Dial scribe used originally for engraving circular lines (chapter rings) in brass dials. Converted for use with later white-painted dials (probably held a pen, according to clock expert Ed LaFond). Used by Jacob Gorgas (1728-1798). Maker unknown; most likely Lancaster Borough.
The tool arm is created from a foot-long bar of iron, rectangular in section. One end is enlarged and fitted with a vertical attachment made of cone-shaped iron surmounted by a turned wooden (walnut?) handle. This vertical attachment comes to a blunt point at the bottom. A shaped sleeve fits onto the horizontal iron bar and is fitted with a vertical hexagonal hole at one side. Two iron thumb screws are positioned at each side of sleeve.
Provenance
Owned by two brothers, Samuel K. and William L. Fraser, clockmakers who lived in Lincoln (just west of Ephrata) and grandsons of clockmaker William Fraser (1801-1877), then to early collector Earl T. Strickler (FNAWCC) who had it on display at the Columbia Clock and Watch Museum. Upon Strickler's sudden death circa 1974, it was sold by his widow, Mary Jane Strickler, to Edward F., Jr. and Virginia A. LaFond who owned it for "20 some" years. They then traded it to dealer Jamie Price for some clocks. Price had it on sale at the 2004 Philadelphia Antiques Show in mid-April where, as representative for the von Hess Foundation, Tom Cook, purchased it for this museum's collections.
Ed LaFond believes the Fraser family was related to the Gorgas family, thus they were in a position to inherit tools. Due to this, it was believed at first that both the machine and the scribe were from the Gorgas family. However, LaFond believes the Frasers were also related to the Shreiners.
Iron surface is pitted from corrosion, now stable. Turned wood handle is moderately worn and scarred with a broken off piece creating one flattened side. Wood is also checked (cracked) throughout neck.
Object ID
G.04.19.2
Notes
Stacy Wood researched origins and provenance of these tools and wrote an article in Vol. 96 #4 of LCHS Journal. Conversations with Virginia LaFond ( 5/19/04) and Ed LaFond (7/6/04).
Place of Origin
Lancaster
Usage
Gorgas, Jacob, 1728-1798
Credit
Gift of the Richard C. von Hess Foundation, Heritage Center Collection
Tall case clock w/ 8-day movement housed in a cherry Chippendale style case with scroll pediment, carved floral rosettes and three flame finials. Arched glass door and side lights. Partially engaged, smooth columns at front corners, forming part of the hinged door.
Brass dial has Roman numeral chapter ring, C-scroll and vining foliate engraving at spandrels as well as above and below moon wheel which is painted with a star-spangled sky and moon with face. Engraved "Wilton Atkinson" on lower dial.
Waist has broken arch door and recessed, plain quarter columns. Base has raised, scalloped panel at front with quarter columns that match those in the waist section. Feet are bold ogee bracket style.
Atkinson is believed to have been the son of Matthew Atkinson of Lampeter Twp. Wilton was in the Borough as early as 1763 as a cutler. In tax records, he was listed in 1770 as a watchmaker and in 1772 and 1773 as a clockmaker. He married Anna Maria, daughter of the early Borough clockmaker Abram Laroy. Legend states that Anna Maria also made clocks in Lancaster that were sold bearing her husband's name. The Atkinsons eventually moved to Baltimore where, following his death, Anna Maria conducted business until 1819. (Clockmakers of Lanc. Co.)
Snyder notes on p. 40 of Clockmakers of Lanc. Co, that this case is considered one of the earliest examples of the Chippendale style in Lancaster Co., based on the brief working career of Atkinson (1770-1773).
Provenance
Owned by Dr. George Rohrer, then to son Henry A. Rohrer, then to daughter Mary Louise Webster. Tape adhered to reverse side of dial has the name of the donor's father, "Henry Rohrer/ 9-22-87."
Case has been overcleaned, finished with a glossy varnish then handrubbed with steel wool to remove gloss. Vertical scratch on right side of base; feet marred. Crack at lower right corner of base, below raised panel. There are about nine nail holes over the expanse of the tympanum suggesting missing carving. Heavy dent on dial at left edge, center, and hammer marks at this point on reverse side. Lower left corner distorted.
Object ID
G.01.49.1
Notes
Entry for Wilton Atkinson in "Clockmakers of Lancaster Co. and Their Clocks 1750-1850" notes that: "Atkinson married Anna Maria, a daughter of the early Borough clockmaker Abrum Laroy and legend states that she also made clocks in Lancaster that were sold bearing her husband's name. "
Brochure of the First Reformed Church (UCC) notes that in the 1760s, "the French Laroys" belonged to this church. "One chronicler called the LeRoy sisters (four daughters of a local clockmaker) the 'Belles of the congregation.'... Anna Maria, the youngest of the sisters, learned her father's trade and was said to be 'as good a clockmaker' as he was. She and her husband, Wilton Atkinson, took over the family business." (Note: Abrum Laroy died in 1763).
Above brochure is http://visithistoricalancaster.com/pdf/02LP109 HOW-FR-UCC
Call to church office & conversation with paster Dana Schlegel offered no clues to source of above information (Jan. 2017).
Place of Origin
Lancaster
Credit
In memory of Dr. George Rohrer and Mrs. & Mrs. Henry A. Rohrer by Mary Louise Webster, Heritage Center Collection
8-day musical clockworks by Mennonite Christian Eby (c.1768-1803) of Manheim. Housed in a large, inlaid cherry case attributed to Emanuel Dyer. Case is transitional from Chippendale to Federal, although strongly Federal due to inlay of eagle and floral motifs on tympanum, quarter fan inlays and another floral inlay on waist section, and a patera centered on the base within a cartouche of line inlay.
Notes: Weight, key, and various parts located in box on Unit 52, Bottom Shelf.
Hood has side lights, fluted colonettes at sides, swan's neck scrolls terminating in inlaid paterae, three ball and spire finials (spire missing on center finial). Waist and base have fluted quarter columns. French bracket feet.
White-painted iron dial w/ Roman numerals on chapter ring. Seconds use Arabic numerals. Floral spandrels, lunar dial and inscription "C EBY Manheim under XII. Above lunar dial are ten names of tunes played by the musical works. Dial attributed to Reading area due to a dark moon wheel and the 2 hemispheres for the moon phase are identical (per Gary Sullivan). He also notes that brass-clad weights are very unusual, and usually an English practice.
Provenance
Ex Renner (per Gary Sullivan, clock dealer). Later from estate sale of Pauline Heilman of York, PA by Sotheby's July 17, 1982. The buyer, a private client of Citibank, put clock in storage in Florida, then consigned it Christie's where HCLC purchased Jan. 1992.
John and Carol Pyfer paid $800 for Quentin Johnson to repair the clockworks and get it running in 2004. Clock hands have losses (pieces in a box stored in clock bottom), repaired by Johnson. Case refinished (see early photos in file). Scratch on side to left of pendulum door; nicks & scratches at left side vertical member of opening to pendulum. Marred overall. Split at left side of front section of molding under hood. Pieces of string inlay replaced. Proper left back foot loose; proper left front column loose. See Gary Sullivan condition report (loan to Willard House)
Object ID
P.92.02
Notes
Made by Christian Eby (c.1768-1803), working 1792-1803. Case attributed to Emanuel Deyer.
J.J. Snyder notes, "The clock is significant because it is the only known Lancaster Co. eagle-inlaid clock with a musical movement. Musical movements predating 1840 are quite rare, and fewer than eight Lancaster Co. musical clocks prior to 1840 are known to survive. The inlay is unique in the placement of the eagle in the center of the pediment rather than in an oval medallion above the pendulum door and in the use of floral inlay in addition to the eagle. In summary, the Christian Eby clock is a masterpiece of not only regional but also national importance."
Snyder also states "Unquestionably, this is one of the most elegant and sophisticated pieces of Lancaster County Federal furniture now known." He adds "Of all the known Lancaster County eagle-inlaid clock cases, this one alone has floral inlays. In view of the fact that this case must predate Christian Eby's death in 1803, it stands as the earliest known use of the eagle as a patriotic device in Lancaster County furniture."
Snyder also suggests Manheim cabinetmaker Emanuel Dyer (1760-1836) as the probable casemaker. Working for about a half century starting in the early 1780s, Dyer was the leading Manheim cabinetmaker.
Place of Origin
Manheim
Credit
Gift of members and friends of the Heritage Center, Heritage Center Collection
Bookcase on desk, Queen Anne, walnut, owned by the Jenkins family of Churchtown area in Caernarvon Twp. Upper section has a scroll pediment with shallow-carved round rosettes with button centers above a plain tympanum. The three turnip finials are replacements. Distinctive chamfered, fluted front corners terminate in lamb's tongues. Two doors have two raised panels and stationary shelves within. Maker is unknown.
Restored straight bracket feet, four lipped graduated drawers with two candle drawers flanking the top drawer. Interior has a central prospect door with tombstone shape and applied outer moldings creating the impression of frame-and-panel construction; center panel has highly figured wood. Flanking manuscript drawers faced with wide fluted columns on plinths with capitals. Each side of central section has four pigeon holes above two tiers of drawers, four each side.
Snyder states most of the brass hardware has been "correctly restored." Inscription on the side of one drawer reads: "David and Martha Jenkins" in script. David Jenkins (1731-1797) was the ironmaster at Windsor Forge near Churchtown.
Snyder notes the distinctive chamfered, fluted corners of this secretary relate to the Old family highboy (P78.76) as well as to a highboy in Winterthur collections originally owned by Christopher Marshall who moved to Lancaster on the eve of the Revolutionary War. In addition, there are similar corners on a George Hoff clock w/ brass face as well as some Reading clocks, and some furniture made by Phila. and Maryland cabinetmakers.
Provenance
History of ownership is soundly documented, according to Snyder. (See his appraisal in file, pp. 5-6). It passed down within the Jenkins family until sold at public auction in Churchtown from the estate of Miss Mary Irwin, a direct Jenkins descendant. Purchased by Elaine Holden.
Robert E. Jenkins, Jenkins Family Book, Chicago, 1904.
At LHO are:
- Jenkins family file
- 1797 David Jenkins estate inventory
- 1815 Direct Tax for Caernarvon Twp.
David Jenkins' 1797 Will, # G-1-98, is in the Archives, Lancaster Co. Courthouse.
Height (cm)
264.16
Height (ft)
8.6666666667
Height (in)
104
Width (cm)
96.52
Width (ft)
3.1666666667
Width (in)
38
Depth (cm)
57.15
Depth (ft)
1.875
Depth (in)
22.5
Condition
Good
Condition Date
2017-03-08
Condition Notes
Finish has been stripped; metal polish residue clogs pores of wood around hardware. Restoration and replacement of various parts, including feet, finials, patch on upper lip of upper drawer, and all large drawer bottoms. Breakout at points above bottom drawers where lock strikes.
Object ID
G.03.01.01
Notes
Furniture Exhibit in Gerhart Gallery
Related Item Notes
John J. Snyder notes the distinctive chamfered, fluted corners of this secretary relate to those of the Old family highboy (P.78.76) and a Q.A. Phila. highboy in Winterthur collections originally owned by Christopher Marshall who moved to Lancaster on the eve of the Revolutionary War. In addition, there are similar chamfered corners on a George Hoff clock w/ brass face, some Reading clock cases and some case furniture made in Maryland and Philadelphia (Joseph Armitt and Jonathan Gostelowe).
Credit
Gift of Elaine Ewing Holden, Heritage Center Collection
Walnut side chair, wainscoat type, frame construction with pinned mortise and tenon joints. Shaped crest rail secured with one pin. Baluster-shaped center splat secured with a double pinned mortise and tenon joint and rests on rail above seat level; rail has molded lower edge. Rail at seat back is raisedabove seat level & has same molding as above rail. Plank seat (replaced) of two boards is pinned to chair rails. Bottom edges of all 4 chair rails have molded lower edge. Front legs are baluster-shaped; back legs are square, although they taper in thickness from seat level to top. Back legs also have a backcut front face from stretcher to floor, and curve back. Box stretchers have the same molding as rails above, but are molded on both upper and lower edges.
Probably Lancaster Boro
Provenance
Probably owned by Anthony Schneider (1725-1774) due to the belief that this chair was in his inventory after death. His 1774 Inventory lists a set of 4 walnut chairs. At his death he was living on the site of the Kirk Johnson Building on W. King Street. Anthony Schneider was the father of Gov. Simon Snyder(1759-1819) who was born in Lancaster Borough.
Chair descended through the Fisher and Mertz families. Chair believed to have been purchased by antiques dealer Dick Jones of Muncy, PA, at the "Fisher family sale" at the Isle of Que (section of Selinsgrove), circa mid-1960s. Purchased by restorer Peter Deen, who replaced the seat. Deen sold to Vonnie Haynes, a "minor dealer & major character in Adamstown" who sold it to Neil Kamil, then to museum. (See letter of 18 Apr 1991 from N. Kamil in file.)
Moderate wear overall. Front stretcher very worn. Previous chair owner and furniture conservator, Peter Deen, of Nottingham, PA, replaced seat. Metal corner braces & screws removed. Scratches on left chair rail.
Object ID
P.92.01
Notes
Patricia J. Keller states "a similar side chair is in a private collection outside Pittsburgh, PA, and another is in the collections of the Philadelphia Museum of Art (#'28-10-99, see photo in file).
Peter Seibert notes this chair relates closely to the furniture made in rural northern England during the 1600s and 1700s. It combines elements of different styles, William & Mary and Queen Anne.
Gov. Simon Snyder (1759-1819) served three terms from Dec. 20, 1808 - Dec. 16, 1817 as the first of many Penna. German governors of Pennsylvania. After his election of 1808, he was reelected a few years later by a landslide.
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
NOTE: Gift of Irene N. Walsh (reimbursed purchase price).
Birth record in German for Barbara Eschlemann made on laid paper by the Johannes Schopp/Schopf Artist. Paper has Ephrata watermark (CIB with tulip design). Framed in old frame of softwood with dark, crazed finish and applied blocks at corners.
Execution is typical of this artist's design. Horizontal orientation has outer and inner double-line borders with central heart having an open ring at top from which emanate vining flowers. Space between inner and outer borders is especially full with typical flowers of muted colors as well as a crown at top and shells both at top and a large one at bottom center.
Within heart is the text: "Barbara Eschlemann/ Ist gebohren im Jahr unsers Herrn und Heilandes Jesu/ Christi Anno 1777 den 8 Januarius. Morgens um/ 4 uhr, im Zeichendes. Steinbock." Additional text is added in muted ink within the space between heart and inner border. At left is: "Gott allein/ Hilf dahichseyvonher(?)/ heu from(?) ohn alle heucheley(?)." At right is: "die Ehre/ damit mein gankes(?)/ Christenthum, dir Wohlgefalligley(?)."
Breaking at fold lines; two corners missing and two corners with small holes. Three-inch tear extends from left bottom corner to right side. Tear at bottom, 2" from right corner, extends upward 1/2-inch. Additional tears with losses at bottom, esp. at center. Reverse has paper tape repairs: vertical strip entire length of center fold line and shorter strip along bottom from center to torn corner. Several moisture stains along bottom.
Frames\'s wood backing removed and replaced with acid free backing, Dec. 2004.
Object ID
P.05.51.1
Notes
Gift of Irene N. Walsh (reimbursed purchase price).
See G77.50.11 for another Birth Record by Schoff Artist (done for Anna Schenck). Additional Schoff pieces are photocopied in this file.
Earnest, Papers for Birth Dayes, pp. 675-676.
Earnest, Fraktur: Folk Art & Family, pp. 99, 109.
Weiser & Heaney, Pa Germ. Fraktur in the Free Library of Phila. #870-872.
Copper teakettle with round body, gooseneck spout, very low domed lid w/ scrolled knob of sheet copper riveted onto lid with a hand-cut washer added under lid, suggesting repair or replacement. Curved handle hinges onto tapered plinth tab bases with two rivets each. Vertical dove-tailed side seam opposite single-seamed spout. Dove-tailed bottom.
Touchmark on top of handle is "R..REED." within a rectangular reserve with serrated ends.
Made by Robert Reed, working in Lancaster 1771-1779, then 1785-1795.
Provenance
Purchased by Heritage Center from Philip Bradley Antiques
Transferred from Heritage Center to LancasterHistory.org December, 2012.
Tax assessment lists Robert Reed 1786-1793.
Kauffman, Henry J. American Copper and Brass. New York: Bonanza, 1979.
Coppersmith info from Shelley Horvath Posten (dau. of Don Horvath), 2009
Copper dented and scratched overall, polish residue at handle hinges. Side handle break repaired with sheet iron patch secured to outside with two iron rivets. Knob appears to be a repair or a replacement.
Object ID
P.80.131
Place of Origin
Lancaster
Credit
Heritage Center Collection. Purchased through the generosity of the James Hale Steinman Foundation,
Pair of English Queen Anne brass candlesticks, marked 'A' and 'B'.
Baluster shaft mounted on wide, square base with stepped edging. Circular indentation in top of base. Very low feet at corners. Vertical seams on shaft indicate cast parts. A and B differ slightly in height.
Details very worn. Candlestick 'B' is split at seam on shoulder below cup and split at both sides of candle cup top edge at seams. "A" has small split at lip seam. Both sticks have distortions at various places, especially at base and lip.
Object ID
P.78.86.2a-b
Place of Origin
England
Credit
Heritage Center Collection. Purchased through the generosity of the James Hale Steinman Foundation
Strainer of glazed redware, but with a lighter brown color than most redware. Resting on three tapered 1-1/8 " long feet. The flat-bottomed dish has straight sides that flare out to a molded, high lip. Applied handles at sides. Large holes in bottom and three rows of smaller holes at sides.
Lead glaze overall with some streaks/runs of a darker brown.
Numerous chips on body overall; some large ones on underside and a large chip on the side; handle edges have suffered the most significant chipping loss. Glaze is crackled overall and has some staining, particularly on the interior. Feet are moderately worn.
Object ID
G.98.12.17
Place of Origin
Pennsylvania
Credit
Gift of Mrs. S.R. Slaymaker II, Heritage Center Collection
Saltcellar of Stiegel-type clear glass, blown into a 3-piece mold. Body is an inverted pear form on a pedestal base. Upper body decorated with 25 slightly slanted vertical ribs. Bottom is slightly concave with pontil mark at center.
Provenance
Donor bought cellar for $70.00 at Horst Auction on 10-19-96, from the collection of Edward Miller.
Small free-blown wine or dram glass, Stiegel type. Conical form. Low profile knop on stem. Round pedestal base with concentric ring created by folded foot. Pontil mark on bottom.
Provenance
Purchased by donor Hampton C. Randolph, Sr., for $65 at the sale of the Henry E. Balmer estate, Lancaster, PA on April 20, 1996, then donated to the Heritage Center of Lancaster County.
Clear, free-blown leaded glass mug, near barrel shape. Stiegel-type glass has bubbles and other imperfections throughout. Applied threading at rim; ribbed loop handle; engraved design on side is a bird with floral and foliate designs. Pontil mark on bottom has been smoothed around edges with grinding wheel.
Similar to #5, plate 35 in "American Glass" by George and Helen McKearin.
Provenance
Descent within the Nichols family of Lancaster Co. Family history states mug was always kept in a decorated dower chest, dated 1808.
Clear mold-blown Stiegel-type glass mug in cylindrical form. Bottom quarter has 14 fluted ribs that carry through to the bottom and converge on the pontil mark. Rim edged with gold. Side has multicolored fruit and floral paint decoration with a central orange oval cartouche outlined in gold with gold cursive lettering: "Remember me." Applied handle.
Provenance
Descent to Sarah Muench from family, likely her Aunt Alice Potter Fordney, an antiques dealer.
Pewter dram bottle, canteen or flask. Flattened round body with flat bottom having a thin oval foot. Seam at center of rounded sides. Very short, tapered, threaded neck has a fitted and threaded 3/4" high thimble-shaped cap. Decorative concentric circles incised on flattened sides.
Touchmark stamped on bottom is "I.C H/ LANCASTER" in lettering with serifs. Mark is a Laughlin touch #532, 533.
W. King Street, Lancaster
Provenance
Bottle was in the attic of Samuel R. Haldeman's home until he died and Harry, the youngest son, surreptitiously took it along with other belongings to Buffy's Auction in Lebanon where the bottle was sold in a box lot to Mahlon Keith for 30 cents. Keith later sold it to friend William Snyder of Bleak House in Paradise for about $400. Snyder then sold it at the Bleak House sale through A.R. Cox Antiques of Kinzer on May 4, 1965 to donor Dr. Scott, who purchased it for $5,000. Heritage Center purchased at Scott sale (Christie's) for $18,400 on June 10, 1994.
Small plate, used as a paten (communion plate). Circular, with single reed brim, marked on bottom with initials "I.CH." and Jacobs touch #169. Double incised lines near brim and single incised line within sunken bottom.
Walnut schrank has two paneled doors on rat tail hinges, separated by a vertical panel; two drawers below with two brass handles and a keyhole each. Bold projecting removable cornice. The sides have two panels each. The schrank rests on five turnip feet, one at each corner and one at front center. The left interior has wooden pegs around all three sides near the top, and the right interior has three shelves.
Each door has two panels decorated with a carved fleur-de-lis motifs at corners and sulphur inlay which reads:
Upper left panel: "ABRAHAM/REIST"
Upper right panel: "ELISABETH/REISTIN"
Lower left panel: "ANO 1775"
Lower right panel: "DEN 8 MERTZ"
Clarke Hess research notes that Elizabeth Reist was a Kauffman and not a Metz (who was a later wife). The published Reist genealogy is incorrect on this point.
John J. Snyder, Jr. believes the shop that produced the sulphur inlaid furniture was likely located in central or north central Lancaster County.
Provenance
The schrank was owned by Abraham Reist (1737-1810), and then possibly by his son Abraham (1770-1852), who inherited his father's farm. According to previous owner, Henry T. Muth, the schrank was purchased at the Reist family sale for one dollar by Christian Martin in 1845 in Sun Hill, Penn Township. He owned it for 20 years. From 1865-1905 it was owned by Christian's son Tobias D. Martin, who gave it to his daughter Elizabeth Bausman Martin Muth (Mrs. William Henry Muth) who owned it from 1905-1940. It was then given to their son, Henry T. Muth, who owned it for 37 yrs. (1940 to 1977) after which he sent it to sale.
The schrank was refinished in the early 1900s by Elizabeth and William H. Muth at their home in Lititz. Son Fred Muth recalls the job being done by an old man from Lititz who came to their house to perform the job in their huge attic.
Bonnet-top high chest, walnut w/ yellow pine and poplar secondary wood. Pegged frame and panel construction. A bonnet top broken arch pediment surrounds the tympanum with a central round, concave shell carving. Large orb finial on plinth centered within broken arch. Upper section has five graduated drawer sections consisting of three small drawers over two drawers over three long single drawers, all cock-beaded with bail brasses and escutcheons. Pulls not original; ghosting visible of original brasses. Quarter columns have wide chamfers with double fluting.
Upper chest rests on stepped-out lower chest having one long drawer flanked by two small ones and two more small drawers below these. Cutout apron at bottom. Very wide chamfered & fluted quarter columns. Cabriole legs with trifid feet and stocking detail.
Make is unknown.
Lancaster County, probably Churchtown area
Provenance
Chest originally belonged to the Old family, prominent ironmasters of Lancaster and Berks Co. It may have been owned first by James Old (1730-1809) or one of his children. The chest later passed from Miss Harriet Old to the Hopkins family at Conowingo Furnace, Drumore Twp., Lancaster County.
Overall abrasions, scars and small losses of wood. 4" crack in pediment, left of finial. Significant grouping of gashes 4"x 3" spanning 2nd & 3rd level drawers, at left. Entire front of top chest detaching from sides. Piece at top of left stile, under cornice, is broken & poorly repaired. Deep horizontal 7" crack on left side of base unit. Vertical crack entire length of right side of top. 1 12" long gouge on stile of right front leg. White flecks on right front leg. Brasses tarnished with some rust.
Object ID
P.78.76
Notes
Exhibit label information:
John J. Snyder, Jr. suggests many points of similarity with a Q.A Phila. highboy owned by diarist Christopher Marshall who brought chest along with him when he moved to Lancaster Co. "on the eve of the Revolutionary War." (Winterthur collections). This chest may have inspired the design of the Old chest.
Wide fluted chamfered corners similar to a Q.A. secretary (G.03.1.1) formerly owned by the Jenkins family of Churchtown. Similar to a case of Geo. Hoff clock w/ brass face, and similar to casework by some Phila. and Maryland cabinetmakers.
Snyder notes that cockbeaded edges on drawers suggest a later date than expected (c. 1770-1790). This type in Phila. was being made c. 1740-1760.
Place of Origin
Lancaster County
Usage
Old family
Credit
Gift of James Hale Steinman Foundation, Heritage Center Collection
Pewter chalice, part of the Warwick Congregation's (now known as the Brickerville United Lutheran Church) communion service.
High straight-sided flaring cup on a stem wih knop created by joining two pewter salt stems. A tankard lid is used for the base. Both the knop and edge of base are beaded. Attributed to William Will (working 1764-1798) .
Engraved on the side of the cup are the initials "HIA/ MWM" within a decorative wreath with bow. Engraved on the bottom of the base is "1799", likely indicating the year the chalice was presented to the church for ceremonial use. Segments of wrigglework are also found nearby.
Provenance
The engraved date of 1799 likely signifies the year the chalice was presented to the church. The two sets of initials on the cup are certainly the individuals who presented it. The entire communion service remained in use over the years until the congregation decided in 1997 to find a safe place for this valuable communion set. Purchased by the Heritage Center of Lancaster County
British quart-size pewter tankard, part of the Warwick Congregation's (now known as the Brickerville United Lutheran Church) communion service.
Straight-sided body with raised band below center; molded base. Hinged domed lid with erect thumbpiece and C-scroll handle. Applied to front of tankard is a cast decorated portrait medallion with the profiles of a man and a woman facing each other with a crown above their heads. Encircling the pair are the words: "LONG LIVE PRINCE AND PRINCESS OF ORANGE". The medallion commemorates the Prince of Orange (William III) and his wife Mary Stuart, daughter of Charles I of England. The couple ruled England as joint sovereigns 1689-1702.
Provenance
The entire communion service remained in use over the years until the congregation decided in 1997 to find a safe place for this valuable communion set. Purchased by the Heritage Center of Lancaster County.
Diameter of bottom is listed. Diameter of top is 4".
Condition
Good
Condition Date
2014-08-28
Condition Notes
Overall abrasions and staining. Cracked where handle is attached at top. Inside pitting. Some cracks on inside of lid's rim. Large dent above medallion.
Object ID
P.97.08.4
Place of Origin
England
Credit
Acquired through the generosity of the James Hale Steinman Foundation and Friends of the Heritage Center Museum, Heritage Center Collection
Pewter paten, part of the Warwick Congregation's (now known as the Brickerville United Lutheran Church) communion service.
Flat bottom, rounded booge and wide, flat rim with single reeded edge.
Engraved initials on top of rim appear to be "W.W." or V.W." Touchmark on underneath at center is "GIFFIN/ -ONDON".
Provenance
The entire communion service remained in use over the years until the congregation decided in 1997 to find a safe place for this valuable communion set. Purchased by the Heritage Center of Lancaster County.
