One of two side chairs that loosely follows the 18th century Louis XVI design. Both chairs have gilt bronze beading and foliate ornament outlines on the back crest and horizontal shaped-splat while highlighting the apron and ring turning of the front legs. The seats are upholstered.
One of two Louis XVI upholstered armchairs. Both chairs have gilt and bronze beading and foliate ornament décor on their crests, arms, uprights and aprons. All four legs are surmounted by foliate-decorated blocks transitioning to an urn-shape and ring and beaded ball turnings. They transition to reeds in the middle tapering to additional ring and ball turnings that terminate on brass casters.
One of two Louis XVI upholstered armchairs. Both chairs have gilt and bronze beading and foliate ornament décor on their crests, arms, uprights and aprons. All four legs are surmounted by foliate-decorated blocks transitioning to an urn-shape and ring and beaded ball turnings. They transition to reeds in the middle tapering to additional ring and ball turnings that terminate on brass casters.
Silver serviing spoon with the silver mark for Philadelphia silversmiths Bailey & Co. and Christmas 1864 engraved on the handle accompanied be an engraving on the back of the handle that reads J.B. from H.R.L. (James Buchanan from Harriet Rebecca Lane.) 136 Chestnut St., Philadelphia
Provenance
Lane, Harriet R.
Christmas gift to Buchanan, James
To Johnston, Harriet Lane
To Lane, John Newton (son of James B. Lane) To Fay, Patty Lane (JB Lane daughter)
To Sebrell, Patty Lane Fay (JB Lane granddaughter)
Originally Bailey & Co, the company was founded by Joseph Trowbridge Bailey and Andrew B. Kitchen. It was located at 136 Chestnut Street in Philadelphia, Pennsylvania. In 1840 Joseph’s brother Eli Westcott Bailey, a New York City jeweler and importer hurt financially by the Panic of 1837, came to Philadelphia and entered the firm. The name continued as Bailey & Kitchen. When Joseph died, Eli became the senior partner of Bailey & Co. until he retired in 1867.
Length (cm)
22.86
Length (ft)
0.75
Length (in)
9
Object ID
W.1998.001.003
Notes
Originally Bailey & Co, the company was founded by Joseph Trowbridge Bailey and Andrew B. Kitchen. It was located at 136 Chestnut Street in Philadelphia, Pennsylvania. In 1840 Joseph’s brother Eli Westcott Bailey, a New York City jeweler and importer hurt financially by the Panic of 1837, came to Philadelphia and entered the firm. The name continued as Bailey & Kitchen. When Joseph died, Eli became the senior partner of Bailey & Co. until he retired in 1867.
Open scroll work on rectangular music stand; elaborate lyre-shaped pedal support with two pedals. Three massive legs with ten-faceted tapered legs. Sides of keyboard area scrolled with foliate carving. Around bottom is rope-like molding.
Ames, Kenneth L [ed], 'Victorian Furniture: Essays from a Victorian Society Autumn Symposium', Victorian Society in America, 1982.
Height (in)
37.437
Length (in)
98.5
Width (in)
57
Condition
Good
Condition Date
2022-11-17
Condition Notes
adjusted' piano 5/16/1949
Last cleaning & tuning September 2006
Several strings are broken and the sound board no longer holds its tuning.
Object ID
W.1936.001.004
Notes
Jonas Chickering (1798-1853), whose firm made the piano, began his career as a cabinetmaker in Ipswich, New Hampshire. In 1818 at the age of twenty, he went to Boston and apprenticed himself in one of the town's cabinet shops.
Benjamin E. Heller received the chair from his maternal grandparents, Eberhard Lamparter and his wife Gertrude Hoffman Weidel. This chair and one matching chair were used in Wheatland and when their condition deteriorated they were given to Miss Shirley who worked at the mansion as a domestic servant. Miss Shirley took the chairs to a family friend, Eberhard Lamparter, who repaired them; his wife, Gertrude Hoffman Weidel decorated the new cushions with needlepoint designs. Miss Shirley gave this chair to the Lamparters as a gift; the Lamparters bequested it to their grandson, Benjamin E. Heller, the donor.
Ca. 1850 maple side chair with foliate carved crest and horizontal splat with floral motif carving along top edge. Back side rails surmount saber back legs. Upholstered cushion is fastened to side rails, back and serpentine-shaped apron with rosette decorative tack nails. The upholstery fabric has floral needlepoint decor with a bird center design.
Easgles Nest completed conservation on the image and frame.
Height (cm)
36.195
Height (ft)
1.1875
Height (in)
14.25
Length (cm)
6.985
Length (ft)
0.2291666667
Length (in)
2.75
Width (cm)
41.275
Width (ft)
1.3541666667
Width (in)
16.25
Dimension Details
Dimensions are for frame
Condition
Good
Condition Date
2022-07-21
Object ID
W.1995.015.001
Notes
Based on the pointed waistline of her bodice, this photograph was likely taken in Washington DC while she was the First Lady and before the year 1860. This style was at the height of fashion in the mid-1850s and quickly disappeared in the year 1860, when the straight waistline came into fashion.
Daguerreotype of Harriet Lane. Full bust length view, facing right. Her hair is coiled and pinned back. She is wearing a dark jacket over a white blouse, with a white lace collar. Broach at her neck and long earrings are prominent. Gold matting around image. Image mounted inside of book-type case of black leather and red velvet inner lining. Two hook clasps.
This daguerreotype represents the earliest known image of Harriet Lane, niece of President James Buchanan. This likeness might have been photographed ca. 1845, Harriet Lane would have been about fifteen years old.
American Empire chair; back top rail is a wide concave veneer with gilded decoration surmounting downward sloping arm rests and an urn shaped vertical splat back. The arms are supported by curved uprights surmounting a plain curved apron with an upholstered slip seat. The front legs are flat and shaped in reverse ogee curves with front edges rounded. The rear legs are square and have a backward saber curve.
Provenance
Buchanan, James
To - Buchanan, Edward Young
To - Ewing, Alice C. Buchanan
To - Ewing, Alice B.
To - Niece, Marshall, Cornelia Lausdale Brooke (Mrs. Donnel)
James Buchanan to Edward Y. Buchanan to Alice Cunningham Buchanan to Alice Buchanan Ewing, her daughter. Alice B. Ewing her niece, Mrs. Donnell Marshall / Cornelia Lausdale Brooke, daughter to Cornelia Lausdale Ewing and Robert E. Brooke.
American Empire chair; back top rail is a wide concave veneer with gilded decoration surmounting downward sloping arm rests and an urn shaped vertical splat back. The arms are supported by curved uprights surmounting a plain curved apron with an upholstered slip seat. The front legs are flat and shaped in reverse ogee curves with front edges rounded. The rear legs are square and have a backward saber curve.
Provenance
Buchanan, James
To - Buchanan, Edward Young
To - Ewing, Alice C. Buchanan
To - Ewing, Alice B.
To - Niece, Marshall, Cornelia Lausdale Brooke (Mrs. Donnel)
James Buchanan to Edward Y. Buchanan to Alice Cunningham Buchanan to Alice Buchanan Ewing, her daughter. Alice B. Ewing her niece, Mrs. Donnell Marshall / Cornelia Lausdale Brooke, daughter to Cornelia Lausdale Ewing and Robert E. Brooke.
American Empire chair; the back top rail is a wide concave veneer with gilded decoration surmounting downward sloping arm rests and an urn shaped vertical splat back. The arms are supported by curved uprights surmounting a plain curved apron with an upholstered slip seat. The front legs are flat and shaped in reverse ogee curves with front edges rounded. The rear legs are square and have a backward saber curve.
Provenance
Buchanan, James
To - Buchanan, Edward Young
To - Ewing, Alice C. Buchanan
To - Ewing, Alice B.
To - Niece, Marshall, Cornelia Lausdale Brooke (Mrs. Donnel)
James Buchanan to Edward Y. Buchanan to Alice Cunningham Buchanan to Alice Buchanan Ewing, her daughter. Alice B. Ewing her niece, Mrs. Donnell Marshall / Cornelia Lausdale Brooke, daughter to Cornelia Lausdale Ewing and Robert E. Brooke.
Set of four Renaissance Revival style side chairs. Top rail scroll curved with tight C-scroll at ends. Finger hole is triangular with arrow point inside. Flat finial hangs from bottom of rail. Stretcher is also curved out with scroll work and bell flower. Front legs turned.
Walnut side chairs featuring intricately carved scroll design on the cresting rail. A solid splat extends through the center of the back and joins a horizontal member above the rear seat rail. The front of the skirt is plain with a serpentine shape surmounting fully formed Louis XV cabriole legs with floral motif carvings at the top. Upholstered seat originally had leather; current seat cover is black fabric.
Walnut side chairs featuring intricately carved scroll design on the cresting rail. A solid splat extends through the center of the back and joins a horizontal member above the rear seat rail. The front of the skirt is plain with a serpentine shape surmounting fully formed Louis XV cabriole legs with floral motif carvings at the top. Upholstered seat originally had leather; current seat cover is black fabric.
Walnut side chairs featuring intricately carved scroll design on the cresting rail. A solid splat extends through the center of the back and joins a horizontal member above the rear seat rail. The front of the skirt is plain with a serpentine shape surmounting fully formed Louis XV cabriole legs with floral motif carvings at the top. Upholstered seat originally had leather; current seat cover is black fabric.
Walnut side chairs featuring intricately carved scroll design on the cresting rail. A solid splat extends through the center of the back and joins a horizontal member above the rear seat rail. The front of the skirt is plain with a serpentine shape surmounting fully formed Louis XV cabriole legs with floral motif carvings at the top. Upholstered seat originally had leather; current seat cover is black fabric.
Walnut side chairs featuring intricately carved scroll design on the cresting rail. A solid splat extends through the center of the back and joins a horizontal member above the rear seat rail. The front of the skirt is plain with a serpentine shape surmounting fully formed Louis XV cabriole legs with floral motif carvings at the top. Upholstered seat originally had leather; current seat cover is black fabric.