Amanda Haldeman Armstrong, this is a companion portrait to Elizabeth Groff Armstrong. (Identifications based on names on brass plaques, which were probably added for a 1989 exhibition. At least a few of the identifications are unclear/questionable/contradictory. Aug 1 2017, VAP)
Oil on canvas portrait of seated woman facing slightly left. dark hair, center part, curled at sides and gathered at back of crown. Brown eyes. Pendant earrings have stone. Light colored wide necked dress with pleats over the soulders and center front. Pink rose at center of collar. Hands clasped on lap. Ring and bracelet with stone on left arm. Tan or yellow fringed shawl end held across lap and draping over forearm to bottom right. Another shawl held across lap and draping over right arm. Upholstered reddish chair seen at right. Large reddish drapery with fringe and tassel covers background and is pulled back to reveal window at left wiht outdoor scene. Brass plaque reads "Amanda H. Armstrong/1830-1913/Armstrong." Frame is 4in wide with molded profile and gilding.
Painting: Poor, 3 previous silk patches on back, surface grime, 15" tear lower center, 13" tear left center, 5" tear right center, some minor paint loss throughout.
Frame: Poor/Fair, 4" Sully-type gold frame with plaque on bottom, mildew damage and minor losses throughout.
Frame conservation needs: Surface clean, spot patch and gild.
(eta, VAP, 08/02/2017) Poor. Sagging loose canvas with dark grime overall. Some craquelure in lower half of cnavas. Large 4in irregular hole with extended tears at arm and bracelet. 15in long verrtical tear with 3.5in offshoot tear at left in window area. Irregular tears 3.5in by 1.5in at conter right. Adjacent area of white paint is 8in by 4in. Smaller L-shaped tear at bottom right is approx 1.5in x 1.25in. Back has 3 silk patches. Frame: fair to good. very dark stain under plaque at edge. Multiple gesso chips at all edges. Gilding somewhat darkened overall with scattered dark blotches.
Portrait of Ellen Mary Armstrong, by Arthur Armstrong. Seated girl with dog in interior with tall window at back. Young girl with short brown hair parted in center and curls in front. Dark brown eyes. Seated with hands in front and leges extended to right. White off the shoulder chemise with bows and lace at shoulders. Holding small basket of variety of pink flowers. High top footwear with blue foot and white cuff. Right shoe removed and lying on floor. Flowers on floor beside shoe. Seated on large round blue cushion. Folds of peach blanket under left leg and lying on floor at front right. Small spaniel type dog sitting upright on haunches, holding a daisy in mouth. Overal seated on block patterened bedspread or floorcloth. Three at left? Background is mottled brown. Window at right has night scene of street. including 2 prominent church steeples (possibly East Orange looking east toward First Reformed and Presbyterian Church).
painting dimensions are 30.25in High and 25in Wide.
Condition
Good
Condition Date
2017-08-01
Condition Notes
Extensive craquelure. Two rectangular canvs pathces on reverse -- one at hair and above head, second patch below pink peopny on dress (reparied tear?) Frame painted gold excpet for three sections of face molding. Onverall wear with streaking and mottling. Inner gilded edge has multiple hairline cracks across its length; now quite darkened. Back uncovered; painting secured with eye screws. Brass plaque at bottom of frame reads "Ellen Mary Armstrong/1843-1846/Armstrong"
Frame: expected moderate wear to gilding with abrasions and smalll gesso chips. Short dark cracks on inner edges on all four sides.
Oil on canvas portrait of seated man, body facing right, head nearly front. Dark hair, ear length, no part. Brown eyes, prominent nose and chin. Black coat and waistcoat, white shirt with down turned collar. Black neckwear. Both and hold red book seated in red upholstered armchair. Formal garden and sky visible at left behind red curtain with gold fringe and tassel. Portrait of woman with palette and brushes below right. Probable stringed instrument at lower left. Brass plaque reads: "James thomas Armstrong/1828-1848/Armstrong." Frame is 4 in wide molded profile with gilding.
Frame: 4" gold Sully-type, surface dirt and mildew stains throughout, minor losses throughout.
Frame conservation needs: Surface clean, touchup and regild.
(eta, VAP 08/04/2017) Fiar. Canvas detaching from stretcher at right side, especially at bottom corner where canvas is buckled an torn from stretcher. Irregular puncture tear is 2in wide and 3.5in high at upper right of head. Divets at upper right side to left of very center and at edge of coat near shirt, streaks of paint lass at left, top and right, white spot lower left. Overall dark and hazy. Mold spots at lower left. At upper back are moisture stains. Cellophane tape repair at tear. Frame: fair. gilding is darkened with alligatoring and mold spots. Gesso losses and strong chipping at outer edges. Left outer side has moisture stains with mold and stains across bottom.
Oil on canvas. sitter facing slightly left, face nearly full forward. WIhite upright collar, black stock/cravat, black hihg =, bold collar, black coat. Brass plaque on frame reads "Arthur Armstrong/ 1798-1851/painted by himself." Stencil on back: "A. Armstrong artist." Stretcher is mostise and tenon with keys (2 missing) Back uncovered; painting secured with mending plates.
Painting condition: Fair, previously lined, some minor paint loss, heavy crackliture, minor paint loss on nose and cheeks and background lower left
Painting repair: face painting, reline, remove varnish and revarnish, minor inpaint
Frame condition: Painted gold frame
Frame repair: none needed
(eta, 08/08/2017, VAP) waxy surface on back extensive craquelure stretcher lines about 1.5in from frame edges. Ear lobe paint color somewhat inconsistent. Alligatored micro-craquelure. Vertical paint loss along frame edge ar lower left. Small dark spots around upper right, one at left side of head.
Name written in cursive in ink on back of canvas is smeared: "(first two names illegible) Lipp." Appears to be Henry Gottlieb Lipp (1825-1920). He would have been
On sticker: for Lanc. Hist Society Lola D. Violet Lipp (or probably daughter Ida V. Lipp, b. 1856 d. 1930)
Stenciled on back canvas: "A. Armstrong / Artist" and written in ink below is "1850."
Oil on canvas portrait of man facing slight right with face toward front. dark ear length heair, heavy eyebrows, sluish grey eyes. Black coat and waistcoat, black neckwear with bowtie ans hite shirt with upturned collar. Gold watch chain attached to waistcoat butto hole. hands o lap, left hand holds book. Seated in wooden chair with red upholstery. Blue drapery upper left corner. Sunrise or sunset over a river at right side. No frame.
Provenance
Owned by Lola D. Violet Lipp (or probably daughter Ida V. Lipp, b. 1856 d. 1930)
(eta, 08/08/2017, VAP) Dark with heavy grime, puncture with paint loss as well as two heavy dents with paint loss at upper left wear and paint loss concentrated along side edges. Loose canvas. No frame.
Object ID
1930.007.1
Notes
Henry G. Lipp (10 Jan 1825 - 20 Aug 1920) was born in Wurttemburg, Germany and came to America at age 13. He died in Lancaster. He was a tinsmith in Lancaster City for 55 yrs.
He was one of the original stockholders in the Hamilton Watch Company and covered half the roof over the first factory. He was married to Margaret E. Dietrich. His obit. (in file) notes two daughters survived him: Ida V. Lipp, at home, and Mrs. J.D. Shields (Alice) of Harrisburg.
On tag: James Armstrong Sr., father of Arthur Armstrong
Oil on canvas portrait of man facing slightly right. Dark brown hair and sideburns, gray eyes, black coat and waistcoat, wide white neckwear, white shirt with upright collar. Right hand holds a letter. Red upholstered chair at back left. Dark background with craggy hills and evergreens in front. Vertical seam at center of canvas back. Brass plaque reads: "james Armstrong, Sr./DIED Nov. 4, 1831/Father of the Artist." Frame: 4.75in wide molded profile, gilded.
Frame condition: Poor, gold, bottom rail split horizontally, minor compo loss throughout, on plaque: James Armstrong died November 4, 1831 by A. Armstrong
(VAP 08/03/2017 eta) Dark with grime. may dents occured from back. Tear with puncture on waistcoat collar. Paint loss in extreme upper right corner and another loss about 4in below and left of corner. Large half inch area of paint loss at bottom center and another on sitter's thumb. Frame: soiled with worn gilding and dark areas. Separated miter joints. Heavy longitudinal crack across frame bottome. Multiple gesso chips at outside edges. Tow L-shped mending plates at bottom miter joints on back. Strips of foamboard and matboard stapled to sides of stretcher. Canvas secured with mending plates.
oil on canvas portrait of two standing girls. Taller girl faces slightly right; shorter girl's body faces sister, embracing her waist, while face is turned sharply to nearly fully front. Tall ggirl has light brown hair with center part, tied with blue bows at back. Gray eyes. Multiple strand coral beaded necklace and gold hoop earrings. Blue wide necked dress with elbow length sleeves and buttons on sleeve cuff ans well as down front of dress. Skirt is pleated with 3 flounces. Lace trim at neckline and sleeve edge. lace blooms show below blue skirt. Red shoes with lback toe. younger girl has brown hair with center part. Multiple strand coral beadednecklace. Same ensemble only pink. Bows at shoulder. Older girl has flowers in right hand and corner of gold fringed shawl that drape down to bottom right. Basket of flowers at lower left. Large trees behind and to right of girls. Pastoral scene in distance through an open gate at background. Back has paper sticker at upper left "ART 64/120" Canvas stamped "A.Armstrong/Artist/Lancaster, Pa." "1849" painted below.
Painting: Oil on linen, Fair/Good, canvas sagging, cracking throughout, some paint loss in faces, abrasions.
Painting conservation needs: Surface clean.
Frame: None.
Frame conservation needs: None.
(eta, 08/08/2017,VAP) sagging cavas; semi-gloss, sheen on overall surface. Four areas of paint loss along older sister's nose on forehead and shoulder of younger girl and fourth loss at center right, approx. 3in from edge. Canvas edges worn with paint loss. Electrical tape covers all outside edges of stretchers. No frame.
Portrait of Daniel Tyler Willson (1826-1874). Married in 1848 to Anna Esther Bell Bowman. Willson was the principal owner of D. T. Willson, Bros. & Co., iron founders and manufacturers of agricultural machinery in Harrisburg, PA. Willson was the great grandfather of the donor. Painted and signed by J. Augustus Beck.
The Japanese Kimono (has been listed as "Japanese Print")
Description
Large oil on canvas painting of a seated woman wearing a Japanese kimono, according to the title. The subject is Helen Thurlow, a Lancaster/Greenwich Village-based Pa. Academy of Fine Arts-trained artist & illustrator.
On back: Signed at upper right corner; 2 provenance show labels/stickers from Carnegie Institute, Pittsburgh
Survey done by Tom Ryan and Mike Heberlein states:
Painting: Signed upper right A. Traquair Lang, Auction #124 at lower right. Good condition (Note: Found on 06-28-17, a large 2" long puncture tear to right of subject's face.) Surface dirt, discolored varnish, minor cracking of paint (center right, center area of kimono).
Frame: Fair, minor scuffing throughout, painted gold.
Frame conservation needs: Minor touchup throughout.
Object ID
1951.013
Notes
All info via correspondence w/ writer/researcher Eve Kahn
This painting was exhibited in various shows, including the 1915 Panama-Pacific expo in California. It is pictured in a centennial book on p. 24 installed on gallery #65 wall and flanked by two more of her ptgs. See:
See Objects Photos for above image (in 1915 expo).
Subject Helen A. Thurlow (1889- ?) was the daughter of Thomas and Annie Thurlow of Lancaster, Pennsylvania. She studied at the Pennsylvania Academy of Fine Arts, Philadelphia, from 1904-1912, where Thomas Anshutz was head instructor. He painted her portrait, seated sideways, and the portrait is thought to be during Ms. Thurlow's student years. See:
Portrait of Helen Thurlow, pastel on canvas, c. 1910 by Thos. Anschutz
(Portrait sold by Hammer Galleries, NY, NY.)
Annie T. Lang was painted by her mentor William Merritt Chase in 1911. This O/C ptg. is owned by the PMA & has accession # 1928-63-4. The label reads:
"William Merritt Chase was an early pioneer of Impressionist aesthetics in the United States and enjoyed immense popularity during the late nineteenth and early twentieth centuries. A celebrated teacher, Chase likely first met his protégée Annie Lang (1885-1918) in 1901 when she enrolled in one of his annual summer schools on Long Island. Painted in the summer of 1911 outside Florence, Italy, while Chase was on one of his many extended sojourns in Europe, this portrait of Lang suggests the close, perhaps intimate, relationship between the two artists. The painting incorporates the rich fabrics, ornate décor, and elegant attire that characterize Chase's interior scenes".
Painting of Margaret Katherine Armstrong Kerfoot, from the bequest of Elizabeth Armstrong. Oil on canvas of young girl and dog in pastoral setting. Girl at right side is half reclining with extendedright leg. Slightly facing right. Brown hair center part well defined ringlets. large brown eyes. intense gaze. Long white shift with wide low off the shoulder neckline. Leaning on her left arm. Right hand holding blue shawl, inverted hat filled with peonies. Blue, pointed toe slippers and white stockings. At left is reclining long haired dog; white and brown. Background at right is a tree trun and leafed branches. At left is leafy tree and lake in middle distance. Wooded hills in background. Heavily influenced by Sully. Frame: profile projects forward with bold cove. Black and gold striping in cove and black and gold Greek key design on projecting face. Outer surfaces gold painted.
Extensive craquelure. 8.5in from lower left corner is 1.5in long deep scrape. Several small paint chips along left side. Long scratches from ankle to right hand; also scratch from shoulder to knee. Several lifting paint chips; largest is on crown of hat. New canvas on back indicates relining. Glossy varnish over surface. Frame: fair condition. Cove striping is in very good condition. Greek key design good except for beaded edges which have gesso losses. Outer Frame: left side has gesso losses and loose, lifting strips. (Glue!) Lesser losses other three sides. Painted gold.
Watercolor portrait of James Buchanan in profile, facing left. He wears a black coat and waistcoat, pale tan shirt with high, very white collar, and soft tie or cravat. His white hair is styled high at the crown and combed back on the sides. Very pale blue eye. Delicate grey and tan washes over background. Portrait is an 8.75in x 6.75in oval created by reverse painted glass. The glass is painted black with gold semi ellipses and diamonds arranged to create a sunburst like effect. The glass is 10in x 8in.
The reverse is inscribed "James Buchanan drawn from life at Wheatland February 10th 1866." Inscription is under a 10.75in x 8.75in piece of glass that has been built into the back of the frame. Some damage has occured from nails scratching the back of the frame upon hanging.
The frame is 3in wide, painted gold in alternating bands of shiny cool toned gold and matte or brushed warm toned gold. Losses around the edges reveal plaster, ochre and black or dark grey paint under the gold. Top edge of the frame is black either from paint or dirt.
Provenance
Descended in an Eastern Shore, Maryland family, purchased in 1948.
overall dimensions provided. See description for component dimensions.
Condition
Good
Condition Date
2016-05-11
Condition Notes
loss of gold paint on outer edge of frame. Dents and chips on frame. Discoloration on gold frame, possibly from tape or stickers. Loss of paint on glass at left side and upper right corner.
Oil on canvas. woman seated facing slightly to right wiht head facing more forward. Left arm draped over chair back. Brown hair parted at center, wearing low crowned cap with elaborate bows and lace coering ears to neck. Gray green eyes. Black pleated dress with stiffening around waist, v-neckline with embroidery or lace collar. Wrapped in soft grey shawl with left hand exposed. Low backed chair is reddish. Background is various browns. Stencil on back: 'A. Armstrong/Artist/ Lancaster, Pa." "1845" painted below stencil. Frame: wooden with multiple stepped profile on molding. Gilded.
Extensive craquelure. Raised stretcher line. Sagging canvas top left and left side. Scattered dark spots across right 2/3. Frame: good overall with worn gilding and inpainting and soil. Minor chips at outside edges. Back uncovered. Mortise and tenon stretcher with keys; some missing or replaced. At left bottom miter joint, a strip of gesso crack filler is loose and pressing against canvas.
Object ID
2009.020.1
Credit
Given in Memory of Marsha Sener Schuyler by Janet Godfrey Alspach and Gretchen Godfrey
Several years after Ballen had painted Uncle John's portrait for West Point, many contemporaries claimed was not a good likeness. Ballen then spent some time at West Point and after examining many photographs and having a new sketch of the features of head submitted to our family and approved by them as well as by many contemporaries of Uncle John, he made this master sketch and changed the portrait to conform to it. Uncle R. bought it from him.
This picture was taken in 1913. I paid 7 dollars 34 cents for it. I was 15 years & 3 months old when I enlisted in the year 1864 at which time it was first taken at Carlisle, Penna. John L. Hackman.
Oscar Hackman gave it to me Sarah E. Warner, Nov. 6, 1957. Oscar is 89 years old now [and in] April 1958 he will be 90 years. One son and one daughter of John and Sarah Hackman had. Oscar is John's son, Lizzie Stiner, sister of Oscar, [is] 85 years old 1957.
I was named after John's wife Sarah Elizabeth Neissinger Hackman. My grandma was Sarah's sister, Fiona Neissinger Hollinger. Oscar is the last of [the] family of Hackmans. I am on the Hollinger-Neissinger side of family. Great Aunt Sarah (?), Oscar's mother __ __ is also the discharge of 1865 of John L. Hackman here ___ time 1957.
