by William Scott ; to which are prefixed elements of gesture, illustrated by four plates, and rules for expressing with propriety the various passions, &c. of the mind, also an appendix, containing lessons on a new plan.
by the late Rev. John Brown ... embellished with elegant engravings.
Place of Publication
New York
Publisher
S. Walker,
Date of Publication
1820.
Physical Description
1, 1222 pages : illustrations ; 45 cm
Notes
In double columns.
"Bible was property of Mr. Jackson's grandparents, Henry & Mary Bair, and his mother Anna Bair Jackson." from donor information.
Genealogical material may be accessed in family file.
On obverse of engraving between the old and new testaments : Remarkable avand 1855; a vary Remarkable site was seen, on the 14nth of november in the year of our Lord one thousand Eight hundred thirty three, in the morning from four o Clock and some people says sooner, till Day Light, appearingly like the stars falling from heaven, very, very numeres in all directions with Long streak, appearingt like fier Desending some of them nearly to the Ground, I have made inquiry and could hear of no person that Ever seen the Like before,,,,
Viewing bible contingent on staff availabity, an appointment may be required.
Full tooled leath binding with maroon leather title on sping.
nach der deutschen Uebersetzung D. Martin Luthers ; mit eines jeden capitels kurzen Summarien ...
Place of Publication
Philadelphia : In stereotypen verfertigt, von J. Howe
Publisher
Gedruckt und zu haben bey Kimber und Scharpless, Buchhändler, Nro. 93, Marktstrasse ;
Date of Publication
1828.
Physical Description
932 pages, [38] leaves of plates : illustrations ; 28 cm
Notes
Howe's statement precedes imprint on t.p.
New Testament has separate title page.
Two frontispieces engraved by W.E. Tucker and T. Gimbrede after originals by L. Simond and Hans Holbein. Wood engravings by Alexander Anderson.
Viewing biles contingent on staff availabilty, an appointment may be required.
Copy 1 lacks one frontispiece.
Copy 2 lacks both frontispieces.
Copy 1 Brenner family bible.
Copy 1 Brenner family genealogy 1795-1840.
Copy 2 Gamber family bible.
Copy 2 Gamber family genealogy 1823-1845.
Copy 2 From the Collection of the Heritage Center Museum, P07.9.1
Copy 1 Four leaves of famiy register follows the Old Testament, with most items enclosed in fractur of flowers in the shape of hearts in German and English.
Copy 2 Five leaves of family register follows the Old Testament, with five items enclosed in fractur hearts with landscapes and the final item encosed in fruits and flowers by Karl Friderich Theodor Seybold.
Copy 1 Jacob Brenner's signature on back of front cover.
Fraktur is a simple hand done birth record in German for Adam Kindig and Anna Kindig. Page is likely removed from a Bible. Adam was born 17 Sept 1794 in Conestoga Twp. and Anna was born 22 Oct 1799 in Conestoga Twp. Layout of Fraktur lettering with serifs is simple and straightforward but not with an accomplished hand. Letter colors vary from red to ochre to green. No additional decoration except for curlicue lines surrounding the upper case "A" of both Adam and Anna.
Mounted in a brown modern frame with white window mat. Kraft paper dustcover on back. A "#10" is written small in pencil at lower right corner.
Paper has foxing, brown stains and fly specks (bottom right). Two horizontal fold lines across middle; the one with the greater crease shows breaking and some holes at several points.
Object ID
2017.999.6
Notes
See Mylin Family Genealogy 929.M513 in library.
Adam is the son of Christian Kendig and Barbara Mylin. Anne is the daughter of Michael Haverstick and Eve Bender. Adam Kendig married 1) Anne Haverstick and 2) Mary Helm. Six children by Anne, nine children by Mary Helm. Anne H. Kendig was b. 22 Oct 1799 and d. 17 Jan 1833. Likely buried in Reformed Church, Conestoga Centre or Rush Farm, New Danville.
Adam and Anna's daughter Mary Amanda Kindig was born 1821 and baptised 1837 by Pastor Martin Bruner of the Reformed Church in Lancaster City. Her Taufschein in English is done free hand by Eli Haverstick and is signed on reverse "E Haverstick / No. 11" This document is in the collections of the Evangelical & Reformed Historical Society. Eli Haverstick was likely a relative of the family and was almost certainly a schoolmaster. (See similar examples done for brothers John and Christian Bachman in the Heritage Center Collections).
Appraisal conducted by Pastor Fred Weiser, Sept. 2, 1988. A slide transparency is in file.
John Gundaker Brenner (according to family tradition)
Description
Framed oil on canvas portrait on panel; male figure, said to be John Gundaker Brenner (1808-1879/80) according to great aunt of donor. Body faces slightly right, head turned slightly to left. Brown hair parted on his left with wisps brushed forward onto forehead and onto left temple; long sideburns. Blue eyes. White collar and stock, light waistcoat, dark jacket has high, wide collar and double row of 8 brass buttons. Plain light background. Has 5"-wide gilded frame.
Provenance
Descent through family: To Ella Louisa Brenner Brenneman, granddaughter of subjects; to her niece Mrs. Laura C. Burks; bought at auction by Mrs. Henry C. Snowden (Elizabeth Brenner Snowden), a cousin of Mrs. Brenneman; to Mrs. Richard R. Murray (Marjorie Snowden), her daughter; to donor and gr. granddaughter of Mrs. Snowden and great-niece of Mrs. Murray.
Rebecca Beal, "Jacob Eichholtz, 1776-1842", #69 & #70, p. 21.
Height (cm)
74.295
Height (ft)
2.4375
Height (in)
29.25
Width (cm)
61.595
Width (ft)
2.0208333333
Width (in)
24.25
Dimension Details
Frame: 38.25" x 33.25" x 2"
Condition
Good
Condition Date
2017-07-19
Condition Notes
Moderate craquelure overall except for smooth 2"-wide strip bordering all four sides. Paper sticker on back states: "Rebacked and restored" in 1937 by Hannah Mee Horner, Upper Darby, PA. Gilt frame has strong wear to gilding. Miter joints do not close completely.
Ptg. secured in frame with copper strips at corners.
Object ID
2017.009.1
Notes
See Beale, page 21 for description and comments. She entitles this entry "Brenner Family, Presumed Man of."
Credit
Gift of Marjorie P. Stoddard in memory of Marjorie Snowden Murray
Mrs. John G. Brenner (according to family tradition)
Description
Framed oil on canvas on panel portrait. Half-length seated figure is a woman, said to be Mrs. John Gundaker Brenner according to great aunt of donor. Facing left, head slightly to front. Blue eyes. Dotted net cap w/ ruffles around face & small bow at left ear. Wearing a necklace. Long-sleeved dark dress w/ surplice (cross-over) white collar extends below waist in front. Left hand holds book/Bible on lap. Red chair back visible to right. Plain background. Has 5"-wide gilt frame.
Provenance
Descent through family: To Ella Louisa Brenner Brenneman, granddaughter of subjects; to her niece Mrs. Laura C. Burks; bought at auction by Mrs. Henry C. Snowden (Elizabeth Brenner Snowden), a cousin of Mrs. Brenneman; to Mrs. Richard R. Murray (Marjorie Snowden), her daughter; to donor and gr. granddaughter of Mrs. Snowden and great-niece of Mrs. Murray.
Upholstered wingback commode chair has four turned Sheraton legs. Has replacement of original soiled handsewn homespun linen (remnants in this file), now an orange fabric with potted and vining flower design. Solid pinewood seat under cushion has center hole with fitted removable wooden disc.
This chair was from the Pownall home at Gap, where it was used by Dickinson Gorsuch, Maryland slaveholder, during his recovery from wounds sustained during the Christiana Riot of Sept. 11, 1851. His father and two others were killed during the skirmish at the home of freedman William Parker, and Dickinson was transported to the Pownall home for recovery. William Parker later published his story in the "Atlantic Monthly" in 1866, making it highly publicized.
This incident "is an important example of the struggle over the 1850 Fugitive Slave Act and the escalating tension between the North and the South. This act gave slave owners broad powers to recapture runaway slaves". (ExplorePAhistory.com)
Polaroid photos of chair before re-upholstery, in file.
Likely Lancaster or Chester Co.
Provenance
Provenance: Chair owned by the Pownall family & given in 1973 to the Lancaster County Historical Society by Mrs. Levi Pownall of Lancashire Hall (569-7279).
It was initially loaned to the Heritage Center (# L.77.9 and # 161.64.80) but soon donated to HCLC. Board minutes of Dec. 8, 1975 include Richard F. Smith's Museum Committee report noting a donation of a "Sheraton armed wing chair commode, used by the Pownall home in nursing Dickinson Gorsuch following Christiana Riot in 1851." Later unsigned note (Bruce Shoemaker?) states John Aungst of LCHS was consulted & chair was removed 11/9/84 from list on LCHS loan form, settling an apparent question of ownership.
Copper measure of sheet copper with conical body. Beneath applied handle is a keyed seam. Rolled copper base and lip. Applied strap handle, attached with 2 rivets at top, 1 rivet at bottom. Handle terminates with heart form at bottom and two lobes at top. Interior is tinned.
The name "(E)ICHHOLTZ" is stamped onto top of strap handle. "E" of Eichholtz is hidden where handle is attached at top. Interior is coated with tin.
Jacob Eichholtz worked as a coppersmith/tinsmith with his brother George on East King St. until c. 1815, when he began focusing on portrait painting. 1830 Tax Assessment lists him as a portrait painter.
Research by Pat C. Keller at Historical Society of PA in Jacob Eichholtz's daybook, indicates he made measures, not mugs. Notes in file indicate purchase was contingent on results of an effort to x-ray upper handle for evidence of initial unseen letters of stamped name. No indication this was ever done.
Provenance: Sellers Jackie & Vernon Gunnion purchased measure at Conestoga Auction circa March 1986. Jackie reports Don Fennimore of Winterthur knows only two other signed copper pieces -- by Apple and by Schlosser.
Photos: slides #23-5-1 to 9 and multiple B&W 8x10s
Small to significantly larger dents on sides and bottom Some scratches from general wear. Surface has been polished and lacquered. Some polish residue visible at both the rolled lip and rolled base.
First "H" and "T" of "ichholtz" are very worn. Corrosion and wear to interior tin surface.
Upper terminal of handle has split at left rivet (stable).
Object ID
G.86.03
Notes
See accompanying P86.3 file for research done by Heritage Center Director Pat Keller-Connor to determine authenticity of the touchmark. There was a possibility of the first initial being "J" for Jacob or "G" for George, a brother. On Feb. 17, 1802 Jacob advertised with his brother George as "tin-plate workers". Pat K-C intensively did research to settle the matter before finalizing the purchase of the measure
studied Vol. 1 & 2
See Henry Kauffman, American Copper and Brass, p. 119.
Place of Origin
Lancaster
Credit
Courtesy of LancasterHistory, Lancaster, Pennsylvania.
Birth & Baptismal Certificate (B&BC) is a printed angel type fraktur on wove paper. Mounted in modern silver frame by The Country Framer of West Chester.
Putto on blue-colored cloud at top; standing angels with paint-decorated clothing stand on blue clouds at sides of center text. Birds on branches at bottom corners. A small block of German verse within border is at each top corner. A large bordered text block at center extends to bottom, entitled "Geburts-und Tauf-schein". Text in upper half has subject's infill done with accomplished hand. At center of text block is a rarely used pair of billing birds. Four stanzas of verse within bottom section have tailpiece of cornucopia & wheat between. Under a line border at bottom is "Reading: / Gedruckt bey Johann Ritter und Comp. / im jahr 1812." Ritter's imprints were never dated except for 1811 & 1812.
Infill gives birth of Elisabeth Lang (Long) born in Rapho Twp. to Johann Lang and wife Margaretha, nee Lindemuth(in). Baptised July 2, 1815 by Pastor Baethis; sponsor was Elisabeth Bartruff.
Reading imprint, Johann Ritter; scrivener and artist unknown, perhaps Lancaster County.
Fraktur is apparently a religious text with multiple flourishes along top and a wide margin at left filled with a large stylized tulip on a thin stem with other flowers and leaves densely filling space. Penwork is black iron gall ink on laid paper. The paper seems to be small pages from a book, pasted together to created a larger sheet. Reverse has strips of paper pasted onto seams (some replaced with later cellophane tape) from a book.
Top line of text is large fraktur lettering "Mein Gott ich Klopff(?) an(?)", with initial "M" enlarged and decorated. Seven lines of script follow, with a line of upper and lower case letters below. Across bottom is "My Child y wil you learned a Was of the bast you must butt (put) your trust of God at last" Final line is tiny script and in the center of this line is written in red ink "Hinerich Sleo(?)". With the alphabet, this piece is like a Vorschrift.
Appears to be 4 small pages pieced together to create a large one. Paper strips pasted on back at seams and some cellophane tape. Multiple problems. Paper overall is age darkened with multiple small brown stains, some large blotches. Holes in iron gall ink, esp. the large tulip. Some paper seams are breaking with with one hole just above center. Edges ragged, torn and folded back. 1' x 2" loss of top left corner; 1" x 3/4" loss of top right corner, and similar loss at bottom left corner. Paper hinged onto matboard with ivory window mat.
Watercolored drawing on wove paper. Symmetrical design has a heart at bottom center with religious text. It reads: "Gottes brune/lein hat wasser / die Fulle Amen." (God's little well has an abundance of water). Growing out of the heart is a tall flowered stem extending to top of page. Top flower is a large tulip of yellow, red and blue. Large, confronting birds perch on small side branches terminating with small tulips. Birds have yellow bodies, blue wings and head, with red beaks and neck ring. Red and yellow carnations on side branching stems below. Heart is flanked at bottom by two birds with blue bodies, yellow wings and red heads. Mounted in an off-white window mat with two paper hinges at top. This is drawn by the same artist as 2017.999.18 and executed at the same time. Colors are the same.
Overall light brown age darkening. Several small brown stains; worst one is under top left bird. Very light creases/buckling across surface. Right edge is wavy. Upper left corner has crease where folded back.
Object ID
2017.999.17
Notes
Appraisal done by Pastor Fred Weiser on 2 Sept 1988. Marked fraktur #28 during this event.
Watercolored drawing on wove paper. Symmetrical design has a heart just below center with religious text written in red. It reads: "Das blut Jesu Christ des sohnes Gottes macht und rein von allen sunden Amen." (The blood of Jesus Christ, the Son of God, purifies us from all sins. Amen). Growing out of the heart are three stems: the center one has a small flower but the side ones terminate with tulips and have birds perching just below. Tulips are red and blue; birds have red bodies, blue wings and yellow heads. In each bottom corner is a prancing blue horse.
Mounted in an off-white window mat with two paper hinges at top. This is drawn by the same artist and at the same time as 2017.999.17. Identical colors used.
Overall light brown age darkening. Several small brown stains appear similar to foxing. Wavy horizontal wrinkle across page near top. Three light creases in bottom half. Bottom left corner has crease where folded. A 1/2" tear at bottom, one inch from right corner.
Object ID
2017.999.18
Notes
Appraisal done by Pastor Fred Weiser on 2 Sept 1988. Marked fraktur #16 during this event.
Family record written on both sides of a detached page from a Bible. First side has a foliate perimeter border w/ three flowers along top. Additional flowers decorate inside corners. Large oval contains family info, but only the first 1/3 of the page is written in Fraktur style lettering (father, mother, marriage and one daughter). Attrib. to John Eberman who has drawn lines as guides for his scrivening. At top is Johannes Kredi, born 24 Dec 1794, his wife Magdalena, born 16 Jan 1797 and their marriage 20 Feb 1823. Following is daughter Veronica, b. 1824 (later called Fanny).
Additional entries in plain German handwriting. First entry lists both John, born 1826 and death of mother the same year; certainly caused by childbirth. Below a line border entry records John and new wife "Margred" b. 1807, married 11 Oct 1827. Below a line border is birth of Jacob, 1828.
Second side has 4 entries within the bleed-through of the large oval, each separated with a border filled with "X"es and each line hand-ruled. First is Henry, b. 1830; second is "Davit" b. 1834; third is "Benjemin" b. 1836 and fourth is Elizabeth b. 1839.
Yellowed paper has fooxing and fairly dark stains throughout, esp. heavy along bottom border. Vertical and horizontal fold lines are fragile with some breaking at page edges.
Object ID
2017.999.21
Notes
Appraisal done by Pastor Fred Weiser on 2 Sept 1988. Marked fraktur #34 during this event.
Johannes died 31 March 1851. One year before his death, family is listed in 1850 Census in Manor Township:
Printed angel form B & BC for unknown daughter born 4 June1823 in Lancaster County. Infill is in German script. Father appears to be Abraham --racht? and mother is Catharina, nee ??. Baptism information not infilled, except for daughter's name.
A variant of the standing angel form has angels flanking center text block titled "Geburts- und Taufschein". Scene at top is Jesus' baptism by John the Baptist. At bottom is a domed temple and perching birds are at bottom corners. Five smaller bordered boxes contain religious verse. Bottom-most box has "Reading, / Gedrckt (sic) und zu haben bey / Heinrich B. Sage." Color decorated throughout.
Light soil, small stains and strong foxing. Fold lines breaking, esp. vertical fold, which also has some holes. Three half-circle chunks of paper have been torn out at left edge and two are at right edge. All mended by cellophane tape. All edges ragged and dark brown. Inserted into mylar sleeve.
Object ID
2017.999.26
Notes
Not found in the list of the Fraktur Collection appraised by Rev. Fred Weiser, Sept. 1988.
This imprint by Heinrich Sage of Reading is a variant of the angel form numbered 739.1 or 740 in Klaus Stopp's "The Printed BBCs of the German Americans", vol. IV, page 265. Note the word Gedruckt (printed) is misspelled, missing the "u".
Hand-done B&BC on wove paper is torn and pieces attached to a larger, light brown paper with 5 straight pins. Tall columns with molded caps on top, in turn with round balls on top. Table-saw-like motif at top center is a circle divided in quarters of red and yellow, with a fringe of small slanting leaves.At bottom is a flowering plant. This decoration resembles that of Samuel Bentz.
Text block filling center is hand-printed German in black ink, copying the form of a printed B&BC with spaces for someone to infill later. Title at top is in red: "Geburts und Tauf Schein." and next line is in blue: "Diesen beyden Ehegatten als." Curlicues trail off the tops of the "ascenders" of letters in the first several lines. Blanks of this form infilled with very faded red scrawled script. A daughter was born 22 Dec? 1823. Names and places uncertain.
Paper onto which fraktur is mounted is H: 13 W: 11
Condition
Poor
Condition Date
2017-10-03
Condition Notes
Paper is pliable but soiled with blotches of brown staining, some very large. Colors faded. Much of fraktur is missing, esp. upper left and lower left. Large section of upper right corner torn off and pinned in place next to main section. Both fraktur and esp. paper onto which it is mounted are irregularly cut with many wrinkles, folds and tears.
Printed B&BC, standing angel type, done for William --- Hammer, born 11 Jan 1827 in Orwiksburg(sic), Schukllyr(sic) Co. Pa., son of Joseph Hammer and wife Phillipina, nee Huntzinger. Baptized by Thomas Bock in 1827; sponsors were Jacob & Susanna Huntzinger.
Multicolor fraktur pasted onto heavy brown paper w/ edges folded around to front and pasted onto fraktur edges.
Printed in Reading; Likely infilled in Orwigsburg, Schuylkill County. Printer: Heinrich B. Sage; Infill: unknown
Heavy stains, broken vertical center fold line, pasted onto heavy brown paper with edges brought around to front and pasted onto edges of fraktur. Heavy paste along vertical fold line.
