Page 192 of "Gleason's Pictorial Drawing-Room Companion" from 1854. Includes an article on James Buchanan with images of him as Minister to England and of Wheatland. Also includes musings on "What is the hardest mode to die?"
Oblong shaped walnut veneered container with a back-hinged lid, beveled shape raised central flat area carved with egg-bead molding. Brass 8-point star bail handles are on each end; one handle missing. Brass round keyhole escutcheon is centered on the top front façade of the box with egg & bead molding around the base surmounting four flat-bun shaped feet. Interior features two boxes with back hinged lids as storage compartments for tea leaves. In the center is a circular aperture lined with felt holding a star cut glass mixing bowl to blend tea leaves.
American Rococo Revival Walnut Sofa. The serpentine back centered by a rose and shell scrolled carved crest, the back joined to closed arms, with a serpentine apron and raised on cabriole legs terminating in casters, silk velvet upholstery.
Left earlobe has broken off. Base is chipped. Various smudge marks all over.
Object ID
W.1960.006.001
Notes
James Buchanan Henry inherited this bust when his Uncle James Buchanan died; his cousin, Harriet Lane Johnston inherited the matching bust, which she later donated to the Corcoran Gallery of Art.
James Buchanan Henry bequeathed this bust to his son, Frank Anderson Henry, who donated it to the James Buchanan Foundation in 1960.
An oyster shell-shaped serving dish. Made from a hard-paste porcelain china manufactured at the Sèvres factory in France. Decorated and sold by Haviland, the decor consists of maroon and gilt boarders on a white background, gilt rings and highlights.
Provenance
Johnston, Harriet Lane
To - cousin, Riddle, Katherine W.
To - sister, Riddle, Anna S.
To - cousins, Coe, Sara W. & Coe, W. Travers To - Murphy, Elsie B. of Charles Town, W. VA. To - Governor's Mansion Virginia by Ms. Murphy's sister, Fletcher, Mrs. Robert.
Cherry writing desk, front of the desk, 4.25" below the top, has piano hinges that allow the top to converts to a writing surface covered with green felt. When closed, the piece serves as a chest with four progressively larger drawers. Both sides have recessed panels and the chest is supported by four vase and ring-turned legs.
Easgles Nest completed conservation on the image and frame.
Height (cm)
36.195
Height (ft)
1.1875
Height (in)
14.25
Length (cm)
6.985
Length (ft)
0.2291666667
Length (in)
2.75
Width (cm)
41.275
Width (ft)
1.3541666667
Width (in)
16.25
Dimension Details
Dimensions are for frame
Condition
Good
Condition Date
2022-07-21
Object ID
W.1995.015.001
Notes
Based on the pointed waistline of her bodice, this photograph was likely taken in Washington DC while she was the First Lady and before the year 1860. This style was at the height of fashion in the mid-1850s and quickly disappeared in the year 1860, when the straight waistline came into fashion.
Floral applique block quilt of cotton. Sixteen 15" floral applique blocks of flowers on white ground. Flowers have blooms of various greens & browns appliqued together to create two different designs that alternate block by block. Flowers branch out in curves with leaves of black & green print and intricate flower buds.
Sashing, 2.5" wide, separates blocks with white strips edged with thin green strips. Inner border of 1-inch wide brown strip encloses blocks. In large outer border of white with mitered corners are graceful grapevines of grape clusters, leaves of the same green & black print as leaves in centerfield,and tendrils of chain stitch embroidery. Wide red binding w/ mitered corners wraps to back and is hand stitched. White cotton back of four panels. Thin cotton batting.
Hand-quilted with a grid in centerfield except for bold cable that is superimposed on sashing and brown inner border. Outer border has slanting parallel lines. One distinctive round flower 2.5" in diameter with 10 petals is found in outer border near one corner, near edge.
Card originally sewn on quilt (handwritten in ink): "Quilt made by Rebecca Rynard of Line Lexington Penna. 90 yrs ago - it has taken many 1st prizes at the State Fairs in both Montgomery Co & Bucks Co - Penna." Below is "Property of M.D.S. Elwell 524 Cedar Lane Swarthmore(?)"
Provenance
Wheatland record states history of ownership is unknown between maker and donor. Research shows most Rynards lived in Cumberland Co.
Soil and multiple scattered stains overall, esp. on back. Significant holes on front. Wide binding is worn at edge and fraying. Many seams deteriorating and separated.
Carved teak(?) 2-pedestal desk of three parts. The two pedestal bases have 3 drawers on one side only & false drawers on the other. Desk section rests on top of bases. Extensive carving over most surfaces: variations of grapes, vines & leaves. Desk section has long center drawer w/ 2 short side drawers; opposing side has matching "dummy" drawers. All functioning drawers are one side only. All drawers have wood pulls. Flanking drawers in bases are tapering pilasters (split columns) with vine and grape leaf carving. Bottom of bases has gadrooned edge with egg-and-dart carving. Both bases sit on 4 bun feet w/ some carving.
Worn finish, with some areas very "weathered/sunbleached", especially lower sections of bases below dummy drawers. Some areas of liquid staining. Desk top also has wear and marring with one chipped corner and a long crack extending in from right end. One drawer pull missing. Drawer slides resurfaced
Object ID
2013.008.017
Notes
A private gift from an acquaintance in India to President-elect James Buchanan. Buchanan used it in the White House.
Place of Origin
India
Credit
Gift of the Family of Eleanor N. Henry (John D. McNeill Jr., Mary Catherine Henry West, James Buchanan Henry IV, and Elizabeth Henry Richardson)
Serpentine-back, enclosed arm sofa, Louis XV (Rococo Revival), has yellow upholstery, finger-molded exposed frame of rosewood or mahogany and a rounded back crested with central cartouche of high relief carved fruit and leafage. Outline of rounded back slopes down to rounded shoulders that descend and curve back in to arms that enclose the sitter. Low arm rests have upholstered arm pads. Cyma-curved arm supports extend to short cabriole legs at front. Square, curving legs at back. Serpentine seat front and serpentine lower outline of seat frame.
One of a pair of Empire side chairs (with 2013.008.22) with yellow upholstered seat and cherry wood frame. Elements of entire frame are flat with rounded fronts. Back uprights have slight cyma curve, surmounted by a long, wide concave tablet. Tablet has low relief foliate carved ends while most of face is covered with a panel of mahogany veneer. Tablet extends beyond back uprights. Horizontal splat at center of back is pierced carved with a central rectangle flanked by half-moon carved shells, and is then supported by paired, loosely scrolled lyre-like "legs" that attach to chair posts. Trapezoid slip seat upholstered in an ivory cotton brocade. Front legs have a slight cyma curve.
One of a pair of Empire side chairs (with 2013.008.21) with yellow upholstered seat and cherry wood frame. Elements of entire frame are flat with rounded fronts. Back uprights have slight cyma curve, surmounted by a long, wide concave tablet. Tablet has low relief foliate carved ends while most of face is covered with a panel of mahogany veneer. Tablet extends beyond back uprights. Horizontal splat at center of back is pierced carved with a central rectangle flanked by half-moon carved shells, and is then supported by paired, loosely scrolled lyre-like "legs" that attach to chair posts. Trapezoid seat. Front legs have a slight cyma curve.
Empire side chair of walnut with yellow upholstered trapezoid seat. Elements of entire frame are flat with rounded fronts. Both front legs and back uprights have slight cyma curve. Scroll-cut and carved wide crest rail with concave shape. It is faced with bookmatched crotch veneer, with kidney-shaped handhold at top center. Outline of two C-scrolls flank hole along top. Paired cyma curves form outline of bottom edge. Rounded ends. Scroll-cut horizontal splat is pierced with low-relief carved confronting C-scrolls at center and scrolling "legs" extending to chair posts. Bowed front seat rail and flattened cabriole front legs.
Walnut rocking chair has caned back and seat. Frame of oval back is finger-molded and is connected to seat frame by two curving legs. Cyma-curve short, low arms connect oval back to seat, with foliate carving at top end. Seat frame is a rounded "D" shape with round outside edge. Ring-turned legs are all connected by a baluster-turned stretcher and sit on rockers with front ends barely extending beyond the front legs.
Portrait of James Buchanan, painted by William McMaster. The artist painted this as a copy of his July 1856 Buchanan portrait after the General Election in November 1856. This portrait was commissioned by the Empire Club, which was a powerful political organization in New York during the mid-19th century. Captain Isaiah Rynders was the founder of the Club; his "sluggers" committed voter intimidation and election fraud on behalf of Tammany Hall throughout the 1840s and 1850s. The Empire Club purportedly paid McMaster $1,000 (equal to $28,571 today) to paint a copy of McMaster's July 1856 Buchanan portrait. This copy was hung in the Capitol Rotunda when Buchanan took office; however, at some point during his term, as his popularity began to sink, it was removed. Mounted in a Rococo Revival gilt wood and gesso frame with ornamental projecting corners featuring ornate scrolling foliage patterns with centre repose engraved with sculptural shells & acanthus leaves and fleur-de-lis patterns.
Wheatland the Country Residence of Hon. James Buchanan
Description
Color lithographic print of "Wheatland the country residence of Hon. James Buchanan Published by Edwin Clark Lancaster Drawn by J.F. Reigart." The lithographic print is framed in a 19th century gilded art frame.
All cotton quilt, on point blocks have pieced 8-point star blocks that alternate with blocks of a woven pattern blue with a grid of white lines. Stars are small scale floral print of pink with tiny white flowers. White ground is a very loose weave composed of multiple pieced panels. White outside border is 11" wide on one end and 7.5" wide on the other three.
Hand-quilted with white thread in a small scale grid aligned with blocks.
Back is a loose weave arranged with wide strips of white alternating with strips of a large, bold red print of branches and large flowers. Six white strips are 8.5 - 9" wide; 5 printed strips and 7.5" wide. Back is brought forward to front to created binding. Thin battiing.
Inscription: On front quilt corner is "HM6? handwritten in ink.
Overall fading and deterioration, especially in pink floral print which is consistently riddled with small holes where white flowers have deteriorated. Some small holes in blue fabric, 1/8"-1/4" big with fraying. General soil, scattered stains and acid burn, especially at fold lines and borders, as well as sections of back..
Quadruple looped chain with ring on end; sliding metal bead, turned and molded; chain looped through ornate, thick ring around larger, thinner double ring connected to handle of signet. Ornate piece with scroll, acorn, foliate, and cabbage rose motifs. B
Provenance
said to have been worn by Buchanan during his Presidency. Given by Miss Mary Kittera Snyder to the donors. Mary was thought to be Buchanan's intended for marriage in the 1840s. She or her sister became postmistress of Selin's Grove PA. where the donors l
Engraving of James Buchanan. Simple rounded front rectangular frame. Print is on paper showing bust of James Buchanan in white tie, high collar, dark suit, lighter vest. James Buchanan's signature at bottom with 'President of the United States' below.
Lithograph signed Print of Queen Victoria from painting by F. Winterhalter. Black ink, oval background. Victoria-body is 1/4 to her left, head front. Wearing crown, drop jewel earring, large stone necklace. Shoulder gown in trimmed with fur. Mounted in a The frame is a gilt decorated wood frame. Signed "Victoria R."
F. Winterhalter painted the original. J. A. Vinter, engraver. Day & Son, lithographer.