Birth certificate is hand done by artist using design elements from printed fraktur. Multicolor text is enclosed in a central arched arbor w/ flame finials. Text names Christian, a son of Jacob and Barbara (KIndig) Bachman, born 1827 in Lampeter Twp. Two confronting angels flank arbor and 2 additional text blocks of religious verse support arbor. A pavilion at bottom is flanked by blue trees & large colorful pinwheel flowers.
Border at sides and top have colorful, repeating floral/foliate motifs; top is arched. Hearts and flowers fill top corners. Above arbor is a large 4-point stylized star flanked by reclining trees.
Artist uses red, blue, light blue, black, yellow, white, green, orange and brown.
Inscribed on reverse in black ink is "No 4 made by Eli Haverstick 1834."
Provenance
Descent in Bachman family to donor. Two nearly identical birth certificates are known, for older sister Anne, b. 1823 (private owner-Barbara Ann Mable) and younger brother John, b. 1832 (G.96.9.1). Similarity suggests all were made at the same time in 1834.
Bachman family genealogy in file. See info on Christian Bachman in Mennonite Arts, 2002, pp. 56-57.
Conserved by Susan Duhl in 2001. Generally worn and discolored. Repair to edge tears & corner loss. Abrasions & paper fill in top right corner were in-painted with watercolor. Tape at back of top edge is now removed w/ remaining stain. See report in file.
Object ID
G.00.23.1
Notes
Haverstick is believed to be a teacher due to being absent on tax rolls for Conestoga Twp.
Christian Bachman (1827-1901) became a prominent cabinetmaker in eastern Lancaster County, just like his father Jacob Bachman (1798-1867). He married Barbara Buckwalter in 1855. After marriage, he moved to Strasburg where he set up his own shop.
Place of Origin
Conestoga Twp.
Role
Artist
Credit
In memory of Charles Bachman, grandson of Christian Bachman, by his son Charles Bachman, Jr. and family.
Sampler worked on scrim with polychrome Berlin wool yarn. Densely decorated with opposing angels, birds, eagles, geometrical and floral motifs.
Inscribed on back of framed sampler is provenance: "Mary Shopf m. ? (Rudolph) Hertzler, Mary Hertzler m. Christian Herr, Amos Herr m. A.M. Hollinger, Anna C. Herr m. Harold Wilkinson." (Anna is donor) Note: Mary Shopf's coverlet is G.80.137.2.
Mary Shopf (1 Feb 1823 - 12 Mar 1903) made sampler circa age 18.
Provenance
Maker Mary Shopf Hertzler (1 Feb 1823 - 12 Mar 1903) to daughter Mary Hertzler Herr (16 Aug 1849 - 14 Apr 1929) to son Amos Herr (b. 1876) to daughter and donor Anna C. Herr Wilkinson.
Maker was possibly the daughter of Henry Shopf & Elizabeth K. Kauffman. Henry was from Manor Twp.
Jacquard coverlet, cotton warp and wool weft. Wool is dyed with madder red, indigo blue and green. Made with a 4 & 1 tiedown weave structure. Joined at center seam.
Corner block reads: "Made by J. Witmer, Manor Township, for Mary Shopf, 1840."
Note: Mary Shopf''s 1841 sampler is G.80.137.1.
Witmer, Jacob (1797 - 1887) Extant coverlets: 1837-1851
Provenance
Descent: Maker Mary Shopf Hertzler to daughter Mary Hertzler Herr to son Amos Herr to daughter and donor Anna C. Herr Wilkinson.
Genealogy: Mary Shopf (1 Feb 1823 - 12 Mar 1903) m. Rudolph Hertzler, dau. Mary Hertzler (16 Aug 1849 - 14 Apr 1929) m. Christian Herr, son Amos Herr (b. 1876) m. A.M. Hollinger, dau. Anna C. Herr m. Harold Wilkinson." (Anna is donor)
Maker was possibly the daughter of Henry Shopf & Elizabeth K. Kauffman. Henry was from Manor Twp.
Weathervane, sheet iron, with iron upright support and brackets. In the shape of an Indian striding forward with right arm raised while holding a long hatchet. Directional arrow (spear?) is below waist, slanting upwards.
Pictorial sampler by Elizabeth Martin, dated 1825, depicting Rock Ford plantation house. Silk embroidery on linen is 3 shades of blue, dark green, light green, white, black, grey, and at least 4 shades of brown (including tan). Original frame is likely walnut with reeded molding and corner blocks; lapped corner joints.
Strawberry vine border. Alphabet top is centered over 1825 date and flanked by 8-pointed star each side. Beneath date is brick residence, showing front and gable end, believed to be Rock Ford plantation house. The 3-bay dwelling has 2 arched doorways, 8 windows, and two chimneys. House is flanked by a near-symmetrical arrangement of 2 large flowering tree motifs at each side; outer one surmounted by a large bird. Small crown at each side next to border.
Three verses below house; main verse at center states: "Elizabeth Martin is my name / Lampeter is my Station / heaven is my dwelling Place / and christ is my salvation / When i am dead and in my Grave / and all my bones are rotton / When this you see remember me / Least i should be forgotton." Flanked by verse of wisdom at left and religious verse at right, each framed by a flowering vine. Under verses is a horizontal row of 9 sets of initials all ending in the letter "M", certainly indicating Martin family members.
Bottom third of sampler is a large, central flowering plant flanked on either side by confronting female figures, each holding a bird on raised hand toward the central floral motif. Each woman is standing in front of a large satin-stitch embroidered haystack(?), with a large bird atop each.
See NOTES.
Photos: Negative is "Samplers" #43c. Slides are 45-3-1 to 45-3-6 and 45-9-3 to 45-9-8
Provenance
Inherited by Winona Ressler, then passed on to sister Elizabeth Ressler (Findley) upon Winona's death. Maker was the great, great, great grandmother of donor's wife Elizabeth Ressler Findley (born July 31, 1918) and her sister Winona. Descent in family through their maternal grandmother. Family history states sampler was made when Elizabeth Martin was 10-12 years old.
Research: Parents of Ressler sisters were Jacob and Emma K. Mowrer Ressler. Maternal grandmother was likely Mrs. Mowrer?
Age darkened linen. Dark around edge to upper left, across top, above house and around upper right edge area. Slight fraying in some areas around edge.
Stain around stem of right flower in bottoom central flowering design motif. Two dark stains above the word "my" in right phrase, a 3rd stain to right at base of flowering plant.
Conserved and remounted in original frame by Dora Shotzberger of Winterthur in 1986.
Object ID
P.85.05
Notes
Sampler is possibly influenced by the Leah Galligher school of Lancaster Borough. See Betty Ring, "Girlhood Embroidery" Vol. II pp. 410 ff.
Place of Origin
Lampeter Twp.
Credit
Heritage Center Collection through the generosity of James Hale Steinman Foundation
Pair of ice skates (A-B), housed in custom-fitted wooden case (C).
Skates constructed of steel plate in shape of foot surmounted on a 1/4-inch-thick blade terminating in a scrolled toe. Skates are identical with no right or left differentiation. One skate has four additional holes in heel. Three leather straps with buckles are riveted to footplate. Dimensions of skate: H: 4 1/2" W: 4" L: 12"
Bottom of each skate's footplate is stamped: "EICHHOLTZ & BRO/ LANCASTER, PA."
Box, softwood, dovetail construction, re-painted flat green. Under paint is a ghost of floral decoration on lid, front and sides. Has hinged lid leading to fitted interior covered with coarse green fabric pasted and tacked to wood and edged with braiding. Latch hooks on front to secure lid.
Made by Eichholtz & Bro. (Henry Clay Eichholtz (1830-1918) and Robert Lindsay Eichholtz.
Provenance
Research done by Tom Ryan suggests that according to Lancaster Directories, Eichholtz & Bro. were operating in Lancaster City possibly as early as 1858 and at least as late as 1870. Jacob Eichholtz's sons, Robert Lindsay and Henry Clay, were in partnership, listed as gunsmiths by 1863 and guns and cutlery by 1866 until at least 1870.
Skates largely intact, metal has slight corrosion overall, leather straps deteriorated with losses (2 missing on one skate and one on the other). Box appears to have been repainted and is very soiled. Interior has worn "upholstery" with losses of braiding. Hingers have been replaced; handle is missing at front.
Object ID
P.03.10.1a-c
Place of Origin
Lancaster
Credit
Heritage Center Collection, acquired through the generosity of Ronald V. Smith
Family register for Metzger family, hand-drawn, lettered and watercolored, horizontal orientation on wove paper, attributed to Karl Seybold (arctive c. 1813-1846). Format is the English style of register rather than Pa. German. Framed in molded softwood frame with very dark brown finish.
Within an inked double-line border is a grouping at top of rectangles with text re: parents. Father George Metzger born in Conestoga Twp.(1799-1845) and mother Maria Huber Metzger born in Boro of Strasburg (1804-1890), married 1821. Polychrome flowers surround text blocks. Father was Lutheran, mother (daughter of Abraham and Maria Longenecker Huber), apparently Mennonite (unbaptized as a child).
Below text blocks are 8 circles bordered w/ polychrome stylized flowers. Each circle records birth of a child. Birthplaces indicate pattern of residence:1st child born Lancaster Boro (1824), 2nd & 3rd Lancaster Twp (1827-1829), 4th & 5th in Manheim Twp (1831-1833) and last three in Warwick Twp (1836-1841).
Karl F. T. Seybold came to America in 1806, becoming a school teacher in Northampton Co. by 1813. His desire to join the Harmony Society in Ambridge, Pa. was unfulfilled, so he moved with his wife to Lancaster Co. in the 1830s, reportedly at the urging of his mother-in-law. He taught school and apparently lived in a Menno. community, doing mostly birth records and family registers for them (names like Funk, Hostetter, Herr, Kauffman, Huber, Miller, etc.).
Provenance
Unknown provenance before acquisition from sellers. Earnests do list the source of this fraktur as "Der Kurier" 9/93 p. 4. This is the newsletter of the Mid-Atlantic Germanic Society, published quarterly in March, June, September, and December. It is indexed in the Periodical Source Index by the Allen County Public Library, Ft. Wayne, Indiana and the Genealogical Periodical Annual Index by Heritage Books Inc, Bowie, Maryland
Old cardboard back has mailing label from L.E. Waterman Co. in New York City to W.H. Corey, Jr. of Owego, N.Y. A 12-cent stamp affixed to corner dates from early 20th century.
Paper soiling, foxing and scattered stains overall; significant moisture stains along bottom right border and smaller ones near center as well as along paper edges. Paper has significant spidery, stained cracks extending inwards from both right and left edges, clustered at center. Each side is repaired on reverse with a 2.5" - 3"-wide vertical band of paper tape, causing the dark staining seen at cracks on front. Vertical paper cracks at fold lines extend in from top and bottom. Frame has been recut to current size and has nicks and moderate wear. Corrugated cardboard backing replaced with acid-free board, Dec. 2004..
Dovetail construction, wire nails used on interior. Inside is a till and a sliding drawer; shoe molding on all bottom inside corners. Below mid-line molding are two thumbnail-molded, side-by-side drawers with nailed joints and fitted with locks, escutcheons and bail-type brasses in batwing style.
Lid is two joined boards with ends tenoned into end boards and pegged, cutting board fashion. Edge molding is intrinsic, not applied, except for light molding attached to underside to create lip. Lid has strap hinges with fishtail terminals and is fitted with a lock and brass batwing-type escutcheon. Medallion is relief-carved into center of lid top with "18 SF 40." The meaning of this 1840 date is a mystery.
Molding at the base of chest; four ogee bracket feet.
Provenance
Provenance: One of twelve pieces of furniture transferred to this museum from the Lancaster County Historical Society. These pieces were part of the estate of Sarah Ann Stauffer (1913-1996) whose property, Lime Kiln Farm, was bequeathed to LCHS upon her death in 1996.
Clarke Hess had suggested the chest may have been made for Sarah Ann Frantz and the 1840 date may be her birth year. Often, he says, pieces of furniture were made for a child or heir at the time of the settling of an estate.
Research: Sarah Ann Frantz (sister of Sarah A. Stauffer's gr-grandfather Henry L. Frantz) was born 1835, Grandfather Samuel O. Frantz was born 1861, so this theory is incorrect. (The East Hempfield Twp. farm of Sarah A. Frantz is located on both the 1875 and 1899 Atlases, SW of Rohrerstown and S.O. Frantz is shown nearby on 1899 Atlas.)
Top has large crack through center and many dents, scratches and score marks. Loss at right end of mid--line molding of front. Multiple cracks in sides. Repairs done to feet. Refinished with heavy stain and varnish on lid and all interior surfaces. Original finish on front is heavily alligatored; finish on sides is crackled. Interior surfaces have had paper and textiles adhere to wet varnish. Sliding drawer has crack in bottom.
Object ID
G.99.41.9
Place of Origin
Lancaster
Credit
Transferred from Lancaster Co. Historical Soc., Heritage Center Collection
Executioner's hood, or cap, of "black Albert twill serge", was made by John C. Dinan and mentioned twice in the June 29 New Era article "MURDERERS PAY PENALTY." It was worn by Lee Furman, convicted murderer, for his hanging on June 29, 1905.
Hood is form-fitted to a round head shape, with a protrusion at the middle of side (for nose?). Hood narrows at the neck and flares strongly out to shoulders and extends to mid-chest in length. Vertical flap extends from bottom to perhaps jaw line, where there is a small, circular opening, likely to accomodate the rope. Flap is secured by 3 cloth-covered buttons. Expertly sewn, likely by a local seamstress or tailor.
Also included with gift is a postal card postmarked Sept. 9, 1905 from H.S. Eckels & Co. in Philadelphia to Mr. J. Fred. Fisher at 128 N. Duke St., Lancaster, PA. message is handwritten in black ink: "Hood use(d) on Lee Furman Hung Thursday June 29, 1905 for the killing of Samuel Ressler "Toll gate Keeper" July 1, 1904." See NOTES on Fisher.
Provenance
Hood was purchased by Mayor Smithgall for $100 from a woman whose father reportedly had acquired it from the mortician. Postal card is unexplained (J. Frederick Fisher was a clerk for the P.R.R. and boarded at 504 N. Queen St. according to the 1890 Directory.
Hand towel, plain-weave linen, elaborately decorated with blue and red cotton cross stitch as well as drawn thread panels. Hanging tabs are plain-weave linen tape, 3/8" wide and very long.
Panel #1 has "MARIA" at the top flanked by large floral trees growing out of hearts. Second line reads: "MACDALLNA DAMY" and 3rd line is: "MY HAND AND NWEDLE." Below are 5 large tree motifs grounded on a horizontal embroidered line, followed by 8 small grounded trees.
Panel #2 is a drawn thread panel w/ cotton darn-stitched designs. Drawn threads stop short of sides -- unusual.
Panel # 3 has five blue and red motifs: star at center flanked by crowned peacocks, in turn flanked by geometric motifs.
Panel # 4 is a tripartite design: center has "HF" within an ornately embroidered red and blue heart, flanked by drawn thread panels w/ cotton darn-stitched trees surmounted by birds. (Initials stand for future husband Henry Fenstermacher, married the following year,1837.)
Panel #5 is very similar to panel #3.
Panel #6 is another drawn thread panel stopping short of sides, decorated w/ cotton darn-stitched geometric designs.
Panel #7 has upper case alphabet ending with the date 1836.
Panel #8 has three lines: "CHRISTOPHER/ DAMY CATHARINE/ DAMY A D 1836." (parents)
Plain self fringe at bottom has an applied short panel of linen with an elaborate knotted self fringe.
Made by Maria/Mary Magdalena Demmy (1811-1884).
Seller pinned on a note stating the mate to this towel (made by sister Elizabeth) was sold in the Rich and Joan Smith sale for $2400, inventory # CB29. Both towels illustrated in This is the Way I Pass My Time, p. 31.
Note: Older sister Maria/Mary Demmy's taufschein is P.06.15.1.
Birth & Baptismal Certificate for Maria "Temi" (Demmy) printed in German language by "Johann Ritter und Comp." of Reading. Darkened golden oak frame.
Central text within boilerplate border; a putto above, angels standing on clouds at top sides and birds on branches at lower sides. Text infilled by unknown hand states Maria was born Oct. 26, 1806 in Manheim Twp. to Christoph Temi and his wife Catarina, nee Etienne. Maria was baptized May 10, 1807 by Rev. August Miehlenberg and the witnesses were Mathis Wolff and his wife Maria. Infill in printed fraktur hand includes interesting line extensions drawn to fill in gaps
Heavily watercolored with dense reds, blue and green on all images and borders. This version of Ritter's print is one of many variations printed in the early 1820s (see Klaus Stopp, pp. 182-186).
Inscribed "Mary" twice at top of reverse side; once in pencil and once in brown ink with decorative scrolling line surrounding name.
Note: See hand towel (P.04.26.1) done by "Maria Macdallna Damy" in 1836 (Younger sister of Maria). Another nearly identical towel (Plate 14 in This is the Way I Pass My Time) was done by sister Elizabeth Damy in the same year. Both sisters married the following year in 1837, Maria to Henry Fenstermacher, whose initials are on her towel in a central heart. Also included on towel are parents' names "Christopher and Catharine Damy."
Printed by Johann Ritter in Reading, PA; Lancaster County infill by unknown scrivener.
Age darkening & soil overall w/ darkest staining/soiling in upper area. Several small breaks; holes caused by green paint (branch at lower right, upper cornucopia and stalks opposite cornucopia).
Chippendale high chest, mahogany, ornately carved, Phila-inspired Rococo style. Top section has scrolled broken arch pediment with central cartouche (attrib. to Phila carver, Martin Jugiez) and fully relief-carved vine tympanum, leading down to large central drawer w/ large carved shell & surrounding vines. Two small drawers flank center drawer, under which are 4 full-length, graduated drawers with original Chinoiserie brasses. Fluted corner columns on upper case; vine & leaf-carved corner columns on lower case.
Lower chest has top full-length drawer over 3 small drawers that mirror the 3 drawers at top. Again, the center drawer is fully carved. Below drawers is a fully vine-carved skirt w/ shaped bottom. Has 4 carved fully articulated cabriole legs w/ acanthus knees and ball and claw feet and original brass casters.
Original owner Matthias Slough was a colonel in the Rev. War, a superintendent of the Philadelphia to Lancaster Turnpike, a county coroner and treasurer, and tavernkeeper of the White Swan. Buried in St. James Episcopal Cemetery.
Made by unknown Lancaster Borough workshop.
Provenance
Original owner believed to be Mathias Slough, based on a 1934 letter from Ethel Torrington Davis to Mr.(James?) McCormick. Ms. Davis states her mother received story from her mother Mrs. Beatty. Mathias Slough married Mary Gibson and had three daughters. The oral tradition is that each daughter was given a high chest. These chests then descended in the family, one of which descended through the mother of Ethel T. Davis to James McCormick (in payment of an outstanding debt). This info researched by John J. Snyder.
From a July 1975 letter, donor George J. Finney recalls the highboy in the home of James McCormick of Hbg, his grandfather. After his death in 1917, it stayed with the house & his son Donald McCormick until his death in 1945. It was then put up for sale at auction of household good but failed to sell due to price not meeting expectations of executors. Donor learned of this, and in 1946 he offered to buy it for $2,500 and the estate accepted. Donor has owned highboy since 1946. Upon the death of the donor, it was bequeathed from his estate.
Multiple repairs (e.g. pieced out around drawers); refinished; some losses, most noticeable in some cartouche elements and leaves of rosettes. Finials missing the ball at mid section. Cosmetic conservation done by Cory Berrett April 1992.
Repairs made 12-2-09 by Winterthur conservator in consultation with curator Wendy Cooper (see conservation report in file). Major changes: broken off rosette leaf tips replaced; missing finial balls and top plates of plinths replaced.
Object ID
G.92.06
Notes
John Snyder states that mahogany is unusual for Lancaster Co. high-style pieces. Secondary woods are poplar and pine.
He notes six or fewer high chests of this Lancaster County Chippendale design are known to exist, and that of these six, "this piece is unquestionably the finest example." (Based on artistic evaluation, condition and provenance. Of these other chests, 2 are in private collections, one is in the State Department collection at Yale University, and the others' whereabouts are currently unknown.
Snyder says this high chest is closely related structurally to the famous Chippendale desk and bookcase acquired by the Winterthur Museum from the Withers family, living near Strasburg, Lancaster Co.
OBITUARY
May 14, 2009 FRANCES DAVIS HASSINGER EVERHART, of Lower Allen Township, Mechanicsburg, PA, passed away Thursday, May 14, 2009, in Bethany Village, Mechanicsburg. Frances was born March 1, 1916, in Harrisburg, PA, the daughter of CARL W. AND ETHEL TORRINGTON DAVIS. She was a 1938 graduate of Vassar Co...
Matthias Slough (1733-1812) was the tavernkeeper of the White Swan. The high chest was made at an unknown Lancaster Boro workshop, except for the carved cartouche of Philadelphia.
Place of Origin
Lancaster
Credit
Heritage Center Collection, bequest of George J. Finney Estate
Communion altar from Brickerville United Lutheran Church (originally Emanuel Evangelical Lutheran Church). Rectangular altar of painted softwood, panelled construction all four sides with pegged mortise and tenon joints. Small panels over large. Door in the back with a recessed panel and knob handle. Molding around base, the edge of the top, and framing the recessed panels.
Modification to altar in 1947 by Bob Helman (signature underneath when removed 10-17-00) was a long platform shelf covering the back 2/5 of the top, with holes at the back, including an electrical outlet. Entire altar has been given a new coat of paint, a light chocolate brown on top and white on the sides. The unpainted interior has one shelf with a vertical divider.
Altar has been used since circa 1800 to serve communion, using the Brickerville United Lutheran Church's ten-piece pewter communion service which is also in collections (P97.08.01-10).
Perhaps made by Emanuel Dyer of Manheim or Mr. Zartman of Brickerville.
Large crack on top, approx. 4" from front, running halfway across top. Recently painted. Some separation at moldings. Large hole bored in altar top (for electric wire) underneath the added platform, now removed. The modern base molding also removed. Repainted top with brown and attached molding at ends of top to secure plexi top. Paint removed on door.
Object ID
P.00.34.1
Place of Origin
Lancaster County
Credit
Heritage Center Collection, acquired through generosity of James Hale Steinman Foundation and V. Ronald Smith
Dressing table w/ mirror has Sheraton and Empire features, is made of solid mahogany and veneers with secondary woods of poplar and pine. This is a rare form.
Top has veneered half-column mirror frame supported by turned stiles which are set into top with a double tenon set at a backward cant. Mirror corners are blocks with turned bulls-eyes. Inner cove-molded fillet has vestiges of gilding.
Oblong table top comprised of solid 3/8" thick mahogany laminated onto 1/2" thick poplar, and secured to carcase with screws. A rounded molding is applied to front and ends.
Veneered carcase contains five dovetailed drawers faced with mahogany veneers: one long flanked by two short, over two long. The top drawers have a rounded profile while the two bottom drawers are cockbeaded. All drawers have replacement pulls of hollow, rounded brass knobs with a pierced floliate design. The two bottom drawers are fitted with locks; keyholes have brass insets but dark ghosting indicates missing escutcheons.
Baluster-turned legs extend from table top to floor. They support a low shelf 11 1/2" from floor. Shelf is shaped with recessed cutouts at front and ends.
Inscription: Interior of top central drawer has "J.F. MARKLEY/ CABINET MAKER/ Locust St./ COLUMBIA." stamped within an oval laurel wreath.
Also in collections is a J. F. Markley Empire chest of drawers (P77.02).
Provenance
Provenance: This dressing table was previously owned by an acquaintance of John J. Snyder, Michael Stinchcomb of ???, who recently changed his mind about using this piece in his bathroom when he realized the veneers would suffer. He consequently consigned it to sale at Pook and Pook.
Cracking in veneer on mirror. Numerous spots of corrosion on mirror. Moderate cracking in veneer on front and sides. Minor chips and scratches overall. Top has two cracks, one is 2" long at left and one is 6 1/2" long at right side. Bottom shelf has 6 1/2" crack at right side. Nails have been added to secure top to carcase; back of top is not secure due to stripped screws. Top left drawer has significant wood removed with rasp at front of sides.
Printed document is a naturalization certificate infilled for "Jacob Dickart" (sic), a prolific gunmaker of Lancaster. Printed on now-brown laid paper, it is a printed form for naturalizing foreigners who did not swear oaths. Now mounted in a modern black frame.
The certificate was designed for non-Quakers who had resided in the Commonwealth for seven years and who had never taken an oath of allegiance to King George II because of conscience, eg. Mennonites, Moravians & other sectarians who believe the Bible prohibits the swearing of oaths. Although Jacob is believed to have been raised in a Lutheran home, he later followed the Moravian faith.
Edward Shippen, Jr., Prothonotary of the Supreme Court of the Province of PA filled out this form for Dickert, who appeared before Judges William Atlin, William Coleman, and Alexander Stedman, in Phila. on Sept 24, 1765. An embossed seal is created out of a small square of paper and affixed to the upper left corner of the document.
HJ Kauffman notes that Dickert was born in Mainz, Germany in 1740, came to America with his parents in 1748. Family settled in Berks Co. and later, son Jacob moved to Lancaster in 1756, where he likely apprenticed with the gunmaker Matthias Roessor (as did Wm. Henry). Dickert worked c. 1760-1820. In 1764, he married Johanetta Hofer of York, PA, and the following year he travelled to Phila. to obtain this document. Kauffman states he was active in the Moravian church.
He died 1822.
See G90.7.1 file on Dickert rifle with family info. Transparency of a document with
General signs of age: soiling, minor foxing, dog eared corners with some minor losses. Fold line 3" from top, small holes along bottom. There is a backing of acidic paper which is attached with adhesive.
Mounted in a modern black frame by Lancaster Galleries for 2006 exhibit.
Very unusual German edition of a Birth & Baptismal Certificate (B&BC) printed on wove paper by Lancaster printer Herman William Villee. Infilled in red ink by an unknown, unskilled, illiterate hand for William Craus/Crause of Cocalico Township. Glued onto a mid-20th century printed certificate on thin cardboard & mounted in a modern thin, black frame.
Entitled "Geburts und Tauf Schein." at top. Entire frame around main text consists of one single cut (printing block) with the baptism of Christ at top and Christ blessing the children below. Central text block in German has blanks infilled in English with red ink. William Crouse was born August 10, 1828 to parents William and Sarah Craus(e?). He was baptized by Rev. Frederick Harman and the sponsor was John Koch(?). The birth year is scrawled above text three times and below is written "whas Ritten May 21. 1833." Villee's name and location printed at bottom.
Certificate is H: 16.25" x W: 13" It is heavily colored with dark red, black and yellow throughout.
J.J. Strine records the marriage of a William M. Crouse Esq. of W. Cocalico and Nancy Eberly of Reamstown, 12 Oct. 1858. (If the same Crouse, he was age 30.) 1869 Directory lists both Wm. Crouse Sr. & Jr., combmaking in Reinholdsville, while the Business Directory (p. 408) only lists Wm. Jr. as one of two comb manufacturers in Lanc. Co. William M. Crouse & son were manufacturing combs in Reinhold's Station in W. Cocalico Twp. in 1890 Directory. In 1909, only George W. Crouse continued.
Atlas of 1864 has Wm. Crouse Jr. w/ two bldgs. between Reinholdsville & Berks Co. line. The 1875 Atlas shows W.M. Crouse listed only with the bldg. nearest Berks Co. while the other bldg. is gone. The 1899 Atlas shows property labeled "COMB FACTORY".
Ellis & Evans lists William M. Crouse as a Justice of the Peace in 1855-1860 in W. Cocalico Twp. (p. 722).
Printed N. Queen Street; likely infilled in W. Cocalico Twp.
Provenance
Provenance unknown.
See P.01.60.1 for Heaven & Hell broadside by Villee.
See Klaus Stopp, The Printed B&BC of the German Americans, Vol. III, pp. 136-137.
Heavy damage with moderate staining. Extensive tears, wrinkles and holes, esp. at center. Largest losses are scene of Crist blessing the disciples. Many areas mended with tape. Glue & tape apparently used to mount document. Old cardboard backing. NEEDS CONSERVATION.
Broadside commercially printed on wove paper in Pa. German script. Geometric border surrounds text block of 4 long paragraphs. Modern frame.
Title is "Kraftiges Gebet, / Wodurch man sich vor Kugel und Degen, vor sichtbarlichen und un- / sichtbarlichen Feinden, so wie vor allem moglichen / Uebel beschutzen und bewahren konne."
Place of origin is unknown.
Seller's translation: "A Powerful Prayer whereby one can protect himself from shot and sword, of a visible or invisible enemy, just as from all other possible wounds that one need protect against."
Rows of letters at bottom with more text with a title "Vor die fallende Sucht, oder Gicht," which seems to mean "For those who've come down with an ailment (addiction?), or gout."
Modern "revivalist" fraktur created by Professor H. J. Kauffman's caretaker/nurse, Arlene Harnish. Mounted in handmade wood frame with corner blocks.
Marriage and birth certificate done on tinted laid paper with various colors. Within a border are three panels, the larger central panel has the text: "Henry Ka/uffman/Son of David and Anna/Kauffman was born on/November 14, 1908 in Yo/ork County, Pa. Married/ Elizabeth Zoe Tomer/July 20, 1938." Signed at the bottom "A Harnish" The two side panels are nearly symmetrical, featuring flowering plants growing out of a colorful pitcher resting on a stepped pedestal. A large colorful bird is perched in each of the plants.
Frame was made by HJK in earlier years.
1704 Millersville Pike, Lancaster
Provenance
Made by Arlene Harnish (b. 13 March 1946), caretaker of Henry J. Kauffman. She stated on 30 May 2000, that she learned to make fraktur by taking a class at Landis Valley Museum taught by Jere Kickerman. This piece was only the second fraktur she made, the first being the project for the class, done for her granddaughter.
Harnish made this fraktur for HJK during working hours at his residence when another was pressing. She copied motifs from a book. When completed, HJK told her to look for a frame in the basement. The one she found turned out to be one made by Kauffman himself. Harnish expressed shock and embarrassment upon learning that Kauffman had donated her fraktur to a museum. Arlene is Mrs. R. Edwin Harnish, 1586 Georgetown Rd. Christiana, PA phone: 5292712.
Modern fraktur and frame in excellent condition. The handmade from has small crack in top left corner block where nailed. Wood stain shows brush marks. Brown paper backing.
Object ID
G.96.37.9
Notes
This fraktur is featured in Irwin Richman's book "Pa. German Arts," 2001, page 14.
Place of Origin
Lancaster
Usage
Kauffman's home
Credit
Gift of Henry J. Kauffman, Heritage Center Collection
Fraktur, religious text in German by Adam Siegel (died 1809, active c. 1790-1804), done on wove paper in pen & ink for Martin Bar, framed in old dark brown varnished poplar frame (not original to fraktur).
The name "Martin Bar" fills the upper half in large fraktur-style lettering, illuminated with scrolling filigree. Included in the scrolling are two cartoonish heart-shaped faces with stubbled hair and shaded beards. Underneath name are six lines of religious text in German script, ending with the last line: "Geschrieben von mir ADS d(en) 28ten Mertz 1802."
Double-line border at top and left side only. Last word of fourth line of text appears to have been trimmed. Fraktur thus appears to have been trimmed at right and bottom. Reverse has pencil scribbles and one in ink.
Appears to have been trimmed at right side and bottom. Scattered dark stains, pinholes along fold lines, slightly larger holes at "i" in "Martin" and within the "B" of "Bar." Liquid stain of 1/2" size at center and one at right side at text. A tear 3/4"-long at right edge above center.
Replaced heavy paper backing used by vendors with acid-free matboard, 11/05.
Object ID
P.05.04.6
Notes
Papers for Birth Dayes notes that Siegel immigrated to America in 1774 and was a schoolmaster in Lancaster Co, perhaps in the Strasburg area. Although he made fraktur for Mennonites, he was not Mennonite. His work is usually not watercolored.
Paper included with purchase has the text rewritten in German script with an English translation below (see file). This person translates the recipient's name as Martin Biehr, although it is normally seen elsewhere as "Bare" or "Bear". Ellis & Evans gives numerous references to the name Martin Bare, usually found in the townships of Conestoga, East Lampeter and Upper Leacock.
Possible Bar/Bare family connections: See also a birth record for Andreas Bar (Andrew Bear) P.80.136 by an unknown scrivener. This Andreas/Andrew was the youngest son of Andrew Bear and wife Christina Heighley. A desk-and-bookcase P.77.34 has inscription of Adam Bare on its drawer. His father John Bear an older brother of Andreas. Relation of these Bears/Bares to Martin is unknown. Jane Evans Best (see her letter re: Bear family in file P80.136) would be a good source of help.
Place of Origin
Lancaster County
Credit
Gift of Irene N. Walsh, Heritage Center Collection
Mennonite apron of bleached, plain-weave cotton and black two-ply silk embroidery. Apron is gathered at the top and sewn onto a waist band with a commercial tape string at each end.
At top center is a dark brown cross-stitched design of a central star flower on triangle base, surrounded by seven stars or crosses. The separated initials "M S" flank this design and large crosses flank initials. Three different embroidered borders of black silk combine with drawnwork at bottom above a one-inch self-fringe secured with black stitches.
Provenance
Purchased by donor from the Rev. Fred Weiser in 1997. Weiser notes there are about 15 aprons known; see article in Der Regebogge written "some years ago."
Staining around embroidered design and initials from bleeding embroidery, near top. Age discoloration with small stains overall. Stains along sides. Several thread "pulls". Areas of missing embroidery on three crosses at bottom. Small hole at lower right of design.
Conserved Nov. 1997 by Dorothy McCoach of Bethlehem, PA
Object ID
G.97.39.9
Place of Origin
Lancaster County
Credit
Gift of Hampton Randolph, Sr., Heritage Center Collection
