Portrait of George Washington by Jacob Eichholtz. Likely copied frm Gilbert Stuart's Vaughn portrait of Washington. Eichholtz travelled to Boston during which time he met Stuart and saw his studio and many of his works.
Portrait of James Buchanan, painted by William McMaster. The artist painted this as a copy of his July 1856 Buchanan portrait after the General Election in November 1856. This portrait was commissioned by the Empire Club, which was a powerful political organization in New York during the mid-19th century. Captain Isaiah Rynders was the founder of the Club; his "sluggers" committed voter intimidation and election fraud on behalf of Tammany Hall throughout the 1840s and 1850s. The Empire Club purportedly paid McMaster $1,000 (equal to $28,571 today) to paint a copy of McMaster's July 1856 Buchanan portrait. This copy was hung in the Capitol Rotunda when Buchanan took office; however, at some point during his term, as his popularity began to sink, it was removed. Mounted in a Rococo Revival gilt wood and gesso frame with ornamental projecting corners featuring ornate scrolling foliage patterns with centre repose engraved with sculptural shells & acanthus leaves and fleur-de-lis patterns.
Painted portrait miniature of Sarah Burd Yeates. Part of pair with 2017.006.1.
Portrait is behind domed glass, in an oval frame. Frame is wide with convex curve, painted black. Frame features a thin gold band on the inside -- closest to the portrait.
Painted portrait of John Pearsol by Arthur Armstrong. Seated man faces slightly right. Dark hair parted on his right. Clean shaven except for fringe beard. Grey blue eyes. Black coat, black waistcoat, white shirt, and black bowtie. Reddish chair back visible at left. Dark brown background with blue and pale red at right of arm. Canvas mounted onto masonite. Small envelope pasted to bottom center inscribed "John. H. Pearsol." Paper tape on joint of maosnite and frame.
Cnavs: extensive craquelure Varnish somewhat darkened. Two tiny areas of paint loss at lower left.
Frame streaks of dark brush marks. minor gesso chipping.
Object ID
2013.006.2
Notes
Label:
John H. Pearsol and Cecilia Pearsol
Arthur Armstrong, circa 1847
John H. Pearsol (1818-1887) was a well-known printer for many years in Lancaster County. He was also a reformer. During America's Age of Reform, Pearsol dedicated his life to the Temperance Movement, a widespread, organized campaign aimed at regulating and even prohibiting the consumption of alcohol.
Portrait of Mrs. John Pearsol by Arthur Armstrong. Seated woman facing slightly left. Dark brownhair parted twice, gathered at back of head. Blue grey eyes. Light colored pleated dress with horizontal stripes, lace collar and v neckline. Large rectangluar brooch at neck. long gold chain leads to watch at waist. reddish chair at right side. Dark background. Small empty envelope pasted to bottom of background reads: "cecilia Ober Pearsol/(Mrs. John H.)" Two paper stickers at top right read; " Mister Cochran/ Shand--gen 63 III/Tel. 610651"
Overall condition is fair to good. canvas apparently mounted on masonite. Extensive craquelure. Top third of background overpainted with dark, matte paint; poorly colormatched. Varnish has darkened. possible small patches at lower left.
Frame: fair condition. blotchy gold overpaint. some gesso losses.
Oil on canvas. woman seated facing slightly to right wiht head facing more forward. Left arm draped over chair back. Brown hair parted at center, wearing low crowned cap with elaborate bows and lace coering ears to neck. Gray green eyes. Black pleated dress with stiffening around waist, v-neckline with embroidery or lace collar. Wrapped in soft grey shawl with left hand exposed. Low backed chair is reddish. Background is various browns. Stencil on back: 'A. Armstrong/Artist/ Lancaster, Pa." "1845" painted below stencil. Frame: wooden with multiple stepped profile on molding. Gilded.
Extensive craquelure. Raised stretcher line. Sagging canvas top left and left side. Scattered dark spots across right 2/3. Frame: good overall with worn gilding and inpainting and soil. Minor chips at outside edges. Back uncovered. Mortise and tenon stretcher with keys; some missing or replaced. At left bottom miter joint, a strip of gesso crack filler is loose and pressing against canvas.
Object ID
2009.020.1
Credit
Given in Memory of Marsha Sener Schuyler by Janet Godfrey Alspach and Gretchen Godfrey
Color sketch of a brown-eyed, brown-haired young girl, with a center part and ringlets at sides of her head. Miss Alice M. Klein blue garb is off the shoulders. Printed on the oval frame with a gold band: "Photographed by JAMIESON & BENSON, No. 80 North Queen St., Lancaster, Pa." The rough edge indicates that the entire piece appears to have been cut from something largeer.
Some spots on background area. A circular stain at bottom looks as if stain from a cup/jar bottom. Back is brown acidifed paper. "Miss Alice M Klein" is written in pencil.
Painted portrait of William Albright (or Albrecht) (1793-1852) by Jacob Eichholtz, c. 1830
William Albright, or Albrecht, was born May 23, 1793 in Lancaster, Pennsylvania to German printer, John Albright (1745-1806). He worked intermittently in Philadelphia as an ornamental painter, lithographic artist, limner, "dancing-master," and teacher of drawing from 1815 to 1845. Albright delineated the color plates for the "Floral Magazine and Botanical Repository" (Philadelphia, 1832-1834).
In 1820, Albright returned to Lancaster at his father's bequest, where until 1836, he published the "Staatsbothe" and continued the publication of the "New and Improved North American Almanac" started by Francis Bailey in 1775. On Christmas Day in 1821 he married Mary Weaver with whom he had one daughter, Anna M. Albright (1822-1855).
Albright returned to Philadelphia ca. 1837, and following a year as a dance master, taught drawing at 21 South Fifth Street until his death in 1852.
William Albright, or Albrecht, was born May 23, 1793 in Lancaster, PA. During his lifetime he worked as a printer, ornamental painter, lithographic artist, limner, dancing-master and teacher of drawing.
Between 1820 and 1836, Albright published a German-language newpaper in Lancaster, the 'Staatsbothe,' as well as the 'New and Improved North Americna Almanac.' Albright moved to Phila. in 1837 where he spent his remaining years teaching art.
On Christmas Day in 1821 William Albirhgt married Mary Weaver. The had one daughter, Anna M. Albright (1822-1855). The birth and death dates of Mary Weaver Albright are unknown.
Original watercolor painting of Amish scene by Florence Starr Taylor, circa 1960, "Gut lewe", framed. Scene is Amish man, woman, and child in the back of a buggy; man and woman are looking out the back of the buggy; produce loaded onto rear of buggy. "Gut lewe" on top of buggy. Signed by artist, as "Florence Taylor," lower right corner.
