Oil on canvas. woman seated facing slightly to right wiht head facing more forward. Left arm draped over chair back. Brown hair parted at center, wearing low crowned cap with elaborate bows and lace coering ears to neck. Gray green eyes. Black pleated dress with stiffening around waist, v-neckline with embroidery or lace collar. Wrapped in soft grey shawl with left hand exposed. Low backed chair is reddish. Background is various browns. Stencil on back: 'A. Armstrong/Artist/ Lancaster, Pa." "1845" painted below stencil. Frame: wooden with multiple stepped profile on molding. Gilded.
Extensive craquelure. Raised stretcher line. Sagging canvas top left and left side. Scattered dark spots across right 2/3. Frame: good overall with worn gilding and inpainting and soil. Minor chips at outside edges. Back uncovered. Mortise and tenon stretcher with keys; some missing or replaced. At left bottom miter joint, a strip of gesso crack filler is loose and pressing against canvas.
Object ID
2009.020.1
Credit
Given in Memory of Marsha Sener Schuyler by Janet Godfrey Alspach and Gretchen Godfrey
Scherenschnitte, freehand cutwork on light cream-colored wove paper folded horizontally, vertically, and diagonally, then cut out. Rectangular form is centered with an 8-lobed flower made of four hearts enclosing smaller hearts & a medallion with inscription Surrounded by figures of boys and girls as well as birds and hearts. Colored w/ red and blue paint/gouache and some details in blue ink.
Scotland area, Greene Twp., Franklin Co.
Handwritten in blue at center is: "Margarert [sic] Elizabeth / Farner / A present / By John Farner / March 11th 1854" Made for sister Margaret when John was age 11. Similar one is owned by Jim Gergat, done by Farner in 1854 for Isaac Shetter in Green Twp. in Franklin County. Jim has a photo of recipient Shetter. He owns an additional cutout w/ no written presentation. Gergat states Farner was a Civil War veteran and is buried in Centerville, Cumberland Co. (at intersection of Rt. 174/Walnut Bottom Rd. and Rt. 233 & associated w/ Centerville Lutheran Church, Carlisle).
Provenance
Given by Mr. and Mrs. Richard Flanders Smith to the Lancaster County Historical Society with the understanding that it would become part of the collections of The Heritage Center Museum with the establishment of that institution.
Small brown spots overall, especially in top half. Larger brown stains in top left area and central design; possibly faded brown coloring.
Matted and framed by conservator Brian Howard of Carlisle in 1996
Object ID
G.77.50.3
Notes
Earnest, Fraktur: Folk Art & Family, 1999, p. 118.
Informed 1-9-12 by Jim Gergat, former York Co. H. S. curator, of identity of John Farner. See photocopies of his two Farner cutouts in file. Gergat's phone # is (610) 473-0137.
Slide #27-2-10 and Transparency file under "Fraktur" #18.
Removed from Masonic Lodge Fraktur exhibit early 2008.
Exhibited Landis Valley Museum, scherenschnitte exhibit curated by Irwin Richman, May-Dec. 2008.
Place of Origin
Greene Twp., Franklin County, Pennsylvania
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Spiral labyrinth, watercolor and ink on wove paper, signed by John A. Landis (15 Sep 1777 - 8 Mar 1862) of Lancaster City. Within a line border is a compass-drawn large circle filled with interwoven near-circles (paths of labyrinth) emanating from another center circle that is in turn filled with compass-drawn floral decoration. The near-circle pathways have text written within, beginning at the top with the words, "What is a gentleman?" Leafy vines with flowers fill the corners outside of the large circular labyrinth. Two distelfink-type birds are perched on lower vines. At bottom center is a heart in which vines are anchored. Within heart are 4 lines of neatly printed English: "Made By/ John A. Landis in the/ Year of our Lord 1852/ in the Seventy Fifth/ Year of his/ Age."
Reverse side of frame has two stickers; the top one reads: "MSC/ #135" and the lower one reads: "T76.10.37/ (MSC - 135)."
Unusual -- believed to be the only hand-done Lancaster City fraktur known. Samuel Baumann is the design source for Landis's birds, flowers and hearts. Baumann produced printed fraktur in Ephrata in the early 19th century. See NOTES
Provenance
Provenance: Dealer Hattie Brunner to Dr. & Mrs. Donald A. Shelley. Shelley collection sold at auction (Pook & Pook), Oct. 2004 to Heritage Center.
Paper is darkened overall; watercolored words of labyrinth are blurry and often illegible.
Object ID
P.04.45.1
Notes
According to Landis family genealogy & other sources, Landis operated a museum in Lancaster City at several successive locations. Article in Lancaster Gazette, 1825, lists detailed changes & additions Landis made to the museum.
Landis married twice, leaving no children and is buried in Shreiner's cemetery (tall monument along Mulberry St. side). The 1850 Census records him living, at age 72, with his wife Sarah in a hotel kept by Henry Nauman. He is also listed in the 1860 Census but of course gone by 1870.
Labyrinths have been made in various forms for centuries, traditionally of a spiritual nature. According to Michael Bird, "The labyrinth had pre-Christian roots in the worlds of Crete, Greece and Rome..." Landis's labyrinth is unusual in that it is not rooted in a spiritual or Biblical theme, but instead focuses on moral character. This compass-drawn design is not traditional Pa. German; it is likely Anglo-inspired.
This labyrinth was illustrated in Donald Shelley's "The Fraktur-Writings of Illuminated Manuscripts of the Pa. Germans", figure #223. See Klaus Stopp's The Printed B&BCs of the German Americans, Vol. II, pp. 208-217, for fraktur printed by the Baumanns of Ephrata. These show the source of motifs used in this labyrinth.
Painted portrait of John Pearsol by Arthur Armstrong. Seated man faces slightly right. Dark hair parted on his right. Clean shaven except for fringe beard. Grey blue eyes. Black coat, black waistcoat, white shirt, and black bowtie. Reddish chair back visible at left. Dark brown background with blue and pale red at right of arm. Canvas mounted onto masonite. Small envelope pasted to bottom center inscribed "John. H. Pearsol." Paper tape on joint of maosnite and frame.
Cnavs: extensive craquelure Varnish somewhat darkened. Two tiny areas of paint loss at lower left.
Frame streaks of dark brush marks. minor gesso chipping.
Object ID
2013.006.2
Notes
Label:
John H. Pearsol and Cecilia Pearsol
Arthur Armstrong, circa 1847
John H. Pearsol (1818-1887) was a well-known printer for many years in Lancaster County. He was also a reformer. During America's Age of Reform, Pearsol dedicated his life to the Temperance Movement, a widespread, organized campaign aimed at regulating and even prohibiting the consumption of alcohol.
Portrait of Mrs. John Pearsol by Arthur Armstrong. Seated woman facing slightly left. Dark brownhair parted twice, gathered at back of head. Blue grey eyes. Light colored pleated dress with horizontal stripes, lace collar and v neckline. Large rectangluar brooch at neck. long gold chain leads to watch at waist. reddish chair at right side. Dark background. Small empty envelope pasted to bottom of background reads: "cecilia Ober Pearsol/(Mrs. John H.)" Two paper stickers at top right read; " Mister Cochran/ Shand--gen 63 III/Tel. 610651"
Overall condition is fair to good. canvas apparently mounted on masonite. Extensive craquelure. Top third of background overpainted with dark, matte paint; poorly colormatched. Varnish has darkened. possible small patches at lower left.
Frame: fair condition. blotchy gold overpaint. some gesso losses.
Miniature Portrait of William Frazer, son of Judge Frazer in large gold frame. William was a lieutenant in the 3rd Artillery in the US Army in Seminole war. died in Lancaster in 1844. The original of this protrait was painted in 1842 by John Henry Brown and exhibited in 1912. This is a copy of that painting, painted by the same artist in 1844.
Another Miniature of William Clark Frazer was donated in 1976 by Virginia Moore Burk Dwight. See object files for 1976.999
Sand Painting Dedicated to Chaplain/Colonel Christian H. Martin, Jr.
Description
Sand Paintings for the late Colonel & Chaplain, Christian H. Martin, Jr, presented for service in the Air Force.
Within in circular bands of gold and white, 3 stars form a triangle around an eagle perched on a a blue-green shield depicting both a cross on the left and a magen david/Star of David atop two tablets on the right. Colors: teal, blue, white, brown, silver, yellow, black
Some of what is written in ink on the back: "Presented by/ Kirtland AFB/ Chapel Family/ May 1982"...USAF Chaplaincy Seal or Emblem. Until 1940, Army Chaplains were in the Army Air Corps; 1940-47, the Army Air Force until 1947. Dept. of Defense started and we were USAF. Chaplain ? Martin."
"This--very special--done with N.M. sand & given to me at Kirtland AFB, Albuquerque, near Trinity site (!) 1st A-Bomb detonation."
Provenance
Donated by Chaplain/Colonel Christian Hess Martin Jr., USAF Retired, son of LCHS officer and worker.
Small oil painting on paper of Mrs. General (Abigail Ann Bailey) John Steele. Head to waist, Mrs. Steele is seated holding a red bound book in her left hand with right hand crossing her left wrist .Fine detail, especially dots on bonnet fabric and designs on sleeve cuffs. Copy of portrait by Jacob Eichholtz.
She and John Steele married on March 4, 1784. She died two weeks after her husband, on March 13, 1827.
On reverse, written in black ink in cursive: "Property of and loaned by/ Mary Steele Slaymaker/ Mrs.. H.E. Slaymaker/ 149 W. Duke St./Lancaster/Pa."
Oil Painting on paper of General John Steele. Gen. Steele is seated with his right arm on the arm of a chair, left hand on his right wrist. He's attired in a black coat high with high back collar. A high white collar around his neck has a bow tied in the front with a ruffled front.
Adam Reigart Jr. (original catalog description was Capt. John Steele)
Description
Oil portrait on canvas of Adam Reigart, Jr. (1765-1844). (Original catalog description was: "Painted portrait of Captain John Steele by Jacob Eichholtz". This ID correction approved by Tom Ryan).
Half-length male figure, faces slightly to left, gray hair brushed forward over forehead in thin wisps, long sideburns, his left ear visible; white turned down collar, light color waistcoat and white stock and frill. Black double-breasted coat. Plain brown background.
Modern wood frame 1.75" wide, painted black with gold beaded inner edge.
See G.86.09.2 for an identical oil on canvas portrait of Reigart by Eichholtz. (On art racks)
Painting has strong tears and needs cleaning. This is the condition in which it was received. Large irregular tear 7.5" x 4/5" across his left chest & shoulder. Small 1" x 1/2" tear above shoulder. Another irregular tear 2" x 1" on right shoulder. Straight line dent w/ some tearing below this. Another straight line dent 3.5" to left of head.and a 1"-long dent with tear above head. Extensive craquelure, esp. in upper 2/3.
Modern wood frame 1.75" wide is painted black with gold beading on inner edge. Round, blue sticker at top back of stretcher reads: "(W)alnut Lan(e) / Art Shop / German(town) / Philad(elphia).
Birth & baptismal certificate on laid paper. Printed form with central textblock in German within a multiple line border. Infilled and decorated around textblock by Speyer; cross-legged angel at top, pelicans feeding young at sides and flowers at sides and bottom. Watercolors are red, blue, yellow, green and brown.
Infilled for Johannes, son of Valiendein (Valentine) and Eliesabetha (Elisabetha) Bohmer of Brecknock Township in Lancaster Co., born Dec. 13, 1788.
Georg Friederich Speyer (active 1774-1801) used this printed form produced c. 1789 by Barton & Johnson of Reading. See Notes.
General wear with numerous creases and wrinkles; one pronounced vertical centerline crease. Repaired tears, esp at left edge. All edges are ragged and uneven, esp. at right.
Conserved by CCAHA in 1989 (see report in file). Hinged into window mat & back mat. Relaced in its original frame using UF-3 Plexiglas and acid-free cardboard on reverse with a taped mylar dust shield.
Object ID
G.77.50.1
Notes
Printed form by Reading printers Thomas Barton and Benjamin Johnson, circa 1789 (see Klaus Stopp, The Printed Birth & Baptismal Certificates of the Pa. Germans, v. 4, p. 84). Speyer used this printed form for Johannes Bohmer who was born the previous year in1788.
Place of Origin
Lancaster County
Role
Artist
Credit
Gift of Mr. & Mrs. Richard Flanders Smith, Heritage Center Collection
Birth certificate is hand done by artist using design elements from printed fraktur. Multicolor text is enclosed in a central arched arbor w/ flame finials. Text names Christian, a son of Jacob and Barbara (KIndig) Bachman, born 1827 in Lampeter Twp. Two confronting angels flank arbor and 2 additional text blocks of religious verse support arbor. A pavilion at bottom is flanked by blue trees & large colorful pinwheel flowers.
Border at sides and top have colorful, repeating floral/foliate motifs; top is arched. Hearts and flowers fill top corners. Above arbor is a large 4-point stylized star flanked by reclining trees.
Artist uses red, blue, light blue, black, yellow, white, green, orange and brown.
Inscribed on reverse in black ink is "No 4 made by Eli Haverstick 1834."
Provenance
Descent in Bachman family to donor. Two nearly identical birth certificates are known, for older sister Anne, b. 1823 (private owner-Barbara Ann Mable) and younger brother John, b. 1832 (G.96.9.1). Similarity suggests all were made at the same time in 1834.
Bachman family genealogy in file. See info on Christian Bachman in Mennonite Arts, 2002, pp. 56-57.
Conserved by Susan Duhl in 2001. Generally worn and discolored. Repair to edge tears & corner loss. Abrasions & paper fill in top right corner were in-painted with watercolor. Tape at back of top edge is now removed w/ remaining stain. See report in file.
Object ID
G.00.23.1
Notes
Haverstick is believed to be a teacher due to being absent on tax rolls for Conestoga Twp.
Christian Bachman (1827-1901) became a prominent cabinetmaker in eastern Lancaster County, just like his father Jacob Bachman (1798-1867). He married Barbara Buckwalter in 1855. After marriage, he moved to Strasburg where he set up his own shop.
Place of Origin
Conestoga Twp.
Role
Artist
Credit
In memory of Charles Bachman, grandson of Christian Bachman, by his son Charles Bachman, Jr. and family.
Family register for Metzger family, hand-drawn, lettered and watercolored, horizontal orientation on wove paper, attributed to Karl Seybold (arctive c. 1813-1846). Format is the English style of register rather than Pa. German. Framed in molded softwood frame with very dark brown finish.
Within an inked double-line border is a grouping at top of rectangles with text re: parents. Father George Metzger born in Conestoga Twp.(1799-1845) and mother Maria Huber Metzger born in Boro of Strasburg (1804-1890), married 1821. Polychrome flowers surround text blocks. Father was Lutheran, mother (daughter of Abraham and Maria Longenecker Huber), apparently Mennonite (unbaptized as a child).
Below text blocks are 8 circles bordered w/ polychrome stylized flowers. Each circle records birth of a child. Birthplaces indicate pattern of residence:1st child born Lancaster Boro (1824), 2nd & 3rd Lancaster Twp (1827-1829), 4th & 5th in Manheim Twp (1831-1833) and last three in Warwick Twp (1836-1841).
Karl F. T. Seybold came to America in 1806, becoming a school teacher in Northampton Co. by 1813. His desire to join the Harmony Society in Ambridge, Pa. was unfulfilled, so he moved with his wife to Lancaster Co. in the 1830s, reportedly at the urging of his mother-in-law. He taught school and apparently lived in a Menno. community, doing mostly birth records and family registers for them (names like Funk, Hostetter, Herr, Kauffman, Huber, Miller, etc.).
Provenance
Unknown provenance before acquisition from sellers. Earnests do list the source of this fraktur as "Der Kurier" 9/93 p. 4. This is the newsletter of the Mid-Atlantic Germanic Society, published quarterly in March, June, September, and December. It is indexed in the Periodical Source Index by the Allen County Public Library, Ft. Wayne, Indiana and the Genealogical Periodical Annual Index by Heritage Books Inc, Bowie, Maryland
Old cardboard back has mailing label from L.E. Waterman Co. in New York City to W.H. Corey, Jr. of Owego, N.Y. A 12-cent stamp affixed to corner dates from early 20th century.
Paper soiling, foxing and scattered stains overall; significant moisture stains along bottom right border and smaller ones near center as well as along paper edges. Paper has significant spidery, stained cracks extending inwards from both right and left edges, clustered at center. Each side is repaired on reverse with a 2.5" - 3"-wide vertical band of paper tape, causing the dark staining seen at cracks on front. Vertical paper cracks at fold lines extend in from top and bottom. Frame has been recut to current size and has nicks and moderate wear. Corrugated cardboard backing replaced with acid-free board, Dec. 2004..
Birth & Baptismal Certificate for Maria "Temi" (Demmy) printed in German language by "Johann Ritter und Comp." of Reading. Darkened golden oak frame.
Central text within boilerplate border; a putto above, angels standing on clouds at top sides and birds on branches at lower sides. Text infilled by unknown hand states Maria was born Oct. 26, 1806 in Manheim Twp. to Christoph Temi and his wife Catarina, nee Etienne. Maria was baptized May 10, 1807 by Rev. August Miehlenberg and the witnesses were Mathis Wolff and his wife Maria. Infill in printed fraktur hand includes interesting line extensions drawn to fill in gaps
Heavily watercolored with dense reds, blue and green on all images and borders. This version of Ritter's print is one of many variations printed in the early 1820s (see Klaus Stopp, pp. 182-186).
Inscribed "Mary" twice at top of reverse side; once in pencil and once in brown ink with decorative scrolling line surrounding name.
Note: See hand towel (P.04.26.1) done by "Maria Macdallna Damy" in 1836 (Younger sister of Maria). Another nearly identical towel (Plate 14 in This is the Way I Pass My Time) was done by sister Elizabeth Damy in the same year. Both sisters married the following year in 1837, Maria to Henry Fenstermacher, whose initials are on her towel in a central heart. Also included on towel are parents' names "Christopher and Catharine Damy."
Printed by Johann Ritter in Reading, PA; Lancaster County infill by unknown scrivener.
Age darkening & soil overall w/ darkest staining/soiling in upper area. Several small breaks; holes caused by green paint (branch at lower right, upper cornucopia and stalks opposite cornucopia).
