Pair of ice skates (A-B), housed in custom-fitted wooden case (C).
Skates constructed of steel plate in shape of foot surmounted on a 1/4-inch-thick blade terminating in a scrolled toe. Skates are identical with no right or left differentiation. One skate has four additional holes in heel. Three leather straps with buckles are riveted to footplate. Dimensions of skate: H: 4 1/2" W: 4" L: 12"
Bottom of each skate's footplate is stamped: "EICHHOLTZ & BRO/ LANCASTER, PA."
Box, softwood, dovetail construction, re-painted flat green. Under paint is a ghost of floral decoration on lid, front and sides. Has hinged lid leading to fitted interior covered with coarse green fabric pasted and tacked to wood and edged with braiding. Latch hooks on front to secure lid.
Made by Eichholtz & Bro. (Henry Clay Eichholtz (1830-1918) and Robert Lindsay Eichholtz.
Provenance
Research done by Tom Ryan suggests that according to Lancaster Directories, Eichholtz & Bro. were operating in Lancaster City possibly as early as 1858 and at least as late as 1870. Jacob Eichholtz's sons, Robert Lindsay and Henry Clay, were in partnership, listed as gunsmiths by 1863 and guns and cutlery by 1866 until at least 1870.
Skates largely intact, metal has slight corrosion overall, leather straps deteriorated with losses (2 missing on one skate and one on the other). Box appears to have been repainted and is very soiled. Interior has worn "upholstery" with losses of braiding. Hingers have been replaced; handle is missing at front.
Object ID
P.03.10.1a-c
Place of Origin
Lancaster
Credit
Heritage Center Collection, acquired through the generosity of Ronald V. Smith
Dovetail construction, wire nails used on interior. Inside is a till and a sliding drawer; shoe molding on all bottom inside corners. Below mid-line molding are two thumbnail-molded, side-by-side drawers with nailed joints and fitted with locks, escutcheons and bail-type brasses in batwing style.
Lid is two joined boards with ends tenoned into end boards and pegged, cutting board fashion. Edge molding is intrinsic, not applied, except for light molding attached to underside to create lip. Lid has strap hinges with fishtail terminals and is fitted with a lock and brass batwing-type escutcheon. Medallion is relief-carved into center of lid top with "18 SF 40." The meaning of this 1840 date is a mystery.
Molding at the base of chest; four ogee bracket feet.
Provenance
Provenance: One of twelve pieces of furniture transferred to this museum from the Lancaster County Historical Society. These pieces were part of the estate of Sarah Ann Stauffer (1913-1996) whose property, Lime Kiln Farm, was bequeathed to LCHS upon her death in 1996.
Clarke Hess had suggested the chest may have been made for Sarah Ann Frantz and the 1840 date may be her birth year. Often, he says, pieces of furniture were made for a child or heir at the time of the settling of an estate.
Research: Sarah Ann Frantz (sister of Sarah A. Stauffer's gr-grandfather Henry L. Frantz) was born 1835, Grandfather Samuel O. Frantz was born 1861, so this theory is incorrect. (The East Hempfield Twp. farm of Sarah A. Frantz is located on both the 1875 and 1899 Atlases, SW of Rohrerstown and S.O. Frantz is shown nearby on 1899 Atlas.)
Top has large crack through center and many dents, scratches and score marks. Loss at right end of mid--line molding of front. Multiple cracks in sides. Repairs done to feet. Refinished with heavy stain and varnish on lid and all interior surfaces. Original finish on front is heavily alligatored; finish on sides is crackled. Interior surfaces have had paper and textiles adhere to wet varnish. Sliding drawer has crack in bottom.
Object ID
G.99.41.9
Place of Origin
Lancaster
Credit
Transferred from Lancaster Co. Historical Soc., Heritage Center Collection
Executioner's hood, or cap, of "black Albert twill serge", was made by John C. Dinan and mentioned twice in the June 29 New Era article "MURDERERS PAY PENALTY." It was worn by Lee Furman, convicted murderer, for his hanging on June 29, 1905.
Hood is form-fitted to a round head shape, with a protrusion at the middle of side (for nose?). Hood narrows at the neck and flares strongly out to shoulders and extends to mid-chest in length. Vertical flap extends from bottom to perhaps jaw line, where there is a small, circular opening, likely to accomodate the rope. Flap is secured by 3 cloth-covered buttons. Expertly sewn, likely by a local seamstress or tailor.
Also included with gift is a postal card postmarked Sept. 9, 1905 from H.S. Eckels & Co. in Philadelphia to Mr. J. Fred. Fisher at 128 N. Duke St., Lancaster, PA. message is handwritten in black ink: "Hood use(d) on Lee Furman Hung Thursday June 29, 1905 for the killing of Samuel Ressler "Toll gate Keeper" July 1, 1904." See NOTES on Fisher.
Provenance
Hood was purchased by Mayor Smithgall for $100 from a woman whose father reportedly had acquired it from the mortician. Postal card is unexplained (J. Frederick Fisher was a clerk for the P.R.R. and boarded at 504 N. Queen St. according to the 1890 Directory.
Chippendale high chest, mahogany, ornately carved, Phila-inspired Rococo style. Top section has scrolled broken arch pediment with central cartouche (attrib. to Phila carver, Martin Jugiez) and fully relief-carved vine tympanum, leading down to large central drawer w/ large carved shell & surrounding vines. Two small drawers flank center drawer, under which are 4 full-length, graduated drawers with original Chinoiserie brasses. Fluted corner columns on upper case; vine & leaf-carved corner columns on lower case.
Lower chest has top full-length drawer over 3 small drawers that mirror the 3 drawers at top. Again, the center drawer is fully carved. Below drawers is a fully vine-carved skirt w/ shaped bottom. Has 4 carved fully articulated cabriole legs w/ acanthus knees and ball and claw feet and original brass casters.
Original owner Matthias Slough was a colonel in the Rev. War, a superintendent of the Philadelphia to Lancaster Turnpike, a county coroner and treasurer, and tavernkeeper of the White Swan. Buried in St. James Episcopal Cemetery.
Made by unknown Lancaster Borough workshop.
Provenance
Original owner believed to be Mathias Slough, based on a 1934 letter from Ethel Torrington Davis to Mr.(James?) McCormick. Ms. Davis states her mother received story from her mother Mrs. Beatty. Mathias Slough married Mary Gibson and had three daughters. The oral tradition is that each daughter was given a high chest. These chests then descended in the family, one of which descended through the mother of Ethel T. Davis to James McCormick (in payment of an outstanding debt). This info researched by John J. Snyder.
From a July 1975 letter, donor George J. Finney recalls the highboy in the home of James McCormick of Hbg, his grandfather. After his death in 1917, it stayed with the house & his son Donald McCormick until his death in 1945. It was then put up for sale at auction of household good but failed to sell due to price not meeting expectations of executors. Donor learned of this, and in 1946 he offered to buy it for $2,500 and the estate accepted. Donor has owned highboy since 1946. Upon the death of the donor, it was bequeathed from his estate.
Multiple repairs (e.g. pieced out around drawers); refinished; some losses, most noticeable in some cartouche elements and leaves of rosettes. Finials missing the ball at mid section. Cosmetic conservation done by Cory Berrett April 1992.
Repairs made 12-2-09 by Winterthur conservator in consultation with curator Wendy Cooper (see conservation report in file). Major changes: broken off rosette leaf tips replaced; missing finial balls and top plates of plinths replaced.
Object ID
G.92.06
Notes
John Snyder states that mahogany is unusual for Lancaster Co. high-style pieces. Secondary woods are poplar and pine.
He notes six or fewer high chests of this Lancaster County Chippendale design are known to exist, and that of these six, "this piece is unquestionably the finest example." (Based on artistic evaluation, condition and provenance. Of these other chests, 2 are in private collections, one is in the State Department collection at Yale University, and the others' whereabouts are currently unknown.
Snyder says this high chest is closely related structurally to the famous Chippendale desk and bookcase acquired by the Winterthur Museum from the Withers family, living near Strasburg, Lancaster Co.
OBITUARY
May 14, 2009 FRANCES DAVIS HASSINGER EVERHART, of Lower Allen Township, Mechanicsburg, PA, passed away Thursday, May 14, 2009, in Bethany Village, Mechanicsburg. Frances was born March 1, 1916, in Harrisburg, PA, the daughter of CARL W. AND ETHEL TORRINGTON DAVIS. She was a 1938 graduate of Vassar Co...
Matthias Slough (1733-1812) was the tavernkeeper of the White Swan. The high chest was made at an unknown Lancaster Boro workshop, except for the carved cartouche of Philadelphia.
Place of Origin
Lancaster
Credit
Heritage Center Collection, bequest of George J. Finney Estate
Modern "revivalist" fraktur created by Professor H. J. Kauffman's caretaker/nurse, Arlene Harnish. Mounted in handmade wood frame with corner blocks.
Marriage and birth certificate done on tinted laid paper with various colors. Within a border are three panels, the larger central panel has the text: "Henry Ka/uffman/Son of David and Anna/Kauffman was born on/November 14, 1908 in Yo/ork County, Pa. Married/ Elizabeth Zoe Tomer/July 20, 1938." Signed at the bottom "A Harnish" The two side panels are nearly symmetrical, featuring flowering plants growing out of a colorful pitcher resting on a stepped pedestal. A large colorful bird is perched in each of the plants.
Frame was made by HJK in earlier years.
1704 Millersville Pike, Lancaster
Provenance
Made by Arlene Harnish (b. 13 March 1946), caretaker of Henry J. Kauffman. She stated on 30 May 2000, that she learned to make fraktur by taking a class at Landis Valley Museum taught by Jere Kickerman. This piece was only the second fraktur she made, the first being the project for the class, done for her granddaughter.
Harnish made this fraktur for HJK during working hours at his residence when another was pressing. She copied motifs from a book. When completed, HJK told her to look for a frame in the basement. The one she found turned out to be one made by Kauffman himself. Harnish expressed shock and embarrassment upon learning that Kauffman had donated her fraktur to a museum. Arlene is Mrs. R. Edwin Harnish, 1586 Georgetown Rd. Christiana, PA phone: 5292712.
Modern fraktur and frame in excellent condition. The handmade from has small crack in top left corner block where nailed. Wood stain shows brush marks. Brown paper backing.
Object ID
G.96.37.9
Notes
This fraktur is featured in Irwin Richman's book "Pa. German Arts," 2001, page 14.
Place of Origin
Lancaster
Usage
Kauffman's home
Credit
Gift of Henry J. Kauffman, Heritage Center Collection
Spiral labyrinth, watercolor and ink on wove paper, signed by John A. Landis (15 Sep 1777 - 8 Mar 1862) of Lancaster City. Within a line border is a compass-drawn large circle filled with interwoven near-circles (paths of labyrinth) emanating from another center circle that is in turn filled with compass-drawn floral decoration. The near-circle pathways have text written within, beginning at the top with the words, "What is a gentleman?" Leafy vines with flowers fill the corners outside of the large circular labyrinth. Two distelfink-type birds are perched on lower vines. At bottom center is a heart in which vines are anchored. Within heart are 4 lines of neatly printed English: "Made By/ John A. Landis in the/ Year of our Lord 1852/ in the Seventy Fifth/ Year of his/ Age."
Reverse side of frame has two stickers; the top one reads: "MSC/ #135" and the lower one reads: "T76.10.37/ (MSC - 135)."
Unusual -- believed to be the only hand-done Lancaster City fraktur known. Samuel Baumann is the design source for Landis's birds, flowers and hearts. Baumann produced printed fraktur in Ephrata in the early 19th century. See NOTES
Provenance
Provenance: Dealer Hattie Brunner to Dr. & Mrs. Donald A. Shelley. Shelley collection sold at auction (Pook & Pook), Oct. 2004 to Heritage Center.
Paper is darkened overall; watercolored words of labyrinth are blurry and often illegible.
Object ID
P.04.45.1
Notes
According to Landis family genealogy & other sources, Landis operated a museum in Lancaster City at several successive locations. Article in Lancaster Gazette, 1825, lists detailed changes & additions Landis made to the museum.
Landis married twice, leaving no children and is buried in Shreiner's cemetery (tall monument along Mulberry St. side). The 1850 Census records him living, at age 72, with his wife Sarah in a hotel kept by Henry Nauman. He is also listed in the 1860 Census but of course gone by 1870.
Labyrinths have been made in various forms for centuries, traditionally of a spiritual nature. According to Michael Bird, "The labyrinth had pre-Christian roots in the worlds of Crete, Greece and Rome..." Landis's labyrinth is unusual in that it is not rooted in a spiritual or Biblical theme, but instead focuses on moral character. This compass-drawn design is not traditional Pa. German; it is likely Anglo-inspired.
This labyrinth was illustrated in Donald Shelley's "The Fraktur-Writings of Illuminated Manuscripts of the Pa. Germans", figure #223. See Klaus Stopp's The Printed B&BCs of the German Americans, Vol. II, pp. 208-217, for fraktur printed by the Baumanns of Ephrata. These show the source of motifs used in this labyrinth.
Clock wheel cutting machine used by Lancaster clockmaker Martin Shreiner, Sr. Made of steel and brass with turned wood handle knob on crank. Main frame of tool is steel resting on four rounded, downward-curving legs with coin-shaped feet. Many moving parts, arms and cranks/screws, including the swiveling cutting yoke/frame at top (cutter blade with arbor/spindle missing) and the shaped index arm that "reads" the holes on the 13"-diameter brass wheel furnished with concentric circles of surface holes.
The LaFonds call this a very sophisticated machine, incorporating Swiss, German and English ideas/influences. This indicates to them that the machine was made in America, very likely by Shreiner himself. It was imperative for clockmakers to own this tool to practice their trade. Few survive. This machine was first described in the early book or article (LCHS Bulletin) printed in 1917(or 1919) & 1939 by D. McGee who wrote about Lancaster clockmaking. Ed believes this machine to be "the finest American engine in existence" and that it very well may have been made by Shreiner, probably in the 1790s. The cutter blade was used to cut the teeth on the large brass wheels that turn the pinions. There would have been either a slitting cutter or a form cutter used. Carter Harris says form cutters were used by the 1790s.
Attributed to Martin Shreiner (1769-1866).
An 8x10 B&W photo is in picture file under "clocks." Also slide is in slide collection, #14-3-11.
Lancaster Borough, most likely
Provenance
Owned by two brothers, Samuel K. and William L. Fraser, clockmakers who lived in Lincoln (just west of Ephrata) and grandsons of clockmaker William Fraser (1801-1877), then to early collector Earl T. Strickler (FNAWCC) who had it on display at the Columbia Clock and Watch Museum. Upon Strickler's sudden death circa 1974, it was sold by his widow, Mary Jane Strickler, to Edward F., Jr. and Virginia A. LaFond who removed rust and kept it on a window sill. They then traded it to dealer Jamie Price for some clocks. Price had it on sale at the 2004 Philadelphia Antiques Show in mid-April where, as representative for the von Hess Foundation, Tom Cook, purchased it for this museum's collections.
Ed LaFond believes the Fraser family was related to the Gorgas family, thus they were in a position to inherit tools. Due to this, it was believed at first that both the machine and the scribe were from the Gorgas family. However, LaFond believes the Frasers were also related to the Shreiners. Stacy Wood claims this machine was one of Martin Shreiner's tools (Vol. 96, LCHS Journal).
Pitting on steel surfaces, slight discoloration on brass parts, signs of wear overall.
Object ID
G.04.19.1
Notes
Information from: Clockmakers of Lanc. Co., Wood/Kramer, 1977, p. 142. 225 Years of Timepieces (Catalog of 1st Annual Exh. of NAWCCM, 1979), p. 63. Stacy Wood researched origins and provenance of these tools and wrote article in Vol. 96 #4 of LCHS Journal. Conversations with Virginia LaFond ( 5/19/04), Ed LaFond (7/6/04) and Carter Harris (7/7/04).
Place of Origin
Lancaster
Usage
Shreiner, Martin
Credit
Gift of the Richard C. von Hess Foundation, Heritage Center Collection
Dial scribe used originally for engraving circular lines (chapter rings) in brass dials. Converted for use with later white-painted dials (probably held a pen, according to clock expert Ed LaFond). Used by Jacob Gorgas (1728-1798). Maker unknown; most likely Lancaster Borough.
The tool arm is created from a foot-long bar of iron, rectangular in section. One end is enlarged and fitted with a vertical attachment made of cone-shaped iron surmounted by a turned wooden (walnut?) handle. This vertical attachment comes to a blunt point at the bottom. A shaped sleeve fits onto the horizontal iron bar and is fitted with a vertical hexagonal hole at one side. Two iron thumb screws are positioned at each side of sleeve.
Provenance
Owned by two brothers, Samuel K. and William L. Fraser, clockmakers who lived in Lincoln (just west of Ephrata) and grandsons of clockmaker William Fraser (1801-1877), then to early collector Earl T. Strickler (FNAWCC) who had it on display at the Columbia Clock and Watch Museum. Upon Strickler's sudden death circa 1974, it was sold by his widow, Mary Jane Strickler, to Edward F., Jr. and Virginia A. LaFond who owned it for "20 some" years. They then traded it to dealer Jamie Price for some clocks. Price had it on sale at the 2004 Philadelphia Antiques Show in mid-April where, as representative for the von Hess Foundation, Tom Cook, purchased it for this museum's collections.
Ed LaFond believes the Fraser family was related to the Gorgas family, thus they were in a position to inherit tools. Due to this, it was believed at first that both the machine and the scribe were from the Gorgas family. However, LaFond believes the Frasers were also related to the Shreiners.
Iron surface is pitted from corrosion, now stable. Turned wood handle is moderately worn and scarred with a broken off piece creating one flattened side. Wood is also checked (cracked) throughout neck.
Object ID
G.04.19.2
Notes
Stacy Wood researched origins and provenance of these tools and wrote an article in Vol. 96 #4 of LCHS Journal. Conversations with Virginia LaFond ( 5/19/04) and Ed LaFond (7/6/04).
Place of Origin
Lancaster
Usage
Gorgas, Jacob, 1728-1798
Credit
Gift of the Richard C. von Hess Foundation, Heritage Center Collection
Tall case clock w/ 8-day movement housed in a cherry Chippendale style case with scroll pediment, carved floral rosettes and three flame finials. Arched glass door and side lights. Partially engaged, smooth columns at front corners, forming part of the hinged door.
Brass dial has Roman numeral chapter ring, C-scroll and vining foliate engraving at spandrels as well as above and below moon wheel which is painted with a star-spangled sky and moon with face. Engraved "Wilton Atkinson" on lower dial.
Waist has broken arch door and recessed, plain quarter columns. Base has raised, scalloped panel at front with quarter columns that match those in the waist section. Feet are bold ogee bracket style.
Atkinson is believed to have been the son of Matthew Atkinson of Lampeter Twp. Wilton was in the Borough as early as 1763 as a cutler. In tax records, he was listed in 1770 as a watchmaker and in 1772 and 1773 as a clockmaker. He married Anna Maria, daughter of the early Borough clockmaker Abram Laroy. Legend states that Anna Maria also made clocks in Lancaster that were sold bearing her husband's name. The Atkinsons eventually moved to Baltimore where, following his death, Anna Maria conducted business until 1819. (Clockmakers of Lanc. Co.)
Snyder notes on p. 40 of Clockmakers of Lanc. Co, that this case is considered one of the earliest examples of the Chippendale style in Lancaster Co., based on the brief working career of Atkinson (1770-1773).
Provenance
Owned by Dr. George Rohrer, then to son Henry A. Rohrer, then to daughter Mary Louise Webster. Tape adhered to reverse side of dial has the name of the donor's father, "Henry Rohrer/ 9-22-87."
Case has been overcleaned, finished with a glossy varnish then handrubbed with steel wool to remove gloss. Vertical scratch on right side of base; feet marred. Crack at lower right corner of base, below raised panel. There are about nine nail holes over the expanse of the tympanum suggesting missing carving. Heavy dent on dial at left edge, center, and hammer marks at this point on reverse side. Lower left corner distorted.
Object ID
G.01.49.1
Notes
Entry for Wilton Atkinson in "Clockmakers of Lancaster Co. and Their Clocks 1750-1850" notes that: "Atkinson married Anna Maria, a daughter of the early Borough clockmaker Abrum Laroy and legend states that she also made clocks in Lancaster that were sold bearing her husband's name. "
Brochure of the First Reformed Church (UCC) notes that in the 1760s, "the French Laroys" belonged to this church. "One chronicler called the LeRoy sisters (four daughters of a local clockmaker) the 'Belles of the congregation.'... Anna Maria, the youngest of the sisters, learned her father's trade and was said to be 'as good a clockmaker' as he was. She and her husband, Wilton Atkinson, took over the family business." (Note: Abrum Laroy died in 1763).
Above brochure is http://visithistoricalancaster.com/pdf/02LP109 HOW-FR-UCC
Call to church office & conversation with paster Dana Schlegel offered no clues to source of above information (Jan. 2017).
Place of Origin
Lancaster
Credit
In memory of Dr. George Rohrer and Mrs. & Mrs. Henry A. Rohrer by Mary Louise Webster, Heritage Center Collection
Bilingual broadside printed on rag paper, advertising Benjamin Schaum's Hardware store on North Queen St., Lancaster. The ad begins in English with a note of thanks to Schaum's customers for their business. Next are lists of items available for purchase, including bar, rod, hoop and sheet iron, steel "Of every Description and Manufacture", glass, paintes, oil, varnishes, stoves, cedar and pewter wares, grindstones, spikes, nail, and brads. There are also illustrations of additional products, including a plane, anvil, and clamp.
The ad is also printed in German in the bottom quarter of the page, and at the very bottom is the printer's name, William Albright, and the location opposite the Market House, Lancaster.
Heavy creases down the center and across the middle. Some tears at various places along the edges, esp. 3" in from the lower left corner, and 2" up from the lower right corner. Apparent transfer of ink from another printed item visible.
Object ID
P.91.02
Place of Origin
Lancaster
Credit
Gift of the James Hale Steinman Foundation, Heritage Center Collection
Detached family record pages from an English language Bible; one folded sheet of paper having 4 printed pages for marriages, births and deaths. In succession, pages have been filled in by William Henning, the Francis Blum and finally David C. Hoke (per Josh Reeder, expert).
Holy Matrimony page by William Henning (and/or Francis Blum) records marriage of William W. Brenneman and Mattie L. Mann, in Lancaster City on Nov. 15, 1887.
Births page has births of parents and 5 children. All work by Henning or Blum except for last entry (Viola) by David Hoke.
Ink drawing done over pencil sketch of the "Sawbuck House", done on a small lined piece of paper. The house is of brick and half timber construction. The side facing out to the right has two windows with fifteen panes each and twin shutters; above these two windows, closer to the peak of the roof, is a smaller, partially open window with nine panes showing.
The adjacent side, facing out to the left, has three windows and a door; one of these windows is similar to the first two, although with only twelve panes; the other two windows have their shutters closed. Below these two windows, almost at street level, is a much smaller window, probably looking into the basement. The door is set in from its frame, and has steps leading up to it, flanked by two low walls acting as railings. There is a chimney in the center of the roof.
The entire "Sawbuck House" is flush up against another, slightly larger building on its left side, also with a chimney in the center of the roof. To the right and slightly behind the "Sawbuck House" is yet another building, mostly obscured, but with another chimney and a high fence. A tree is shown growing at the side of this building. A sidewalk runs in front of all three buildings.
Written along the bottom of the drawing in ink is the following: '"Saw-buck" House--S.E. cor. Lime + Middle Sts--/Lancaster Pa--.'
Additional notes have been made in pencil: "S.E. cor. Lime + Middle Sts--." just above the curb of the sidewalk; "Brick" just above the basement window; and "Filled with stone." in the upper right corner above the tree. The number "25" also appears in upper right corner, and a circled "30" in the lower right corner.
Middle Street is now Howard Avenue. The Sawbuck House, also called the Powell House, was demolished before 1900.
The paper has become slightly worn and browned around the edges. The extreme lower left corner is creased, and the upper right corner has a small nick taken out, and a small hole below the number "25". There is also a 1/4" tear at the upper right corner, below the hole and extending to the edge of the paper.
This piece has been float-mounted in hinged window matting.
Object ID
P.77.31.01
Place of Origin
Lancaster
Role
Artist
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
Ink drawing over pencil sketch of a log house on a high masonry foundation. The house has a peaked roof with twin chimneys. There is a set of steps leading up to the front door, and what appears to be a set of basement doors in the foundation. There is a fence leading off to the left, a tree behind the fence, and a larger tree on the sidewalk on the right.
The drawing has the following caption in ink: "Old Log House--N.W. cor. E. Orange + Charlotte." Additional notes appear to have been made in pencil and then erased, except for a "42" in the upper right corner.
On the reverse are sketches of bells from the German Reformed Church, E. Orange St. Below the sketches is the following inscription: "(.VOR.DIE.HOCHDEUTSCHE.REFORMIRTE./GEMEINE.IN.LANCASTER.IN.DEM.STAAT./PENNSYLVANIA.1784)/COLITE.JEHOVAH.CUM.LAETITIA./Chapman + Mears of London 1784/Venite.in.Conspectum.Ejus.Cum./Canter."
Ink drawing over pencil sketch of the old "Lock-Up", done on a small piece of lined paper. Shows a low stone building with a peaked roof, two chimneys, four sets of doors and windows, and four dormered windows above. There is also one side door, a large fence extending out from the near corner, and a smaller fence running the length of the front of the building. A rough drawing of a person is visible in the second door from the left. Part of another building can be seen at the right.
The drawing is labeled in both pencil and ink, with a caption reading 'Old "Lock-up"/in Alley back of "Exchange" Hotel--/formerly Lemon's Brewery--/Lancaster Pa--'
This building was widely known as the Old Brew House, and stood on E. Mifflin Street, slightly west of the intersection with S. Duke Street. Before the Revolution, this was a brewery owned successively by James Ralfe and John Musser. The first sessions of Franklin College were held here. It was evidently converted into row houses early in the 19th century.
J.W.W. Loose, The Heritage of Lancaster, pp.74-75.
Height (cm)
10.16
Height (ft)
0.3333333333
Height (in)
4
Width (cm)
15.875
Width (ft)
0.5208333333
Width (in)
6.25
Dimension Details
Hinged within a window mat..
Condition
Good
Condition Date
2017-06-28
Condition Notes
Edges are worn and browned. There are two significant stains along the bottom edge: a brown water stain about 1 1/8" from the lower left corner, and a bluish stain with white radiating from it, about an inch from the first, which has partially eaten through the paper. The right edge has two 1/4" tears: one about an inch down from the upper right corner, and one about an inch and a half from the lower right corner.
The first of these tears and the bluish stain have been mended.
Object ID
P.77.31.04
Place of Origin
Lancaster
Role
Artist
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
Ink drawing over pencil sketch of various adjoining buildings on the S.W. corner of E. King and Middle Streets. The three buildings predominantly shown are similar in design, although the largest, center building has an overhanging roof and twin front doors.
The pencil caption at the top reads "E. King + Middle Barney McGonigle Property"; the ink caption at the bottom reads "Nov. '81--S.W. Cor. E. King & Middle Sts--/Lancaster--Pa."
(The reverse has a pencil sketch of another building, with the caption "Dr. Hutter's Folly")
The buildings on the front, predominantly of eighteenth century date, are typical of the type that was once common in the Adamstown and Mussertown parts of Lancaster. When the construction of the Eastern Market was proposed in 1883, Shippen Street was extended south of East King Street, and these buildings were demolished.
J.W.W. Loose, The Heritage of Lancaster, pp.74-75.
Height (cm)
10.16
Height (ft)
0.3333333333
Height (in)
4
Width (cm)
15.875
Width (ft)
0.5208333333
Width (in)
6.25
Dimension Details
Hinged within a window mat..
Condition
Good
Condition Date
2017-06-28
Condition Notes
The paper is worn and browned around the edges. The left edge has a series of nicks and small brown specks. There is a 1 3/4" tear running down from the upper left corner, and another small nick at the top edge, about 2 5/8" from the upper left corner.
The paper was evidently attached to some other backing at an earlier date, as remnants of that backing remain on the back, at the four corners.
The piece is currently float-mounted on hinged window matting.
Object ID
P.77.31.05
Place of Origin
Lancaster
Role
Artist
Signed Name
Old Log House
Signature Location
Center to right at bottom
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
Washington Hotel, D. Miller's Hotel, and Farmer's Bank
Description
Ink drawing of two three-story buildings on the s.w. corner of E. King Street and S. Duke Street, both having Federal period characteristics, including arched fan lights over the doorways. The first building has a plain white facade, and a sign over one door that reads "Farmer's Bank". The second building, which is apparently the main subject of the drawing, also has a sign over the door that reads "D. MILLER'S HOTEL", as well as another sign hanging out into the street, showing a man standing at a table. A third building is partially visible at the right. NOT FOUND IN BOX 0066, July 2023
The street in front of the buildings has six carriages of varying design, some with horses and drivers. Three men are shown standing in front of the hotel, while another man is walking in front of the bank.
The caption at the top of the drawing reads "WASHINGTON HOTEL/EAST KING STREET". The name "Clarke" appears in small lettering immediately below the drawing, and "D. Miller Lancaster" appears below that.
The hotel, which was apparently known as the General Washington, was kept by "Dare Devil" Dave Miller from 1827 to 1836. This site is currently occupied by the Trust Department of the Hamilton Bank (formerly National Central Bank) and the Provident Bookstore.
The same group of buildings is shown in P.77.31.07
J.W.W. Loose, The Heritage of Lancaster, pp.74-75.
Height (cm)
19.685
Height (ft)
0.6458333333
Height (in)
7.75
Width (cm)
21.59
Width (ft)
0.7083333333
Width (in)
8.5
Dimension Details
Hinged within a window mat..
Condition
Good
Condition Date
2017-06-28
Condition Notes
There is brown spotting over much of the left side of the drawing, as well as a particularly dark brown spot in the upper right corner. The ink in the drawing has been smudged in several areas, especially along the roofs of the two buildings, and a larger area near the front door of the hotel.
The piece has been mounted in hinged window matting.
Object ID
P.77.31.06
Place of Origin
Lancaster
Role
Artist
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
Washington Hotel, D. Miller's Hotel, and Farmer's Bank
Description
Watercolor on paper, showing two three-story buildings on the s.w. corner of E. King Street and S. Duke Street. The first building is colored red, signifying either brick or frame construction; it has a sign over one door that reads "Farmer's Bank". NOT FOUND IN BOX 0066, July 2023
The second building, which is evidently the main subject of the painting, has a gray stone construction and green shuttered windows. A sign over its doorway reads "D. MILLER'S HOTEL"; there is another sign hanging out over the sidewalk, showing a man standing at a table. A third red building is partially visible at the right.
A man is shown standing in the doorway of the hotel, while another walks in front of the bank.
The caption at the bottom of the painting reads 'WASHINGTON HOTEL, EAST KING ST. LANCASTER, PA./"Dare Devil" Dave Miller, Proprietor, about 1830.'
The same group of buildings is shown in P.77.31.06
J.W.W. Loose, The Heritage of Lancaster, pp.74-75.
Height (cm)
16.51
Height (ft)
0.5416666667
Height (in)
6.5
Width (cm)
19.05
Width (ft)
0.625
Width (in)
7.5
Dimension Details
Hinged within a window mat..
Condition
Good
Condition Date
2017-06-28
Condition Notes
The paper was evidently attached to another backing at some point, as pieces of the backing and glue stains are visible on the back, at the four corners.
This piece is currently mounted in hinged window matting.
Object ID
P.77.31.07
Place of Origin
Lancaster
Role
Artist
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
Ink drawing over pencil sketch of a pair of three-story brick houses, done on a small piece of lined paper. The upper stories of the two buildings are virtually identical; the lower story of the building on the left (with a sign reading "Y.M.C.A. FREE READING ROOMS") has a railed sideways staircase leading up to the front door, which is pedimented and flanked by two columns. The building on the right has a paneled glass front, and a sign on the sidewalk that says "S.H. ZAHM/BOOKS".
Various captions in pencil and ink identify the various buildings and/or their owners. An incomplete building on the left is labeled "Hon Jasper Yeates". The YMCA building has the caption "Judge Chas. Smith" at the bottom and "Built by Judge Chas. Smith" at the top. The second building is labeled "S.H. ZAHM/2nd Hand Book/Book Store" and "Book bindery/Blank Book Manu", indicating the second floor.
This pair of buildings was built by Jasper Yeates between 1783 and 1785, at the corner of S. Queen and W. Mifflin Streets. He intended them to be rental properties, and the southern house was later rented to Yeates' son-in-law.
J.W.W. Loose, The Heritage of Lancaster, pp.74-75.
Height (cm)
10.16
Height (ft)
0.3333333333
Height (in)
4
Width (cm)
15.875
Width (ft)
0.5208333333
Width (in)
6.25
Dimension Details
Hinged within a window mat..
Condition
Good
Condition Date
2017-06-28
Condition Notes
The edges of the paper are slightly worn. There are two 1/4" tears on the right side, one about 3/4" from the upper corner, and one about 1" from the lower corner.
The paper was evidently attached to another backing, as pieces of that backing are still attached to the reverse corners.
The piece is currently float-mounted in hinged window matting.
Object ID
P.77.31.08
Place of Origin
Lancaster
Role
Artist
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
Watercolor on paper, showing a building called the Telescope House or the Steamboat House. It has a two-story octagonal center section, and two one-story wings; the center section has a cupola (also octagonal). The building has a frame construction, and is colored brown with ivory-white trim. A high fence extends across the front of the building. Various trees are visible behind the building. NOT FOUND IN BOX 0066, July 2023
The caption at the bottom reads "THE TELESCOPE HOUSE,--BUILT BY JOHN F. REMLEY. 1841-8/COLUMBIA AVN. & MARIETTA PIKE." The lower right corner has the date of the painting, "1881"
The building stood approximately where W. King and W. Orange Streets meet. The name "Telescope House" comes from the fact that the house used to have an observatory until the late 1800s, when the building was renovated and additional floors were added (prior to this painting).
J.W.W. Loose, The Heritage of Lancaster, pp.74-75.
Height (cm)
15.24
Height (ft)
0.5
Height (in)
6
Width (cm)
17.78
Width (ft)
0.5833333333
Width (in)
7
Dimension Details
Hinged within a window mat..
Condition
Good
Condition Date
2017-06-28
Condition Notes
There are numerous gray marks over the surface of the painting, and some areas of paint are faded. The reverse has glue stains on the corners, where the painting was apparently attached to a previous backing.
The piece is currently float-mounted in hinged window matting.
Object ID
P.77.31.11
Place of Origin
Lancaster
Role
Artist
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
Pencil sketch on paper, showing Rock Ford and some out-buildings. The house is two stories, frame construction on a stone foundation, with a peaked roof and two chimneys. It has a pedimented front door and a large side porch (apparently the porch extended to three sides of the house, although this is not visible in the drawing). A fence is running across the lower right section of the drawing.
The following information is written in the upper right corner: '"Rockford"/on Conestoga--/Lanc. Co. Pa--/Residence of/Gen' Ed Hand/he died here/Oct. 21. 1882.'
Rockford was the country seat of General Edward Hand. It overlooks the Conestoga River slightly south of Lancaster. It was most likely completed in the early 1790s.
J.W.W. Loose, The Heritage of Lancaster, pp.74-75.
Height (cm)
10.16
Height (ft)
0.3333333333
Height (in)
4
Width (cm)
16.8275
Width (ft)
0.5520833333
Width (in)
6.625
Dimension Details
Hinged within a window mat..
Condition
Good
Condition Date
2017-06-28
Condition Notes
The edges of the paper are slightly browned, and the entire paper shows vertical buckling. There is a stain on the upper edge near the right corner, and a 1/4" tear about one inch from the upper right corner. The remains of a previous backing are still attached to the corners on the reverse.
The piece is currently float-mounted in hinged window matting.
Object ID
P.77.31.12
Place of Origin
Lancaster
Role
Artist
Credit
Acquired through the generosity of the James Hale Steinman Foundation, Heritage Center Collection
