Portrait of Ellen Mary Armstrong, by Arthur Armstrong. Seated girl with dog in interior with tall window at back. Young girl with short brown hair parted in center and curls in front. Dark brown eyes. Seated with hands in front and leges extended to right. White off the shoulder chemise with bows and lace at shoulders. Holding small basket of variety of pink flowers. High top footwear with blue foot and white cuff. Right shoe removed and lying on floor. Flowers on floor beside shoe. Seated on large round blue cushion. Folds of peach blanket under left leg and lying on floor at front right. Small spaniel type dog sitting upright on haunches, holding a daisy in mouth. Overal seated on block patterened bedspread or floorcloth. Three at left? Background is mottled brown. Window at right has night scene of street. including 2 prominent church steeples (possibly East Orange looking east toward First Reformed and Presbyterian Church).
painting dimensions are 30.25in High and 25in Wide.
Condition
Good
Condition Date
2017-08-01
Condition Notes
Extensive craquelure. Two rectangular canvs pathces on reverse -- one at hair and above head, second patch below pink peopny on dress (reparied tear?) Frame painted gold excpet for three sections of face molding. Onverall wear with streaking and mottling. Inner gilded edge has multiple hairline cracks across its length; now quite darkened. Back uncovered; painting secured with eye screws. Brass plaque at bottom of frame reads "Ellen Mary Armstrong/1843-1846/Armstrong"
Frame: expected moderate wear to gilding with abrasions and smalll gesso chips. Short dark cracks on inner edges on all four sides.
Oil on canvas portrait of seated man, body facing right, head nearly front. Dark hair, ear length, no part. Brown eyes, prominent nose and chin. Black coat and waistcoat, white shirt with down turned collar. Black neckwear. Both and hold red book seated in red upholstered armchair. Formal garden and sky visible at left behind red curtain with gold fringe and tassel. Portrait of woman with palette and brushes below right. Probable stringed instrument at lower left. Brass plaque reads: "James thomas Armstrong/1828-1848/Armstrong." Frame is 4 in wide molded profile with gilding.
Frame: 4" gold Sully-type, surface dirt and mildew stains throughout, minor losses throughout.
Frame conservation needs: Surface clean, touchup and regild.
(eta, VAP 08/04/2017) Fiar. Canvas detaching from stretcher at right side, especially at bottom corner where canvas is buckled an torn from stretcher. Irregular puncture tear is 2in wide and 3.5in high at upper right of head. Divets at upper right side to left of very center and at edge of coat near shirt, streaks of paint lass at left, top and right, white spot lower left. Overall dark and hazy. Mold spots at lower left. At upper back are moisture stains. Cellophane tape repair at tear. Frame: fair. gilding is darkened with alligatoring and mold spots. Gesso losses and strong chipping at outer edges. Left outer side has moisture stains with mold and stains across bottom.
Amanda Haldeman Armstrong, this is a companion portrait to Elizabeth Groff Armstrong. (Identifications based on names on brass plaques, which were probably added for a 1989 exhibition. At least a few of the identifications are unclear/questionable/contradictory. Aug 1 2017, VAP)
Oil on canvas portrait of seated woman facing slightly left. dark hair, center part, curled at sides and gathered at back of crown. Brown eyes. Pendant earrings have stone. Light colored wide necked dress with pleats over the soulders and center front. Pink rose at center of collar. Hands clasped on lap. Ring and bracelet with stone on left arm. Tan or yellow fringed shawl end held across lap and draping over forearm to bottom right. Another shawl held across lap and draping over right arm. Upholstered reddish chair seen at right. Large reddish drapery with fringe and tassel covers background and is pulled back to reveal window at left wiht outdoor scene. Brass plaque reads "Amanda H. Armstrong/1830-1913/Armstrong." Frame is 4in wide with molded profile and gilding.
Painting: Poor, 3 previous silk patches on back, surface grime, 15" tear lower center, 13" tear left center, 5" tear right center, some minor paint loss throughout.
Frame: Poor/Fair, 4" Sully-type gold frame with plaque on bottom, mildew damage and minor losses throughout.
Frame conservation needs: Surface clean, spot patch and gild.
(eta, VAP, 08/02/2017) Poor. Sagging loose canvas with dark grime overall. Some craquelure in lower half of cnavas. Large 4in irregular hole with extended tears at arm and bracelet. 15in long verrtical tear with 3.5in offshoot tear at left in window area. Irregular tears 3.5in by 1.5in at conter right. Adjacent area of white paint is 8in by 4in. Smaller L-shaped tear at bottom right is approx 1.5in x 1.25in. Back has 3 silk patches. Frame: fair to good. very dark stain under plaque at edge. Multiple gesso chips at all edges. Gilding somewhat darkened overall with scattered dark blotches.
O/C self-portrait of artist. Facing right front head turned toward viewer. Half length sitter wearing black suit with white shirt, black tie and gold chain. Dark hair parted on sitter's right with long sideburns seated in reddish chair, elbow resting on arm. Craquelure near sitter's right hand. Loss and repairs.
"A. Armstrong/Artist/Lancaster, Pa." is stencilled on back of canvas.
Provenance
Ptgs. owned by Hovey Gleason as of 1975. Owned by Dr. Irwin Richman in 1980s at the time he wrote Armstrong article for Magazine Antiques. Ended up at Conestoga Auction of Hess Auction Group a year or two ago where they were purchased by P. Sullivan. Seller states he cannot find receipt & ptgs.; they were an anonymous consignment to auction.
Seller states pair of ptgs. were restored in April 2017 by Jeff Rouse of Pittsburgh.To receive a treatment report would have cost extra, so it was declined, hence we have no record. Rouse now has a significant illness and is has closed his business.
Overal good condition. Canvas over board. Damage to right of index finger. Residue over second joints of 3 fingers. Damage forward of sitter's right elbow. Poor inpainting and above forearm. Poor color match on rear armrest of chair. Repaired tear over right eye. Brown kraft paper on back. gold paint covers gilding. Top at left is scraped, large .25in loss on right side. Bottom right has gesso loss.
Object ID
2017.008.1
Related Item Notes
Half of a pair. 2017.008.2 is protrait of artist's wife.
O/C portrait of artist's wife, Harriet Wentz Armstrong. Sitter facing slight left, face forward, brown to black hair parted at middle. Brown eyes, long gold earrings, long gold lariat necklace with gold piece at neck, curls on lap. White sheer lace neckercheif. Pinned at neck with black and gold brooch. Black pleated long-sleeved dress with drop shoulders and heavily boned bodice. White, sheer handkercheif held at lap. Sitting on red upholstered armchair. Background has various browns.
"A. Armstrong/ Artist [?] Lancaster, Pa." is stencilled on middle of back of canvas.
Provenance
Ptgs. owned by Hovey Gleason as of 1975. Owned by Dr. Irwin Richman in 1980s at the time he wrote Armstrong article for Magazine Antiques. Purchased by P. Sullivan from Conestoga Auction of Hess Auction Group a year or two ago. Seller states he cannot find receipt & ptgs. were an anonymous consignment to auction.
Seller states pair of ptgs. were restored in April 2017 by Jeff Rouse of Pittsburgh. To receive a treatment report would have cost extra, so it was declined, hence we have no record. Rouse now has a significant illness and is has closed his business.
Canvas over board. Condition is very good. Left edge, shoulder height and below has 5 dark discolorations, upper left corner has 2.5in color stripe, upper right corner background has light paint loss on raised granulations. Slight paint loss across nose to left eye. Dark spot of infill at right, under ear, on neckerchief. Dark varnish drip on cheek to left of nose. Frame: gold paint over gilding.
Oil on canvas. sitter facing slightly left, face nearly full forward. WIhite upright collar, black stock/cravat, black hihg =, bold collar, black coat. Brass plaque on frame reads "Arthur Armstrong/ 1798-1851/painted by himself." Stencil on back: "A. Armstrong artist." Stretcher is mostise and tenon with keys (2 missing) Back uncovered; painting secured with mending plates.
Painting condition: Fair, previously lined, some minor paint loss, heavy crackliture, minor paint loss on nose and cheeks and background lower left
Painting repair: face painting, reline, remove varnish and revarnish, minor inpaint
Frame condition: Painted gold frame
Frame repair: none needed
(eta, 08/08/2017, VAP) waxy surface on back extensive craquelure stretcher lines about 1.5in from frame edges. Ear lobe paint color somewhat inconsistent. Alligatored micro-craquelure. Vertical paint loss along frame edge ar lower left. Small dark spots around upper right, one at left side of head.
Seated man facing slightly right with left arm draped over chair. Dark hair parted on sitter's left side, sideburns, thick eyebrows, brown eyes. White shirt with small collar, black neckwear. Black coat and waistcoat. Reddish chair/bench. Brown background. Cnavas back ahs stencil at center: "A. Armstrong/Artist/Lancaster, Pa." "Feb. 1846" painted underneath. Frame: wide mostly flat molding profile; gold paint. Stretcher is mortise and tenon with keys.
Painting repair: humidify, line, remove varnish, minor inpainting, revarnish
Frame condition: Poor, painted gold
Frame repair: repair compo, touch-up
(eta, 08/07/2017, VAP) Very Poor. Canvas detached from top and right side. Extensive craqulure. Visible stretcher line. Two .25in areas of paint loss to left of face. Torn trips detaching from canvs edges. heavy graime. Back has square patch at very edge of center right. Frame: fair. worn and soiled surface. Gesso losses along front edge. At top left miter joint tip of left frame part is missing.
Name written in cursive in ink on back of canvas is smeared: "(first two names illegible) Lipp." Appears to be Henry Gottlieb Lipp (1825-1920). He would have been
On sticker: for Lanc. Hist Society Lola D. Violet Lipp (or probably daughter Ida V. Lipp, b. 1856 d. 1930)
Stenciled on back canvas: "A. Armstrong / Artist" and written in ink below is "1850."
Oil on canvas portrait of man facing slight right with face toward front. dark ear length heair, heavy eyebrows, sluish grey eyes. Black coat and waistcoat, black neckwear with bowtie ans hite shirt with upturned collar. Gold watch chain attached to waistcoat butto hole. hands o lap, left hand holds book. Seated in wooden chair with red upholstery. Blue drapery upper left corner. Sunrise or sunset over a river at right side. No frame.
Provenance
Owned by Lola D. Violet Lipp (or probably daughter Ida V. Lipp, b. 1856 d. 1930)
(eta, 08/08/2017, VAP) Dark with heavy grime, puncture with paint loss as well as two heavy dents with paint loss at upper left wear and paint loss concentrated along side edges. Loose canvas. No frame.
Object ID
1930.007.1
Notes
Henry G. Lipp (10 Jan 1825 - 20 Aug 1920) was born in Wurttemburg, Germany and came to America at age 13. He died in Lancaster. He was a tinsmith in Lancaster City for 55 yrs.
He was one of the original stockholders in the Hamilton Watch Company and covered half the roof over the first factory. He was married to Margaret E. Dietrich. His obit. (in file) notes two daughters survived him: Ida V. Lipp, at home, and Mrs. J.D. Shields (Alice) of Harrisburg.
On tag: James Armstrong Sr., father of Arthur Armstrong
Oil on canvas portrait of man facing slightly right. Dark brown hair and sideburns, gray eyes, black coat and waistcoat, wide white neckwear, white shirt with upright collar. Right hand holds a letter. Red upholstered chair at back left. Dark background with craggy hills and evergreens in front. Vertical seam at center of canvas back. Brass plaque reads: "james Armstrong, Sr./DIED Nov. 4, 1831/Father of the Artist." Frame: 4.75in wide molded profile, gilded.
Frame condition: Poor, gold, bottom rail split horizontally, minor compo loss throughout, on plaque: James Armstrong died November 4, 1831 by A. Armstrong
(VAP 08/03/2017 eta) Dark with grime. may dents occured from back. Tear with puncture on waistcoat collar. Paint loss in extreme upper right corner and another loss about 4in below and left of corner. Large half inch area of paint loss at bottom center and another on sitter's thumb. Frame: soiled with worn gilding and dark areas. Separated miter joints. Heavy longitudinal crack across frame bottome. Multiple gesso chips at outside edges. Tow L-shped mending plates at bottom miter joints on back. Strips of foamboard and matboard stapled to sides of stretcher. Canvas secured with mending plates.
oil on canvas portrait of two standing girls. Taller girl faces slightly right; shorter girl's body faces sister, embracing her waist, while face is turned sharply to nearly fully front. Tall ggirl has light brown hair with center part, tied with blue bows at back. Gray eyes. Multiple strand coral beaded necklace and gold hoop earrings. Blue wide necked dress with elbow length sleeves and buttons on sleeve cuff ans well as down front of dress. Skirt is pleated with 3 flounces. Lace trim at neckline and sleeve edge. lace blooms show below blue skirt. Red shoes with lback toe. younger girl has brown hair with center part. Multiple strand coral beadednecklace. Same ensemble only pink. Bows at shoulder. Older girl has flowers in right hand and corner of gold fringed shawl that drape down to bottom right. Basket of flowers at lower left. Large trees behind and to right of girls. Pastoral scene in distance through an open gate at background. Back has paper sticker at upper left "ART 64/120" Canvas stamped "A.Armstrong/Artist/Lancaster, Pa." "1849" painted below.
Painting: Oil on linen, Fair/Good, canvas sagging, cracking throughout, some paint loss in faces, abrasions.
Painting conservation needs: Surface clean.
Frame: None.
Frame conservation needs: None.
(eta, 08/08/2017,VAP) sagging cavas; semi-gloss, sheen on overall surface. Four areas of paint loss along older sister's nose on forehead and shoulder of younger girl and fourth loss at center right, approx. 3in from edge. Canvas edges worn with paint loss. Electrical tape covers all outside edges of stretchers. No frame.
Sir Walter Raleigh parting from his wife, imprisoned in the Tower of London
Oil on canvas historical painting depicts Raleigh standing with distraugt woman. Guard stands at rear left near open stiarway. Desk covered with books , a globe, etc. Hand cuffs on floor. Brass plaque reads: " Sir Walter Raleigh/Imprisoned in the/ Tower of London/Armstrong." Back of canvas inscribed at bottom in cursive"Arthru Armstrong Artist/Lancaster, Pa./1849/SIr Walter Rolley parting from his wife"
Stormy scene; water in foreground, land to center, back and left. Norman Castle is on top of cliffs. Two smaller buildings at shore level below castle. Wrecked ship against cliffs. Four smaller figures on cliff. Sea is rough with high waves.
'Chepstow (Beaufort Arms; George), a town with 2,953 inhabitants, on the west bank of the Wye, is a station on the G.W.R. and a good centre for excursions.
Inscription Type
Paper Tag
Frame
H: 49.50 inches x W: 63.25 inches. Rococo Revival gilt wood and gesso
Object Name
Painting
Material
Paint/Canvas/Wood
Medium
Painting, Oil
Height (in)
49.5
Width (in)
63.25
Condition
Good
Condition Date
2003-10-21
Condition Notes
Paint is cracking in areas
Object ID
W.1950.003.001
Notes
Text Found on Reverse of Painting- 'Chepstow (Beaufort Arms; George), a town with 2,953 inhabitants, on the west bank of the Wye, is a station on the G.W.R. and a good centre for excursions.
Oil painting of person walking on road toward river where 3 sailboats are visible. Red and yellow leafed trees with hill on opposite side of river visible in background. Painting on piece of highly acidic wood. On reverse "EICHOLT PAINTING FROM PONTZ ESTATE." Frame is three eighths inches with gilded top/front surface and one eighth inch curved bevel.
Oil painting of fall colored trees on land jutting our into river. Two small white sails on water. backed on a piece of highly acidic wood. Frame is three eighths inches, gilded top/front surface with one eighth in curved bevel.
Unframed painting of Buck Henry reportedly done by this third wife, Margaret Grote Elliman Henry. Appears to be acrylic paint w/ thin varnish coat. Subject is seated in a wicker chair, facing viewer's right. He is a white-haired gentleman with moustache, dressed in a black suit, smoking a thin cigar. Left leg crossed over right. His eyes are closed or nearly so. A dark background except for wall at right
Stylized monogram painted at lower left corner.
Provenance
Margaret Grote Elliman Henry (1880-circa 1964-65) to Pamela Henry to grand-niece Louisa Dent (donor).
Chipboard paper somewhat cupped laterally, esp. left side. Painted surface has thin semi-gloss coating of varnish. Remnants of raised narrow paper strips adhered to perimeter of ptg.; bottom strip missing. Reverse has scattered foxing.
Unframed watercolor portrait on paperboard of Louisa Anderson Henry (1848-1886), 2nd wife of Buck Henry. Within a shaded oval, subject is painted from waist up, facing a quarter turn to viewer's left. Long brown hair is contained within a large net tied at top with a bow. Hair net appears to be dark brown gouache. Checked dress has gauzy white collar pinned at front with a brooch.
Inscription: Signed in pencil at left edge near bottom corner with "Brady / N.Y."
Provenance
Passed to Pamela Henry (b. 1923) daughter of Buck's youngest son, Frank Anderson Henry; then to grand-niece Louisa Dent, donor.
Paperboard has age-darkened buff paper covering the front, now brittle and broken/cracked into multiple pieces. Appears to have been repaired with glue. Additional residue from adhesive at each corner, with traces of white paper attached (painting apparently had a cut-out overlay framing oval, since detached). Same adhesive residue w/ white paper at top of reverse.
Object ID
2015.028.2
Notes
Thought to have been painted by artist James Buchanan Henry who was her husband. (Patrick Clark)
Unframed watercolor portrait on paperboard of Louisa Anderson Henry (1848-1886), 2nd wife of Buck Henry. This is a copy of the original, 2015.028.2, by an unknown artist.
Subject is painted from waist up, facing a quarter turn to viewer's left. Long brown hair is contained within a large net tied at top with a bow. Checked dress has gauzy white collar pinned at front with a brooch. Blue-tinted background. Done apparently in watercolor and possibly colored pencil. Painting is rendered on an oval paper pasted onto a paper-covered paperboard. Oval painting is circumscribed by a penciled oval.
Inscription: In right bottom corner is written in pencil: "Copy by." over an illegible signature
Provenance
Descent within Henry family to home of Reginald Buchanan Henry (Buck's second to youngest son) to his grand daughter Louisa Dent (donor).
Watercolor portrait of James Buchanan in profile, facing left. He wears a black coat and waistcoat, pale tan shirt with high, very white collar, and soft tie or cravat. His white hair is styled high at the crown and combed back on the sides. Very pale blue eye. Delicate grey and tan washes over background. Portrait is an 8.75in x 6.75in oval created by reverse painted glass. The glass is painted black with gold semi ellipses and diamonds arranged to create a sunburst like effect. The glass is 10in x 8in.
The reverse is inscribed "James Buchanan drawn from life at Wheatland February 10th 1866." Inscription is under a 10.75in x 8.75in piece of glass that has been built into the back of the frame. Some damage has occured from nails scratching the back of the frame upon hanging.
The frame is 3in wide, painted gold in alternating bands of shiny cool toned gold and matte or brushed warm toned gold. Losses around the edges reveal plaster, ochre and black or dark grey paint under the gold. Top edge of the frame is black either from paint or dirt.
Provenance
Descended in an Eastern Shore, Maryland family, purchased in 1948.
overall dimensions provided. See description for component dimensions.
Condition
Good
Condition Date
2016-05-11
Condition Notes
loss of gold paint on outer edge of frame. Dents and chips on frame. Discoloration on gold frame, possibly from tape or stickers. Loss of paint on glass at left side and upper right corner.
Pastel of Hazel Dell Brown (1892-1982) by Florence Starr Taylor. Brown was former chief of interior designer for Armstrong for 36 yrs (1921-1956) and lived in Lancaster. Signed in pencil at bottom right corner: "Florence * Taylor".
Inscription on home-made brown paper envelope attached to paper backing is: "To Richard Hopf from Hazel Dell Brown 1975". Envelope is empty. Paper sticker at top of Stack's Art Shop on W. Walnut St., Lancaster.
