. Beal / See Ellis & Evans 'History of / Lancaster County', p. 523 / W.S." The number G.80.130.1 is painted twice at top right, on frame and panel. This was a Heritage Center number, due to an ownership dispute. See File for history.
Provenance
Beal writes on page 133, "Portrait descended in Leman family to Miss Adelia Leman, 1857-1947; Grover C. Waitz, antique dealer, Lancaster; purchased by Mr. and Mrs. William Shand, Lancaster."
Painting is mounted in gold frame, held in place with two mending plates at sides. Remnant of old paper dust cover on back along frame. Conserved in 2002.
Mrs. Jacob Leman (Catherine Eichholtz, sister of artist)
Description
Oil on wood panel. Half-length "profile of young woman, facing right, hands not shown; brown straight hair in bangs, pink cheeks, grey net cap with ruffle and white bow on top. Grey-blue dress with coarse highlight brush marks, sheer white yoke, black choker neckband with jewel in front; dark grey background." (Beal)
Inscriptions: Handwritten in pencil on back of panel is "Mrs. Jacob Leman 1773-1856 / Born Catherine Eich(h)oltz / Sister of / Artist Jacob Eich(h)oltz". Old paper sticker at top of frame has ink script with the same words as above. Newer paper label at frame bottom is: "Mrs. Jacob Leman (1773-1856) / by Jacob Eichholtz / #451 in 'Jacob Eichholtz' by / Rebecca J. Beal / See Ellis & Evans 'History of / Lancaster County', p. 523 / W.S."
The number G.80.130.3 is painted twice at top right, on frame and panel. This was a Heritage Center number, due to an ownership dispute. See File for history.
Provenance
Beal writes on page 133, "Portrait descended in Leman family to Miss Adelia Leman, 1857-1947; Grover C. Waitz, antique dealer, Lancaster; purchased by Mr. and Mrs. William Shand, Lancaster."
Gold. Profile is a wide cove with a line of beading centered within.
Image Size
9 x 6.875 inches
Object Name
Painting
Oither Names
Portrait
Material
Paint, Canvas, Wood
Medium
Painting, Oil
Height (in)
9
Width (in)
6.875
Depth (in)
0.375
Dimension Details
Frame measurements: H: 11.625 inches x W: 9.75 inches x D: 1.125 inches.
Condition
Good
Condition Date
2016-10-11
Condition Notes
Painting is mounted in gold frame, held in place with two mending plates at sides. Remnant of old paper dust cover on back of frame sides. Shimmed at sides of board with strips of new wood. Wood panel warped. Conserved in 2002.
The Japanese Kimono (has been listed as "Japanese Print")
Description
Large oil on canvas painting of a seated woman wearing a Japanese kimono, according to the title. The subject is Helen Thurlow, a Lancaster/Greenwich Village-based Pa. Academy of Fine Arts-trained artist & illustrator.
On back: Signed at upper right corner; 2 provenance show labels/stickers from Carnegie Institute, Pittsburgh
Survey done by Tom Ryan and Mike Heberlein states:
Painting: Signed upper right A. Traquair Lang, Auction #124 at lower right. Good condition (Note: Found on 06-28-17, a large 2" long puncture tear to right of subject's face.) Surface dirt, discolored varnish, minor cracking of paint (center right, center area of kimono).
Frame: Fair, minor scuffing throughout, painted gold.
Frame conservation needs: Minor touchup throughout.
Object ID
1951.013
Notes
All info via correspondence w/ writer/researcher Eve Kahn
This painting was exhibited in various shows, including the 1915 Panama-Pacific expo in California. It is pictured in a centennial book on p. 24 installed on gallery #65 wall and flanked by two more of her ptgs. See:
See Objects Photos for above image (in 1915 expo).
Subject Helen A. Thurlow (1889- ?) was the daughter of Thomas and Annie Thurlow of Lancaster, Pennsylvania. She studied at the Pennsylvania Academy of Fine Arts, Philadelphia, from 1904-1912, where Thomas Anshutz was head instructor. He painted her portrait, seated sideways, and the portrait is thought to be during Ms. Thurlow's student years. See:
Portrait of Helen Thurlow, pastel on canvas, c. 1910 by Thos. Anschutz
(Portrait sold by Hammer Galleries, NY, NY.)
Annie T. Lang was painted by her mentor William Merritt Chase in 1911. This O/C ptg. is owned by the PMA & has accession # 1928-63-4. The label reads:
"William Merritt Chase was an early pioneer of Impressionist aesthetics in the United States and enjoyed immense popularity during the late nineteenth and early twentieth centuries. A celebrated teacher, Chase likely first met his protégée Annie Lang (1885-1918) in 1901 when she enrolled in one of his annual summer schools on Long Island. Painted in the summer of 1911 outside Florence, Italy, while Chase was on one of his many extended sojourns in Europe, this portrait of Lang suggests the close, perhaps intimate, relationship between the two artists. The painting incorporates the rich fabrics, ornate décor, and elegant attire that characterize Chase's interior scenes".
Painting: Canvas in fair condition, surface grime, oil on canvas, heavy cracking throughout, mildew damage throughout, minor paint loss lower center, signed lower left W. Satterlee.
Frame: 6" painted gold with plaque that reads "Walter J. Bausman, 1859-1924, W. Satterlee". Fair condition with minor scuffing & scratching throughout.
Frame conservation needs: Surface clean with minor touchup.