Dark Brown Leather, Tan Suede, Stitched Seat. Red, Blue, Green, and Cream Woven Girth. Quilted Padding Underneath. Tulip Motif Painted on Saddle in Red, Green and Brown. Maker's Mark - 'H. Pinkerton, Maker, Lancaster'
Rectangular top inset with brown/black leather. Molded edge, straight flat sides. Two longer sides have two drawers, each with two round concave areas with small knobs at center. Four legs with bun-and-cylinder turned feet. Legs taper down to feet with two buns terminating on the smaller bun foot.
Oval top empire-style table with side skirt. Skirt has beaded top and bottom. Table divides to accomodate four leaves. Four-sided reeded central pillar with two turned feet underneath and four c-scrolled supports. Solid base with four radial, long legs w
Undocumented stories claim that this table was ordered by William Jenkins in 1828, the year he had the Wheatland mansion built, and that it has conveyed to each subsequent owner with the deed. The table dates from the first quarter of the nineteenth century and might attributed to the Bachman cabinetmakers.
Open scroll work on rectangular music stand; elaborate lyre-shaped pedal support with two pedals. Three massive legs with ten-faceted tapered legs. Sides of keyboard area scrolled with foliate carving. Around bottom is rope-like molding.
Ames, Kenneth L [ed], 'Victorian Furniture: Essays from a Victorian Society Autumn Symposium', Victorian Society in America, 1982.
Height (in)
37.437
Length (in)
98.5
Width (in)
57
Condition
Good
Condition Date
2022-11-17
Condition Notes
adjusted' piano 5/16/1949
Last cleaning & tuning September 2006
Several strings are broken and the sound board no longer holds its tuning.
Object ID
W.1936.001.004
Notes
Jonas Chickering (1798-1853), whose firm made the piano, began his career as a cabinetmaker in Ipswich, New Hampshire. In 1818 at the age of twenty, he went to Boston and apprenticed himself in one of the town's cabinet shops.
American Empire style stool has an upholstered adjustable seat finished with green silk velvet. The serpentine apron and urn shaped pedestal surmounts a plinth base with four square legs each terminating on casters. The primary wood, pine, is veneered in walnut.
Rococo Revival writing desk. High relief carved arching crest with acanthus leaf motif flanked by matching finials. A cherub relief face with wings in a recessed arch is seen below the crest, surmounting a storage cabinet decorated with more highly carved foliate and scroll motifs along both rails. The cabinet door is decorated with inlaid woods that form a vase with flowers. The writing desk has a fold-down/pull-out writing surface and four drawers that surmount a central drawer and four highly carved foliate and scroll adorned cabriole legs that terminate on casters and are connected by supports to central finials.
Several broken finials and high relief carvings under central cabinet
Object ID
W.1936.008.001
Notes
From the account of Major Andre, who visited Wheatland in 1888, it can be surmised that the escritoire stood in the sitting room or study. This room was located to the left of the front door in the central section of the house.
Balloon back walnut chairs with serpentine splat. Louis XV style back is rounded and finger molded with no additional carving. Flaring upholstered seat-black horsehair-with serpentine front with beaded molding at bottom of skirt. Cabriole front legs, rounded, with slightly curved square back legs terminating on flat feet.
Artifacts mentioned by Ara Hatch in New York Dalily Times 11/10/1856. Person had visited Wheatland.
Height (in)
34.312
Width (in)
18
Depth (in)
16.125
Condition
Excellent
Condition Date
2022-11-21
Condition Notes
Reupolstered; James Buchanan Foundation records indicate the seats were originally covered in green morrocan leather.
Object ID
W.1936.001.015.2
Notes
The chair was presumed to belong to James Buchanan by the James Buchanan Foundation representatives in 1936 when they bought certain furnishings that were still in the mansion during the Willson-Rettew Estate sale.
Mentioned by Ara Hatch in the N.Y. Daily Times (visited Wheatland 10 November 1856.)
Covered originally in red velvet with woven gold thread tape at edges. Four plain bracket feet. Flared cushion at bottom. Top of cushion worked in needlepoint- red and white trumpet flowers, leaves forming wreath around white cloth draped cross. Possibly Italian.
oil painting on canvas is of Harriet Lane & Henry Elliot Johnston's two sons who they lost to rheumatic fever. The artist captured the boys' images at the age of their deaths based on family photographs. The imagery of the afterlife abounds in this painting including the boys seated on the edge of a cliff of rock, the clouds gathering in the skies and the bright light on the horizon above the water. The painting is mounted in a gilt cove and scoop picture frame. Both boys are holding their favorite items. These objects and the styles of their garments are meant to be reflective of their personalities. The oldest, James Buchanan Johnston was 14 years-old; he is seated on the left holding a book and is wearing a black velvet fauntleroy jacket, vest and shorts with a white collar and blue bowtie. Henry Elliot Johnston, Jr. was 12 years-old; he is seated on the right holding a toy pistol and is wearing the Johnston Scottish tartan kilt with his feathered Glengarry bonnet, his sporran and Ghillie brogues.
Large rectangualr rosewood veneer box with hinged lid and pressed metal oval-shaped handle centered on lid. The underside of the lid has a mirror that is hinged with a top swinging catch that comes down to convert it to a writing surface. Several separate velvet-lined compartments of varying size comprise the inside of the box. There is cock-bead molding around lower edge of lid and the keyhole is centered just below the front lip of the lid; on the short end of the oblong chest is a 2 inch high wide drawer with a keyhole and lined with velvet.
Harriet Lane Johnston beaded jacket to match gown (W.40.17.1)
Description
Jacket Black crape silk, beaded in black glass beads, designed by Worth of Paris. Fully-lined in black silk taffeta and interlined with muslin. Has small turned down collar with full length set-in sleeves. Collar, cuffs, and hem trimmed with 3'' fringe and 3'' strand of black beads every inch. Varying size of black beads used to create a contoured design of flowers and swirls on front and sleeves.
Ogee-molded, gilded frame with large overhanging crest at top. Scrolled leaf carving around edges. Central applied molding at center of shield surrounded by foliate/floral garlands. Top has shell style, with fleur-de-lis crown.
Provenance
Harriet Lane Johnston - Mary Speer Denny- Detwiler
Hepplewhite Pembrook Oval Table. Two drop leaves, when opened, are supported by pivoted shaped brackets. End skirts are straight with one containing a full-width drawer. The four slender tapering legs have satinwood inlay at the upper end.
Fixed leaf top table with serpentine drop leaves at each sides. Beaded molding on both skirts with drawer on one side. Brass molded handle plate with dogwood blossom decoration, bail handle. Legs are reeded with bun foot.
Lithograph- Print of Prince Albert from Painting by F. Winterhalter; black ink, oval background. Prince Albert- body is 1/2 to his right, head is 1/4 to the right, looking forward. Wearing military dress with medals. Signed 'Albert'
F. Winterhalter painted the original. J. A. Vinter, engraver. Day & Son, lithographer.
Molded wax head, neck, shoulders, legs, feet. Hard resin arms-hands that are painted greyish-beige. Brown rooted hair, center part pinned into rolled style with faux flowers tucked in the hair by ears. Hair brows, brown glass eyes. Painted lips, small teeth showing. Seed pearl choker. Cream silk gown adorned with lace bertha across chest and lace gathers about hip area. Faux flowers adorn left chest, and throughout lace across hips.
Oval platter, slightly scalloped edge with coat of arms, white porcelain with double gold bands at border. Gold laurel leaves between coat-of-arms (raised arm with dagger) monogrammed in gold. Manufacture nationale de Sèvres, France. Designed by Jacquel.
Bookcase composed of two sections. Cabinet with glass doors at top and cabinet with wooden doors at bottom. Two glass doors have square mullions holding the panes. Doors give access to moveable shelves inside. Two doors at bottom of each have simple rectangular recessed panels.
Thomas Potter - 2nd owner of Wheatland
Sold to William Morris Meredith 3rd owner of Wheatland
Sold to James Buchanan 4th owner of Wheatland
Inherited by Harriet Lane Johnston 5th owner of Wheatland
Bequeathed to John Newton Lane, Harriet Lane Johnston's nephew
Bequeathed to Mrs. Patty Lane Fay daughter of John N. Lane
Bookcases sold to Meredith in 1845 by Potter then Meredith sold them to James Buchanan in 1848. Letter dated 9/27/1848 to Buchanan from Meredith: 'In addition to the $6750 which you mention, I paid Mr. Potter for the bookcases in the library, I think $75.00.'
Left earlobe has broken off. Base is chipped. Various smudge marks all over.
Object ID
W.1960.006.001
Notes
James Buchanan Henry inherited this bust when his Uncle James Buchanan died; his cousin, Harriet Lane Johnston inherited the matching bust, which she later donated to the Corcoran Gallery of Art.
James Buchanan Henry bequeathed this bust to his son, Frank Anderson Henry, who donated it to the James Buchanan Foundation in 1960.
