Left earlobe has broken off. Base is chipped. Various smudge marks all over.
Object ID
W.1960.006.001
Notes
James Buchanan Henry inherited this bust when his Uncle James Buchanan died; his cousin, Harriet Lane Johnston inherited the matching bust, which she later donated to the Corcoran Gallery of Art.
James Buchanan Henry bequeathed this bust to his son, Frank Anderson Henry, who donated it to the James Buchanan Foundation in 1960.
Silver serviing spoon with the silver mark for Philadelphia silversmiths Bailey & Co. and Christmas 1864 engraved on the handle accompanied be an engraving on the back of the handle that reads J.B. from H.R.L. (James Buchanan from Harriet Rebecca Lane.) 136 Chestnut St., Philadelphia
Provenance
Lane, Harriet R.
Christmas gift to Buchanan, James
To Johnston, Harriet Lane
To Lane, John Newton (son of James B. Lane) To Fay, Patty Lane (JB Lane daughter)
To Sebrell, Patty Lane Fay (JB Lane granddaughter)
Originally Bailey & Co, the company was founded by Joseph Trowbridge Bailey and Andrew B. Kitchen. It was located at 136 Chestnut Street in Philadelphia, Pennsylvania. In 1840 Joseph’s brother Eli Westcott Bailey, a New York City jeweler and importer hurt financially by the Panic of 1837, came to Philadelphia and entered the firm. The name continued as Bailey & Kitchen. When Joseph died, Eli became the senior partner of Bailey & Co. until he retired in 1867.
Length (cm)
22.86
Length (ft)
0.75
Length (in)
9
Object ID
W.1998.001.003
Notes
Originally Bailey & Co, the company was founded by Joseph Trowbridge Bailey and Andrew B. Kitchen. It was located at 136 Chestnut Street in Philadelphia, Pennsylvania. In 1840 Joseph’s brother Eli Westcott Bailey, a New York City jeweler and importer hurt financially by the Panic of 1837, came to Philadelphia and entered the firm. The name continued as Bailey & Kitchen. When Joseph died, Eli became the senior partner of Bailey & Co. until he retired in 1867.
Open scroll work on rectangular music stand; elaborate lyre-shaped pedal support with two pedals. Three massive legs with ten-faceted tapered legs. Sides of keyboard area scrolled with foliate carving. Around bottom is rope-like molding.
Ames, Kenneth L [ed], 'Victorian Furniture: Essays from a Victorian Society Autumn Symposium', Victorian Society in America, 1982.
Height (in)
37.437
Length (in)
98.5
Width (in)
57
Condition
Good
Condition Date
2022-11-17
Condition Notes
adjusted' piano 5/16/1949
Last cleaning & tuning September 2006
Several strings are broken and the sound board no longer holds its tuning.
Object ID
W.1936.001.004
Notes
Jonas Chickering (1798-1853), whose firm made the piano, began his career as a cabinetmaker in Ipswich, New Hampshire. In 1818 at the age of twenty, he went to Boston and apprenticed himself in one of the town's cabinet shops.
Lithograph- Print of Prince Albert from Painting by F. Winterhalter; black ink, oval background. Prince Albert- body is 1/2 to his right, head is 1/4 to the right, looking forward. Wearing military dress with medals. Signed 'Albert'
F. Winterhalter painted the original. J. A. Vinter, engraver. Day & Son, lithographer.
Remains of green silk at both ends over linen. Backing appears to be natural color linen with an open weave wool decorated with needlepoint floral-design repeated about ten times down length. Red rose/lavender rose/blue violets, with green leaves also shadings of brown.
Sepia-tinted photo of Harriet Lane. Oval. Harriet facing 3/4 front, to her right. Hair rolled under with flowers. Decolletage dress with flowers at center and at shoulders. Light-colored dress, no jewelry. Shown from hips up. Frame: rounded front, plain,
Sample, needlepoint. Long, thin, with rounded ends. Silk satin backing, cream. A suspender? Lined with chintz. Needlepoint has roses in pink, yellows, and reds, white; with leaves in green. Roses are shown in full bloom and in bud form. Basically crossst
Photographic print / painting of Prince of Wales visit to Mount Vernon. Large, black and white print showing entrance to Washington's tomb to the left with the Prince of Wales and James Buchanan at entrance. Wide array of men and women across picture, mo
Photograph of Harriet Lane. Harriet Lane in studio photo facing 3/4 front to her right. Head turned front. Hands clasped at front, holding white handkerchief. Hair braided at sides, wrapped at back. Wearing silk gown, medium colored, with white collar. Mounted in an American 1850 scoop picture frame with a rustic tree branch motif.
Photograph on display in Wheatland is a digital reproduction. Original photgraph moved to archives for conservation purposes.
To be removed from frame and stored in archival safe folder.
Object ID
W.1989.082.001
Notes
Original photograph removed from frame on 27 July 2009 - placed in archival storage for conservation purposes. (East Attic, flat files). Photograph and frame both bear the number 89.82.
One of three linen handtowels. White damask with thinly hemmed edges (c. .125'). Meander border with foliate design and center panels of ivy leaf border, meander dividers, and strawberry vines. 'HLJ' at bottom center in white with pink circle accents.
One of three linen handtowels. White damask with thinly hemmed edges (c. .125'). Meander border with foliate design and center panels of ivy leaf border, meander dividers, and strawberry vines. 'HLJ' at bottom center in white with pink circle accents.
Rosewood chest of drawers has a white marble top with round-carved front corners surmounting turned columns terminating at bun cyma-curved feet. Chest has three drawers with two bulls-eye shaped wood pulls and a centered keyhole with circular raised trim. Centered on the marble top is a rosewood framed mirror with a serpentine crest flanked by scroll cut shelf brackets.
Set of four Renaissance Revival style side chairs. Top rail scroll curved with tight C-scroll at ends. Finger hole is triangular with arrow point inside. Flat finial hangs from bottom of rail. Stretcher is also curved out with scroll work and bell flower. Front legs turned.
Set of four Renaissance Revival style side chairs. Top rail scroll curved with tight C-scroll at ends. Finger hole is triangular with arrow point inside. Flat finial hangs from bottom of rail. Stretcher is also curved out with scroll work and bell flower. Front legs turned.
Set of four Renaissance Revival style side chairs. Top rail scroll curved with tight C-scroll at ends. Finger hole is triangular with arrow point inside. Flat finial hangs from bottom of rail. Stretcher is also curved out with scroll work and bell flower. Front legs turned.
