Four post mahogany veneer bed owned by James Buchanan. Includes two sets of rails. Originals have carvings on top edge and hold multiple slats. Modern set accommodates modern box spring and mattress with iron supports.
One of eleven pieces from James Buchanan's French Parisian Pink dinner service. Designed and decorated by Jean-Pierre Feuillet in Paris at his studio on rue de la Paix no. 20. This service bowl has a floral center painted in a naturalistic palette in shades of yellow, green, blue and tan within a gilt cavetto below a wide pink band within a gilt edge.
Nast or Darte Freres factory. Jean-Pierre Feuillet, designer.
Provenance
French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt
One of eleven pieces from James Buchanan's French Parisian Pink dinner service. Designed and decorated by Jean-Pierre Feuillet in Paris at his studio on rue de la Paix no. 20. This service bowl has a landscape scene with a castle, a waterfall and two people fishing in shades of green, blue and tan within a gilt cavetto below a wide pink band within a gilt edge.
Made by Nast or Darte Freres factory. Jean-Pierre Feuillet, designer.
Provenance
French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt
White porcelain salad bowl with gold laurel leaf border; inside wider band of pink bordered with gold; monogram 'HEJ' and coat of arms (armored upraised arm with dagger) in gold.
One of eleven pieces from James Buchanan's French Parisian Pink dinner service. Designed and decorated by Jean-Pierre Feuillet in Paris at his studio on rue de la Paix no. 20. This soup bowl has a central gold medallion and gilt cavetto below a wide pink band with a gilt edge.
Made by Nast or Darte Freres factory. Jean-Pierre Feuillet, designer.
Provenance
French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt
One of eleven pieces from James Buchanan's French Parisian Pink dinner service. Designed and decorated by Jean-Pierre Feuillet in Paris at his studio on rue de la Paix no. 20. This soup bowl has a central gold medallion and gilt cavetto below a wide pink band with a gilt edge.
Made by Nast or Darte Freres factory. Jean-Pierre Feuillet, designer.
Provenance
French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt
One of eleven pieces from James Buchanan's French Parisian Pink dinner service. Designed and decorated by Jean-Pierre Feuillet in Paris at his studio on rue de la Paix no. 20. This soup bowl has a central gold medallion and gilt cavetto below a wide pink band with a gilt edge.
Made by Nast or Darte Freres factory. Jean-Pierre Feuillet, designer.
Provenance
French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt
A soup bowl that is part of the Parisian Pink china purchased by James Buchanan while serving as the U.S. Secretary of State from the French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt.
Nast or Darte Freres factory. Jean-Pierre Feuillet, designer.
Provenance
French Ambassador, Louis Adolphe Aimé Fourier, comte de Bacourt
Left earlobe has broken off. Base is chipped. Various smudge marks all over.
Object ID
W.1960.006.001
Notes
James Buchanan Henry inherited this bust when his Uncle James Buchanan died; his cousin, Harriet Lane Johnston inherited the matching bust, which she later donated to the Corcoran Gallery of Art.
James Buchanan Henry bequeathed this bust to his son, Frank Anderson Henry, who donated it to the James Buchanan Foundation in 1960.
One of a pair of Empire side chairs (with 2013.008.22) with yellow upholstered seat and cherry wood frame. Elements of entire frame are flat with rounded fronts. Back uprights have slight cyma curve, surmounted by a long, wide concave tablet. Tablet has low relief foliate carved ends while most of face is covered with a panel of mahogany veneer. Tablet extends beyond back uprights. Horizontal splat at center of back is pierced carved with a central rectangle flanked by half-moon carved shells, and is then supported by paired, loosely scrolled lyre-like "legs" that attach to chair posts. Trapezoid slip seat upholstered in an ivory cotton brocade. Front legs have a slight cyma curve.
Walnut rocking chair has caned back and seat. Frame of oval back is finger-molded and is connected to seat frame by two curving legs. Cyma-curve short, low arms connect oval back to seat, with foliate carving at top end. Seat frame is a rounded "D" shape with round outside edge. Ring-turned legs are all connected by a baluster-turned stretcher and sit on rockers with front ends barely extending beyond the front legs.
One of a pair of Empire side chairs (with 2013.008.21) with yellow upholstered seat and cherry wood frame. Elements of entire frame are flat with rounded fronts. Back uprights have slight cyma curve, surmounted by a long, wide concave tablet. Tablet has low relief foliate carved ends while most of face is covered with a panel of mahogany veneer. Tablet extends beyond back uprights. Horizontal splat at center of back is pierced carved with a central rectangle flanked by half-moon carved shells, and is then supported by paired, loosely scrolled lyre-like "legs" that attach to chair posts. Trapezoid seat. Front legs have a slight cyma curve.
Empire side chair of walnut with yellow upholstered trapezoid seat. Elements of entire frame are flat with rounded fronts. Both front legs and back uprights have slight cyma curve. Scroll-cut and carved wide crest rail with concave shape. It is faced with bookmatched crotch veneer, with kidney-shaped handhold at top center. Outline of two C-scrolls flank hole along top. Paired cyma curves form outline of bottom edge. Rounded ends. Scroll-cut horizontal splat is pierced with low-relief carved confronting C-scrolls at center and scrolling "legs" extending to chair posts. Bowed front seat rail and flattened cabriole front legs.
Empire era maple side chair; scroll cut and carved crest with pierced hand-hold at crest. Rail with horizontal splat, upholstered seat terminating with cabriole legs.
One of four rennaisance figured compotiers. The gilt scalloped edge features a gold laurel leaf border both inside and out with a wide band of lattice work. The compotier's interior is white and the exterior features a wide pink band with gilt lines. The cherub stem is bisque and terminates on a set of four pink and white gilded feet.
One of four rennaisance figured compotiers. The compotier's gilt scalloped edge features a gold laurel leaf border both inside and out bordered by a wide band of lattice work. The compotier's interior is white and the exterior features a wide pink band with gilt lines. The bisque cherub stem terminates on a set of four pink and white gilded feet.
One of four rennaisance figured compotiers. The compotier's gilt scalloped edge features a gold laurel leaf border both inside and out bordered by a wide band of lattice work. The compotier's interior is white and the exterior features a wide pink band with gilt lines. The bisque cherub stem terminates on a set of four pink and white gilded feet.
One of four rennaisance figured compotiers. The compotier's gilt scalloped edge features a gold laurel leaf border both inside and out bordered by a wide band of lattice work. The compotier's interior is white and the exterior features a wide pink band with gilt lines. The bisque cherub stem terminates on a set of four pink and white gilded feet.
One of two footed fruit compotes. Pink and white porcelain with gold decoration, scalloped edge. White with gold laurel leaf border; inside wider band of pink bordered with gold. Monogram 'HEJ' in the pink border. Round, shallow bowl with polychrome, hand-painted floral decor in center.
One of two footed fruit compotes. Pink and white porcelain with gold decoration, scalloped edge. White with gold laurel leaf border; inside wider band of pink bordered with gold. Monogram 'HEJ' in the pink border. Round, shallow bowl with polychrome, hand-painted floral decor in center.
