Silver serviing spoon with the silver mark for Philadelphia silversmiths Bailey & Co. and Christmas 1864 engraved on the handle accompanied be an engraving on the back of the handle that reads J.B. from H.R.L. (James Buchanan from Harriet Rebecca Lane.) 136 Chestnut St., Philadelphia
Provenance
Lane, Harriet R.
Christmas gift to Buchanan, James
To Johnston, Harriet Lane
To Lane, John Newton (son of James B. Lane) To Fay, Patty Lane (JB Lane daughter)
To Sebrell, Patty Lane Fay (JB Lane granddaughter)
Originally Bailey & Co, the company was founded by Joseph Trowbridge Bailey and Andrew B. Kitchen. It was located at 136 Chestnut Street in Philadelphia, Pennsylvania. In 1840 Joseph’s brother Eli Westcott Bailey, a New York City jeweler and importer hurt financially by the Panic of 1837, came to Philadelphia and entered the firm. The name continued as Bailey & Kitchen. When Joseph died, Eli became the senior partner of Bailey & Co. until he retired in 1867.
Length (cm)
22.86
Length (ft)
0.75
Length (in)
9
Object ID
W.1998.001.003
Notes
Originally Bailey & Co, the company was founded by Joseph Trowbridge Bailey and Andrew B. Kitchen. It was located at 136 Chestnut Street in Philadelphia, Pennsylvania. In 1840 Joseph’s brother Eli Westcott Bailey, a New York City jeweler and importer hurt financially by the Panic of 1837, came to Philadelphia and entered the firm. The name continued as Bailey & Kitchen. When Joseph died, Eli became the senior partner of Bailey & Co. until he retired in 1867.
Open scroll work on rectangular music stand; elaborate lyre-shaped pedal support with two pedals. Three massive legs with ten-faceted tapered legs. Sides of keyboard area scrolled with foliate carving. Around bottom is rope-like molding.
Ames, Kenneth L [ed], 'Victorian Furniture: Essays from a Victorian Society Autumn Symposium', Victorian Society in America, 1982.
Height (in)
37.437
Length (in)
98.5
Width (in)
57
Condition
Good
Condition Date
2022-11-17
Condition Notes
adjusted' piano 5/16/1949
Last cleaning & tuning September 2006
Several strings are broken and the sound board no longer holds its tuning.
Object ID
W.1936.001.004
Notes
Jonas Chickering (1798-1853), whose firm made the piano, began his career as a cabinetmaker in Ipswich, New Hampshire. In 1818 at the age of twenty, he went to Boston and apprenticed himself in one of the town's cabinet shops.
Daguerreotype of Harriet Lane. Full bust length view, facing right. Her hair is coiled and pinned back. She is wearing a dark jacket over a white blouse, with a white lace collar. Broach at her neck and long earrings are prominent. Gold matting around image. Image mounted inside of book-type case of black leather and red velvet inner lining. Two hook clasps.
This daguerreotype represents the earliest known image of Harriet Lane, niece of President James Buchanan. This likeness might have been photographed ca. 1845, Harriet Lane would have been about fifteen years old.
Easgles Nest completed conservation on the image and frame.
Height (cm)
36.195
Height (ft)
1.1875
Height (in)
14.25
Length (cm)
6.985
Length (ft)
0.2291666667
Length (in)
2.75
Width (cm)
41.275
Width (ft)
1.3541666667
Width (in)
16.25
Dimension Details
Dimensions are for frame
Condition
Good
Condition Date
2022-07-21
Object ID
W.1995.015.001
Notes
Based on the pointed waistline of her bodice, this photograph was likely taken in Washington DC while she was the First Lady and before the year 1860. This style was at the height of fashion in the mid-1850s and quickly disappeared in the year 1860, when the straight waistline came into fashion.
One of two Louis XVI upholstered armchairs. Both chairs have gilt and bronze beading and foliate ornament décor on their crests, arms, uprights and aprons. All four legs are surmounted by foliate-decorated blocks transitioning to an urn-shape and ring and beaded ball turnings. They transition to reeds in the middle tapering to additional ring and ball turnings that terminate on brass casters.
One of two Louis XVI upholstered armchairs. Both chairs have gilt and bronze beading and foliate ornament décor on their crests, arms, uprights and aprons. All four legs are surmounted by foliate-decorated blocks transitioning to an urn-shape and ring and beaded ball turnings. They transition to reeds in the middle tapering to additional ring and ball turnings that terminate on brass casters.
One of two side chairs that loosely follows the 18th century Louis XVI design. Both chairs have gilt bronze beading and foliate ornament outlines on the back crest and horizontal shaped-splat while highlighting the apron and ring turning of the front legs. The seats are upholstered.
One of two side chairs that loosely follows the 18th century Louis XVI design. Both chairs have gilt bronze beading and foliate ornament outlines on the back crest and horizontal shaped-splat while highlighting the apron and ring turning of the front legs. The seats are upholstered.
One of six footed Cake Stands. Pink and white porcelain with gold decoration, scalloped edge. White with gold laurel leaf border; inside wider band of pink bordered with gold. Pedastal-footed, round, flat plate with polychrome painted faces with fruit and flowers.
One of six footed Cake Stands. Pink and white porcelain with gold decoration, scalloped edge. White with gold laurel leaf border; inside wider band of pink bordered with gold. Pedastal-footed, round, flat plate with polychrome painted faces with fruit and flowers.
One of six footed Cake Stands. Pink and white porcelain with gold decoration, scalloped edge. White with gold laurel leaf border; inside wider band of pink bordered with gold. Pedastal-footed, round, flat plate with polychrome painted faces with fruit and flowers.
One of six footed Cake Stands. Pink and white porcelain with gold decoration, scalloped edge. White with gold laurel leaf border; inside wider band of pink bordered with gold. Pedastal-footed, round, flat plate with polychrome painted faces with fruit and flowers.
One of six footed Cake Stands. Pink and white porcelain with gold decoration, scalloped edge. White with gold laurel leaf border; inside wider band of pink bordered with gold. Pedastal-footed, round, flat plate with polychrome painted faces with fruit and flowers.
One of six footed Cake Stands. Pink and white porcelain with gold decoration, scalloped edge. White with gold laurel leaf border; inside wider band of pink bordered with gold. Pedastal-footed, round, flat plate with polychrome painted faces with fruit and flowers.
American Rococo Revival Walnut Sofa. The serpentine back centered by a rose and shell scrolled carved crest, the back joined to closed arms, with a serpentine apron and raised on cabriole legs terminating in casters, silk velvet upholstery.
Bookcase composed of two sections. Cabinet with glass doors at top and cabinet with wooden doors at bottom. Two glass doors have square mullions holding the panes. Doors give access to moveable shelves inside. Two doors at bottom of each have simple rectangular recessed panels.
Thomas Potter - 2nd owner of Wheatland
Sold to William Morris Meredith 3rd owner of Wheatland
Sold to James Buchanan 4th owner of Wheatland
Inherited by Harriet Lane Johnston 5th owner of Wheatland
Bequeathed to John Newton Lane, Harriet Lane Johnston's nephew
Bequeathed to Mrs. Patty Lane Fay daughter of John N. Lane
Bookcases sold to Meredith in 1845 by Potter then Meredith sold them to James Buchanan in 1848. Letter dated 9/27/1848 to Buchanan from Meredith: 'In addition to the $6750 which you mention, I paid Mr. Potter for the bookcases in the library, I think $75.00.'
Left earlobe has broken off. Base is chipped. Various smudge marks all over.
Object ID
W.1960.006.001
Notes
James Buchanan Henry inherited this bust when his Uncle James Buchanan died; his cousin, Harriet Lane Johnston inherited the matching bust, which she later donated to the Corcoran Gallery of Art.
James Buchanan Henry bequeathed this bust to his son, Frank Anderson Henry, who donated it to the James Buchanan Foundation in 1960.
Sheraton-inspired mahogany veneer night table with satinwood inlay accents that outline the apron, drawer and keyhole, as well as the legs. The table top has eight sides and surmounts four saber legs that also support a lower inward-curved shelf.