This sterling silver coffeepot has a hinged angular and oblong shaped lid with a finial top surmounting a flaired angular neck adorned with a Greek key above a bulging torso. The spout is square with a goose neck shape and flat opening. The pot handle is angular and square with ribbed band decor. The pedstal style base is supported by four ball feet.
See B.R. Howard Treatment Report for additional information.
Provenance
James Buchanan
To - Edward Y. Buchanan
To - One of Edward's children
To - One of Edward's Grandchildren
To - Mrs. Robert Maguire (Pauline) great, great granddaughter of Edward Y. Buchanan
Also engraved with 'This Belonged to James Buchanan Fifteenth President of United States' on bottom. (done by donors just before donation to Wheatland.)
Height (in)
10.75
Width (in)
13
Depth (in)
5.75
Object ID
W.1992.037.001
Notes
Donated by Mr. and Mrs. Robert Maguire of Shoreham, Vermont, delivered by Mrs. John Thayer of West Chester, PA. The Maguires also donated a pair of silver sugar tongs with acorn-shaped ends. (Accession #92.38)
Greenish-brown glass with kick in bottom. Cork sealed in mouth of bottle with pinkish wax ('Red Seal') and copper wire. Old torn tag around neck 'Dennison Mfg. Co. Tag Mfrs. 25 & 28 Franklin St. Boston'. Label on bottle printed with '1827 Red Seal Madeira'
Silver caster. Elaborate floral decorated with detachable lid. Lid is pierced and topped with a small bud-like knob. Pine cone design. Neck and bulbous body have flower and leaf relief design. Etching at the bottom of the body reads, 'James Buchanan. Whe
Two salt dishes. Diamond-footed with design cut in bottom, flower / starburst diamond pattern cut around below edge. Edge or lip scalloped, oval-shaped, higher at two narrow ends than at sides. Finger molding at bottom of dish.
Length and width dimensions are the measurements for the base.
Object ID
W.89.98.1-2
Notes
Bases and edges chipped. Old numbers were A71.4 (1-2) Had been on loan from Woodlawn since 1958. Given permanently in 1984. Numbers chnaged to reflect this. History of ownership unknown beyond Woodlawn Collection.
Platter of ironstone transferware with clear glaze. Rectangular with clipped corners, recessed bottom and moderately wide sides that extend outward. White body is devoid of decoration except for black transfer scene of a long bridge spanning a river, 5 people in foreground, town at right end of bridge and another in the distance on right bank. Underside has apparent impressed mark and transfer maker's mark at center: under a spread eagle with shield is a "sign" reading "COLUMBIA BRIDGE ON THE SUSQUEHANNA". Below it is "W.R.", indicating maker William Ridgway & Co. Sticker on bottom is: "$390" and "CLP". This river scene is a variation of the print done by William Henry Bartlett (see G98.12.21).
Shelton or Hanley, England
Provenance
Purchased in Adamstown Antiques Gallery for Heritage Center collection. Transferred from Heritage Center, December 2012.
White porcelain platter, long oval shape with rim flaring up at 45 degree angle. Pink painted rim with narrow gold outline. Gold motif at center is concentric ovals of floral and foliate design; outer oval has 12 elongated flowers radiating outward.
No inscription on bottom, but attributed to Feuillet's rue de la paix workshop, Paris. Jean-Pierre Feuillet, Decorator (French, 1777-1840). See Notes
Additional pieces of this set of dishes in collection are 2013.008.
Rue de la Paix decorating studio, Paris
Provenance
Descent within Buchanan and Henry family to Pamela Henry (daughter of Frank Anderson Henry, Buck's youngest son) to Louisa Dent (donor).
Gold decoration worn with areas of loss. Streak of light abrasion on white, near gold band at one end of platter. Abrasions underneath at each end are darkened. Two footrings have some soil and wear.
Object ID
2015.029.6
Notes
Research on E-bay has dealer's statement:
"Feuillet introduced a porcelain decorating studio at the Rue de la Paix, Paris in 1820. The products came chiefly from the Royal Factory Sèvres. His successor was Boyer (1845)."
Another seller writes:
"The Feuillet studio was at 18, Rue de la Paix, advantageously located for the wealthy denizens of the area to come visit and make purchases. The Prince of Conde gave Feuillet his protection, thus assuring a constant flow of high-end clients. Feuillet's design atelier reached its apex in the mid-1820s, lavishly decorating some of the most remarkable plates of the time. The combination of rich paste gilding, saturated border colors and meticulous fruit or floral still life paintings made the factory's output one of the favorite choices, other than Sevres, for purchase by the new French Regime. According to the book "Paris Porcelain" by Regine de Plinval de Guillebon, "Feuillet was one of the best decorators in the Restauration period," (Paris Porcelain, page 244)."
Press-molded pearlware blue transfer-printed platter with bridge and water scene surrounded by border of eagles and flowers. Slightly scalloped edge. Pattern name printed on bottom, "Upper Ferry Bridge over the River Schuylkill"
